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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Presentazione Standard Di Powerpoint
Agnus Dei Tiziana Rocca Production WHO , WHAT AND WHEN: The 60th Taormina Film Festival will be held June 14 - 21, 2014. The prestigious event takes place in Taormina's 2,300 year old Greco-Roman amphitheater on the east coast of the island of Sicily, Italy, overlooking the Mediterranean Sea. As Italy's oldest festival, the Taormina Film Festival has been host to many legendary stars such as Russell Crowe, Meg Ryan, Sophia Loren and Robert De Niro. In 2013, this charming and exclusive event found new leadership in Director, Mario Sesti, formerly part of the direction of Rome Film Festival and General Manager, Tiziana Rocca, one of the most important and well-known public relations specialists in Italy. GRANDE CINEMA AT THE THEATRO ANTICO: Highlights of the festival that attracts tourists as well as festival-goers are screenings of major first-run films in Taormina's 2,300 year old Greco-Roman amphitheater, capable of hosting up to 5,000 spectators. The programming is eclectic, entertaining and aimed at attracting large audiences. Classic genres such as comedy and horror, represent the old style of productions that were once held at Theatro Antico so many years ago. MASTER CLASS: Some of the festival's most exciting moments occur during Taormina's renowned Master Classes. Held every day at Palazzo dei Congressi of Taormina, elite actors and directors in the world of cinema share their experience and expertise with the audience of festival attendees and journalists. Russell Crowe, Meg Ryan, Jeremy Irons, Oliver Stone, Terry Gilliam, Sophia Loren and Marisa Tomei are only a few names of previous participants who have made this an unforgettable event. -
Festival Centerpiece Films
50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E. -
The Problem with Borat
Taboo: The Journal of Culture and Education Volume 11 | Issue 1 Article 9 December 2007 The rP oblem with Borat Ghada Chehade Follow this and additional works at: https://digitalcommons.lsu.edu/taboo Recommended Citation Chehade, G. (2017). The rP oblem with Borat. Taboo: The Journal of Culture and Education, 11 (1). https://doi.org/10.31390/ taboo.11.1.09 Taboo, Spring-Summer-Fall-WinterGhada Chehade 2007 63 The Problem with Borat Ghada Chehade There is just something about Borat, Sacha Baron Cohen’s barbaric alter-ego who The Observer’s Oliver Marre (2006) aptly describes as “…homophobic, rac- ist, and misogynist as well as anti-Semitic.” While on the surface, Cohen’s Borat may seem to offend all races equally—the one group he offends the most is the very group he portrays as homophobic, racist, misogynist, and anti-Semitic. Or in other words, the real parties vilified by Cohen are not Borat’s victims but Borat himself. The humour is ultimately directed at this uncivilized buffoon-Borat. He is the butt of every joke. He is the one we laugh at, and are intended to laugh at, the most inasmuch as he is more vulgar, savage, ignorant, barbaric, and racist than any of the bigoted Americans “exposed” in the 2006 film Borat: Cultural Learn- ings of America for Make Benefit Glorious Nation of Kazakhstan. This would not be quite as problematic if the fictional Borat did not come from a very real place and did not so obviously (mis)represent Muslims. While the 2006 film has received coverage and praise for revealing the racism of Americans, very few people are asking whether Cohen’s caricature of a savage, homophobic, misogynist, racist, and hard core Jew-hating Muslim is not actually a form of anti-Muslim racism. -
Marlon Brando Material on ONE-EYED JACKS
http://oac.cdlib.org/findaid/ark:/13030/c8w0999r No online items Marlon Brando material on ONE-EYED JACKS Special Collections Margaret Herrick Library© 2015 Marlon Brando material on 1074 1 ONE-EYED JACKS Descriptive Summary Title: Marlon Brando material on ONE-EYED JACKS Date (inclusive): 1957-1961 Collection number: 1074 Creator: Brando, Marlon Extent: 1.3 linear feet of papers. Repository: Margaret Herrick Library. Academy of Motion Picture Arts and Sciences. Languages: English Access Available by appointment only. Publication rights Property rights to the physical object belong to the Margaret Herrick Library. Researchers are responsible for obtaining all necessary rights, licenses, or permissions from the appropriate companies or individuals before quoting from or publishing materials obtained from the library. Preferred Citation Marlon Brando material on ONE-EYED JACKS, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences. Acquisition Information Anomymous gift, 2005 Biography Marlon Brando was an American actor active in film from 1950 to 2001. ONE-EYED JACKS is an American feature film directed by Brando and released by Paramount Pictures in 1961. It represents Brando's sole directorial effort. Brando's eight Academy Award nominations in the acting category include a statuette for best actor for ON THE WATERFRONT (1954). Collection Scope and Content Summary The Marlon Brando material on ONE-EYED JACKS spans the years 1957-1961 and encompasses 1.3 linear feet. The collection consists of script material; production material, including production-related correspondence; and handwritten notes. Of interest are numerous handwritten notes by Brando on the script, editing, and other areas of production. The material was the personal property of Marlon Brando. -
