WGLT Program Guide, January, 1992

Total Page:16

File Type:pdf, Size:1020Kb

WGLT Program Guide, January, 1992 Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Spring 1-1-1992 WGLT Program Guide, January, 1992 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, January, 1992" (1992). WGLT Program Guides. 118. https://ir.library.illinoisstate.edu/wgltpg/118 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. 0 g r a m .J A N u A R V 1 9 9 ave you ever noticed that Sundays have a special feel? Well, Cast Your As the presidential campaign begins to come to life, WGLT an­ they're about to become even more special thanks to the addi­ nounces it's running too - with PRESIDENTIAL CHOICES. This Vote for tion of WEEKEND EDITION with Liane Hansen, debuting Sunday, new, live program will take an intensive look at the 1992 cam­ January 5th at 7:00 AM right here on WGLT. paign, focusing not on polls and percentages, but issues that vot­ "Presi- Along with an informative blend of news and analysis, Sunday ers believe candidates should address, The program can be heard WEEKEND EDITION offers two hours of arts and human interest dential on WGLT January 19 at noon. features that appeal to even the most eclectic tastes. And then In the 90-minute broadcast. PRESIDENTIAL CHOICES will use Choices" there's the mechanical mayhem and sound automotive advice the technique of simulation, presenting hypothetical situations that the (in)famous Tom and Ray Magliozzi (a.k.a. "Click and calling for presidential attention. The discussions, featuring a fic­ Clack) bring chugging in from Boston. Lady Borton, a writer, tional Democratic candidate or a fictional Republican incumbent farmer and bus driver who lives in rural Ohio, contributes occa­ alongside a panel of advisers, will be based on fact. The discus­ sional stories about small moments and everyday people. And sions are designed to reveal how policy decisions are made and to suggest what constitutes presidential leadership. Following the commentary is provided by Clarence Page, Pulitzer Prize-winning discussions, there will be a call-in segment with listeners and the columnist from the Chicago Tribune. studio audience joining in. Wake Up The unifying force through all the mix that is Sunday WEEKEND Charles Ogletree, professor of law, Harvard University Law EDITION is host Liane Hanson. A familiar voice to National Public with School, will host some of the programs. Professor Ogletree is not Radio listeners, Hanson has an extensive background in broad­ new to _broadcasting, having been moderator of Fred Friendly's Weekend cast journalism. Before joining WEEKEND EDITION in 1989, 1989 series "Ethics in America" and "Hard Drugs, Hard Edition Hanson hosted NPR's PERFORMANCE TODAY. During the previ­ Choices", both on PBS. Ogletree believes that hypotheticals can ous six years, she held a wide variety of positions. In 1988, she make for lively programs because they encourage real talk about was a regular guest host for NPR's newsmagazines WEEKEND real issues, without embarrassing the participants. "People can ALL THINGS CONSIDERED, WEEKEND EDITION and FRESH AIR. S u n d a y s be surprisingly candid on important issues, and recognize their Tune in to WEEKEND EDITION, each Sunday from 7:00 to 9:00 o n own limitations," Ogletree says. He adds that this goes for presi­ AM, right here on your station for news, WGLT. WGL T dential advisers, heads of corporations and policy analysts. Some of the issues to be examined include: health care, edu­ cation, the environment, affirmative action, and abortion. Half of the program will be devoted to the policy exercise and the other half to listener call-in and audience response. Join the WGLT whistlestop tour on PRESIDENTIAL CHOICES, Sunday, January 19th at noon here on 89.1 FM, WGLT. N e w Y e a r N o t e s fro m G e n e r a I M a n a g e r B r u c e B e r g e t h o n eading into a new year is always a symbolic opportunity to make a On Sundays, beginning January 5, we've added WEEKEND EDI­ fresh start. But, realistically, we all realize that we're more likely TION and some other information programs in the morning. Check to keep doing most things the same way. Patterns are usually the pages of this guide for more information about this fine NPR more powerful than intentions. compliment to our current Monday through Saturday morning In WGLT's present