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Read Ebook {PDF EPUB} The Secret Life of Saeed The Pessoptimist by Emile Habiby The Secret Life of Saeed: The Pessoptimist by Emile Habiby. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #59e34c20-ce86-11eb-af0c-37ae4dd9d378 VID: #(null) IP: 116.202.236.252 Date and time: Wed, 16 Jun 2021 09:36:39 GMT. Avanti! The Secret Life of Saeed the Pessoptimist, by Emile Habiby English translation, 1974, 192 pp. Arabic literature does not feature many novels, and of those, perhaps only this one is meant as a comedy. Theories abound concerning the connections between the development of the novel and the rise of European Enlightenment humanism, capitalist production, and atomized social organization. These are many and fascinating, but have little explanatory power as to why Africa, India, and Latin America produce dozens of splendid novels, but the entire Arabic-speaking world very few. Bernard Lewis would argue that it is a symptom of Islam's failure to reconcile itself with modernity, though that explanation fails to address Turkish and Indian literature, or Arabic poetry. As to the comic point, the dark fatalist humor Habiby finds in the 1948 and 1967 disasters which befell his people (Habiby was a Palestinian communist journalist) strike this reviewer as almost, well, reminiscent of stereotypical Jewish humor. The titular "pessoptimist," for instance, is a combination of "pessimist" and "optimist" and refers to Saeed's persistent belief that no matter what disaster befalls him, an even greater one was averted. I think Mel Brooks did this gag at one point. The Secret Life of Saeed is billed as an ironic social commentary, plainly modeled on Voltaire's Candide to the extent that the parallel is made openly in one chapter. Saeed is a dimwitted Palestinian who wanders listlessly through short, surreally -titled chapters in what appears to be the timeless literary device of using a convenient idiot to demonstrate the tragedy of sweeping historical events. Indeed, this device is so timeless that during the chapters which actually feature some social satire, the echoes of virtually every satirist since Jonathan Swift become so loud that the misfortunes of Saeed do not seem specific to the unique sufferings of the Palestinian people, but instead appear essentially interchangeable with something Kurt Vonnegut or Joseph Heller might have produced on a particularly unambitious day. This is not the story of the depredations the Palestinians have suffered, but rather about the absurdity of living in a modern state. The novel is divided into three sections, each named for the woman Saeed loves at the time. Of these the second is certainly the strongest. It features the actual bits of social satire, most of which is solid. The Israeli police demand that Saeed prove his furniture is not stolen, and he assures them that it, like himself, is property of the state. Saeed's demonstrations of loyalty are considered too conspicuous and he is thrown in jail for disloyalty. People going home are deported for being infiltrators. And so on. The first and third sections revolve more around Saeed's desperate love for a woman named Yuaad, and then her daughter (also, confusingly, named Yuaad, which I guess is fitting, since Yuaad means "once again"). These sections are the least concrete, most bewildering, and contain very little of the promised social satire. Twenty years pass unremarked. For thirty pages we (and Saeed) think the third Yuaad is actually the first Yuaad. And so forth. By the end, Saeed finds himself repeatedly sitting on top of a tall pillar (in what I desperately hope is an allusion to Saint Simeon Stylites the Elder), having befriended a man from space, who is not described and who serves only the murkiest role in the narrative. It is difficult to tell how much is lost in translation. The book is difficult to follow: characters are often not named, confusingly referred to in different ways, and the events which give their names to chapters happen either peripherally or sometimes not at all. Times and places are bewilderingly and haphazardly conflated. Perhaps this is a deliberate and opaque choice by Habiby, or perhaps it is a failure of translation. There certainly are recurring themes of Palestinian identity, dispossession, and fatalism in the face of apparently endless and malicious history. The chapters are so brief, though, and the characters so ill-defined that Habiby never really develops an idea. It is clear that these themes exist, but I'm still not entirely certain what Habiby has to say about them. If anything, the Israelis in the book tend to be regular people serving a state which is absurd, and the Palestinians tend to be the ones who behave badly of their own free will. It's a peculiar little novel with a few clever conceits, but it will never be mentioned in the same breath as Catch-22. Download Now! We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with The Secret Life Of Saeed The Pessoptimist. To get started finding The Secret Life Of Saeed The Pessoptimist, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented. Finally I get this ebook, thanks for all these The Secret Life Of Saeed The Pessoptimist I can get now! cooool I am so happy xD. I did not think that this would work, my best friend showed me this website, and it does! I get my most wanted eBook. wtf this great ebook for free?! My friends are so mad that they do not know how I have all the high quality ebook which they do not! It's very easy to get quality ebooks ;) so many fake sites. this is the first one which worked! Many thanks. wtffff i do not understand this! Just select your click then download button, and complete an offer to start downloading the ebook. If there is a survey it only takes 5 minutes, try any survey which works for you. The Secret Life of Saeed the Pessoptimist (Al-Waka’i al gharieba fi ikhtifa Said Abul Nahs al-Mutasha’il) by Emile Habiby. ,tells the story of a Palestinian who becomes a citizen of Israel, combines fact and fantasy ,(إﻣﯿﻞ ﺣﺒﯿﺒﻲ) This contemporary classic by Emile Habibi tragedy and comedy. Saeed is the comic hero, the luckless fool, whose tale tells of aggression and resistance, terror and heroism, reason and loyalty that typify the hardships and struggles of Arabs in Israel. An informer for the Zionist state, his stupidity, candor, and cowardice make him more of a victim than a villain; but in a series of tragicomic episodes, he is gradually transformed from a disaster-haunted, gullible collaborator into a Palestinian — no hero still, but a simple man intent on survival and, perhaps, happiness. Widely read throughout the Arab world and translated into more than a dozen languages, including Hebrew, Habibi’s novels and stories explored the conflicts of a people caught between their Arab identity and their Israeli citizenship. Habibi was a Palestinian writer and politician who, while asserting his Arab identity and heritage, was also an advocate of Jewish-Arab coexistence and mutual recognition. About the Author. Habibi was born in Haifa on Aug. 29, 1922, which at that time was part of the British Mandate of Palestine. Born in to a Protestant Palestinian Arab family (his family had originally been Arab Orthodox but converted to Protestantism due to disputes within the Orthodox church) In his early life he worked on an oil refinery and later was a radio announcer. Under the Mandate he became one of the leaders of the Palestine communist party. When the 1948 Arab-Israeli War began in 1948 he stayed in Haifa while many others chose or were forced to leave the country. As a result he was granted Israeli citizenship. After the war he helped to create The Israeli communist party and established the Israeli communist paper Al-Ittihad. He stayed in Haifa his whole life. His gravestone reads (on Habibi’s own request): “Emile Habibi – Remained in Haifa.” Habibi was one of the leaders of the Palestine Communist Party during the Mandate era. He supported the 1947 UN Partition Plan. When Israel became a state he helped form the Israeli communist party ICP. He served in the Knesset between 1951 and 1959, and again from 1961 until 1972, first as a member of Maki, before breaking away from the party with Tawfik Toubi to found Rakah. He broke with the party in 1991. A 1997 documentary titled “Emile Habibi – Niszarty B’Haifa (Emile Habibi, I stayed in Haifa)” and directed by Dalia Karpel chronicles the last few weeks in his life. This journey into Habiby’s past tells the story of personal identity vs. homeland. This is a moving portrait of a public figure drawn from his own point of view at the end of his life. Writing. Habibi began writing short stories in the 1950s, and his first story, The Mandelbaum Gate” was published in 1954. In 1972 he resigned from the Knesset in order to write his first novel: The Secret Life of Saeed the Pessoptimist, which became a classic in modern Arab literature.