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												An Analysis of English Taboo Words in Movie Bad Boys 2
AN ANALYSIS OF ENGLISH TABOO WORDS IN MOVIE BAD BOYS 2 SKRIPSI Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Pendidikan (S.Pd) English Education Program By: DINA AULIANI NPM : 1602050019 FACULTY OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF NORTH SUMATERA 2020 ABSTRACT Auliani, Dina. 1602050019. “An Analysis of English Taboo Words in Movie Bad Boy 2”. Skripsi: English Education Program of Faculty Teacher Training and Education, University of Muhammadiyah Sumatera Utara. Medan. 2020 The research with the types and function of taboo words in movie Bad Boys 2. The objectives of the research was to analyze the type and function of taboo words in movie Bad Boys 2. The data were analyzed by identifying types and function taboo words in movie Bad Boys 2 taken from the script of dialogues Bad Boys 2. This study used descriptive qualitative method. All taboo words consisted of ephitet, obscenity, vulgarity and profanity appeared in the movie. The four kinds of taboo words applied in movie Bad Boys 2 were the total words taboo in the movie were 32, ephitets were 7 (22%), propanity were 12 (37%), vulgarity were 5 (16%), and obscenity were 8 times (25%). The most dominant kinds of taboo words used in movie Bad Boys 2 were propanity with 12 (37%). There were four functions of taboo words applied in movie Bad Boys 2. The total function of taboo words were 32, to show contempt was 17 (53%), to draw attention to oneself was 8 appeared (25%), to be provocative was 5 appeared (16%) and to muck authority with 2 appeared (6%). - 
												
												John Hughes' Family Films and Seriality
Article Title ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Author Details: Dr Holly Chard [email protected] Biography: Holly Chard is Lecturer in Contemporary Screen Media at the University of Brighton. Her research focuses on the U.S. media industries in the 1980s and 1990s. Her recent and forthcoming publications include: a chapter on Macaulay Culkin’s career as a child star, a monograph focusing on the work of John Hughes and a co- authored journal article on Hulk Hogan’s family films. Acknowledgements: The author would like to thank Frank Krutnik and Kathleen Loock for their invaluable feedback on this article and Daniel Chard for assistance with proofreading. 1 ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Keywords: seriality, Hollywood, comedy, family film Abstract: This article explores serial production strategies and textual seriality in Hollywood cinema during the late 1980s and early 1990s. Focusing on John Hughes’ ‘high concept’ family comedies, it examines how Hughes exploited the commercial opportunities offered by serial approaches to both production and film narrative. First, I consider why Hughes’ production set-up enabled him to standardize his movies and respond quickly to audience demand. My analysis then explores how the Home Alone films (1990-1997), Dennis the Menace (1993) and Baby’s Day Out (1994) balanced demands for textual repetition and novelty. Article: Described by the New York Times as ‘the most prolific independent filmmaker in Hollywood history’, John Hughes created and oversaw a vast number of movies in the 1980s and 1990s.1 In a period of roughly fourteen years, from the release of National Lampoon’s Vacation (Ramis, 1983) to the release of Home Alone 3 (Gosnell, 1997), Hughes received screenwriting credits on twenty-seven screenplays, of which he produced eighteen, directed eight and executive produced two. - 
												
