60Th Anniversary of the BLOB

Total Page:16

File Type:pdf, Size:1020Kb

60Th Anniversary of the BLOB STREETFAIR VENDORS STREETFAIR VENDORS CONT’D blobfest 2018 REVISED SCHEDULE 11:11 Creations Handmade Art Samantha Gray Fan Art th 60 Anniversary OF THE BLOB 8bit Fusion Scott Pensak Art Pop Culture Trinkets, Apparel & Jewelry Seamless Southwork Jewelry Arnold’s Family Fun Center Friday............7:30pm Friday Night Stage Show & Runout (Sold Out) Shayna Parker Doors @ 7pm. Hosted by Mr. Lobo with special guests Dr. Frank N. Stone, Dr. Ima Hack, Dash July 13 Blacknook & Mistress Rae’s Decadent Designs Fine Art, Prints & Handmade Bags Daring, Dixie Dellamorto, The Patient Creatures, Kris Yeaworth, Mary and the Monsters from Outer Goth Dolls, Jewelry & Accessories Space, and Feet First Dancers. Plus: Shorty-Award-winning films screened! No ticket for the Runout? Smitty’s Bowling Pin Art Come to Phoenixville anyway! Enjoy the Friday Summer Music series, then head back to the Colonial Bruce Blitz Caricaturist before 9PM to watch the Runout! Stephanie Stocker & Conor Lavin Fan Art C2 Creative Original Art Saturday......11-5pm Streetfair on Bridge Street Steve Unger Licensed T-Shirts July 14 Special guests: Mr. Lobo, Ghoul A Go-Go, David Eisenhauer - Cinema Sickness, Chris LaMartina, Matt Chop Shop Store Tamme Handmade Pillow & Bags McGinnis, Patient Creatures, Lee Wanner with the original fire truck from The Blob, Jonathan Hein Original Prints & T-Shirts with “Tony’s car,” and musical guests Dibbs Preston & the Detonators. Plus: vendors and more! Taylor Bielecki Original Art Chris Orlando Fan Art Inside the Colonial: Special Guests! Vintage Robot 11-5pm Robot T-Shirts & Accessories With the purchase of a ticket to any film you can visit our special guests & tour the theatre. Christopher White Collectibles 12:00pm Inside the Colonial: The Blob & Creature from the Black Lagoon 3D Crossan Concessions Kettlekorn Streetfair: Fire Extinguisher Parade Donald David Original Art & Prints GUESTS INSIDE THE COLONIAL Inside the Colonial: 4D Man Saturday 11am - 5pm 12:30pm Etched in Embers Wood Carvings Screening in The White Rabbit Theatre. Also showing at 4:30. Wristband Required to Enter the Theatre Inside the Colonial: Steve McQueen: American Icon Fairy Moon Marshall Terrill - Steve McQueen biographer Woodburning Art & Furniture Screening in The Berry Theatre. Introduced by Marshall Terrill with a Q&A after the film. Kris Yeaworth 1:00pm Streetfair: Costume Contest hosted by Dash Daring Florance & Leah Patient Creatures Register next to the stage, diagonally across the street from the theatre, at 12pm. Handcut Leather Jewelry & Accessories Bill Jersey - Art Director on The Blob 2:00pm Streetfair: Patient Creatures Storytelling @ Steel City Geek Boy Press Prints & T-Shirts Wes Shank - Caretaker of the Blob Steel City Coffeehouse is located at 203 Bridge Street, one block east of the theatre. Keith Almoney - Danny in The Blob 2:30pm Inside the Colonial: Dinosaurus! George Jordan - VHSPS - Videos & DVDs Screening in The White Rabbit Theatre. Also showing at 6:30. Ricou Browning Green Street Flux The Creature in Creature from the Black Lagoon Soaps, Potions & Candles Streetfair: Q&A with Matt McGinnis, Writer for MST3K: The Return Chris Mihm Matt will also sell prints of his “Famous Blobs” artwork and sign autographs. Director of Demon with the Atomic Brain Joe Gart - Model Geek Artwork & Models 4:00pm Inside the Colonial: The Blob & Creature from the Black Lagoon 3D K&K Collectibles & Movies Streetfair: Patient Creatures Storytelling @ Steel City MERCHANT FACADE CONTEST Steel City Coffeehouse is located at 203 Bridge Street, one block east of the theatre. Kiwanis Club of Phoenixville Vote for Your Favorite at the Pinball Inside the Colonial: Spook Show featuring Daughter of Horror 4:30pm Nicole Wiegand Machine Under the Colonial Marquee Screening in The Berry Theatre. Hosted by Mr. Lobo, Dash Daring & Matt McGinnis. Jewelry, Housewares & Art 8:00pm Inside the Colonial: The Blob & I Married a Monster from Outer Space Refinery - 131 Bridge Street Petunia Rocks! Chamber of Commerce - 171 Bridge Street Clothing & Accessories Sunday......... 