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Professor Harpold's CV
Terry A. Harpold Associate Professor of English University of Florida Term Professor, 2017–20 Curriculum vitæ (4/2020) Department of English voice: (352) 392-6650, ext. 282 4008 Turlington Hall fax: (352) 392-0860 University of Florida [email protected] Gainesville, FL 32611-7310 https://users.clas.ufl.edu/tharpold/ Education 1994. PhD, Comparative Literature and Literary Theory, University of Pennsylvania. 1987. AM, Comparative Literature and Literary Theory, University of Pennsylvania. 1983. BA, English, State University of New York, Stony Brook. Research interests Environmental humanities, science fiction and film, animal studies, digital humanities, image- text studies, psychoanalysis. Academic appointments 2017–20. University of Florida Term Professor. 2016–. Affiliate Faculty, Working Group for the Study of Critical Theory, University of Florida. 2015–. Affiliate Faculty, Center for Adaptive Innovation, Resilience, Ethics & Science, University of Florida. 2015–. Affiliate Faculty, Florida Climate Institute at the University of Florida. 2013–16. Director of Graduate Student Teaching and General Education, Department of English. 2007–. Associate Professor, Department of English, University of Florida. 2004–. Affiliate Faculty, Center for European Studies, University of Florida. 2001–. Affiliate Faculty, Center for Gender, Sexualities, and Women’s Studies Research, University of Florida. 2001–. Affiliate Research Faculty, Digital Worlds Institute, University of Florida. 2000–2007. Assistant Professor, Department of English, University of Florida. 1997–2000. Research and Teaching Faculty, Center for New Media Education and Research, Georgia Institute of Technology. 1 of 24 1996–98. Associate Director for Internal Affairs, Graphics, Visualization, and Usability Center, Georgia Institute of Technology. 1995–2000. Assistant Professor, Literature, Communication, and Culture, Georgia Institute of Technology. 1995–2000. -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman. -
Whose Canon Is It Anyway? Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by STORE - Staffordshire Online Repository Whose Canon is it Anyway? Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution Mark McKenna According to figures from the British Film Institute (BFI), the UK has the second largest filmed entertainment market in the world, coming second only to the USA,1 worth an estimated £3.8 billion (2016, p. 2). How we choose to navigate the sheer volume of films available to us is significantly affected by the circulation of discourse, often related to its visibility, as well as notions of taste. Jonathan Rosenbaum suggests that we can observe a segmentation of the discourse surrounding film—where the mainstream, the industry and academia all reinforce and promote their own agendas (2000). Historically, early film criticism was concerned with legitimising these texts and their study, consequently attempting to align film analysis with that of broader historical approaches established in the analysis of the fine arts. These early valorisations about what might constitute the highest quality representations, and the subsequent forma- tion of the film studies discipline, led to the formation of the first canons. Paul Schrader argues that by definition, the film canon is ‘based upon criteria that transcend taste’ (2006, p. 34). Whether a film appeals to you personally or whether the film was hugely popular are inconsequential considerations, instead, every effort should be made to separate out ‘per- sonal favourites from those movies that artistically defined film history’ (ibid.). Within this separation lies what Janet Staiger has referred to as the ‘politics of inclusion and exclusion’, where ‘some films are moved to the center of attention; others, to the margins’ (1985, p. -
Club 20, Wilderness Society Lock Horns
