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Sherlock Holmes and the Nazis: Fifth Columnists and the People’S War in Anglo-American Cinema, 1942-1943
Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Smith, C Author post-print (accepted) deposited by Coventry University’s Repository Original citation & hyperlink: Smith, C 2018, 'Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943' Journal of British Cinema and Television, vol 15, no. 3, pp. 308-327. https://dx.doi.org/10.3366/jbctv.2018.0425 DOI 10.3366/jbctv.2018.0425 ISSN 1743-4521 ESSN 1755-1714 Publisher: Edinburgh University Press This is an Accepted Manuscript of an article published by Edinburgh University Press in Journal of British Cinema and Television. The Version of Record is available online at: http://www.euppublishing.com/doi/abs/10.3366/jbctv.2018.0425. Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. This document is the author’s post-print version, incorporating any revisions agreed during the peer-review process. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it. Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Christopher Smith This article has been accepted for publication in the Journal of British Film and Television, 15(3), 2018. -
Convergence Culture Reconsidered
Reconsidering Transmedia(l) Worlds Nicole Gabriel, Bogna Kazur, and Kai Matuszkiewicz 1. Introduction “Any thoughtful study of contemporary transmedia must start with the vital caveat that transmedia is not a new phenomenon, born of the digital age.” (Jason Mittell 2014, 253; emphasis in the original) To begin with, we would like to agree with the general sentiment of Mittell’s statement: ‘transmedia,’ which Mittell seems to use as an abbreviation of the term ‘transmediality,’ is not a new phenomenon. But can it really be a mere coincidence that these two terms and other related concepts such as ‘transmedial worlds’ have been introduced and extensively discussed in academic discourses since the early 2000s, less than ten years after the introduction of home computers and the inter- net to numerous private households, and at about the same time as the Web 2.0 came into existence? We do not think so. Rather, we believe that the increasing research interest of media studies in these phenomena and the various concepts used in this research field are indicators of a fundamental change in (trans)media culture that is a result of the emergence of digital technologies as well as their mas- sive influence on our everyday lives. The aims of this paper are to take a closer look at the terminology used to de- scribe different phenomena in the field of transmedia studies, to differentiate be- tween these terms and concepts and render them more precise, and to put trans- media(l) worlds into a historical context through the analysis of three case studies: the transmedial universe of Sherlock Holmes, the Alien saga, and the transmedial world of The Legend of Zelda. -
Scuttlebutt from the Spermaceti Press 2014
Jan 14 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 160th birthday during the long weekend from Jan. 15 to Jan. 19. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was James O'Brien, author of THE SCIENTIFIC SHER- LOCK HOLMES: CRACKING THE CASE WITH SCIENCE & FORENSICS (2013); the title of his talk was "Reassessing Holmes the Scientist", and you will be able to read his paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) entertained their audience with a tribute to an aged Sherlock Holmes and Dr. Watson. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber) honoring the most whimsical piece in The Serpentine Muse last year; the winners (Susan Rice and Mickey Fromkin) received certificates and shared a check for the Canonical sum of $221.17. And Otto Penzler's tradi- tional open house at the Mysterious Bookshop provided the usual opportuni- ties to browse and buy. The Irregulars and their guests gathered for the BSI annual dinner at the Yale Club, where John Linsenmeyer proposed the preprandial first toast to Marilyn Nathan as The Woman. -
Murderously Funny by Charles Marowitz Maria