2:00pm Inside the Colonial: The Blob & Demon with the Atomic Brain (2017) Liberty Carriage House - 176 Bridge Street July 15 Plus: Q&As with Keith Almoney, Ricou Browning, and director Christopher Mihm. Pickled Punks Prints Community Arts Phoenixville - 207 Bridge Street Around Town...................................................................................................................... All Kinds of Fast - 214 Bridge Street Pizza Party Printing Merchant Facade Contest Great Food and Libations Rec Room by Conshohocken Brewing Co. Prints, Apparel & Accessories Get updates at Cast your ballot at the pinball machine in front of the theatre. Support our generous advertisers & merchants! 230 Bridge Street Facebook.com/ Blobfest Ticket Information........................................................................................................... PopsicArt Pop Art Artisans Gallery & Cafe - 234 Bridge Street Double Features: $12 / $10 / $8 (Sorry, No Passes) Jewelry, Housewares & Art Cameron Peters Floral Design - 247 Bridge Street Tickets available online at www.TheColonialTheatre.com. Advance purchase tickets for Saturday’s shows must be 252 Bridge Street Schedule Puppet Sushi Puppets Community Eco Store - subject to exchanged for wristbands outside the theatre. You must have a wristband to enter the theatre on Saturday. change. LuLu Boutique & Gifterie - 12 S. Main Street Thanks to our Sponsors................................................................................................ Red Hot Gal’s Boutique Generations Toy Store - 113 S. Main Street The Mainstay Inn, Chester County’s Brandywine Valley, Advanced Dentistry of Toys, Housewares & Accessories Collegeville, Riverworks Phoenixville, Mosaic Music Lessons, RUNegades, and Visual Edge - 227 Church Street Renewal by Andersen Retro Roadmap The 3 Painted Pugs - 4 Gay Street Cool Vintage Places & Retro Fun Guidebooks Bad Chicken Photography - 220 Third Avenue.
Recommended publications
  • Professor Harpold's CV
    Terry A. Harpold Associate Professor of English University of Florida Term Professor, 2017–20 Curriculum vitæ (4/2020) Department of English voice: (352) 392-6650, ext. 282 4008 Turlington Hall fax: (352) 392-0860 University of Florida [email protected] Gainesville, FL 32611-7310 https://users.clas.ufl.edu/tharpold/ Education 1994. PhD, Comparative Literature and Literary Theory, University of Pennsylvania. 1987. AM, Comparative Literature and Literary Theory, University of Pennsylvania. 1983. BA, English, State University of New York, Stony Brook. Research interests Environmental humanities, science fiction and film, animal studies, digital humanities, image- text studies, psychoanalysis. Academic appointments 2017–20. University of Florida Term Professor. 2016–. Affiliate Faculty, Working Group for the Study of Critical Theory, University of Florida. 2015–. Affiliate Faculty, Center for Adaptive Innovation, Resilience, Ethics & Science, University of Florida. 2015–. Affiliate Faculty, Florida Climate Institute at the University of Florida. 2013–16. Director of Graduate Student Teaching and General Education, Department of English. 2007–. Associate Professor, Department of English, University of Florida. 2004–. Affiliate Faculty, Center for European Studies, University of Florida. 2001–. Affiliate Faculty, Center for Gender, Sexualities, and Women’s Studies Research, University of Florida. 2001–. Affiliate Research Faculty, Digital Worlds Institute, University of Florida. 2000–2007. Assistant Professor, Department of English, University of Florida. 1997–2000. Research and Teaching Faculty, Center for New Media Education and Research, Georgia Institute of Technology. 1 of 24 1996–98. Associate Director for Internal Affairs, Graphics, Visualization, and Usability Center, Georgia Institute of Technology. 1995–2000. Assistant Professor, Literature, Communication, and Culture, Georgia Institute of Technology. 1995–2000.