Registration In with the new, but not out with the old. Mesa's 1978 registration has brought both the old and the new to campus. In addition to the 1,100 students who pre-registered at the end of last year, 1,200 new and returning students regis tered for classes on Tuesday. Betsy Sneed, Mesa College registrar, says she expects that 90 per cent of the pre registered students will attend Mesa this fall. Included In that figure are 350 freshmen. Concerning total enrollment at Mesa, Sneed says, ''We're hopeful of 2,800 this term in day school students." THE· GRITERION .... Ve>I. 44 No. 33 Mesa College student newspaper Grand Junction, qo. Friday, September 1, 1978 12 Pages Tnis Week .. Club 20, Wilderness Society lock horns by TAM MY FREEBURG be devoted to three minute of the environment-they only meet-ing may submit written ought to be setting the guide Criterion Editor testimonies by individuals. understand the extraction of testimony, and it will be added lines and rules" for the areas resources and how.much mon- . to Club 20's report. All corre under consideration with The debate on wilderness is 'Not interested' f!'1 can be raised" by extract- spondence· relating to RAREII RARE II, "Not making them warming up. Perry Moyle, the regional . ing those resources. must be received by the Forest black or white." He feels mul"!' As the Oct. 1 deadline nears Service by Oct. I. tiple use of land-such as for submitting all written test- representative of the Wilder Vanderhoof says that since , imony concerning the Road ness Society for Colorado and the Forest Service will accept only written testimony con less Area Review and Evalua Kansas, says his organ lzation "Club 20 does not understand the tion, phase two, [RARE II] to Is not making any efforts to cerning RAREII, there will be the U.S. -
Suspense Fills the Eyes of L.Aura Mars
Retriever, September 18, 1978 9 · oo ~ wm~ w~=========================================:~===================== Suspense fills the eyes of l.aura Mars By Paul Strohl case with mysteries. Everytime I had the Faye Dunaway carries a heavy acting more sympathy for the other victims suspect, my villain would be killed--! Amidst the deluge of summer film load and comes across as unrealistic, but then for the heroine. This is a sign of suppose that's why its fun, but still with a good supporting case she still weak characterization, and Laura Mars releases an intriguing film has crept frustrating! looks pretty good. Brad Dourif (thd ,is definitely a weak character. Too bad. out--The Eyes of Laura Mars. Despite ·-The film uses many of the popular the redundant phrasing, ie, 'A Great ·chauffer) and Rene Auberjonois (hel thriller methods: a curvaceous main manager) add the sympathetic touches Tommy Lee Jones is an atypical police Mystery Suspense Thriller,' used to character, scantily-clad fashion models, advertise it, the film tells a good story needed for audience empathy. They are detective who goes through many and does mystify the audience--a changes, and he handles them well. His whodunit of high calibre. love conquers all, and that is refreshing To complement the solid script, the for a police character. acting and directing is above average- reminscent of classics~ like Wait Until Visually the film flows weil, Director Dark or A Turn of the Screw. You will Irvin Kershner succeeds in portraying definitely be on the edge of your seat, the interior turmoil of the psychic world and not because of cheap Jaws-type of Laura Mars. -
Slither - Voll Auf Den 67,652 This Schleim Gegangen (2006) Slither (Original Title) R | 1H 35Min | Comedy, Horror, Sci-Fi | 31 March 2006 (USA)
Find Movies, TV shows, Celebrities and more... All | Help IMDb Movies, TV Celebs, Events News & & Showtimes & Photos Community Watchlist Sign in with Facebook Other Sign in options FULL CAST AND CREW | TRIVIA | USER REVIEWS | IMDbPro | MORE SHARE Watch This Week's Trailer Trailer 6.5/10 Rate Slither - Voll auf den 67,652 This Schleim gegangen (2006) Slither (original title) R | 1h 35min | Comedy, Horror, Sci-Fi | 31 March 2006 (USA) Check out highlights from some of the best recent trailers including "Disenchantment," Mile 22, and "Shameless." Watch now » 1:33 | Trailer 7 VIDEOS | 23 IMAGES Related News Watch Now James Gunn's Top 5 Movies at the Box From EUR2.99 (SD) on Prime Video ON DISC Office 3 hours ago | IMDb News A small town is taken over by an alien plague, turning residents into zombies and all forms of Disney Unlikely to Rehire ‘Guardians of mutant monsters. the Galaxy’ Director James Gunn (Exclusive) Director: James Gunn 4 days ago | Variety - Film News Writer: James Gunn Disney Unlikely to Rehire ‘Guardians of Stars: Nathan Fillion, Elizabeth Banks, Michael Rooker | See full cast & crew » the Galaxy’ Director James Gunn (Exclusive) Metascore Reviews Popularity 4 days ago | Variety 69 From metacritic.com 368 user | 263 critic 1,741 ( 546) 2 wins & 5 nominations. See more awards » See all related articles » Videos Around The Web Powered by ZergNet The Original Cast of 'Baywatch' Has Changed a Lot Since 1990 NickiSwift.com Reactions to Disney Firing 'GOTG' Director James Gunn NickiSwift.com See all 7 videos » What New 'Terminator' Image Gets Right About the Franchise Photos Hollywoodreporter.com Movies Too Uncomfortable to Watch With Your Partner Looper.com See all 23 photos » User Lists Create a list » Related lists from IMDb users People who liked this also liked.. -
