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OF Thehalf-Time S S M A G A Z I N E DRUM CLINIC DRUM CLINIC ||| HALF-TIME SHUFFLE THE Commandments OF THEHalf-Time Lee and Travis Barker do it. A big name making great relationships. That’s how Scott Donnell, and all of the people that Shuffle A helps you bypass a lot of steps in this you grow, by building relationships. have been there since the beginning have A by Zoro industry, but having a good formula is made it a great experience for me. Also, also very important. I want to be a DJ SD: Tell us a bit about your relationship DW is all over the world so it’s easy to The Commandments of The Half-Time Shuffle article is based on my new book by the same title. The half-time shuffle is among my all time favorite grooves that understands drumming, music, and with Drum Workshop. get equipment anywhere I might need it. and remains one of the most mystifying and misunderstood pop grooves of all time. Because of the triplet intricacy involved in mastering this feel, playing the half-time shuffle with fluidity to me will always be the benchmark of a truly great drummer. Mind you, this is no easy task. how to mix. I’ve done it before and it’s TR: Oh, man! I’ve only been with three nothing short of amazing. drum companies over the years. I was SD: What sound are you going for these In an effort to gain mastery of it myself I have developed a plethora of extremely useful independence exercises over the years that have enabled me to have with Remo, then I went to Pearl, and in days? greater rhythmic freedom and dynamic control with regards to the triplet language of the shuffle itself. SD: How do you decide your next 1998 I came to DW. At first, I think I fell TR: Maple Mahogany. I have several career move? in love with Drum Workshop because of snares. I love the Edge snare and the The half-time shuffle came to life in the late 60s during the peak of the soul music era. Like all forms of rhythm and blues, soul music derived partly from jazz and therefore the swung triplet is the common denominator in this music. TR: You do what you have to do in order the finishes. Then, I grew an appreciation Super Solid is amazing, too! Even the to pay the bills. Having a residency for how the drums were made. In the PDP kits sound really good. The new set I have been a disciple of the half-time shuffle from the moment I first heard drummer Stormin’ Norman Roberts playing it back in 1968 on “Please Return doesn’t mean I will be working three-to- end, the sound is what I’m after. I learned I just got for the Jay-Z tour is extremely Your Love To Me,” from The Temptations Live At The Copa. Ever since then I’ve maintained a passion for the half-time shuffle and remained a student of this five days a week. It could be one day about the other artists that are associated warm and has a nice attack. My kick magnificent groove. There are a great many half-time shuffle grooves that began to show up in popular music after The Temptations release in 1968. With the strongest concentration of them being dolled out between the years of 1972 to 1983. After that period the half-time shuffle feel morphed its way into every two weeks. It’s how you make the with the company and I wanted to be drums always have plenty of bottom end hip hop and became the cornerstone of that sound. deal. If a day is open, I am going to do with the DW family. I’ve been with and attack, and that’s very important to it. It’s about the music and the drumming Drum Workshop ever since. The drums me. Hopefully, John Good will let me Although my book has a plethora of pertinent history about this groove and multitude of really great exercises and transcriptions contained within it, I’d like but it has to make sense. I’m always are incredible and they speak for go to the factory and build my own drum to share just one of my favorite exercises and seven transcriptions of some