    [Show full text]
  • Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman.
    [Show full text]
  • Whose Canon Is It Anyway? Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by STORE - Staffordshire Online Repository Whose Canon is it Anyway? Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution Mark McKenna According to figures from the British Film Institute (BFI), the UK has the second largest filmed entertainment market in the world, coming second only to the USA,1 worth an estimated £3.8 billion (2016, p. 2). How we choose to navigate the sheer volume of films available to us is significantly affected by the circulation of discourse, often related to its visibility, as well as notions of taste. Jonathan Rosenbaum suggests that we can observe a segmentation of the discourse surrounding film—where the mainstream, the industry and academia all reinforce and promote their own agendas (2000). Historically, early film criticism was concerned with legitimising these texts and their study, consequently attempting to align film analysis with that of broader historical approaches established in the analysis of the fine arts. These early valorisations about what might constitute the highest quality representations, and the subsequent forma- tion of the film studies discipline, led to the formation of the first canons. Paul Schrader argues that by definition, the film canon is ‘based upon criteria that transcend taste’ (2006, p. 34). Whether a film appeals to you personally or whether the film was hugely popular are inconsequential considerations, instead, every effort should be made to separate out ‘per- sonal favourites from those movies that artistically defined film history’ (ibid.). Within this separation lies what Janet Staiger has referred to as the ‘politics of inclusion and exclusion’, where ‘some films are moved to the center of attention; others, to the margins’ (1985, p.
    [Show full text]
  • Slither - Voll Auf Den 67,652 This Schleim Gegangen (2006) Slither (Original Title) R | 1H 35Min | Comedy, Horror, Sci-Fi | 31 March 2006 (USA)
    Find Movies, TV shows, Celebrities and more... All | Help IMDb Movies, TV Celebs, Events News & & Showtimes & Photos Community Watchlist Sign in with Facebook Other Sign in options FULL CAST AND CREW | TRIVIA | USER REVIEWS | IMDbPro | MORE SHARE Watch This Week's Trailer Trailer 6.5/10 Rate Slither - Voll auf den 67,652 This Schleim gegangen (2006) Slither (original title) R | 1h 35min | Comedy, Horror, Sci-Fi | 31 March 2006 (USA) Check out highlights from some of the best recent trailers including "Disenchantment," Mile 22, and "Shameless." Watch now » 1:33 | Trailer 7 VIDEOS | 23 IMAGES Related News Watch Now James Gunn's Top 5 Movies at the Box From EUR2.99 (SD) on Prime Video ON DISC Office 3 hours ago | IMDb News A small town is taken over by an alien plague, turning residents into zombies and all forms of Disney Unlikely to Rehire ‘Guardians of mutant monsters. the Galaxy’ Director James Gunn (Exclusive) Director: James Gunn 4 days ago | Variety - Film News Writer: James Gunn Disney Unlikely to Rehire ‘Guardians of Stars: Nathan Fillion, Elizabeth Banks, Michael Rooker | See full cast & crew » the Galaxy’ Director James Gunn (Exclusive) Metascore Reviews Popularity 4 days ago | Variety 69 From metacritic.com 368 user | 263 critic 1,741 ( 546) 2 wins & 5 nominations. See more awards » See all related articles » Videos Around The Web Powered by ZergNet The Original Cast of 'Baywatch' Has Changed a Lot Since 1990 NickiSwift.com Reactions to Disney Firing 'GOTG' Director James Gunn NickiSwift.com See all 7 videos » What New 'Terminator' Image Gets Right About the Franchise Photos Hollywoodreporter.com Movies Too Uncomfortable to Watch With Your Partner Looper.com See all 23 photos » User Lists Create a list » Related lists from IMDb users People who liked this also liked..
