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ウィークエンド サンシャイン Playlist Archive Dj：ピーター・バラカン 2016 年 6 月 4 日放送 01
ウィークエンド サンシャイン PLAYLIST ARCHIVE DJ：ピーター・バラカン 2016 年 6 月 4 日放送 01. James Bond / Roland Alphonso // Intensified 02. Whose Muddy Shoes / Elmore James // Whose Muddy Shoes 03. Be Careful / John Brim // Whose Muddy Shoes 04. Call It Stormy Monday / Elmore James // Whose Muddy Shoes 05. This Strange Effect / Dave Berry // Kinked! Kinks Songs & Sessions 1964-1971 06. I Go To Sleep / Peggy Lee // Kinked! Kinks Songs & Sessions 1964-1971 07. Who'll Be The Next In Line / The Knack // Kinked! Kinks Songs & Sessions 1964-1971 08. All Night Stand / The Thoughts // Kinked! Kinks Songs & Sessions 1964-1971 09. A House In The Country / The Pretty Things // Kinked! Kinks Songs & Sessions 1964-1971 10. Rosy, Won't You Please Come Home / Marianne Faithfull // Kinked! Kinks Songs & Sessions 1964-1971 11. Big Black Smoke / Mick & Malcolm // Kinked! Kinks Songs & Sessions 1964-1971 12. Mister Pleasant / Nicky Hopkins & The Whistling Piano // Kinked! Kinks Songs & Sessions 1964-1971 13. I'm Not Like Everybody Else / The Chocolate Watchband // Kinked! Kinks Songs & Sessions 1964-1971 14. Act Nice And Gentle / Duster Bennett // Kinked! Kinks Songs & Sessions 1964-1971 15. Nobody's Fool / Cold Turkey // Kinked! Kinks Songs & Sessions 1964-1971 16. Compared To What / Les McCann & Eddie Harris // Swiss Movement 17. A Change Is Gonna Come / Sam Cooke // Portrait Of A Legend 1951-1964 18. Shine / Joni Mitchell // Shine 19. Sam Stone / Swamp Dogg // A Soldier's Sad Story: Vietnam Through The Eyes Of Black America 1966-73 20. War / The Temptations // Does Anybody Know I'm Here? 21. Open Letter To The President / Roy C / Does Anybody Know I'm Here? 2016 年 6 月 11 日放送 01. -
Fairport Convention XXXV Mp3, Flac, Wma
Fairport Convention XXXV mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: XXXV Country: UK Released: 2014 MP3 version RAR size: 1122 mb FLAC version RAR size: 1260 mb WMA version RAR size: 1324 mb Rating: 4.1 Votes: 339 Other Formats: VOC WAV AA AUD AAC XM MIDI Tracklist A1 Madeleine 4:23 A2 My Love Is In America 4:43 A3 The Happy Man 2:48 A4 Portmeirion 5:56 B1 The Crowd 6:09 B2 The Banks Of Sweet Primroses 4:27 B3 The Deserter 6:55 C1 The Light Of Day 6:11 C2 I Wandered By A Brookside 4:52 C3 Neil Gow's Apprentice 4:43 C4 Everything But The Skirl 4:05 D1 Talking About My Love 2:40 D2 Now Be Thankful 3:45 D3 The Crowd Revivited 2:35 Bonus Tracks (Live From XXXV 2002 Tour) D4 The Widow Of Westmorland's Daughter 4:43 D5 Rosie 4:27 Companies, etc. Phonographic Copyright (p) – Eagle Rock Entertainment Ltd. Copyright (c) – Eagle Rock Entertainment Ltd. Copyright (c) – Let Them Eat Vinyl Notes Record Store Day 2014 release. Barcode and Other Identifiers Barcode: 803341420038 Other versions Category Artist Title (Format) Label Category Country Year XXXV: The 35th Fairport Woodworm WRCD038 Anniversary Album WRCD038 UK 2002 Convention Records (CD, Album) XXXV: The 35th Fairport Compass 7 4332 2 Anniversary Album 7 4332 2 US 2002 Convention Records (CD, Album) XXXV: The 35th Fairport ER 20110-2 Anniversary Album Eagle Rock ER 20110-2 US 2007 Convention (CD, Album, RE) XXXV: The 35th Eagle EAGCD350, Fairport EAGCD350, Anniversary Album Records, Europe 2007 0000350 EAG Convention 0000350 EAG (CD, Album, RE) Eagle -