Harrison Ford 5 Film Collection
Page 1 HARRISON FORD 5 FILM COLLECTION TM Available on DVD & Bluray from 2nd November Includes: Firewall, 42, Presumed Innocent, Frantic and The Fugitive On November 2nd 2015, Warner Bros. Home Entertainment (WBHE) will release the Harrison Ford 5 Film Collection, three of which are brand new to Bluray. ABOUT THE FILMS 42 (2013) Written and directed by Brian Helgeland (Legend, LA Confidential) this is the inspiring true story of the man who broke the Major League baseball colour barrier, Jackie Robinson, with Ford starring as the man who signed him, Branch Rickey. Firewall (2006) Ford proved he still had what it takes in the action man genre in this dazzling technothriller, starring as a security specialist forced to rob a bank after his family is taken hostage by the dastardly Paul Bettany. Frantic (1988) Directed by Roman Polanski, this superb thriller, a forerunner to the Liam Neeson Taken films, sees Harrison Ford as a doctor whose wife disappears from their hotel room during a trip to Paris. What follows is a nightmarish journey into the underbelly of the city as Ford attempts to find out Page 2 what has happened to her. Presumed Innocent (1990) A sensational nailbiting whodunnit right up to the final scene, this box office smash was based on the bestselling Scott Turow novel, and directed by the great Alan J Pakula (Klute). Ford is a DA who is put in charge of the investigation of his lover’s murder – and finds himself in the frame for the killing. When the film was released it became the ‘don’t reveal the ending’ hit of the year. -
Uw Cinematheque Announces Fall 2012 Screening Calendar
CINEMATHEQUE PRESS RELEASE -- FOR IMMEDIATE RELEASE AUGUST 16, 2012 UW CINEMATHEQUE ANNOUNCES FALL 2012 SCREENING CALENDAR PACKED LINEUP INCLUDES ANTI-WESTERNS, ITALIAN CLASSICS, PRESTON STURGES SCREENPLAYS, FILMS DIRECTED BY ALEXSEI GUERMAN, KENJI MISUMI, & CHARLES CHAPLIN AND MORE Hot on the heels of our enormously popular summer offerings, the UW Cinematheque is back with the most jam-packed season of screenings ever offered for the fall. Director and cinephile Peter Bogdanovich (who almost made an early version of Lonesome Dove during the era of the revisionist Western) writes that “There are no ‘old’ movies—only movies you have already seen and ones you haven't.” With all that in mind, our Fall 2012 selections presented at 4070 Vilas Hall, the Chazen Museum of Art, and the Marquee Theater at Union South offer a moveable feast of outstanding international movies from the silent era to the present, some you may have seen and some you probably haven’t. Retrospective series include five classic “Anti-Westerns” from the late 1960s and early 70s; the complete features of Russian master Aleksei Guerman; action epics and contemplative dramas from Japanese filmmaker Kenji Misumi; a breathtaking survey of Italian Masterworks from the neorealist era to the early 1970s; Depression Era comedies and dramas with scripts by the renowned Preston Sturges; and three silent comedy classics directed by and starring Charles Chaplin. Other Special Presentations include a screening of Yasujiro Ozu’s Dragnet Girl with live piano accompaniment and an in-person visit from veteran film and television director Tim Hunter, who will present one of his favorite films, Tsui Hark’s Shanghai Blues and a screening of his own acclaimed youth film, River’s Edge. -
Films and Comedy Quiz – 25Th June ¦ ANSWERS
Films and Comedy Quiz – 25th June ¦ ANSWERS 1. In which film does Alec Guinness's character plan and carry out a theft of gold bullion? (The film also starred Stanley Holloway, Sidney James and Audrey Hepburn.) The Lavender Hill Mob 2. A Night to Remember, of 1958, was about which disaster? The sinking of the Titanic 3. Which Ealing film of 1955 sees a gang of criminals defeated by their little old landlady? The Ladykillers 4. Which Hitchcock film has James Stewart's character confined to his room from which he spies on his neighbours? Rear Window 5. Which 'post-World War IIl' film starring Gregory Peck, Ava Gardner and Anthony Perkins, is based on a novel by Neville Shute? On the Beach 6. Which 1956 film, starring Yul Brynner and Deborah Kerr was a remake of Anna and the King of Siam? The King and I 7. Which 1957 British film, starring Alastair Sim and Joyce Grenfell, sees a group of unruly schoolgirls going off on a UNESCO prize trip to Rome? Blue Murder at St Trinian's 8. Gregory Peck starred in which film of 1956 based on a Herman Melville novel? Moby Dick 9. Who wrote the music for West Side Story? Leonard Bernstein 10. Which was the first James Bond film? Doctor No 11. In which black comedy film did Peter Sellers play an RAF officer, a mad scientist and a US President? Dr Strangelove 12. Who were the two main stars in Midnight Cowboy? Dustin Hoffman and Jon Voight 13. The Sentinel, a short story by Arthur C Clarke, was the basis for which film? 2001: A Space Odyssey 14. -
