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<I>The Chronicles of Narnia</I>

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<I>The Chronicles of Narnia</I> Volume 12 Number 1 Article 3 10-15-1985 The Trans-cosmic Journeys in The Chronicles of Narnia Steven Yandell Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Yandell, Steven (1985) "The Trans-cosmic Journeys in The Chronicles of Narnia," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 12 : No. 1 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol12/iss1/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Focuses on the journeys between worlds in the Chronicles of Narnia, presenting a chart of more than 60 such journeys. Notes participants, method of transport, starting and ending place and time, and surrounding circumstances. Develops geographies of the worlds and their relationships, and discusses the functions of these journeys in terms of plot. Maps and charts. Additional Keywords Journeys in the Chronicles of Narnia; Lewis, C.S. Chronicles of Narnia—Geography; Time and space in the Chronicles of Narnia; Steven Yandell This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol12/iss1/3 MYTHLORE 43: Autumn 1985 Page 9 The Trans~cosmic Journeys in The Chronicles of Narnia Steven Yandell Though not quite as dramatic as being carried by a Although Lewis' Chronicles maintain the existence Kansas cyclone or falling down a rabbit's hole, the of an unlimited number of worlds, there are only five journeys taken between worlds within C.S. Lewis' which Lewis involves in trans-cosmic travel. These Chronicles of Narnia are far from unexciting or even include The Wood Between the Worlds, Earth's world, unimaginative. In fact, even as Lewis was creating his Charn's world, the world of Narnia (a name which imaginary worlds he must have realized the need to come refers not only to the small, valley country, but also up with unique, creative ways to transport his the entire continent and seas which make up that characters between those worlds. A reader will world), and Aslan's Country. Although the latter is an understand this simply by considering the various infinitely large world which contains all of the groups of trans-cosmic or "between- world" journeys others, it must be considered a separate one, for within the Narnia Chronicles; each was described with several locations are described within it which exist clear understanding as to its function within the in no other world. These include the garden well to plot, and each acted as an original thread meticulously which Eustace was taken to be "undragoned," the woven into Lewis' storylines. clifftop on which Jill found herself in The Silver Chair, and the "Real Countries" described in The Last Although the teaching of Christian principles plays B a t t l e . an important role in all of Lewis' work, he recognized that its ease of acceptibility was dramatically The positions of these worlds in relation to each increased by the introduction of one important element of the others are based on a relatively simple concept — fantasy. Consequently, Lewis devoted much attention devised by Lewis. This concept is perhaps best to developing the fantasy element, knowing that it was described by some of the following diagrams: Aslan's through this form that he would "sneak past those Country, as previously stated, is infinitely large and watchful dragons" of stained glass and Sunday school consists of a large central mountain out of which jut associations. The fantasy's most prominent form is an infinite number of mountain ranges, sim ilar to the taken through the assessment that an infinite number of spokes of a wheel exptnding from one hub. Within each worlds exist and that travel between these worlds is of these ranges is contained a separate, sphere- possible. This basic premise predominates the sense of enclosed world. It is in this position that Earth, magic created by each of the Narnian books, and is Narnia, and Charn exist. In Narnia's case, the world is usually introduced within the first few pages. small enough that the edge of its sphere may be reached after travelling a relatively short distance. Earth's world, however, is so remarkably large that even modern It is through the trans-cosmic journeys that Lewis technology cannot detect its boundary. Although the demonstrated just how much attention he put into planet Earth seems only an insignificant speck in the developing the fantasy element in his books. Not only midst of vast space, the sphere does in fact exist and did Lewis construct an entire planar geometry in which may be passed through only with the aid of magic.. to organize his worlds, but he also expanded the theory Nevertheless, Caspian is justified in making a of non-linear time streams; a belief stating that distinction between Earth's and Narnia's worlds even because time may have depth as well as length, it may though they both may be considered "round." Although flow at different rates between two separate worlds. the inhabited land in our world exists as a molten With these two concepts in mind, Lewis designed the sphere within the larger world sphere, Narnia's land, various methods of sending his characters between specifically the continent, lies horizontally as a flat worlds. And because each of these "sendings" represents plane. Thus, as the level sea extends to the edge of an original use of the laws of time and space which the sphere, Narnia's world is divided into upper and govern Lewis' worlds, they have become the subject of lower halves (as a round fish tank filled halfway with this research. water might look). This paper shall act merely as an introduction to The round worlds which encircle the boundary-free the following chart which compiles information on every country of Aslan exist beneath the long, flat, journey taken between worlds within Lewis' Chronicles cylindrical world referred to as the Wood Between the of Narnia. The actual number of these journeys, quite Worlds. Lewis gives the reader little insight as to surprisingly, totals more than sixty separate ones. The what kind of a world this is, or even where it is information presented in the chart includes each located, but from the text of The Magician's Nephew, a journey listed chronologically, its participants, the few conclusions may be drawn. Lewis makes the starting location and time, the ending location and comparison between the Wood's relationship to the time, the method of transport, and the circumstances worlds to that relationship between the attic tunnel in surrounding each journey. Digory's house to the various rooms. Hence we get a picture of this "in between" world as being infinitely Before continuing, it must first be explained what large in order to accommodate the infinite number of constitutes an actual trans-cosmic journey. Most pools which lead to other worlds. Extending in all importantly, it must first occur between two separate directions, the Wood was described by the children as worlds; worlds "that can be reached only be magic" as being shielded closedly overhead by a vegetational Andrew Ketterley once explained to his nephew. Trips canopy made up of the branches of the tall trees; they taken within one world, such as Digory's flight to the also mentioned countless, evenly-spaced, shallow pools garden in The Magician's Nephew, are therefore not dotting the forest floor. Thus the image created is included, for world boundaries must be crossed and not also one of a very shallow cylinder, being no deeper merely country borders. than forty or so feet. With such a configuration of the Page 10 MYTHLORE 43: Autumn 1985 include more than one person if one or more re­ quirements are met. 1) Either physical contact is maintained by the travelers, 2) they are taken at the same instant in time from the same general location (such as the Seven Friends of Narnia leaving the train accident site at the same time although two were standing on the platform and four were in different seats), or 3) they are taken at the same general time from the exact same location (such as the four Pevensies entering the wardrobe; although each entered Narnia as he individually stepped far enough back, they all passed through the same space). Within this paper I have assumed one's general knowledge of Lewis' Chronicles of Narnia and the journeys described within them and will therefore refrain from unnecessary summarizing. As a large appendix, the rest of this paper w ill deal largely with how facts concerning some of the journeys were either collected, logically concluded, or reasonably inferred. Using these three methods, locations and times were researched for the chart. Three sources were used in collecting information in the chart and include first, the seven Narnian* books themselves (from which times of days, seasons of years, time intervals between journeys, and geography were taken).
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