To Whom We Sing
1. HER KOMMER DINE ARME SMÅ 03:07 8. ET LITE BARN SÅ LYSTELIG 02:34 Text: Hans A. Brorson Text: Hans Thommisøn Melody: J.A.P. Schultz Melody: FOLK TUNE FROM STANGVIK Arr.: Andrew Smith Arr.: Andrew Smith 2. JEG ER SÅ GLAD HVER JULEKVELD 03:38 9. O COME, O COME, EMMANUEL 03:54 Text: Marie Wexelsen SOLOIST: Tora Augestad – soprano Melody: Peder Knudsen Text and Melody: Unknown Arr.: Andrew Smith Arr.: Ola Gjeilo 3. MITT HJERTE ALLTID VANKER 04:23 10. THE HOLLY AND THE IVY 03:31 SOLOIST: Tora Augestad – soprano Text and Melody: Unknown Text: Hans A. Brorson Arr.: Ola Gjeilo Melody: NORWEGIAN VARIANT OF A SWEDISH FOLK TUNE 11. THE FIRST NOWELL 04:24 TO Arr.: Andrew Smith SOLOIST: Tora Augestad – soprano Text and Melody: Unknown 4. AWAY IN A MANGER 04:08 Arr.: Ola Gjeilo WHOM SOLOIST: Tora Augestad – soprano Text: Unknown 12. DEN YNDIGSTE ROSE 03:51 Melody: William J. Kirkpatrick Text: Hans A. Brorson WE Arr.: Ola Gjeilo Melody: NORWEGIAN FOLK TUNE Arr.: Andrew Smith 5. GOD REST YOU MERRY, GENTLEMEN 03:16 SING Text and Melody: Traditional 13. IN THE BLEAK MIDWINTER 05:00 Arr.: Ola Gjeilo Text: Christina Rossetti Melody: Gustav Holst 6. KLING NO KLOKKA 02:35 Arr.: Ola Gjeilo KAMMERKORET NOVA Text: Elias Blix, Melody: Halle 1705/ CONDUCTOR: ANNE KARIN SUNDAL-ASK Variant of a folk tune from Oppdal 14. DET LYSER I STILLE GRENDER 04:11 SOPRANO: TORA AUGESTAD Arr.: Andrew Smith Text: Jacob Sande Melody: Lars Søraas d.y. 7. COVENTRY CAROL 02:55 Arr.: Andrew Smith NORWEGIAN & ENGLISH CHRISTMAS CAROLS Text and Melody: Unknown ARRANGED BY ANDREW SMITH Arr.: Ola Gjeilo & OLA GJEILO CONDUCTOR: Anne Karin Sundal-Ask Maria Sandve, Gunnhild Graasvold, Ingrid A. -
Rosemary Lane the Pentangle Magazine
Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album. -
RTE NSO 25 Sept Prog.Qxp:Layout 1
WATCH rte.ie/culture LISTEN RTÉ lyric fm ARTHUR DUFF Echoes of Georgian Dublin JOHN KINSELLA Nocturne for Strings MÍCHEÁL Ó SÚILLEABHÁIN Bean Dubh an Ghleanna Oileán/Island Traditional arr. NEIL MARTIN The Fairy Queen Danny Boy The Humours of Ballyloughlin RTÉ National Symphony Orchestra David Brophy conductor Mark Redmond uilleann pipes, flute Presented by Paul Herriott, RTÉ lyric fm FRIDAY 25 SEPTEMBER 2020, 7pm NATIONAL CONCERT HALL 1 Arthur Duff 1899-1956 Echoes of Georgian Dublin i. In College Green ii. Song for Amanda iii. Minuet iv. Largo (The tender lover) v. Rigaudon Arthur Duff showed early promise as a musician. He was a chorister at Dublin’s Christ Church Cathedral and studied at the Royal Irish Academy of Music, taking his degree in music at Trinity College, Dublin. He was later awarded a doctorate in music in 1942. Duff had initially intended to enter the Church of Ireland as a priest, but abandoned his studies in favour of a career in music, studying composition for a time with Hamilton Harty. He was organist and choirmaster at Christ Church, Bray, for a short time before becoming a bandmaster in the Army School of Music and conductor of the Army No. 2 band based in Cork. He left the army in 1931, at the same time that his short-lived marriage broke down, and became Music Director at the Abbey Theatre, writing music for plays such as W.B. Yeats’s The King of the Great Clock Tower and Resurrection, and Denis Johnston’s A Bride for the Unicorn. The Abbey connection also led to the composition of one of Duff’s characteristic works, the Drinking Horn Suite (1953 but drawing on music he had composed twenty years earlier as a ballet score). -