Eyes of Laura Mars - Bd
EYES OF LAURA MARS - BD Short Synopsis: She saw all life through the camera’s eye. Then suddenly she saw death! This riveting tale of murder and suspense stars Faye Dunaway as Laura Mars, New York's most controversial fashion photographer. World renowned for her sensational, erotic portraits of models in settings of glorified urban violence, Laura Mars exhibits a mystifying psychic ability. In her mind's eye, as if through the lens of her camera, she "witnesses" a series of bizarre murders with terrifying clarity. All of the victims are people Laura has known. Police detective John Neville (Tommy Lee Jones) discovers a striking similarity between Laura's works and classified police photographs of the murders and he attempts to unravel the events which have taken control of Laura's mind. the film builds to a spine-tingling climax when the eyes of Laura Mars reveal the identity of the killer. Critic Quotes/Reviews: “a very stylish thriller.” – Variety Target Audience: John Carpenter fans, Mystery buffs Notable Cast/Crew: Faye Dunaway (Network), Tommy Lee Jones (The Fugitive), Brad Dourif (One Flew Over the Cuckoo's Nest), Rene Auberjonois (TV's Benson), Raul Julia (The Addams Family) Key selling points: • Screenplay written by legendary John Carpenter • Directed by Irvin Kershner (The Empire Strikes Back) • Includes audio commentary by Director Irvin Kershner • Features a best-selling soundtrack featuring Barbra Streisand’s “Love Theme From ‘Eyes of Laura Mars’ (Prisoner)” Clip Link: https://youtu.be/kBWxgEZg3R8 Website Link: https://www.millcreekent.com/eyes-of-laura-mars-blu-ray.html Title UPC Item # Format Genre SRP Aspect Ratio Rating Runtime # Disc Eyes of Laura Mars – BD 683904633934 63393 Blu-ray Thriller $14.98 Widescreen R 1 hr 44 min 1. -
University of Florida Thesis Or Dissertation Formatting
REJECTED WOMEN IN FILM NOIR By CAROLYN A. KELLEY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Carolyn A. Kelley 2 To my mother and father, Elaine and Thomas Kelley 3 ACKNOWLEDGMENTS I want to thank my parents, Thomas and Elaine Kelley, for their unwavering love and support. You are the kindest, most generous people I know. I am proud to be your daughter. To my sister, Christine Kelley-Connors, thank you for always making me laugh and for helping me keep my perspective. I thank my ―second parents,‖ Madeline and Stuart Sheets, for always listening to me and for giving me excellent advice. I thank Ted Kingsbury for introducing me to classic Hollywood films through his Thursday night screenings at the Wellesley library. To Professors Patrick Murphy, Edward O‘Shea, Jean Chambers, and Steven Abraham of Oswego State University, and Julian Wolfreys of Loughborough University, I thank you for your support, friendship, advice and generosity in sharing your knowledge. Thanks also go out to Professors Pamela Gilbert, Kenneth Kidd, and Chris Snodgrass of the University of Florida for your thoughtful guidance, wisdom and patience. To my dissertation committee members, Robert Ray, Marsha Bryant, and Louise Newman, I appreciate your generous devotion to helping me shape this project and your helpful, insightful input. And, to my Dissertation Director, Maureen Turim, I thank you for your guidance, patience, intelligence, and kindness. Finally, to everyone listed on this page, please know this project would not have been possible without you, and I am extremely grateful to you all. -
Claymation - ‘The Blob’