												Movie List Please Dial 0 to Request
Movie List Please dial 0 to request. 200 10 Cloverfield Lane - PG13 38 Cold Pursuit - R 219 13 Hours: The Secret Soldiers of Benghazi - R 46 Colette - R 202 5th Wave, The - PG13 75 Collateral Beauty - PG13 11 A Bad Mom’s Christmas - R 28 Commuter, The-PG13 62 A Christmas Story - PG 16 Concussion - PG13 48 A Dog’s Way Home - PG 83 Crazy Rich Asians - PG13 220 A Star is Born - R 20 Creed - PG13 32 A Walk Among the Tombstones - R 21 Creed 2 - PG13 4 Accountant, The - R 61 Criminal - R 19 Age of Adaline, The - PG13 17 Daddy’s Home - PG13 40 Aladdin - PG 33 Dark Tower, The - PG13 7 Alien:Covenant - R 67 Darkest Hour-PG13 2 All is Lost - PG13 52 Deadpool - R 9 Allied - R 53 Deadpool 2 - R (Uncut) 54 ALPHA - PG13 160 Death of a Nation - PG13 22 American Assassin - R 68 Den of Thieves-R (Unrated) 37 American Heist - R 34 Detroit - R 1 American Made - R 128 Disaster Artist, The - R 51 American Sniper - R 201 Do You Believe - PG13 76 Annihilation - R 94 Dr. Suess’ How the Grinch Stole Christmas - PG 5 Apollo 11 - G 233 Dracula Untold - PG13 23 Arctic - PG13 113 Drop, The - R 36 Assassin’s Creed - PG13 166 Dunkirk - PG13 39 Assignment, The - R 137 Edge of Seventeen, The - R 64 At First Light - NR 88 Elf - PG 110 Avengers:Infinity War - PG13 81 Everest - PG13 49 Batman Vs. Superman:Dawn of Justice - R 222 Everybody Wants Some!! - R 18 Before I Go To Sleep - R 101 Everything, Everything - PG13 59 Best of Me, The - PG13 55 Ex Machina - R 3 Big Short, The - R 26 Exodus Gods and Kings - PG13 50 Billy Lynn’s Long Halftime Walk - R 232 Eye In the Sky - - 
												
												Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. - 
												
												Association of Legal Administrators LEADING the BUSINESS of LAW
Association of Legal Administrators LEADING THE BUSINESS OF LAW REGION 2 NEWSLETTER Alabama | District of Columbia | Florida | Georgia | Kentucky | Maryland | Mississippi North Carolina | Puerto Rico | South Carolina | Tennessee | Virginia Vicki L. Smith-Bilt, CLM, Michael T. Bumgarner, CLM, SPHR, SHRM-SCP CPA, CGMA Region 2 Director At-Large Director Regional Representatives Brian P. Gilman, Mark S. Tallent Valerie A. Williams CLM, CPA Elena Lopez-Lee ALA's 2018 Annual Conference & Expo Thursday, May 3, to Sunday, May 6 Gaylord National Resort & Convention Center National Harbor, Maryland CLI News The Association of Legal Administrators (ALA) held its annual Chapter Leadership Institute in Minneapolis on July 21–24. It was attended by more than 200 of the best and most dedicated chapter leaders! We were fortunate enough to have Spencer X. Smith speak on #SocialMedia. We had fantastic sessions about servant leadership, hosting effective events and the latest legal technology. Atlanta ALA having dinner at The News Room Pam Deming Raleigh ALA Secretary, Hampton Roads 25-foot blue rooster at the ALA Minneapolis Sculpture Garden Posing with the Mary Tyler Moore statue Tech You Out By Brian Gilman, CLM, CPA, Karie Rivkin, and Michael Bumgarner, CLM, CPA, CGMA I was elated and admittedly a little nervous when we (Brian, Michael and I) learned that our TECH YOU OUT! session was chosen for CLI. During our initial discussion, we felt that it wasn’t going to be enough to relay what we already knew and decided to challenge ourselves by seeking out and exploring the unknown. So we got busy, and the session exploded with wonderful ideas and information to share! An example of something new to us was the video promotion for our session. - 
												
