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TAL Distribution Press Release
This American Life Moves to Self-Distribute Program Partners with PRX to Deliver Episodes to Public Radio Stations May 28, 2014 – Chicago. Starting July 1, 2014, Chicago Public Media and Ira Glass will start independently distributing the public radio show This American Life to over 500 public radio stations. Episodes will be delivered to radio stations by PRX, The Public Radio Exchange. Since 1997, the show has been distributed by Public Radio International. “We’re excited and proud to be partners now with PRX,” said Glass. “They’ve been a huge innovative force in public radio, inventing technologies and projects to get people on the air who’d have a much harder time without them. They’re mission- driven, they’re super-capable and apparently they’re pretty good with computers.” “We are huge fans of This American Life and are thrilled to support their move to self-distribution on our platform,” said Jake Shapiro, CEO of PRX. “We’ve had the privilege of working closely with Ira and team to develop This American Life’s successful mobile apps, and are honored to expand our partnership to the flagship broadcast.” This American Life will take over other operations that were previously handled by PRI, including selling underwriting and marketing the show to stations. The marketing and station relations work will return to Marge Ostroushko, who did the job back before This American Life began distribution with PRI. This American Life, produced by Chicago Public Media and hosted by Ira Glass, is heard weekly by 2.2 million people over the radio. -
English Language Arts • Grade 12
-ICHIGAN-ERIT#URRICULUM -ICHIGAN-ERIT#URRICULUM Course/Credit Requirements -ICHIGAN-ERIT#URRICULUM ENGLISH LANGUAGE ARTS • GRADE 12 1 Credit Michigan State Board of Education Kathleen N. Straus, President Bloomfield Township John C. Austin, Vice President Ann Arbor Carolyn L. Curtin, Secretary Evart Marianne Yared McGuire, Treasurer Detroit Nancy Danhof, NASBE Delegate East Lansing Elizabeth W. Bauer Birmingham Reginald M. Turner Detroit Casandra E. Ulbrich Rochester Hills Governor Jennifer M. Granholm Ex Officio Michael P. Flanagan, Chairman Superintendent of Public Instruction Ex Officio MDE Staff Jeremy M. Hughes, Ph.D. Deputy Superintendent/Chief Academic Officer Dr. Yvonne Caamal Canul, Director Office of School Improvement Welcome This guide was developed to assist teachers in successfully implementing the Michigan Merit Curriculum. The identified content expectations and guidelines provide a useful framework for designing curriculum, assessments and relevant learning experiences for students. Through the collaborative efforts of Governor Jennifer M. Granholm, the State Board of Education, and the State Legislature, these landmark state graduation requirements are being implemented to give Michigan students the knowledge and skills to succeed in the 21st Century and drive Michigan’s economic success in the global economy. Working together, teachers can explore varied pathways to help students demonstrate proficiency in meeting the content expectations and guidelines. This guide should be used in conjunction with the High School Content Expectations document for the discipline. Curriculum Unit Design One of the ultimate goals of teaching is for students to acquire transferable knowledge. To accomplish this, learning needs to result in a deep understanding of content and mastery level of skills. As educational designers, teachers must use both the art and the science of teaching. -
PRACHTER: Hi, I'm Richard Prachter from the Miami Herald
Bob Garfield, author of “The Chaos Scenario” (Stielstra Publishing) Appearance at Miami Book Fair International 2009 PACHTER: Hi, I’m Richard Pachter from the Miami Herald. I’m the Business Books Columnist for Business Monday. I’m going to introduce Chris and Bob. Christopher Kenneally responsible for organizing and hosting programs at Copyright Clearance Center. He’s an award-winning journalist and author of Massachusetts 101: A History of the State, from Red Coats to Red Sox. He’s reported on education, business, travel, culture and technology for The New York Times, The Boston Globe, the LA Times, the Independent of London and other publications. His articles on blogging, search engines and the impact of technology on writers have appeared in the Boston Business Journal, Washington Business Journal and Book Tech Magazine, among other publications. He’s also host and moderator of the series Beyond the Book, which his frequently broadcast on C- SPAN’s Book TV and on Book Television in Canada. And Chris tells me that this panel is going to be part of a podcast in the future. So we can look forward to that. To Chris’s left is Bob Garfield. After I reviewed Bob Garfield’s terrific book, And Now a Few Words From Me, in 2003, I received an e-mail from him that said, among other things, I want to have your child. This was an interesting offer, but I’m married with three kids, and Bob isn’t quite my type, though I appreciated the opportunity and his enthusiasm. After all, Bob Garfield is a living legend. -