Water in the Movies
water brief 3 Peter H. Gleick Water is a theme that runs through all forms of popular culture, from books to myths to Hollywood and international films, with a growing number of shorter video pieces posted online at YouTube and similar sites. A surprising number of popular movies, going back almost to the first days of movie-making, have incorporated the issue of water disputes and conflicts over water rights and allocation as a central theme. Below Wateris a list of some in of these the classic Movies (good and bad) films. I’ve also included a few links to online shorter videos related to water. Huge numbers of these are available; here are just a few of my favorites. Feel free to send suggestions of others to [email protected]. Three Word Brand (1921): Paul and Brand (twins separated at birth, played by William S. Hart) become, respectively, governor of Utah and a partner in a ranch where neigh- boring ranchers are trying to get control of local water rights. Riders of Destiny (1933): Government agent Saunders (John Wayne) fights a local rancher Popularwho controls Movies/Films the local water supply and is trying to force other ranchers into con- tracts for water at exorbitant rates. King of the Pecos (1936): John Wayne stars in a classic battle over western water rights and land in the Pecos River country. Law of the Ranger (1937): Another western with a monopolistic rancher claiming local water rights. Bill Nash (John Merton), owner of the local water company and town boss, tries to control the valley’s water rights by building a reservoir, but he must get control of the key property and murders the rightful owner to do so. -
Les Bad Boys De L'ouest : Brando, Nicholson Et Le Western
Document generated on 10/01/2021 5:32 p.m. 24 images Les Bad Boys de l’Ouest Brando, Nicholson et le Western Bruno Dequen Western – Histoires parallèles Number 186, March 2018 URI: https://id.erudit.org/iderudit/87969ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this article Dequen, B. (2018). Les Bad Boys de l’Ouest : Brando, Nicholson et le Western. 24 images, (186), 18–19. Tous droits réservés © 24/30 I/S, 2018 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DOSSIER — WESTERN – Histoires parallèles LES BAD BOYS DE L’OUEST BRANDO, NICHOLSON ET LE WESTERN par Bruno Dequen Le Western n’est pas le premier genre qui vient en tête à la mention des noms de Marlon Brando et Jack Nicholson. Pourtant, ils en ont tous deux réalisé un, et The Missouri Breaks demeure le seul film dans lequel ils ont partagé l’affiche. Critiquées ou ignorées à l’époque de leurs sorties, les incursions des deux monstres sacrés au Far West font partie des propositions les plus originales du genre et mettent en valeur la relation complexe qu’entretenaient les deux légendes d’Hollywood avec leur art. -
GAUMONT PRESENTS: a CENTURY of FRENCH CINEMA, on View Through April 14, Includes Fifty Programs of Films Made from 1900 to the Present
The Museum of Modern Art For Immediate Release January 1994 GAUNONT PRESENTS: A CENTURY OF FRENCH CINEMA January 28 - April 14, 1994 A retrospective tracing the history of French cinema through films produced by Gaumont, the world's oldest movie studio, opens at The Museum of Modern Art on January 28, 1994. GAUMONT PRESENTS: A CENTURY OF FRENCH CINEMA, on view through April 14, includes fifty programs of films made from 1900 to the present. All of the films are recently restored, and new 35mm prints were struck especially for the exhibition. Virtually all of the sound films feature new English subtitles as well. A selection of Gaumont newsreels [actualites) accompany the films made prior to 1942. The exhibition opens with the American premiere of Bertrand Blier's Un deux trois soleil (1993), starring Marcello Mastroianni and Anouk Grinberg, on Friday, January 28, at 7:30 p.m. A major discovery of the series is the work of Alice Guy-Blache, the film industry's first woman producer and director. She began making films as early as 1896, and in 1906 experimented with sound, using popular singers of the day. Her film Sur la Barricade (1906), about the Paris Commune, is featured in the series. Other important directors whose works are included in the exhibition are among Gaumont's earliest filmmakers: the pioneer animator and master of trick photography Emile Cohl; the surreal comic director Jean Durand; the inventive Louis Feuillade, who went on to make such classic serials as Les Vampires (1915) and Judex (1917), both of which are shown in their entirety; and Leonce Perret, an outstanding early realistic narrative filmmaker.