MURDEROUSLY FUNNY SHERLOCK’S LAST CASE CURRICULUMBY DIRECTED BY GUIDE CHARLES MAROWITZ MARIA AITKEN TABLE OF CONTENTS Common Core Standards 3 Massachusetts Standards in Theatre 4 Artists 5 Themes for Writing and Discussion 7 Mastery Assessment 9 For Further Exploration 10 Suggested Activities 14 Recommendations for Further Reading and Viewing 16 © Huntington Theatre Company Boston, MA 02115 September 2018 No portion of this curriculum guide may be reproduced without written permission from the Huntington Theatre Company’s Department of Education & Community Programs Inquiries should be directed to: Alexandra Smith | Interim Co-Director of Education [email protected] This curriculum guide was prepared for the Huntington Theatre Company by: Ivy Ryan | Teaching Artist Fellow Alexandra Smith | Interim Co-Director of Education COMMON CORE STANDARDS IN ENGLISH LANGUAGE ARTS STANDARDS: Student Matinee performances and pre-show workshops provide unique opportunities for experiential learning and support various combinations of the Common Core Standards for English Language Arts. They may also support standards in other subject areas such as Social Studies and History, depending on the individual play’s subject matter. Activities are also included in this Curriculum Guide and in our pre-show workshops that support several of the Massachusetts state standards in Theatre. Other arts areas may also be addressed depending on the individual play’s subject matter. Reading Literature: Key Ideas and Details 1 Reading Literature: Craft and Structure 5 • Grade 7: Cite several pieces of textual evidence to support • Grade 7: Analyze how a drama’s or poem’s form or structure analysis of what the text says explicitly as well as inferences (e.g., soliloquy, sonnet) contributes to its meaning. -
Screen Romantic Genius.Pdf MUSIC AND
“WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Musicology – Master of Arts 2015 ABSTRACT “WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart Arguably one of the most famous literary characters of all time, Sherlock Holmes has appeared in numerous forms of media since his inception in 1887. With the recent growth of on-screen adaptations in both film and serial television forms, there is much new material to be analyzed and discussed. However, recent adaptations have begun exploring new reimaginings of Holmes, discarding his beginnings as the Victorian Gentleman Detective to create a much more flawed and multi-faceted character. Using Sir Arthur Conan Doyle’s original work as a reference point, this study explores how recent adaptors use both Holmes’s diegetic violin performance and extra-diegetic music. Not only does music in these screen adaptations take the role of narrative agent, it moreover serves to place the character of Holmes into the Romantic Genius archetype. Copyright by EMILY MICHELLE BAUMGART 2015 .ACKNOWLEDGEMENTS I am incredibly grateful to my advisor Dr. Kevin Bartig for his expertise, guidance, patience and good humor while helping me complete this document. Thank you also to my committee members Dr. Joanna Bosse and Dr. Michael Largey for their new perspectives and ideas. -
Issue #57 October 2008
T H E N O RW EG IAN E XPLORERS O F M INNESOTA , I N C . © 2 0 0 8 October 2008 EXPLORATIONS Issue #57 EXPLORATIONSEXPLORATIONS *** see special notice on page 6 *** from the president’s desk It has now been over one year since the July 2010. It is a great way for Sherlockians 2007 Sherlockian Conference, held at the (inexperienced and experienced) to learn, University of Minnesota., Immediately fol- absorb information and observe fellow ad- lowing the conference, we received accolades mirers of Sherlock Holmes. about the quality of our efforts. Since then, Inside this issue: For those who knew Richard Lancelyn at least two of the talks from that conference Green, To Keep the Memory Green , edited by TheInside this Red-Throated issue: League 2 have gone on to be published: Michael Steven Rothman and Nicholas Utechin ( The Explorers on the Move 2, 4 Dirda’s “A Case for Langdale The Red-Throated League 2 Quartering Press, 2007) provides a welcome The Final Adventure 3 Pike” ( Canadian Holmes, Summer 2007) ; and remembrance of a great man. For those who Explorers on the Move 2, 4 Cliff Goldfarb’s “Who wrote the Sherlockian Drama 4 did not have the pleasure of meeting Rich- The Final Adventure 3 Canon?” (Canadian Holmes, Summer 2008 . Sharing the Figures 5, 11 ard at one of our conferences, this homage Sherlockian Drama 4 These are in addition to Elaine McCafferty’s Canonical Quiz 11,9 gives you a sense of what he meant to the Sharing the Figures 5, 11 summary of the Conference (“Is Langdale Sherlockian world. -
Sherlock Holmes for Dummies
