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Bibliography Bibliography Adam, James, trans. and ed. (1963). The Republic of Plato. 2 volumes. Second edi- tion. Cambridge and New York: Cambridge University Press. Adler, Ada, ed. (1928–1938). Suidae Lexicon. 5 volumes. Stuttgart, Germany: Teubner. Allen, D. C. (1961). “Milton and the Descent into Light.” Journal of English and Germanic Philology 60.4: 614–30. Allen, J., trans. (2007). Quintus of Smyrna: The Trojan Epic. Baltimore, MD: Johns Hopkins University Press. Allen, Thomas W., ed. (1931). Homeri Ilias. Oxford: Clarendon Press. Allen, William Rodney, ed. (2006). The Coen Brothers Interviews. Jackson: Univer- sity Press of Mississippi. Anderson, William S., ed. (1972). Ovid’s Metamorphoses 6–10. Norman: University of Oklahoma Press. Anderson, William S., ed. (1993). Ovidius, Metamorphoses. Sixth edition. Stuttgart and Leipzig, Germany: Teubner. Andrews, Amy. (2011). “Sam Worthington says the training regime for Clash of the Titans 2 has left him feeling like a tank.” Irishcentral.com, August 1. Angulo Iñiguez, Diego. (1952). La mitología y el arte español del Renacimiento. Madrid: Editorial Maestre. Arieti, James. (1985). “Achilles’ Guilt.” Classical Journal 80.3: 193–203. Arieti, James. (1986). “Achilles’ Alienation in Iliad 9.” Classical Journal 82.1: 1–27. Asa, Robert. (1999). “Classic Star Trek and the Death of God: A Case Study of ‘Who Mourns for Adonais?’ ” In Star Trek and Sacred Ground, eds. Jennifer E. Porter and Darcee L. McLaren, 33–60. New York: State University of New York Press. Augustine, Dolores L. (2007). Red Prometheus: Engineering and Dictatorship in East Germany, 1945–1990. Cambridge, MA: MIT Press. Aune, David E. (1990). “Heracles and Christ: Heracles Imagery in the Christology of Early Christianity.” In Greeks, Romans, and Christians: Essays in Honor of Abraham J. Malherbe, eds. 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New York: Continuum. Bondanella, Peter. (2009). A History of Italian Cinema. New York: Continuum. Bordwell, David. (1986). “Classical Hollywood Cinema: Narrational Principles and Procedures.” In Narrative, Apparatus, Ideology: A Film Theory Reader, ed. Philip Rosen, 17–34. New York: Columbia University Press. Bordwell, David, Janet Steiger, and Kristin Thompson. (1985). The Classical Holly- wood Cinema: Film Style and Mode of Production to 1960. New York: Columbia University Press. Boucher, Geoff. (2012). “Target Practice.” Los Angeles Times, May 24. Braudy, Leo. (1986). “The Sacraments of Genre: Coppola, DePalma, Scorsese.” Film Quarterly 39.3: 17–28. Bremmer, Jan N., and Nicholas M. Horsfall. (1987). Roman Myth and Mythography. London: University of London, Institute of Classical Studies. Brill, Lesley. (1988). The Hitchcock Romance: Love and Irony in Hitchcock’s Films. Princeton, NJ: Princeton University Press. Brill, Mark. (2013). “Music, Myth and Identity in Black Orpheus.” Coreopsis: Journal of Myth and Theater 2.4, coreopsis.org. Brillante, Carlo. (1990). “Myth and History: History and the Historical Interpre- tation of Myth.” In Approaches to Greek Myth, ed. Lowell Edmunds, 91–140. Baltimore, MD: Johns Hopkins University Press. Brook, Tom. (2013). “How the global box office is changing Hollywood.” BBC.com, June 20. BIBLIOGRAPHY 221 Brooker, Will. (2012). Hunting the Dark Knight: Twenty-First Century Batman. Lon- don and New York: I. B. Tauris. Bultmann, Rudolf Karl. (1971). The Gospel of John: A Commentary. Philadelphia, PA: The Westminster Press. Bultmann, Rudolf Karl. (1984). New Testament and Mythology and Other Basic Writings. Minneapolis, MN: Augsburg Fortress Press. Bunch, Sonny. (2008). “Gotham City’s War on Terror.” Washington Times, July 18. Burian, Peter. (1997). “Myth into Muthos: The Shaping of Tragic Plot.” InThe Cam- bridge Companion to Greek Tragedy, ed. P. E. Easterling, 178–208. Cambridge: Cambridge University Press. Burke, Frank. (2011). “The Italian Sword-and-Sandal Film fromFabiola (1949) to Hercules and The Captive Women (1961): Texts and Contexts.” In Popular Italian Cinema: Culture and Politics in a Postwar Society, ed. Flavia Brizio-Skov, 17–51. London: I. B. Tauris. Burkert, Walter. (1985). Greek Religion. Trans. Peter Bing. Cambridge, MA: Har- vard University Press. Burnet, John, ed. (1901). Platonis opera, volume 2. Oxford: Clarendon Press. Burnet, John, ed. (1931). Platonis opera, volume 4. Oxford: Clarendon Press. Butler, Eliza. (1935). The Tyranny of Greece over Germany. Cambridge: Cambridge University Press. Butler, Judith. (1990). Gender Trouble. London and New York: Routledge. Campbell, Joseph. (1949). The Hero with a Thousand Faces. New York: Pantheon Books. Casserly, Meghan. (2012). “Geena Davis and Google Take on Gender Bias in Media—And Getting Girls into STEM.” Forbes.com, December 6. Chaker, Anne Marie. (2014). “Baby Sitter and Action Figure.” Wall Street Journal, May 7. Champagne, John. (2013). Aesthetic Modernism and Masculinity in Fascist Italy. London: Routledge. Chapman, Graham, et al. (1979). Monty Python’s The Life of Brian (of Nazareth): Scrapbook. York, UK: Eyre Methuen. Clay, Jenny Strauss. (1981/82). “Immortal and Ageless Forever.” Classical Journal 77.2: 112–17. Colavito, Jason. (2005). The Cult of Alien Gods: H. P. Lovecraft and Extraterrestrial Pop Culture. Amherst, NY: Prometheus Books. Corbeau-Parsons, Caroline. (2013). Prometheus in the Nineteenth Century: From Myth to Symbol. London: Legenda. Cripps, Thomas. (1977). Slow Fade to Black: The Negro in American Film, 1900– 1942. Oxford: Oxford University Press. Cripps, Thomas. (1993). Making Movies Black: The Hollywood Message Movie from World War II to the Civil Rights Era. Oxford: Oxford University Press. Crossley, James G. (2011). “Life of Brian or Life of Jesus? Uses of Critical Biblical Scholarship and Non-orthodox Views of Jesus in Monty Python’s Life of Brian.” Relegere: Studies in Religion and Reception 1.1: 93–114. Cyrino, Monica S. (2005). Big Screen Rome. Oxford: Blackwell. Cyrino, Monica S. (2008). “To Love and Toulouse: The Orpheus and Eurydice Theme in Marcel Camus’ Black Orpheus (1959) and Baz Luhrmann’s Moulin Rouge (2001).” Classical and Modern Literature 28.1: 129–48. 222 BIBLIOGRAPHY Cyrino, Monica S., ed. (2013). Screening Love and Sex in the Ancient World. New York: Palgrave Macmillan. Dain, A., and P. Mazon, eds. (1960). Sophocle, volume 3. Paris: Les Belles Lettres. D’Amelio, Maria Elena. (2011). “Hercules, Politics, and Movies.” In Of Muscles and Men: Essays on the Sword and Sandal Film, ed. Michael G. Cornelius, 15–27. Jefferson, NC: McFarland & Company. Damon, Cynthia, trans. (2012). Tacitus: Annals. London: Penguin Books. Daniels, Les. (2000). Wonder Woman: The Complete History. San Francisco, CA: Chronicle. Dargis, Manohla. (2010). “Beware of Greeks Bearing Buzzcuts.” New York Times, April 2. Dargis, Manohla. (2011). “Creepy People with a Plan, and a Couple on the Run.” New York Times, March 23. D’Aulaire, Ingri, and Edgar Parin d’Aulaire. (1962). D’Aulaires’ Book of Greek Myths. Garden City, NY: Doubleday. Davies, Peter. (2010). Myth, Matriarchy and Modernity: Johann Jakob Bachofen in German Culture 1860–1945. Berlin: Walter de Gruyter. Davies, Philip R. (1998). “Life of Brian Research.” In Biblical Studies/Cultural Stud- ies: The Third Sheffield Colloquium. Journal for the Study of the Old Testament Supplement 266, eds. J. Cheryl Exum and Stephen D. Moore, 400–414. Sheffield, UK: Sheffield Academic Press. Dean, Sharon G. (2006). “ ‘Ain’t Much Difference/Between a Bridge and a Wall’: Hedwig and the Angry Inch—A Bisexual Aesthetic for Film.” Journal of Bisexual- ity 5: 107–16. De Clementi, Andreina. (2002). “The Feminist Movement in Italy.” InThinking
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