case, though, this is a good thing. Thanks 1 news schedule. to the patterr you and our other Friends have set of increasing On Sunday afternoons and evenings, we've also expanded our your support of the station, we'll be able to keep "doing" some of musical palette - first, with an hour spotlighting songs of the the same programs. Just three months ago, WGLT carriage of stage, hosted by Kevin Conlin (SONG AND DANCE MAN, following NPR programs including CAR TALK, THISTLE & SHAMROCK and the big band show at 4:00 PM) and second, with a show exploring others, was threatened by increased costs. traditional and new acoustic music (a.k.a.: "folk" music), hosted Then came our fall campaign. Many of you responded with ad­ by yours truly. (ACOUSTICITY, following THISTLE AND SHAMROCK ditional gifts to save the NPR special programs; many more, in­ at 9:00 PM.) cluding new Friends, increased the listener support base of the Saturday has some new voices as well. Thom Joyce takes over station. Almost $23,000 was pledged during the fall drive - not the host's role for Saturday morning BREAKFAST IN THE FIELD, only the best fund drive in the station's history, but 15% above and on Saturday night we introduce James Williams for a variety our goal for the drive. of soul, jazz and R & B favorites. Both of these hosts bring a fresh As a result, we're able to continue carrying the threatened pro­ · perspective to WGLT's jazz and blues service. An additional com­ grams, at least for another year. We thank you for making that plement is the addition of THE GRATEFUL DEAD HOUR, Saturdays possible. And we appreciate the positive message it sends, which at 4:00 PM, featuring live recordings by one of America's most ex­ in turn allows us to move forward with some changes that will ploratory bands. make our service even better. We've also changed the broadcast times of some programs, in­ Beginning the first weekend in January, our weekends will have l cluding ECHOES, LIVING ON EARTH, PACIFlCA SUNDAY, AFROPOP, a new face - or, more accurately, a number of new voices. Three I and HEARTS OF SPACE. Please check the chart at the back of this additions in particular are in response to persistent requests from guide for the specifics. Thanks again for your support and your input our listeners over the past several years. - all of which gives us good feelings about serving you in '92! THANKS TO OUR UNDERWRITERS WEEK AT A GLANCE M T w T F s s COMMERCIAL PRINTING ART COOP 5 5 ASSOCIATES 207 Broadway, Normal when you work in a design 515 North Center Street, (309) 454-5544 Bloomington MORNING EDITION Weekend (309) 829-6326 News studio with nine other creative 8 8 BLOOMINGTON-NORMAL & 9 9 temperments, It's not always SPRINGFIELD SYMPHONY FIRST AFFI LI ATED 106 W. Monroe, Bloomington easy to agree to what to lis- SECURITIES , INC. (309) 828-2882 Jazz 1540 E. College, Landmark Mall, ten to on the radio. That's why Normal 12N 12N CLASSICAL (309) 454-7040 we're glad WGLT is on the air. LIVINGSTON AUTOMOTIVE 109 S. Linden St., Bloomington (309) 452-2438 Rhythm Big THE GARLIC PRESS & Band WGLT gives us a choice of Blues 108 North Street, Normal 4 .Jazz 4 (309) 452-8841 5 music. We're not limited to ROBERT J. LENZ ALL THINGS CONSIDERED, Attorney at Law FRESH AIR the same Top 40 tunes or the 205 N. Main , Bloomington 7 Comedy 7 OSBORN & DELONG (309) 829-9486 & News "It - all - sounds - alike" 236 E. Front Street, Bloomington 8 (309) 828-6522 9 strings of muzak. As GLT lis- 10 Rhythm & Blues Folk 10 PIANOS PLUS JAZZ & NEW MUSIC teners, we can pick from jazz, 1336 East Empire, Bloomington 11 THE ADD SHEET! (309) 663-7587 2301 E. Washington, Bloomington World New Mus ic Age blues or classical. Plus, the (309) 662-0005 news programs and talk THE MUSIC SHOPPE 126 E. Beaufort, Bloomington KURT'S AUTOBODY REPAIR TALK Bl UH shows give us topics for lively (309) 452-7 436 SHIP, INC. All Things Considered National Agenda Bluesstage Rhythm and Blues 2025 Ireland Grove Road, lunchtime discussions. Weekdays 4-6 p.m. Sun. 5-6 a.m. Fri. 7-8 p.m. Fri. 8 p.m.-1 a.m. Bloomington Weekends 5-6 p.m. with Frank Black (309) 662-5823 PRO SOUND CENTER Pacifica Sunday Boon at Noon Sat. 8 p.m. -11 p.m. America and the World Sun. 7-8 p.m. 134 E. Beaufort, Bloomington Sat. Noon-4 p.m. with James Williams Osborn and Delong sup- Sat. 6:30-7 a.m. (309) 452-7436 Star Date Car Talk M-F 7:08 a.m.