												Equipment-Book.2017R.Pdf
28258 Constellation Rd. Santa Clarita, CA 91355 (661) 268-1330 Office (661) 885-8185 Fax Beginning in 1990 with Days of Thunder, Allan Padleford Camera Cars has been apart of hundreds of feature films, commercials and music videos. Below is a sampling of our feature film credits. 2017 Ant Man and the Wasp Array Plate Vehicle, Subie Chase Car, Remote Drive System & Biscuit Rig, 2017 Inner City Biscuit Rig, Mercedes w/ EDGE System and MTV w/ 30ft. Techncrane 2017 El Camino Christmas Mercedes w/ EDGE System 2017 White Boy Rick Biscuit 2017 Black Panther Mercedes w/ EDGE System, Porsche w/ Talon Head and Array Plate Vehicle 2017 Alita: Battle Angel Biscuit Rig 2017 Kings Biscuit Rig 2017 Soldado Bisciut Rig and Mercedes Camera Car w/ EDGE System 2016 Jumanji Off-Road Raptor w/ EDGE System 2016 Fast 8 Raptor w/EDGE System, Mercedes Camera Car w/Tracker and UpDown Rig, Subie Chase Car,VFX Plate Vehicle, 2-Remote Drive Systems & Porsche 2016 Baby Driver Biscuit Jr. 2016 Spiderman: Homecoming Biscuit Rig, Mercedes w/ EDGE System and MTV 2016 Logan Lucky Porsche Camera Car w/ Tracker and UpDown Rig 2016 Bourne 5 Escalade w/EDGE System 2015 Captain America: Winter Solider Biscuit II & III, Porsche Camera Car w/EDGE System and Subie Chase Car 2015 Keeping Up with The Joneses Biscuit II and Porsche Camera Car w/ Tracker and UpDown Rig 2015 Teenage Mutant Ninja Turtles 2 Biscuit II, Porsche Camera Car w/EDGE System and Subie Chase Car 2015 Hateful 8 Off-Road Raptor Camera Vehicle w/ Matt Tracks, MTV & Process Trailer 2015 Dr. - 
												
												Gloria Bell Dolor Y Gloria En Guerre
dolor y gloria Seine frühen Filme – «La ley del deseo», «Matador» und «Mujeres al der Mutter sind nicht nur wiederkehrende Motive seiner Filme, sondern borde de un ataque de nervios» – prägen eine Vorliebe für schrille Far- auch autobiografische Verweise. DOLOR Y GLORIA, die Gegenwart unmit- ben, schräge Charaktere und menschliche Obsessionen. Seine späteren telbar mit der erinnerten Vergangenheit verflechtend, ist eine fesselnde Werke – «Volver», oder auch «Todo sobre mi madre» – zeichnet vor allem Abhandlung über die Untrennbarkeit von Leben, persönlicher Passion der Hang zum sentimentalen Melodram: Pedro Almodóvar ist einer der und künstlerischer Leidenschaft. In der Hauptrolle, einmal mehr grandios: grössten und derzeit wichtigsten Film- Antonio Banderas. In den Rollen der Frau- regisseure Spa niens. Nachdem sein letz- en, die als Geliebte und als Mutter sein ter Film, «Julieta», auf einer Novelle von Leben prägten, glänzen Penélope Cruz Alice Munro aufbaute, basiert DOLOR Y und Julieta Serrano. DOLOR Y GLORIA ist GLORIA nun wieder auf einem von ihm Almodóvars leidenschaftliche Liebeser- selbst geschriebenen Drehbuch und klärung an die siebte Kunst. erweist sich als des Regisseurs bisher persönlichstes Werk: Die Kindheit in der Provinz der 1960er-Jahre, das frühe Erwachen des körperlichen Begehrens, Regie: Pedro Almodóvar. die von sexuellen Exzessen geprägte Mit: Antonio Banderas, Penélope Cruz, erste Liebe im Madrid der 1980er, das Julieta Serrano. Vergehen der Zeit, die Sehnsucht nach Verleih: Pathé Films. gloria bell Hollywood lädt ab und zu ausländische Regisseure ein, ein Remake miteinander flirten und sich zärtlich-zögerlich näherkommen, sind ganz ihrer eigenen Filme zu drehen. Nicht immer ist das Resultat so gross- grosses Kino. Doch sowohl Gloria wie auch Arnold haben bereits eini- artig geglückt wie im Fall von GLORIA BELL – der Neuverfilmung des ges erlebt. - 
												