    [Show full text]
  • Claymation - ‘The Blob’
    Stop-motion Animation Part 2: Claymation - ‘The Blob’ This short art activity is aimed at introducing youth to artists and art history concepts. It also encourages creativity and play. Please send students’ final product to [email protected] or tag #CPACCREATIVES on social media. Image still from CPAC Youtube digital content, 2020 Create your own stop-motion animation! Creating stop-motion can be as simple or as complex as you would like it to be. For this worksheet, we will create our animation using clay. I will be explaining how to make clay move! This worksheet is a continuation of Part.1: Stop Motion found in our CPAC Digital content page. 1 Materials: • Materials: • Modelling Clay - Plasticine • Nice flat surface (like a table) with a cover (like paper) as plasticine can be quite greasy • Smart phone or a tablet • Download a free stop motion app – Florence used ‘Stop Motion Studio’ app* • A stand or someone to help you film • A place with good lighting, or use a lamp * The Stop Motion Studio app is also available on the Google Play Store. Method: Creating the Blob Stop-motion 1. Pull out a piece of plasticine, big enough for your camera lens to see. Choose a colour that will show up well on camera – something bright on dark surface, or dark on light surface. I am using yellow on a black surface. 2. Roll the plasticine into a ball. 3. Prepare your table with a piece of paper, or table cover as plasticine is quite greasy. Make sure the surface is visible.
    [Show full text]
  • Baring the Windigo's Teeth: the Fearsome Figure in Native
    Baring the Windigo’s Teeth: The Fearsome Figure in Native American Narratives Carol Edelman Warrior A dissertation submitted in partial fulfillment of the requirements for the degree of Docrtor of Philosophy University of Washington 2015 Reading Committee: 1 Brian M. Reed, Chair Dian Million Christopher Teuton Luana Ross Program Authorized to Offer Degree: Department of English © Copyright 2015 Carol Edelman Warrior University of Washington Abstract Baring the Windigo’s Teeth: Fearsome Figures in Native American Narratives Carol Edelman Warrior Chair of the Supervisory Committee: Professor Brian M. Reed Department of English Whereas non-Native American fictional fearsome figures tend to produce anxiety from their resistance to categorization, their unpredictable movement, and their Otherness, many contemporary Native American writers re-imagine fearsome figures and monstrous systems as modeled after, and emergent from settler-colonial transgressions against Indigenous values and relationships: these behaviors spread to tribal people/s through incorporation or assimilation into the “body” of the fearsome figure. Such violations can be represented by, and better understood, through an exploration of the behavioral traits of the Algonquian figure of the 2 Windigo, or wétiko, even when the text in question would not be classified as horror. In the Indigenous works of fiction that this dissertation explores, villainy is depicted as behavior that destroys balance, and disrupts the ability for life to reproduce itself without human mediation or technological intervention. In this dissertation, I develop and apply “Windigo Theory”: an Indigenous literary approach to reading Indigenous fiction, especially intended to aid recognition and comprehension of cultural critiques represented by the fearsome figures.