Recommended publications
  • English Language Arts • Grade 12
    -ICHIGAN-ERIT#URRICULUM -ICHIGAN-ERIT#URRICULUM Course/Credit Requirements -ICHIGAN-ERIT#URRICULUM ENGLISH LANGUAGE ARTS • GRADE 12 1 Credit Michigan State Board of Education Kathleen N. Straus, President Bloomfield Township John C. Austin, Vice President Ann Arbor Carolyn L. Curtin, Secretary Evart Marianne Yared McGuire, Treasurer Detroit Nancy Danhof, NASBE Delegate East Lansing Elizabeth W. Bauer Birmingham Reginald M. Turner Detroit Casandra E. Ulbrich Rochester Hills Governor Jennifer M. Granholm Ex Officio Michael P. Flanagan, Chairman Superintendent of Public Instruction Ex Officio MDE Staff Jeremy M. Hughes, Ph.D. Deputy Superintendent/Chief Academic Officer Dr. Yvonne Caamal Canul, Director Office of School Improvement Welcome This guide was developed to assist teachers in successfully implementing the Michigan Merit Curriculum. The identified content expectations and guidelines provide a useful framework for designing curriculum, assessments and relevant learning experiences for students. Through the collaborative efforts of Governor Jennifer M. Granholm, the State Board of Education, and the State Legislature, these landmark state graduation requirements are being implemented to give Michigan students the knowledge and skills to succeed in the 21st Century and drive Michigan’s economic success in the global economy. Working together, teachers can explore varied pathways to help students demonstrate proficiency in meeting the content expectations and guidelines. This guide should be used in conjunction with the High School Content Expectations document for the discipline. Curriculum Unit Design One of the ultimate goals of teaching is for students to acquire transferable knowledge. To accomplish this, learning needs to result in a deep understanding of content and mastery level of skills. As educational designers, teachers must use both the art and the science of teaching.
    [Show full text]
  • The Sock Hop and the Loft: Jazz, Motown, and the Transformation of American Culture, 1959-1975
    The Sock Hop and the Loft: Jazz, Motown, and the Transformation of American Culture, 1959-1975 The Commerce Group: Kat Breitbach, Laura Butterfield, Ashleigh Lalley, Charles Rosentel Steve Schwartz, Kelsey Snyder, Al Stith In the words of the prolific Peter Griffin, “It doesn’t matter if you’re black or white. The only color that really matters is green.” Notwithstanding the music industry’s rampant racism, the clearest view of how African Americans transformed popular music between 1959 and 1975 is through the lens of commerce. Scrutinizing the relationship between creators and consumers opens up a broad view of both visual and auditory arts. The sources we selected range from cover art and an Andy Warhol silkscreen to books on the industry’s backroom deals and the Billboard Hot 100 to a retrospective Boyz II Men album on Motown’s history and an NPR special on Jimi Hendrix for kids. Combining both sight and sound, we offer online videos, a documentary on jazz, and blaxploitation films. The unparalleled abilities of Motown’s music to transcend racial barriers and serve as a catalyst for social change through an ever-widening audience necessitates a study of Berry Gordy’s market sense and the legacy of his “family” in popular culture from the 1970s through today. First, the ubiquity of the Motown sound meant that a young, interracial audience enjoyed music that had been largely exclusive to black communities. The power of this “Sound of Young America” crossover was punctuated by Dr. Martin Luther King Jr.’s affirmation in his “Transforming a Neighborhood into a Brotherhood” address that radio’s capacity to bridge black and white youth through music and create “the language of soul” surpasses even Alexander the Great’s conquests.