												2021 Program
SPONSORS TITLE SPONSOR City of Seabrook LEGACY SPONSORS $50,000 Kevin Brady $10,000 Moody Bank | Tom Koger PLATINUM SPONSORS Bayway Auto Group Evergreen Environmental Services Chesapeake Bay Luxury Senior Living Tony Gullo City of Nassau Bay Meguiar’s Classic Cars of Houston UTMB GOLD SPONSORS Barrett-Jackson Marine Max Yachts Houston Edna Rice, Executive Recruiters McRee Ford Garage Ultimate MSR Houston Generator Exchange Paulea Family Foundation Golf Cars of Houston Ron Carter Clear Lake Cadillac Honda of Houston Star Motor Cars - Aston Martin John Ebeling Technical Automation Services Company Kendra Scott Texas Coast Yachts 6 | Concours d’ Elegance 2021 SPONSORS SILVER SPONSORS Associated Credit Union of Texas Georg Fischer Harvel Beck Design Glacier Pools & Spas Dean & Draper Insurance Company Hagerty Insurance Discover Roofing Hibbs-Hallmark Insurance Dockside Development & Construction LeafGuard Holdings Drilltec Patents & Technologies Co. Pfeiffer & Son Ltd. DriverSource Ranco Industries Frost Bank Reunion Court/12 Oaks - Clear Lake Galati Yacht Sales Shaw Systems Garages of Texas Temperature Solutions Gateway Classic Cars The Delaney at South Shore Geico Insurance Upstream Brokers Generator Supercenter BRONZE SPONSORS Art Jansen Rocking F Ranch - Janet & Dave Foshee Big 4 Erectors Rolli McGinnis Caru West Cargo Containers RV Insurance Solutions LLC John Wilkins South Land Title Lakeside Yachting Center Y.E.S. Yacht Equipment Maudlin & Sons Mfg. Co. Concours d’ Elegance 2021 | 7 CLUB CONCOURS TEXAS MATTRESS MAKERS $1,000 - $2,000 CLUB CONCOURS lub Concours is a new family, or entertain clients. You and unique feature will have exclusive access to the at Keels & Wheels Concours event, upgraded food Concours d’Elegance and beverage service, a private event. - 
												
												Movie Review: ‘Creed II’
Movie Review: ‘Creed II’ NEW YORK — Moviegoers under 33 take note: You had yet to be born when “Rocky IV,” the 1985 film that hovers in the background of the sports drama “Creed II” (MGM), was released. While viewers of any age will know what to expect from this latest extension of the durable franchise long before they buy a ticket, the tried and true, against-the-odds formula still works somehow. Early on in this chapter of the saga, Adonis Creed (Michael B. Jordan), with the help of his hard-driving trainer, Rocky Balboa (Sylvester Stallone), wins the world heavyweight championship. He also proposes to his live-in girlfriend, Bianca (Tessa Thompson), a singer who suffers from hearing loss. But the rise of Viktor Drago (Florian Munteanu), a rival Adonis feels compelled to take on, sets up an emotionally fraught match since the up-and-comer’s father and coach, Ivan (Dolph Lundgren), is the Russian fighter whose blows killed Adonis’ dad, Apollo, back in the Reagan era. (Rocky subsequently fought and beat Ivan.) Rocky continues to feel remorse over his opponent-turned-ally Apollo’s death and urges Adonis not to accept Viktor’s challenge, a stance that threatens to cause a breach in their close relationship. It’s a conflict Rocky can ill afford since the death of his wife and alienation from his son have left him emotionally isolated. He can still count on the loyal friendship of Apollo’s widow and Adonis’ adoptive mom, Mary Anne (Phylicia Rashad), however. Working from a script Stallone co-wrote with Juel Taylor, director Steven Caple Jr. - 
												
												Rabbi Denounces Anti-Semitic Attacks Koretz Announces Bid N Hier Calls for FBI Task Force After for L.A
BEVERLYPRESS.COM INSIDE • State laws go into effect pg. 3 Sunny, with • Missing man highs in the sought in West 60s Hollywood pg. 4 Volume 30 No. 1 Serving the Beverly Hills, West Hollywood, Hancock Park and Wilshire Communities January 2, 2020 Rabbi denounces anti-Semitic attacks Koretz announces bid n Hier calls for FBI task force after for L.A. City Controller December incidents n City Councilman plans to run in 2022 election BY CAMERON KISZLA BY EDWIN FOLVEN In a press conference at the Los Angeles City Councilman Museum of Tolerance on Dec. 30, Paul Koretz, 5th District, has Rabbi Marvin Hier, founder, CEO announced his candidacy for city and president of the Simon controller in 2022, and although the Wiesenthal Center, which oper- election is two years away, the ates the museum, decried a recent councilman has amassed a list of rise of anti-Semitism in the United many leaders pledging their sup- States and Europe. port. In the United States, Hier said, Koretz said he is making the there were more than 10 anti- announcement early because he Semitic attacks in December wants to be the “consensus candi- alone. photo by Cameron Kiszla date” for the position. He has repre- photo courtesy of Paul Koretz Locally, the most prominent Rabbi Marvin Hier of the Simon Wiesenthal Center wants President sented the 5th District on the Los City Councilman Paul Koretz incident was the vandalism at the Donald Trump to authorize an FBI task force devoted to anti-Semitism. Angeles City Council since 2009, Nessah Synagogue in Beverly having been reelected in 2013 and why I am running for city con- Hills, where on Dec. - 
												