    [Show full text]
  • DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008
    DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008 Title Issue Page *batteries not included May 99 12 "10" Jun 97 5 "Weird Al" Yankovic: The Videos Feb 98 15 'Burbs Jun 99 14 1 Giant Leap Nov 02 14 10 Things I Hate about You Apr 00 10 100 Girls by Bunny Yaeger Feb 99 18 100 Rifles Jul 07 8 100 Years of Horror May 98 20 1000 Eyes of Dr. Mabuse Sep 00 2 101 Dalmatians Jan 00 14 101 Dalmatians Apr 08 11 101 Dalmatians (remake) Jun 98 10 101 Dalmatians II Patch's London Adventure May 03 15 10:30 P.M. Summer Sep 07 6 10th Kingdom Jul 00 15 11th Hour May 08 10 11th of September Moyers in Conversation Jun 02 11 12 Monkeys May 98 14 12 Monkeys (DTS) May 99 8 123 Count with Me Jan 00 15 13 Ghosts Oct 01 4 13 Going on 30 Aug 04 4 13th Warrior Mar 00 5 15 Minutes Sep 01 9 16 Blocks Jul 07 3 1776 Sep 02 3 187 May 00 12 1900 Feb 07 1 1941 May 99 2 1942 A Love Story Oct 02 5 1962 Newport Jazz Festival Feb 04 13 1979 Cotton Bowl Notre Dame vs. Houston Jan 05 18 1984 Jun 03 7 1998 Olympic Winter Games Figure Skating Competit May 99 7 1998 Olympic Winter Games Figure Skating Exhib. Sep 98 13 1998 Olympic Winter Games Hockey Highlights May 99 7 1998 Olympic Winter Games Overall Highlights May 99 7 2 Fast 2 Furious Jan 04 2 2 Movies China 9 Liberty 287/Gone with the West Jul 07 4 Page 1 All back issues are available at $5 each or 12 issues for $47.50.
    [Show full text]
  • Merrily We Roll Along BRENT SCHINDELE*
    CAST OF CHARACTERS AARON LAZAR*...................................................................FRANKLIN SHEPARD Paul Crewes Rachel Fine Artistic Director Managing Director DONNA VIVINO*.............................................................................MARY FLYNN AND WAYNE BRADY*.....................................................................CHARLEY KRINGAS Cody Lassen AMIR TALAI*............................................................................JOE JOSEPHSON in association with Robert Laurita, Aaron Sanko, Invisible Wall Productions/ Diego Kolankowsky, Kari Lynn Hearn WHITNEY BASHOR*.....................................................................BETH SPENCER PRODUCTION OF SAYCON SENGBLOH*................................................................GUSSIE CARNEGIE MAXIMUS BRANDON VERSO................................................................FRANK JR. KEVIN PATRICK DOHERTY*.........................................................................TYLER Merrily We Roll Along BRENT SCHINDELE*................................................................................TERRY ERIC B. ANTHONY*................................................................................SCOTTY MUSIC AND LYRICS BOOK BY LAURA DICKINSON*..................................................................................DORY Stephen Sondheim George Furth SANDY BAINUM*..........................................................................................RU JENNIFER FOSTER*........................................................................BARTENDER
    [Show full text]
  • B-Movie Gothic International Perspectives Edited by Justin D
    Traditions in World Cinema General Editors: Linda Badley and R. Barton Palmer Founding Editor: Steven Jay Schneider JOHAN HÖGLUND JUSTIN D. EDITED BY This series introduces diverse and fascinating movements in world cinema. Each volume concentrates on a set of films from a different national, regional or, in some cases, cross-cultural cinema which constitute a particular tradition. EDWARDS AND EDWARDS B-MOVIE GOTHIC International Perspectives EDITED BY JUSTIN D. EDWARDS AND JOHAN HÖGLUND ‘This book takes head-on the complex question of the relationship between Gothic as a Western-origin art form and the rise of indigenous film of the supernatural and the eerie B-MOVIE GOTHIC across cultures and continents. Its focus on the B-movie is adeptly handled by a variety of distinguished critics, raising important questions about internationalisation and local International Perspectives development. There are many dark gems revealed here, and expertly and engagingly discussed.’ GOTHIC B-MOVIE David Punter, University of Bristol EDITED BY JUSTIN D. EDWARDS AND JOHAN HÖGLUND I Following the Second World War, low-budget B-movies that explored and exploited Gothic nternational Perspectives narratives and aesthetics became a significant cinematic expression of social and cultural anxieties. Influencing new trends in European, Asian and African filmmaking, these films carried on the tradition established by the Gothic novel, and yet they remain part of a largely neglected subject. B-Movie Gothic: International Perspectives examines the influence of Gothic B-movies on the cinematic traditions of the United States, Britain, Scandinavia, Spain, Turkey, Japan, Hong Kong and India, highlighting their transgressive, transnational and provocative nature.