    [Show full text]
  • WGLT Program Guide, January-February, 2007
    Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Spring 1-1-2007 WGLT Program Guide, January-February, 2007 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, January-February, 2007" (2007). WGLT Program Guides. 210. https://ir.library.illinoisstate.edu/wgltpg/210 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. GLT's jazz programming also received national kudos this GLT Annual Report 2006 year. The Public Radio Program Directors gave GLT a first by GLT General Manager Bruce Bergethon place Award for Creative Excellence for the jazz you can enjoy each weekday. The PRPD noted the "natural" and "compelling" personality of GLT jazz diva Laura Kennedy, There are many ways to acknowledge middle age - reflection, resignation, and lauded the flow of GLT's jazz selections and promotion. resolve, and that old favorite, denial. At GLT, as we turned 40 years old in Credit goes to Program Director Mike McCurdy and Music 2006, we had a little of all of the above. But mostly, we experienced a great deal Director Jon Norton, as well as the estimable Ms. K. The 2006 National of forward momentum even while looking back - and for that we have you, our New programming Edward R.
    [Show full text]
  • Layout 1 (Page
    Our Community, Ourselves The Aloha Foundation 2008 Annual Report Leadership Messages have discovered that if you want to increase the pace of your life, just become Inside President of The Aloha Foundation Board of Trustees. It was a little more than Leadership Messages 1 I three years ago that I took over the helm of the Board and now, suddenly, it’s over. What a ride! Camp Directors’ Messages 2 Each year was memorable, but in 2008 the momentum seemed to build exponen- The World Comes to Camp 4 tially, culminating in a series of outstanding achievements. The residential camps Funding Families to enjoyed record attendance, and Ohana Camp opened after Herculean efforts led by Win Ameden, Andy Williams and, of course, Jim Zien. The Centennial Campaign Share the Fun 6 closed at year-end with resounding success, as you will read later in this report. By Diverse in Purpose; way of perspective, we raised FIVE TIMES as many dollars as in our previous capital Diverse in People 8 campaign. It is truly humbling to reflect on the generosity of our constituents and the superlative efforts staff and trustees made to reach out and connect. Anyone Can Camp 10 Congratulations to all! Financial Reports 12 On the policy front, trustee Mark Zvonkovic led a behind-the-scenes effort to Volunteers 14 revise and adopt governance documents and practices that comply with recent changes in federal laws concerning corporate oversight. He also drafted guidelines Gifts 16 for modernizing our Board committees and meeting procedures. Kudos to Mark not Board of Trustees 28 only for seeing the need for these changes, but also for the countless hours he devot- ed to their implementation.
    [Show full text]
  • Annual Report
    2005 Wisconsin Public Radio Annual Report 1 Table of Contents From The Director ................................................................ 3 Ideas Network .......................................................................... 4 NPR News & Classical Music Network ...................... 6 Wisconsin Public Radio News ........................................ 7 Engineering and Operations .......................................... 9 New Media ..................................................................................10 National Programs .............................................................11 The Bureaus ..............................................................................14 Wisconsin Public Radio Association ......................18 Statement of Financial Activity .................................20 9XM Leadership Circle .......................................................21 Corporate Sponsors ...........................................................27 Coverage Maps ........................................................................29 Program Schedules .............................................................30 Contact Information .......................................................32 2 From The Director This was my first full year as Director of Wisconsin Public Radio, and I look back on it with a sense of satisfaction. During a year that saw public radio audiences in decline nationwide, Wisconsin Public Radio enjoyed its highest audience ever in 2005 (nearly 440,000 people listen every week).