Scotland: BBC Weeks 51 and 52
BBC WEEKS 51 & 52, 18 - 31 December 2010 Programme Information, Television & Radio BBC Scotland Press Office bbc.co.uk/pressoffice bbc.co.uk/iplayer THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEKS 51 & 52 _____________________________________________________________________________________________________ MONDAY 20 DECEMBER The Crash, Prog 1/1 NEW BBC Radio Scotland TUESDAY 21 DECEMBER River City TV HIGHLIGHT BBC One Scotland WEDNESDAY 22 DECEMBER How to Make the Perfect Cake, Prog 1/1 NEW BBC Radio Scotland THURSDAY 23 DECEMBER Pioneers, Prog 1/5 NEW BBC Radio Scotland Scotland on Song …with Barbara Dickson and Billy Connolly, NEW BBC Radio Scotland FRIDAY 24 DECEMBER Christmas Celebration, Prog 1/1 NEW BBC One Scotland Brian Taylor’s Christmas Lunch, Prog 1/1 NEW BBC Radio Scotland Watchnight Service, Prog 1/1 NEW BBC Radio Scotland A Christmas of Hope, Prog 1/1 NEW BBC Radio Scotland SATURDAY 25 DECEMBER Stark Talk Christmas Special with Fran Healy, Prog 1/1 NEW BBC Radio Scotland On the Road with Amy MacDonald, Prog 1/1 NEW BBC Radio Scotland Stan Laurel’s Glasgow, Prog 1/1 NEW BBC Radio Scotland Christmas Classics, Prog 1/1 NEW BBC Radio Scotland SUNDAY 26 DECEMBER The Pope in Scotland, Prog 1/1 NEW BBC One Scotland MONDAY 27 DECEMBER Best of Gary:Tank Commander TV HIGHLIGHT BBC One Scotland The Hebridean Trail, Prog 1/1 NEW BBC Two Scotland When Standing Stones, Prog 1/1 NEW BBC Radio Scotland Another Country Legends with Ricky Ross, Prog 1/1 NEW BBC Radio Scotland TUESDAY 28 DECEMBER River City TV HIGHLIGHT -
The Harmonica and Irish Traditional Music by Don Meade
The Harmonica and Irish Traditional Music by Don Meade ! 2012 Donald J. Meade All rights reserved 550 Grand Street, Apt. H6F New York, NY 10002 USA TABLE OF CONTENTS INTRODUCTION 3 WHAT KIND OF HARMONICA? 4 TECHNICAL TIPS 13 MAJOR, MINOR, MODAL 16 ORNAMENTATION 18 CUSTOMIZING AND MAINTAINING CHROMATIC HARMONICAS 21 Appendix A: IRISH HARMONICA DISCOGRAPHY 26 Apendix B: MODE AND POSITION CHART 32 Appendix C: HARMONICA HISTORY 33 2 INTRODUCTION influenced by the way in which song airs The name “harmonica” has over the years and dance tunes are played on instruments been applied to a variety of musical with a longer history in the country, have instruments, the earliest of which was developed their own distinctive techniques probably an array of musical glasses and styles. created by Ben Franklin in 1761. The 19th- century German-speakers who invented the Instrumental technique is not really the key mouth-blown free-reed instrument now to playing Irish traditional music. Anyone known as the harmonica originally called it a who has ever heard a classical violinist Mundharmonika (“mouth harmonica”) to stiffly bow through a fiddle tune will distinguish it from the Handharmonika or understand that technical competence accordion. English speakers have since cannot substitute for an understanding of called it many things, including the mouth traditional style. That understanding can organ, mouth harp, French harp, French only be acquired by listening to and fiddle, harpoon, gob iron, tin sandwich and emulating good traditional players. If you Mississippi saxophone. “Mouth organ” is the want to play Irish music, you should listen to most common name in Ireland, where as much of it as possible. -