												Friday, Feb 21
Movies starting Friday, Feb 21 www.marcomovies.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “The Call Of The Wild” Rated PG Run Time 1:45 Starring Harrison Ford Start 3:00 5:50 8:30 End 4:45 7:35 10:15 Rated PG for some violence, peril, thematic elements and mild language. “Bad Boys for Life Rated R Run Time 2:05 Starring Will Smith and Martin Lawrence Start 5:40 8:45 End 7:45 10:50 Rated R for strong bloody violence, language throughout, sexual references and brief drug use. “Parasite” Rated R Run Time 2:15 Winner of 4 Academy Awards including Best Picture and Director!! Start 2:30 5:30 8:30 End 4:45 7:45 10:45 Rated R for language, some violence and sexual content. “Judy” Rated PG-13 Run Time 2:05 Starring Renee Zellweger Start 2:50 End 4:55 Rated PG-13 for substance abuse, thematic content, some strong language, and smoking. “1917” Rated R Run Time 1:50 Starring George MacKay, Colin Firth and Benedict Cumberbatch Start 2:40 5:50 8:45 End 4:30 7:40 10:35 Rated R for violence, some disturbing images, and language. ***Prices*** Matinees $11.00 (3D $13.00) Adults $13.50 (3D $15.50) Seniors and Children under 12 $11.00 (3D $13.00) Visit Marco Movies at www.marcomovies.com facebook.com/MarcoMovies The Call Of The Wild (PG) • Harrison Ford • The Call Of The Wild vividly brings to the screen the story of Buck, a big-hearted dog whose blissful domestic life is turned upside down when he is suddenly uprooted from his California home and transplanted to the exotic wilds of the Alaskan Yukon during the Gold Rush of the 1890s. - 
												
												Videos, Podcasts, TV, Film, Music, Song
APA Referencing 7th edition – References format (7): Videos, Podcasts, TV, Film, Music, Song Publication Formatting instructions Template – Reference Format Type YouTube or Family name of person or name of Hayashi, Y. [Toast It Up]. (2020, February 10. Answering to "How can I become fluent in a video from group that uploaded the video. Then foreign language?" [Video]. YouTube. https://youtu.be/AFnyQnCcJio other online username in title caps in brackets. Then sources or year of publication, month and date in [Source: Video from YouTube social media site] social media parenthesis. Then title of video in letter OR caps and italics with description in brackets. Then name of streaming Cookie Studio. (2019, July 3). Amazon – Making of [Video]. Vimeo. service in title caps. Then URL https://vimeo.com/345947153 Omit the username if it is the same as the author’s or group name [Source: Video from other online social media] Podcast or Family name of executive producer or Hasan. M. (Podcast Host). (2018-present). Deconstructed with Mehdi Hasan [Audio podcast]. single episode host of podcast. Then description in The Intercept. https://theintercept.com/podcasts/deconstructed/ in a podcast parenthesis. Then range of years in series publication in parenthesis. The title of [Source: Podcast from other online podcast website with transcripts] podcast in letter caps and italics with OR description in brackets. Then name of production company. Then URL Reber, S. (Executive Producer). (2020, March 9). The reporters (No. 4) [Audio podcast If single episode, write year, month and episode]. In Verified. Scripps Washington Bureau. https://www.radio.com/media/audio- date of broadcast in parenthesis instead of range of years.