Journalistic Ethics and the Right-Wing Media Jason Mccoy University of Nebraska-Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Professional Projects from the College of Journalism Journalism and Mass Communications, College of and Mass Communications Spring 4-18-2019 Journalistic Ethics and the Right-Wing Media Jason McCoy University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/journalismprojects Part of the Broadcast and Video Studies Commons, Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Journalism Studies Commons, Mass Communication Commons, and the Other Communication Commons McCoy, Jason, "Journalistic Ethics and the Right-Wing Media" (2019). Professional Projects from the College of Journalism and Mass Communications. 20. https://digitalcommons.unl.edu/journalismprojects/20 This Thesis is brought to you for free and open access by the Journalism and Mass Communications, College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Professional Projects from the College of Journalism and Mass Communications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Journalistic Ethics and the Right-Wing Media Jason Mccoy University of Nebraska-Lincoln This paper will examine the development of modern media ethics and will show that this set of guidelines can and perhaps should be revised and improved to match the challenges of an economic and political system that has taken advantage of guidelines such as “objective reporting” by creating too many false equivalencies. This paper will end by providing a few reforms that can create a better media environment and keep the public better informed. As it was important for journalism to improve from partisan media to objective reporting in the past, it is important today that journalism improves its practices to address the right-wing media’s attack on journalism and avoid too many false equivalencies. -
This Version Has the Raw Data in an Appendix)
Accepted for publication in 2020 by the International Journal of Communication, ijoc.org (this version has the raw data in an appendix) Podcasting as Public Media: The Future of U.S. News, Public Affairs and Educational Podcasts PATRICIA AUFDERHEIDE American University, USA DAVID LIEBERMAN The New School, USA ATIKA ALKHALLOUF American University, USA JIJI MAJIRI UGBOMA The New School, USA This article identifies a U.S.-based podcasting ecology as public media, and then examines the threats to its future. It first identifies characteristics of a set of podcasts in the U.S. that allow them to be usefully described as public podcasting. Second, it looks at current business trends in podcasting as platformization proceeds. Third, it identifies threats to public podcasting’s current business practices. Finally, it analyzes responses within public podcasting to the potential threats. It concludes that currently, the public podcast ecology in the U.S. maintains some immunity from the most immediate threats, but that as well there are underappreciated threats to it both internally and externally. Keywords: podcasting, public media, platformization, business trends, public podcasting ecology As U.S. podcasting becomes an increasingly commercially-viable part of the media landscape, are its public-service functions at risk? This article explores that question, in the process postulating that the concept of public podcasting has utility in describing, not only a range of podcasting practices, but an ecology within the larger podcasting ecology—one that permits analysis of both business methods and social practices, one that deserves attention and even protection. This analysis contributes to the burgeoning literature on podcasting by enabling focused research in this area, permitting analysis of the sector in ways that permit thinking about the relationship of mission and business practice sector-wide. -
Harvard Kennedy School Journal of Hispanic Policy a Harvard Kennedy School Student Publication
Harvard Kennedy School Journal of Hispanic Policy A Harvard Kennedy School Student Publication Volume 30 Staff Kristell Millán Editor-in-Chief Estivaliz Castro Senior Editor Alberto I. Rincon Executive Director Bryan Cortes Senior Editor Leticia Rojas Managing Editor, Print Jazmine Garcia Delgadillo Senior Amanda R. Matos Managing Editor, Editor Digital Daniel Gonzalez Senior Editor Camilo Caballero Director, Jessica Mitchell-McCollough Senior Communications Editor Rocio Tua Director, Alumni & Board Noah Toledo Senior Editor Relations Max Wynn Senior Editor Sara Agate Senior Editor Martha Foley Publisher Elizabeth Castro Senior Editor Richard Parker Faculty Advisor Recognition of Former Editors A special thank you to the former editors Alex Rodriguez, 1995–96 of the Harvard Kennedy School Journal of Irma Muñoz, 1996–97 Hispanic Policy, previously known as the Myrna Pérez, 1996–97 Harvard Journal of Hispanic Policy, whose Eraina Ortega, 1998–99 legacy continues to be a source of inspira- Nereyda Salinas, 1998–99 tion for Latina/o students Harvard-wide. Raúl Ruiz, 1999–2000 Maurilio León, 1999–2000 Henry A.J. Ramos, Founding Editor, Sandra M. Gallardo, 2000–01 1984–86 Luis S. Hernandez Jr., 2000–01 Marlene M. Morales, 1986–87 Karen Hakime Bhatia, 2001–02 Adolph P. Falcón, 1986–87 Héctor G. Bladuell, 2001–02 Kimura Flores, 1987–88 Jimmy Gomez, 2002–03 Luis J. Martinez, 1988–89 Elena Chávez, 2003–04 Genoveva L. Arellano, 1989–90 Adrian J. Rodríguez, 2004–05 David Moguel, 1989–90 Edgar A. Morales, 2005–06 Carlo E. Porcelli, 1990–91 Maria C. Alvarado, 2006–07 Laura F. Sainz, 1990–91 Tomás J. García, 2007–08 Diana Tisnado, 1991–92 Emerita F. -