Les Sirènes Female Chamber Choir There Is No Rose
Les Sirènes Female Chamber Choir There is No Rose NI6249 Les Sirènes Royal Conservatoire of Scotland At the Royal Conservatoire we are creating the Female Chamber Choir future for performance. There is No Rose We provide vocational education at the highest professional level in dance, drama, music, production, and screen. We offer an extraordinary blend of intensive BENJAMIN BRITTEN (1913-1976) TARIK O’REGAN (b.1978) tuition, world-class facilities, a full performance A Ceremony of Carols, Op.28 (23:25) 16. Bring Rest, Sweet Dreaming Child (4:25) schedule, the space to collaborate across the disciplines, 1. Procession (1:51) teaching from renowned staff and industry practitioners, 2. Wolcum Yole! (1:21) TRADITIONAL arranged LIONEL SALTER (1914-2000) and unrivalled professional partnerships. 3. There is no rose (2:44) 17. The Coventry Carol (2:44) 4. That yongë child (1:43) World premiere recording We have over 900 students from around the world 5. Balulalow (1:28) studying on our specialist undergraduate and postgraduate degree programmes. Alongside, we offer 6. As dew in Aprille (1:01) GUSTAV HOLST (1874-1934) evening and weekend classes, short courses, summer 7. This little babe (1:30) 18. Jesu, thou the Virgin-born (2:56) schools, and a programme of continuing professional 8. Interlude (3:46) development. Our Junior Conservatoire for 7-18 year 9. In freezing winter night (3:38) SIR PHILIP LEDGER (1937-2012) olds nurtures young musical talent and we also organise 10. Spring carol (1:14) 19. Matthew, Mark, Luke and John (2:46) the Royal Conservatoire Music Centres programme, 11. -
Hou Se Denounces USSR Bomb As Political
Established 1909 Vol. 53, No. 90 Tuesday Morning, October 31, 1961 * "g” * '— .. - • . ’«V- ■ >< . , *—■ Hou se Denounces U.S.S.R. Bomb as Political ‘To Incite Fear’ Paperbacks Next Fall E u r o p e Social Science P l a n s f o r Revision Coming F a l l o u t WASHINGTON (if) - The ex The big red social science book will be replaced next tall by plosion of Russia’s vaunted a scries of paperbacks published by the social science depart super-bomb Monday in the face ment. - of worldwide protests was an Douglas Dunham, head of the department of social "Science, nounced by the White House, announced that the revision of basic social science will be which denounced it as a device completed next fall. Students starting social science winter to incite “fright and panic” in or spring term will finish the course with the present book, the cold war. however. ♦ This mightiest of alT man- The revised course will be spective of international affairs made explosions was estimated concerned with contemporary Dunham said. Courses in com in “the order of 50 megatons” and the inter- parative government, interna —equal to the power of 50 mil dimension of modern tional law, and history of di lion tons of TOT — as Soviet society. plomacy are offered but as Premier Khrushchev had pro THE PARTY'S OVER—Betty VanMiddkswort, sophomore, electives. claimed two weeks ago it Frame of reference for the The University College hopes Kalamazoo, and Jeanie McNamara, sophomore,. Lansing, reorganized course will be pro would be. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Learning Lineage and the Problem of Authenticity in Ozark Folk Music