    [Show full text]
  • 2006 Annual Report
    Connecting issues and ideas Connecting people and the arts Connecting Wisconsin to the world Wisconsin Public Radio 2006 Annual Report 1 Wisconsin Public Radio 2006 Annual Report From The Director.....................................................................................................3 Ideas Network ..........................................................................................................5 NPR News & Classical Music Network ...................................................................6 Wisconsin Public Radio News .................................................................................8 The Bureaus ..............................................................................................................9 Engineering and Operations ................................................................................13 New Media .............................................................................................................14 National Programs .................................................................................................15 Wisconsin Public Radio Association ....................................................................17 Statement of Financial Activity ............................................................................18 9XM Leadership Circle ..........................................................................................19 9XM Signature Circle ............................................................................................25 Corporate
    [Show full text]
  • Missouri Kansas C I
    A SERVICE OF THE UNIVERSITY OF M I S S O U R I KANSAS CITY Thanks! There are more than 190,000 of you who listen to KCUR weekly. Dear Friends, I started to write “Dear Listeners,” but decided to use friends instead. Whenever I meet someone who listens to KCUR, it’s as though we become instant friends (or at least comfortable acquaintances) eager to learn more about each other. We share similar interests, values and beliefs. We talk about our latest driveway moments, exchange listening experiences and gossip about NPR reporters and hosts. There are more than 190,000 of you who listen to KCUR weekly. That’s a lot of friends. The KCUR “Year in Review” is (as the name implies) the station’s 2008 yearbook, of sorts. It’s our chance to brag about our accomplishments over the last year – a recap of our news awards with highlights from our local talk shows and our local music shows. We also want to take this opportunity to again thank our underwriters and major donors who help us continue our mission of providing our listeners with high-quality programming and services (look for a list of underwriters and major donors on the following pages). We think our listeners should know where our money comes from – and where it goes – so you’ll find revenue and expense information included here as well. Here, too, you will find a list of KCUR’s Community Partners in 2008. This list includes many other non-profits working to provide events and services that contribute to the well-being of our community.
    [Show full text]
  • Program Guide for June 2009
    Memories of Midtown airs The Tavis Smiley Show Tuesday, June 2 at 8 p.m. airs Saturdays at 3 p.m. on WXXI-TV/HD on AM1370/HD91.5-2 STATION SIGNALS TV21 | DTV | AM1370 | FM91.5/90.3/88.5/HD | REACHOUT RADIO | EDUCATION | WXXI.ORG june2009 WEDNESDAY, JUNE 3 AT 8 P.M. ON WXXI-TV/HD see page 5 LAST DTV IS HERE JUNE 12 see page 23 ISSUE! june2009 STATION SIGNALS 3 Dear Friend, As more and more people get their information online – and as we’ve all become aware of the need to “go green” and help protect our environment – we’ve come to an important decision about Station Signals. Starting next month, the kind of comprehensive radio and television program information provided by Station Signals will be available on our website, WXXI.org. A change in the way we communicate with our members was inevitable, as the cost of paper, printing and postage escalated over the year. Pushing us along was the painful state funding cut we suffered in Albany this year. Protecting our mission (and, of course, the programming you expect and deserve) was our top priority. We had already cut travel, equipment purchases, benefits and staffing. At the same time, we’ve been investing in WXXI.org and email communication. Every progressive organization is taking advantage of new media to expand its reach in programming, services and communication; WXXI is no exception. This change will allow us to turn our attention to creating robust and engaging e-newsletters and other online services.