Critical Acclaim for 'LISTENING IS an ACT of LOVE: a STORYCORPS SPECIAL' by the Rauch Brothers
Critical Acclaim For 'LISTENING IS AN ACT OF LOVE: A STORYCORPS SPECIAL' By the Rauch Brothers "StoryCorps is one of the great inspirations of the last 10 years. a priceless, irreplaceable history of humanity. Wisely, the documentary . stresses that telling the stories is only half of this project. The other half is listening. The people who ask questions are saying, 'Your life matters. Tell me about it.' What a wonderful thing for anyone to hear." —David Hinckley, New York Daily News "In the soundproof recording studio . thousands of everyday people have talked about their hopes, fears, regrets, triumphs." Brian Stelter, The New York Times "If you are not in the mood for football, give PBS a holiday TV try. StoryCorps founder Dave Isay has oft said 'you find wisdom and poetry' in the words of everyday people. And it's true." —Adrienne Samuels Gibbs, Chicago Sun-Times "Heartbreaking, hilarious and inspiring, sometimes all at once. We're in the midst of the season that encourages us to binge-shop for meaningless junk. The perfect gift is easier to give than most of us imagine. Just ask a few questions of someone close to you and listen." —Mark Perigard, Boston Herald "Touching. poignant." —Vi-An Nguyen, Parade "A holiday-friendly, family-binding event. Just what many people crave at this time of the year." —Robert Lloyd, Los Angeles Times "'Live with courage'—PBS brings these three simple words to vivid life. StoryCorps looks for wisdom and poetry in the lives of regular people; this animated film brings together a tapestry of natural storytellers doing what they do best. -
Classical Music on Dual Format Stations
_____________________________________________________________ Walrus Research Core Values of Classical Music Dual Format Stations Abridged Report Focus Groups Summer 2004 Reality has a way of eventually getting your attention Core Values Dual Formats “It lowers my blood pressure. My work is pretty stressful, and when it gets really stressful I just turn to classical. It calms me down. It soothes the savage beast.” -- WITF Listener “The music allows me to think through things and it doesn’t blare at me. It’s soothing.” -- WABE Listener “I really like the classical music, I just find it very calming. It lets you think better. Listening to it I think it’s beautiful music and it tends to make one more reflective. Soothing and relaxation.” -- WERN Listener Walrus Research 2 Core Values Dual Formats Contents Introduction Page 4 Summary Findings Page 6 Research Design Page 7 Respondents Page 10 Agenda Page 13 Image – Dual Format Stations Page 15 Personal Importance Page 23 Benefits of Listening Page 26 Use and Gratifications Page 33 Telephone Screener Page 34 Walrus Research 3 Core Values Dual Formats Introduction This is the fourth report from our continuing research into the Core Values of public radio programming. Our first report was the Core Values of Local Information Programs, based on focus groups with NPR news listeners in four markets. For our second report, on the Core Values of Classical Music, we conducted focus groups with classical music listeners in six markets. For our third report, on the Core Values of Jazz Formats, we conducted focus groups with jazz listeners in four markets. -
Truthiness: This American Life and the Monologist Epilogue Ira Glass
CSJ- 12- 0046.2 • • Truthiness: This American Life and the Monologist Epilogue Ira Glass, host of This American Life (TAL), realized as soon as he spoke to Rob Schmitz of Marketplace that TAL would have to run an on-air correction of its January 6, 2012 show featuring Mike Daisey and his visit to Foxconn, an Apple supplier in Shenzhen, China. Glass was relieved to have some breathing space because Marketplace had contacted TAL rather than broadcasting the story on its news show first. “I’m not sure if other organizations would have done that,” says Glass.1 “They were reaching out to say, like, how should we handle this? Do you want to do something on your air?” Over multiple email and telephone exchanges beginning Monday, March 5, Schmitz and the TAL team of Glass, Senior Producer Julie Snyder and Producer Brian Reed decided to collaborate. , The group concluded that a simple on-air announcement at the start of a segment on another subject would be insufficient. The plan was that Schmitz would file a story for Marketplace that would include an interview with Daisey’s translator, Cathy Lee, and excerpts from the original broadcast of “Mr. Daisey and the Apple Factory,” along with his own reporting. The Marketplace report would be broadcast (and posted to its website) on Friday, March 16. The same day, TAL would air a “retraction” show addressing Daisey’s fabrications. The show would include a longer version of Schmitz’s story, and—if he agreed to it—an interview with Daisey. Daisey agreed, and on Friday, March 9, Glass and Schmitz jointly interviewed Daisey for three hours. -
Media Advisory