Stop-motion Animation Part 2: Claymation - ‘The Blob’ This short art activity is aimed at introducing youth to artists and art history concepts. It also encourages creativity and play. Please send students’ final product to [email protected] or tag #CPACCREATIVES on social media. Image still from CPAC Youtube digital content, 2020 Create your own stop-motion animation! Creating stop-motion can be as simple or as complex as you would like it to be. For this worksheet, we will create our animation using clay. I will be explaining how to make clay move! This worksheet is a continuation of Part.1: Stop Motion found in our CPAC Digital content page. 1 Materials: • Materials: • Modelling Clay - Plasticine • Nice flat surface (like a table) with a cover (like paper) as plasticine can be quite greasy • Smart phone or a tablet • Download a free stop motion app – Florence used ‘Stop Motion Studio’ app* • A stand or someone to help you film • A place with good lighting, or use a lamp * The Stop Motion Studio app is also available on the Google Play Store. Method: Creating the Blob Stop-motion 1. Pull out a piece of plasticine, big enough for your camera lens to see. Choose a colour that will show up well on camera – something bright on dark surface, or dark on light surface. I am using yellow on a black surface. 2. Roll the plasticine into a ball. 3. Prepare your table with a piece of paper, or table cover as plasticine is quite greasy. Make sure the surface is visible. -
Baring the Windigo's Teeth: the Fearsome Figure in Native
Baring the Windigo’s Teeth: The Fearsome Figure in Native American Narratives Carol Edelman Warrior A dissertation submitted in partial fulfillment of the requirements for the degree of Docrtor of Philosophy University of Washington 2015 Reading Committee: 1 Brian M. Reed, Chair Dian Million Christopher Teuton Luana Ross Program Authorized to Offer Degree: Department of English © Copyright 2015 Carol Edelman Warrior University of Washington Abstract Baring the Windigo’s Teeth: Fearsome Figures in Native American Narratives Carol Edelman Warrior Chair of the Supervisory Committee: Professor Brian M. Reed Department of English Whereas non-Native American fictional fearsome figures tend to produce anxiety from their resistance to categorization, their unpredictable movement, and their Otherness, many contemporary Native American writers re-imagine fearsome figures and monstrous systems as modeled after, and emergent from settler-colonial transgressions against Indigenous values and relationships: these behaviors spread to tribal people/s through incorporation or assimilation into the “body” of the fearsome figure. Such violations can be represented by, and better understood, through an exploration of the behavioral traits of the Algonquian figure of the 2 Windigo, or wétiko, even when the text in question would not be classified as horror. In the Indigenous works of fiction that this dissertation explores, villainy is depicted as behavior that destroys balance, and disrupts the ability for life to reproduce itself without human mediation or technological intervention. In this dissertation, I develop and apply “Windigo Theory”: an Indigenous literary approach to reading Indigenous fiction, especially intended to aid recognition and comprehension of cultural critiques represented by the fearsome figures. -
DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008
DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008 Title Issue Page *batteries not included May 99 12 "10" Jun 97 5 "Weird Al" Yankovic: The Videos Feb 98 15 'Burbs Jun 99 14 1 Giant Leap Nov 02 14 10 Things I Hate about You Apr 00 10 100 Girls by Bunny Yaeger Feb 99 18 100 Rifles Jul 07 8 100 Years of Horror May 98 20 1000 Eyes of Dr. Mabuse Sep 00 2 101 Dalmatians Jan 00 14 101 Dalmatians Apr 08 11 101 Dalmatians (remake) Jun 98 10 101 Dalmatians II Patch's London Adventure May 03 15 10:30 P.M. Summer Sep 07 6 10th Kingdom Jul 00 15 11th Hour May 08 10 11th of September Moyers in Conversation Jun 02 11 12 Monkeys May 98 14 12 Monkeys (DTS) May 99 8 123 Count with Me Jan 00 15 13 Ghosts Oct 01 4 13 Going on 30 Aug 04 4 13th Warrior Mar 00 5 15 Minutes Sep 01 9 16 Blocks Jul 07 3 1776 Sep 02 3 187 May 00 12 1900 Feb 07 1 1941 May 99 2 1942 A Love Story Oct 02 5 1962 Newport Jazz Festival Feb 04 13 1979 Cotton Bowl Notre Dame vs. Houston Jan 05 18 1984 Jun 03 7 1998 Olympic Winter Games Figure Skating Competit May 99 7 1998 Olympic Winter Games Figure Skating Exhib. Sep 98 13 1998 Olympic Winter Games Hockey Highlights May 99 7 1998 Olympic Winter Games Overall Highlights May 99 7 2 Fast 2 Furious Jan 04 2 2 Movies China 9 Liberty 287/Gone with the West Jul 07 4 Page 1 All back issues are available at $5 each or 12 issues for $47.50.