    [Show full text]
  • MICH~~ Education
    STATE OF MICHIGAN DEPARTMENT OF EDUCATION MICH~~ LANSING Education MICHAEL P. FLANAGAN JENNIFER M. GRANHOLM SUPERINTENDENT DF GOVERNOR PUBLIC INSTRUCTION MEMORANDUM TO: State Board of Education FROM: Michael P. Flanagan,Chairman DATE: February 26, 2007 SUBJECT: Report on English Language Arts High School Course/Credit Content Expectations, the Power of Language Module and the Career and Technical Education ELA Units of Instruction for the Michigan Merit Curriculum The Michigan Department of Education's Office of School Improvement developed high school content expectations and course credit requirements for English LanguageArts (ELA). The content expectations were approved by the State Board of Education in April 2006. Information on the course credit requirements for Grades 9 and 10 were provided to the State Board of Education in.July 2006. All of the English LanguageArts content expectations are taught every year with increasing levels of complexity for each grade level. On behalf of the Michigan Department of Education, I am pleased to share information on the Course/Credit Content Expectations for English LanguageArts Grades 11 & 12 and the Power of Language Module. The Course/Credit Content Expectationsfor English LanguageArts are organized into model units of instruction that address all of the content expectations every year. The Power of Language Module is a companion document that provides a better understanding of the structure and function of the English language to suPPQrtthe English LanguageArts standards, expectations and units of instruction. These documents are available via the MDEwebsite: www.mighigan.govfhighschool, or on CD upon request. Additionally, the Michigan Department of Education's Office of School Improvement worked with the Department of Labor and EconomicGrowth's Office of Career and Technical Education (CTE) to develop similar ELA units of instruction aligned with so.meof the CTEclasses - Business, Marketing, Criminal Justice and Health.
    [Show full text]
  • KPCC-KPCV-KUOR Quarterly Report JULY-SEPT 2011
    Quarterly Programming Report July-Sept 2011 KPCC / KPCV / KUOR Date Key Synopsis Guest/Reporter Duration Unable to reach a collective bargaining agreement with team owners and union leaders, the National Basketball Association has locked out its players as of 9 pm last night. The NBA says that 22 of its 30 teams are unprofitable and the league lost an estimated $300 million last season. But is the NBA trying to solve its financial woes at the expense of the players? Unlike NFL teams who share television revenue equally NBA teams NBA teams negotiate their own 7/1/11 SPOR TV deals individually. Is it timegp to restructure the revenue g sharing? pp Michael McCann 6:00 Today a new set of rules limiting first-year residents, also called interns, to 16-hour shifts was put into place by the private nonprofit Accreditation Council for Graduate Medical Education. The rules are meant to prevent medical errors resulting from sleep deprivation. Second- and third-year residents will still be permitted to work 28 hours at a time. But critics of the new rules say they don’t go far enough. They cite research that shows that during long shifts doctors’ performance deteriorates. A 2009 poll of 1,200 American households published in the journal BMC Medicine found that 81 percent of respondents wanted to be informed if their doctor had been working for more than 24 hours and 80 percent said they would they would want a different doctor. Supporters of longer shifts say they give residents valuable experience and teach them to manage fatigue which is an important part of practicing medicine.