    [Show full text]
  • Jeepers Creepers: Great Songs from Horror Films
    Jeepers Creepers: Great Songs from Horror Films A LITTLE NIGHTMARE MUSIC the film’s advertising campaign featured an image of score, using one of Jimmy Van Heusen’s lilting mel- the dead Reynolds, garishly dressed in a bloodied “tin odies for the three songs intended for top billed Pat For an album of tuneful melodies from movies that soldier” dance costume, in tandem with the Johnny Boone. The song itself--”The Faithful Heart,” sung by sometimes took a week or less to make, JEEPERS Mercer lyric, “So you met someone and now you know Boone on a makeshift raft in the center of an under- CREEPERS: GREAT SONGS FROM HORROR how it feels.” Effective, certainly, but as Harrington was ground sea--wound up on the cutting room floor, as FILMS was certainly a long time coming. quick to point out, it gave away the end of the picture! did “Twice as Tall.” (Only “My Love is Like a Red, Red Rose,” for which Van Heusen set Robert Burns’ poem It was some 10 years ago, at a New York book and 3. LOOK FOR A STAR. Some years before he wrote to music, made the final cut.) magazine show, that Scarlet Street magazine manag- a seemingly endless string of Top Ten hits for Petu- Tom Amorosi initially argued against including ing editor Tom Amorosi and I met the multi-talented la Clark (“Downtown,” “I Know a Place,” “Colour My “The Faithful Heart” in this collection, since JOUR- Bruce Kimmel for the first time. A few weeks later, World,” “Don’t Sleep in the Subway”), Tony Hatch, NEY isn’t strictly a horror film.
    [Show full text]
  • Video Nasties’: Economics, Marketing
    RETHINKING THE ‘VIDEO NASTIES’: ECONOMICS, MARKETING, AND DISTRIBUTION MARK MCKENNA A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy October 2017 February 2017 2 CONTENTS ABBREVIATIONS _________________________________________________________ 4 LIST OF ILLUSTRATIONS __________________________________________________ 5 ACKNOWLEDGEMENTS ___________________________________________________ 6 ABSTRACT _______________________________________________________________ 9 INTRODUCTION: A VERY ‘NASTY BUSINESS’ _____________________________ 10 PART ONE: RATIONALE AND CONTEXT __________________________________ 16 1 HISTORICAL OVERVIEW: INTRODUCTION ___________________________ 17 1.1 The Established History of the Campaign _________________________________ 17 1.2 Complicating the Established Narrative __________________________________ 27 2. LITERATURE REVIEW _______________________________________________ 37 3. METHODOLOGICAL APPROACHES: INTRODUCTION _________________ 51 3.1 The New Film History ________________________________________________ 52 3.2 Production Studies ___________________________________________________ 54 3.3 Beyond the Text_____________________________________________________ 56 3.4 The Old Film History ________________________________________________ 57 3.5 Summation _________________________________________________________ 58 4. TECHNOLOGY AND POWER _________________________________________ 63 4.1 Introduction ________________________________________________________
    [Show full text]
  • Converging Horror
    Macalester College DigitalCommons@Macalester College Media and Cultural Studies Honors Projects Media and Cultural Studies Spring 2017 Converging Horror: analyzing the importance of Convergence Culture on a digital audience through an examination of the conventions and politics of the horror genre Kelsey M. Fox Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/hmcs_honors Part of the Critical and Cultural Studies Commons, and the Film and Media Studies Commons Recommended Citation Fox, Kelsey M., "Converging Horror: analyzing the importance of Convergence Culture on a digital audience through an examination of the conventions and politics of the horror genre" (2017). Media and Cultural Studies Honors Projects. 6. http://digitalcommons.macalester.edu/hmcs_honors/6 This Honors Project is brought to you for free and open access by the Media and Cultural Studies at DigitalCommons@Macalester College. It has been accepted for inclusion in Media and Cultural Studies Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Converging Horror: analyzing the importance of Convergence Culture on a digital audience through an examination of the conventions and politics of the horror genre Kelsey Fox Advisor: Leola Johnson Media and Cultural Studies 26 April 2017 Abstract This thesis draws attention to the genre of horror in new media through a close examination of various digital texts, arguing
    [Show full text]