of the coolest half-time shuffles ever. meeting new and different people and themselves. Don Lombardi, John Good, one day! A A 526 EDGE 12.012 ||| ||| 2015 FALL & WINTER 2012 EDGE 12 ||| DWDRUMS.COM 27 Fool In The Rain Led Zeppelin Classic Ghost Note Snare Pattern Exercise From: In Through The Out Door (1979) Zoro John Bonham: Drums DRUM CLINIC 3 3 3 3 BPM: 65 o > 3 3 3 3 y y y y y y y y > ‰ œ œ ‰ œ Fool in the Rain y yy yy yy y 4 4 . œ œ œœ œ . Classic Ghost Note ã 4 œ ‰ œ y ( ) œ ( ) œ Led Zeppelin ã 4 . ( ) ( ) ( ) ( ) . Snare Pattern Exercise ‰ Œ ‰ ‰ 3 3 3 J From: In Through The Out Door (1979) Zoro John Bonham: Drums BPM: 65 3 3 3 3 3 3 > 3 3 3 3 > 3 3 3 3 > 3 3 3 3 > 3 3 4. Fool In The Rain by Led Zeppelin Classic Ghost Note Pattern y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y j With 9 Essential Bass Drum Patterns (œ) (œ) œ(œ) (œ) (œ) (œ) œ(œ) (œ) (œ) (œ) œ(œ) (œ) (œ) (œ) œ(œ) (œ) t t ‰ t ‰ t ‰ t t featuring drummer John Bonham ã œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ (œ) (œ) œ œ (From the album, In Through The Out Begin this exercise by a playing a shuffle pattern on the hi-hat and ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ ‰ ‰ ã yœ ( ) œ y œ y (y) (œ) then add the appropriate backbeat and begin to trickle in the ghost 3 3 3 3 3 3 3 3 3 3 3 3 ‰ ‰ ‰ Door, 1979) 3 Babylon3 Sisters3 Steely Dan note snare pattern as written out. Now slowly work out each of the From: Gaucho (1980) 3 3 > 3 3 3 3 > 3 3 3 3 > 3 3 3 3 > 3 3 nine essential bass drum patterns against that hand pattern. This Main Groove Bernard Purdie: Drums y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y y Main Groove BPM: 60 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ DRUM CLINIC ||| HALF-TIME SHUFFLE independence will allow you to develop the necessary independence ã (œ)œ (œ)œ (œ)œ (œ)œ œ( )œ œ( )œ œ( )œ œ( )œ œ( )œ (œ) œ( )œ (œ) (œ) œ( )œ (œ) œ( )œ Babylon Sisters that will enable you to play a variety of triplet based melodies with ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ J ‰ ‰ ‰ J ‰ ‰ J ‰ ‰ ‰ J ‰ ‰ 3 3 3 3 3 3 3 3 Steely Dan 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 your bass drum without losing the hi-hat and snare pattern. y y y y y y y y y y y y y y y y From: Gaucho (1980) 4 œ œ œ œ œ œ œ œ œ œ Bernard Purdie: Drums 3 3 > 3 3 ã 4 œ( ) ( )œ ( ) ( )œ œ( ) ( )œ ( ) ( )œ By extending the phrase beyond merely one bar patterns you will ≈ ≈ ‰ ≈ ≈ ≈ ≈ ‰ ≈ ≈ BPM: 60 y œ y y œ y œy œ y y œ y 3 3 R 3 3 R have an infinite amount of rhythmic possibilities that I am confident ( ) ( ) ( ) ( ) Intro ã œ œ œ œ œ œ œ œ œ œ œ œ Intro 5. Babylon Sisters by Steely Dan will help to expand your shuffle vocabulary. 3 3 3 3 3 3 3 3 featuring drummer Bernard “Pretty” y y ≈ y xy y ≈ y y y ≈ y xy y ≈ y Purdie (From the album, Gaucho, ã œ œ œ œ 1980) ‰ ≈ ≈3 R ‰ ≈ ≈3 R 7 Classic Half-Time Shuffle Transcriptions to Rock Your World Rosanna Here are seven great half-time shuffle transcriptions that will be sure to inspire Loose Booty Toto Main Groove From: Toto IV (1982) you to pursue this groove with an unquenchable passion in your soul. Funkadelic Main Groove Jeff Porcaro: Drums Rosanna From: America Eats Its Young (1972) 3 3 3 3 3 3 3 3 BPM: 85 Loose Booty Funkadelic Toto (In Chronological Order) From: America Eats Its Young (1972) Tyrone Lampkin: Drums y y y y y y y y y y y y y y y y From: Toto IV (1982) Tyrone Lampkin: Drums œ œ œ œ œ œ œ œ œ œ BPM: 83 4 . ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) . Jeff Porcaro: Drums BPM: 83 ã 4 . œ ≈ ≈ œ œ œ œ . 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 ‰ J ≈ ≈3 R ‰ ‰ ≈ ≈3 R BPM: 85 o o Chorus y ≈y y ≈ y y ≈ y y ≈y y ≈ y y ≈y y ≈y y y ≈y y ≈y y ≈y y ≈y y ≈y y ≈y y ≈y y Chorus 4 œ œ ≈œ œ œ ≈≈œ œ ≈≈œ œ œ œ œ œ œ œ ≈≈œ œ ≈≈œ œ œ œ Copyright © 2009 Zoro The Drummer 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6.
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