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 1-1-2020 Learning Lineage And The Problem Of Authenticity In Ozark Folk Music Kevin Lyle Tharp Follow this and additional works at: https://egrove.olemiss.edu/etd Recommended Citation Tharp, Kevin Lyle, "Learning Lineage And The Problem Of Authenticity In Ozark Folk Music" (2020). Electronic Theses and Dissertations. 1829. https://egrove.olemiss.edu/etd/1829 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. LEARNING LINEAGE AND THE PROBLEM OF AUTHENTICITY IN OZARK FOLK MUSIC A Dissertation presented in partial fulfillment of requirements for the degree of Doctor of Philosophy in the Department of Music The University of Mississippi by KEVIN L. THARP May 2020 Copyright Kevin L. Tharp 2020 ALL RIGHTS RESERVED ABSTRACT Thorough examination of the existing research and the content of ballad and folk song collections reveals a lack of information regarding the methods by which folk musicians learn the music they perform. The centuries-old practice of folk song and ballad performance is well- documented. Many Child ballads and other folk songs have been passed down through the generations. Oral tradition is the principal method of transmission in Ozark folk music. The variants this method produces are considered evidence of authenticity. Although alteration is a distinguishing characteristic of songs passed down in the oral tradition, many ballad variants have persisted in the folk record for great lengths of time without being altered beyond recognition. -
Discography Percy Grainger Compiled by Barry Peter Ould Mainly Piano
Discography Percy Grainger compiled by Barry Peter Ould mainly piano Percy Grainger (Percy Grainger, piano) – includes: PRELUDE AND FUGUE IN A MINOR (Bach); TOCCATA AND FUGUE IN D MINOR (Bach); FANTASY AND FUGUE IN G MINOR (Bach); SONATA NO.2 IN B-FLAT MINOR op. 35 (Chopin); ETUDE IN B MINOR op. 25/10 (Chopin); SONATA NO.3 IN B MINOR op. 58 (Chopin). Biddulph Recordings LHW 010 (12 tracks – Total Time: 76:08) Percy Grainger (Percy Grainger, piano) – includes: SONATA NO.2 IN G MINOR op.22 (Schumann); ROMANCE IN F-SHARP op. 28/2 (Schumann); WARUM? (from op. 12) (Schumann); ETUDES SYMPHONIQUES (op. 13) (Schumann); WALTZ IN A-FLAT op. 39/15 (Brahms); SONATA NO.3 IN F MINOR op. 5 (Brahms). Biddulph Recordings LHW 008 (25 tracks – Total Time: 69:27) Percy Grainger plays (Percy Grainger, piano) – includes: TOCCATA & FUGUE IN D MINOR (Bach); PRELUDE & FUGUE IN A MINOR (Bach); FANTASIA & FUGUE IN G MINOR (Bach); ICH RUF ZU DIR (Bach arr. Busoni); SONATA NO.2 IN G MINOR op. 22 (Schumann); ETUDE IN B MINOR op. 25/10 (Chopin); ETUDE IN C MINOR op. 25/12 (Chopin); WEDDING DAY AT TROLDHAUGEN (Grieg); POUR LE PIANO [Toccata only](Debussy) (Grainger talks on Pagodes, Estampes [Pagodes only]); GOLLIWOG'S CAKEWALK (Debussy); MOLLY ON THE SHORE. Pavilion Records PEARL GEMM CD 9957 (19 tracks – Total Time: 78:30) Percy Grainger plays – Volume II (Percy Grainger, piano) – includes: PIANO SONATA NO.2 IN B-FLAT MINOR op. 35 (Chopin); PIANO SONATA NO.1 IN B MINOR op. 58 (Chopin); ETUDES SYMPHONIQUES op.