    [Show full text]
  • Secondary Sources: Works About Edward P. Jones
    Secondary Sources: Works About Edward P. Jones Compiled by Jamie Babcock Allen, Bruce. “Finding Historical Relevance in Journalism, Jazz, Slavery.” Rev. of The Known World. Hollywood Reporter 12 Apr. 2004: 12. Allen, Kimberly G. Rev. of Lost in the City. Library Journal 15 May 1992: 122. “Author Carl Hiaasen gives his book club pick, The Known World by Edward P. Jones, who discusses his book.” Narr. Ann Curry. Today. NBC. 18 Nov. 2003. “Author Edward P. Jones Talks About His First Novel, The Known World.” Narr. Bob Edwards and Martha Woodroof. Morning Edition. Natl. Public Radio. 28 Oct. 2003. Beasley, Conger, Jr. “A Luminous Look at an Obscure World: Much-Praised Novel Focuses on Black Slave Owners in America.” Rev. of The Known World. National Catholic Reporter 12 Mar. 2004: 15. “Black Writers Win Pulitzer Prizes.” Jet 26 Apr. 2004: 32-33. Blue, Carroll Parrott. Rev. of The Known World. Black Issues Book Review Nov.-Dec. 2003: 50. “Book World Talks to the Author: Q & A.” Interview with Edward P. Jones. Washington Post 24 Aug. 2003, final ed.: T03. “Books of the Year.” Times Literary Supplement 5 Dec. 2003. Bush, Vanessa. Rev. of The Known World. Booklist 15 Sept. 2003: 211. Byle, Ann. “Legacy of Slavery Haunts Family Struggling in The Known World.” Grand Rapids Press 15 Feb. 2004: J7. Changnon, Greg. “Antebellum Black Slave Owner Discovers an Unbecoming Reality.” Rev. of The Known World. Atlanta Journal-Constitution 7 Sept. 2003, home ed.: 2F. Clark, Champ. Rev. of The Known World. People Weekly 29 Sept. 2003: 45. 2 Cobbs, Price.
    [Show full text]
  • NETWORKS, STATIONS, and SERVICES REPRESENTED Senate Gallery 224±6421 House Gallery 225±5214 A.H
    NETWORKS, STATIONS, AND SERVICES REPRESENTED Senate Gallery 224±6421 House Gallery 225±5214 A.H. BELO CAPITOL BUREAUÐ(202) 661±8471; 1325 G Street, NW 20005: Thomas Ackerman, Sharon Bender, David Martin Cassidy, Jonathan E. Drum, Jim Fry, Michael Goldfein, Stacy Hutchins, Michael Kornely, Robert Michaud, Carolyn Presutti, Jose Santos, Phillip Smith, Alan Suhonen. ABC NEWSÐ(202) 222±7700; 1717 DeSales Street, NW 20036: Lynne Adrine, Abigail K. Alcott, Kent D. Alley, Douglas Allmond, Patricia Armstrong, Christina Babarovic, Mark Banks, Jon Bascom, John H. Bauer, Laurye Blackford, Kenneth Blaylock, Robert E. Bramson, Glennwood Branche, Charles Breiterman, Barbara Britt, Sam Brooks, Henry Metric Brown, Harold R. Bruno, Jayne Hilary Bruns, Chirs Bury, Ian Cameron, Elizabeth Carden, Chris Carlson, Robert Clark, John Cochran, Richard Coolidge, Robert Corbey, Pam Coulter, Robert Crawford, Andrew E. Cremedas, Patrick Cullen, Thomas J. D'Annibale, Anne Davenport, Karla Davis, Ernest Davy, Terry T. DeWitt, Tom DiBacco, Henry Disselkamp, Peter M. Doherty, Sam Donaldson, Linda D. Douglass, Jonathan Ebinger, Andrew Field, Charles Finamore, Diane J. Forcey, Vincent Gaito, Josh Gerstein, Thomas Giusto, Stuart Gordon, Robin Gradison, Daniel Green, Myra P. Green, William Greenwood, Bettina L. Gregory, Stewart Harris, Charles Herman, David Herndon, Shelia Hershow, Dean Hovell, Ann Compton Hughes, Fletcher Johnson, Kenneth Johnson, William Johnson, Steven Joya, Jacqueline Judd, Sara Just, Joy Kalfopulos, Deborah Kempf, John Kennedy, John Knott, Lisa Koenig, Kathryn Kross, John C. LaMonica, Torrence Lilly, Rebecca Lipkin, Tamara Lipper, Stanley Lorek, Beverley C. Lumpkin, Ellsworth Lutz, David Marash, Mary C. Marsh, Joan Martelli, James Martin, John Martin, Luis E. Martinez, Andrea McCarren, Michel McQueen, John McWethy, Portia R.
    [Show full text]