Index The Adventure of the Eleven Cuff-Buttons • Numerics • (Thierry), 249 221b Baker Street, 12, 159–162, 201–202, “The Adventure of the Empty House,” 301, 304–305 21, 48, 59, 213, 298 “The Adventure of the Engineer’s Thumb,” 20, 142 • A • “The Adventure of the Golden Pince-Nez,” 22, 301 “The Abbey Grange,” 22 “The Adventure of the Illustrious Client,” Abbey National, 162 24, 48, 194–195, 309 acting, Sherlock Holmes’s, 42. See also “The Adventure of the Lion’s Mane,” 24, 93 individual actors in roles “The Adventure of the Mazarin Stone,” Adler, Irene (character), 96, 280, 298 24, 159 “The Adventure of Black Peter,” 22 “The Adventure of the Missing Three- “The Adventure of Charles Augustus Quarter,” 22 Milverton,” 22, 137, 267 “The Adventure of the Noble Bachelor,” “The Adventure of Shoscombe Old 20, 308 Place,” 25 “The Adventure of the Norwood “The Adventure of the Abbey Grange,” 22 Builder,” 21 “The Adventure of the Beryl Coronet,” “The Adventure of the Priory School,” 22 20, 141 “The Adventure of the Red Circle,” “The Adventure of the Blanched 23, 141, 188 Soldier,” 24, 92, 298 “The Adventure of the Reigate Squire,” 20 “The Adventure of the Blue Carbuncle,” “The Adventure of the Retired 19, 141, 315 Colourman,” 25 “The Adventure of the Bruce-Partington “The Adventure of the Second Stain,” 22, 78 Plans,” 23 “The Adventure of the Six Napoleons,” “The Adventure of the Cardboard Box,” 22, 73 20, 97, 138, 189, 212 “The Adventure of the Solitary Cyclist,” “The Adventure of the Copper Beeches,” 21, 137, 140 20, 140 “The Adventure of the Speckled -
THE DISTRICT MESSENGER the Newsletter of the Sherlock Holmes Society of London
THE DISTRICT MESSENGER the newsletter of the Sherlock Holmes Society of London Roger Johnson, 210 Rainsford Road, Chelmsford CM1 2PD. no. 85 26th April 1989 A reminder of Desmond Tyler's plan to celebrate Queen Victoria's birthday with a party at the Players' Theatre music hall on Wednesday 24 May. Cost will be about £££8 plus drinks. Please write to Desmond at 162 Leybridge Court, Eltham Road, London SE12 8TL or phone 01-852 0919. If anyone's interested, I have 2 spare copies of the menu from this year's ann- ual dinner, The Anthropoid Antic - free to the first enquirers. I can also offer (to UK or European enquirers only) copies on cassette of the 9 minute recording made in 1936 by William Gillette of extracts from his play SHERLOCK HOLMES. Till recently it was thought that only 2 minutes existed, but the complete recording was discovered, cleaned up & transcribed by Peter Blau & Paul Singleton. A copy will cost you £££3.50 (payment in sterling if possible). From Dorothyanne Evans: a jeweller is prepared to make tie-pins, lapel-pins, cuff-links etc. with Holmesian motifs. If you're interested, please write to Aurics, 9 Crisfield Avenue, Summerseat, Bury, Lancs. (for the attention of Alan Wilson). Kathrin Jaeck asks for anyone who's seen SHERLOCK HOLMES: THE MUSICAL to write a review for THE SOFT-NOSED BULLET-IN - in English or German, typed if possible, no longer than 2 A4 pages. Please send your review to Kathrin at Berlinerstrasse 6E, 3005 Hemmingen, West Germany. Friends of John Bennett Shaw and Dorothy Rowe Shaw will be happy to know that both are in somewhat better health thanks to surgery and (in John's case) radiation treatment. -
Edith Meiser Exhibit
December 2007 D S O F N Volume 11 Number 4 E T I H R E F Sherlock Holmes COLLECTIONS “Your merits should be publicly recognized” (STUD) Contents From Gillette to Brett II herlockians from England, Canada and all over the US gathered in Indianapolis on From Gillette to Brett II November 18, 2007 for the second From Gillette to Brett conference that was subti- 1 tled, “Sherlock Holmes on Stage, Screen and Radio.” The University of Minnesota S Sherlock Holmes Collections provided material for an Edith Meiser exhibit. Edith Meiser: Julie McKuras, ASH, BSI presented “Edith Meiser, A Fascinating and Beautiful Woman.” A Fascinating and The majority of the material used in her presentation came from the Edith Meiser Beautiful Woman Collection held at University of Minnesota. In 1986, Meiser donated her collection of Sherlockian manuscripts, radio scripts and recordings that aired from October 20, 1930 1 to June 20, 1948. Julie also covered many aspects of Edith Meiser’s career on stage, 100 Years Ago screen and television in addition to her contributions to the Golden Age of Radio. 2 The Indianapolis conference was presented by Wessex Press, directed by Steve Doyle and Mark Gagen. Many Friends of the Sherlock Holmes Collections were in attendance. 