Media Advisory FOR IMMEDIATE RELEASE Media Contact: Sue DeBenedette, Marketing Manager Tel: 520.621.5222 | Mobile: 520.247.5883 [email protected] Follow us on: Twitter: @azpmnews Facebook: facebook.com/azpublicmedia Website: azpm.org Here & Now Radio Program Debuts st Monday, July 1 on NPR 89.l Talk of the Nation, ends its 21-year run Science Friday with Ira Flatow continues on Fridays Tucson, Arizona – June 17, 2013 – On Monday, July 1, 2013 the daily news magazine radio program, Here & Now will debut on NPR 89.1, and will be heard Monday through Thursday from 11 a.m. to 1 p.m. Here & Now will replace Talk of the Nation which ends production at the end of June. Science Friday with Ira Flatow will continue to air on Fridays from 11 a.m. to 1 p.m. Here & Now, a collaborative production between WBUR in Boston and NPR, is designed to “meet listeners where they are,” bringing news that breaks in the mid-day news cycle, after Morning Edition and before All Things Considered. Hosts Robin Young and Jeremy Hobson drive the show, along with contributions from reporters from around the nation and world, bloggers, and packages from the BBC and member stations around the country. For more information, visit azpm.org. Among the many contributors to Here & Now are: Two-Way's Mark Memmott and news bloggers Scott Neuman, Eyder Peralta and Bill Chappell covering breaking news Code Switch's Gene Demby on race-related issues Robert Krulwich,13.7's Adam Frank and Barbara King on science Liz Halloran, Frank James, Alan Greenblatt, and Charlie Mahtesian for politics Monkey See's Linda Holmes covers pop culture Claire O'Neill for photography Talk of the Nation will cease production at the end of June. -
Beautiful and Damned: Geographies of Interwar Kansas City by Lance
Beautiful and Damned: Geographies of Interwar Kansas City By Lance Russell Owen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Geography in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Johns, Chair Professor Paul Groth Professor Margaret Crawford Professor Louise Mozingo Fall 2016 Abstract Beautiful and Damned: Geographies of Interwar Kansas City by Lance Russell Owen Doctor of Philosophy in Geography University of California, Berkeley Professor Michael Johns, Chair Between the World Wars, Kansas City, Missouri, achieved what no American city ever had, earning a Janus-faced reputation as America’s most beautiful and most corrupt and crime-ridden city. Delving into politics, architecture, social life, and artistic production, this dissertation explores the geographic realities of this peculiar identity. It illuminates the contours of the city’s two figurative territories: the corrupt and violent urban core presided over by political boss Tom Pendergast, and the pristine suburban world shaped by developer J. C. Nichols. It considers the ways in which these seemingly divergent regimes in fact shaped together the city’s most iconic features—its Country Club District and Plaza, a unique brand of jazz, a seemingly sophisticated aesthetic legacy written in boulevards and fine art, and a landscape of vice whose relative scale was unrivalled by that of any other American city. Finally, it elucidates the reality that, by sustaining these two worlds in one metropolis, America’s heartland city also sowed the seeds of its own destruction; with its cultural economy tied to political corruption and organized crime, its pristine suburban fabric woven from prejudice and exclusion, and its aspirations for urban greatness weighed down by provincial mindsets and mannerisms, Kansas City’s time in the limelight would be short lived. -
George Ehrlich Papers, (K0067
THE STATE HISTORICAL SOCIETY OF MISSOURI RESEARCH CENTER-KANSAS CITY K0067 George Ehrlich Papers 1946-2002 65 cubic feet, oversize Research and personal papers of Dr. George Ehrlich, professor of Art and Art History at the University of Missouri-Kansas City and authority on Kansas City regional architecture. DONOR INFORMATION The papers were donated by Dr. George Ehrlich on August 19, 1981 (Accession No. KA0105). Additions were made on July 23, 1982 (Accession No. KA0158); April 7, 1983 (Accession No. KA0210); October 15, 1987 (Accession No. KA0440); July 29, 1988 (Accession No. KA0481); July 26, 1991 (Accession No. KA0640). An addition was made on March 18, 2010 by Mila Jean Ehrlich (Accession No. KA1779). COPYRIGHT AND RESTRICTIONS The Donor has given and assigned to the University all rights of copyright, which the Donor has in the Materials and in such of the Donor’s works as may be found among any collections of Materials received by the University from others. BIOGRAPHICAL SKETCH Dr. George Ehrlich, emeritus professor of Art History at the University of Missouri-Kansas City, was born in Chicago, Illinois, on January 28, 1925. His education was primarily taken at the University of Illinois, from which he received B.S. (Honors), 1949, M.F.A., 1951, and Ph.D., 1960. His studies there included art history, sculpture, architecture, history, and English literature. Dr. Ehrlich served as a member of the United States Army Air Force, 1943- 1946. He was recalled to active duty, 1951-1953 as a First Lieutenant. Dr. Ehrlich joined the faculty at the University of Missouri-Kansas City in 1954.