50 Years Ago The audience enjoyed a number of Sherlockian films that are not available on DVD. 3 Richard J. Sveum, MD, BSI Using the Collections 4 Edith Meiser: From the President A Fascinating and Beautiful Woman 4 have the frequent opportunity to visit the Sherlock Holmes Collections. That An Update from brings to mind the old shampoo commercial featuring a lovely young lady and her statement “don’t hate me because I’m beautiful” but in my case it should be “don’t the Collections I hate me because I’m able to appreciate that great Sherlockian treasure trove in per- 5 son.” As a volunteer at the Sherlock Holmes Collections, I select items to feature in this newsletter, help shelve items, and locate others for researchers. -
Renditions of Arthur Conan Doyle's Professor Moriarty in Time
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Anna Formánková The Ultimate Villain: Renditions of Arthur Conan Doyle’s Professor Moriarty in Time Bachelor‘s Diploma Thesis Supervisor: doc. Michael Matthew Kaylor, Ph.D. 2013 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Anna Formánková 2 I would like to thank my supervisor, doc. Michael Matthew Kaylor, Ph.D., for his patience, kind help and valuable advice. 3 Table of Contents 1 Introduction ............................................................................................................... 5 2 The Basil Rathbone Series: Holmes vs. Moriarty 3:0 ............................................... 7 2.1 Double Crime and Presage of War ..................................................................... 7 2.2 Holmes, Moriarty and Nazi Germany .............................................................. 12 2.3 Missing Fingers, Hypnotic Woman ................................................................. 16 2.4 Every Moriarty Dies ......................................................................................... 19 3 Moriarty In-between ................................................................................................ 22 4 The Games Moriarty Plays ...................................................................................... 24 4.1 Lord Blackwood vs. Professor Moriarty ......................................................... -
The District Messenger
THE DISTRICT MESSENGER THE NEWSLETTER OF THE SHERLOCK HOLMES SOCIETY OF LONDON ROGER JOHNSON, 210 RAINSFORD ROAD, CHELMSFORD CM1 2PD no. 101 6th September 1990 ThanksThanks toto allall whowho entered entered our our little little CentenaryCentenary CompetitionsCompetitions - andand thanks especiallyespecially toto thosethose who sowho generously so generously donated donated prizes. prizes . MilesMiles TubbTubb provided what II consider to bebe thethe best captionbest caption (see left).( see Toleft) him . Togoes him the goes bumper the bumper "Dr Watson"Dr Watson Special" Special issue" issue of THEof THE MUSGRAVE MUSGRAVE PAPERS,PAPERS , courtesycourtesy o off thethe Northern Musgraves. Musgraves. This Thiscopy copyis signed is signed by Jeremy by Jeremy Paul, Paul,Bert BertCoules Coules & as & asmany many other other contributors contributors as Ias could I could get get hold hold of of. PeterPeter J.J. CrupeCrupe camecame closeclose with "I CAN TELL YOU DIDN'T USE YOUR DEODORANT "I CAN TELL YOU DIDN 'T USE YOUR DEODORANT AGAIN AGAIN THIS MORNING!" THIS MORNING !" - but Miles got there first. - but Miles got there first . Other captions that made me smile were: Other captions that made me smile were : "ARE YOU SURE THIS IS A CURE FOR TENNIS " " ELBOW?"ARE YOU SURE THIS IS A CURE FOR TENNIS ELBOW? " "AA STILLSTILL CONVALESCENTCONVALESCENT DR WATSON DR WATSON FINDS THE FINDS THESTRENGTH STRENGTH TO REMONSTRATE TO REMONSTRATE WITH HIS NEW WITH FLATMATE HIS NEWSHERLOCK FLATMATE HOLMES UPON SHERLOCK LEARNING HOLMES THE TRUE UPON FATE OF LEARNINGHIS BULL PUP. THE" TRUE FATE OF HIS BULL PUP" "THIS"THIS ISIS HOW I IFINALLY FINALLY DEFEATED DEFEATED MORIARTY, MORI- ARTY,WATSON: WATSON: WITH ONE WITHOF MRS ONE HUDSON OF' SMRS ROCK HUDSON'S CAKES !” ROCK CAKES!"; IT WAS THEN THAT FARQUARSON REALISED "YOU 'RE SUPPOSED TO HIT ME ON THE LEFT SIDE OF "YOU'RE SUPPOSED TO HIT ME ON THE LEFT - THE HEAD, YOU FOOL !" HIS UNDER ARM DEODORANT WAS NO LONGER SIDE OF THE HEAD, YOU FOOL!"; WORKING. -
Sherlock Holmes Films
Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led to stories or 4 novels) many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 1-25-2016 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co.