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The 101 Most-Cited Papers from the British Medical Journal Highlight The
EUGENE GARFIELD INSTITUTEFORSCIENTIFICINFORMATION- 3501MARKETST,PHILADELPHIA,PA19104 The 101 Most-Cited Papers from the British Medical Jownd Highlight the Important Role of Epidemiology in Medicine Number 7 February 16, 1987 The British Medical Journal began pub- Medical Journal, but of these only 20 per- lishing in 1840 as the organ of the Provin- cent are eventually published.s (p. 243) The cial Medical Association (PMA), a group current editor, Stephen Leek, who authored of physiciartspracticing in the provinces out- a 1985 book on peer review in medicine,4 side England’s major cities. They had follows extensive refereeing practices (a re- banded together in 1832 to share their indi- cent review of which appears in a 1986 ar- vidual medical experiences with one another ticle in Schokwly Publishing.s) He alw sub- in much the same fashion as the metropoli- scribes to the rule promulgated by Franz tan physicians who had earlier formed their Ingelfinger, former edkor of the New En- own society and journal. The PMA”s first gland Journal of Medicine. The essence of periodical was called 7he Provincial Medi- the Ingelfinger rule is that articles submit- cal arrd Surgical Journal; in 1853 it merged ted to a journal cannot have been previous- with the Lmdon Journal of Medicine to be- ly published in, or be simultaneously sub- come the Association Medical Journal. Four mitted to, other joumals.b The British Med- years later the PMA acknowledged its grow- ical Journal is also a founding member of ing memkaship throughout Great Britain by the frstemational Committee of Medical renaming the society the British Medical Journal Editors-the Vancouver Group— Association. -
Sherlock Holmes and the Nazis: Fifth Columnists and the People’S War in Anglo-American Cinema, 1942-1943
Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Smith, C Author post-print (accepted) deposited by Coventry University’s Repository Original citation & hyperlink: Smith, C 2018, 'Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943' Journal of British Cinema and Television, vol 15, no. 3, pp. 308-327. https://dx.doi.org/10.3366/jbctv.2018.0425 DOI 10.3366/jbctv.2018.0425 ISSN 1743-4521 ESSN 1755-1714 Publisher: Edinburgh University Press This is an Accepted Manuscript of an article published by Edinburgh University Press in Journal of British Cinema and Television. The Version of Record is available online at: http://www.euppublishing.com/doi/abs/10.3366/jbctv.2018.0425. Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. This document is the author’s post-print version, incorporating any revisions agreed during the peer-review process. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it. Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Christopher Smith This article has been accepted for publication in the Journal of British Film and Television, 15(3), 2018. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
By SIR ARTHUR CONAN DOYLE
“THE CROWN DIAMOND: AN EVENING WITH SHERLOCK HOLMES” By SIR ARTHUR CONAN DOYLE 2 CHARACTERS MR SHERLOCK HOLMES – The Famous Detective DR. WATSON – His Friend BILLY – Page to MR. SHERLOCK HOLMES COLONEL SEBASTIAN MORAN – An Intellectual Criminal SAM MERTON – A Boxer SCENE MR HOLMES’ ROOM AT BAKER STREET It presents the usual features, but there is a deep bow window to it, and across there is drawn a curtain running upon a brass rod fastened across eight feet above the ground, and enclosing recess of the window. Enter WATSON and BILLY WATSON Well, Billy, when will he be back? BILLY I’m sure I couldn’t say, sir. WATSON When did you see him last? BILLY I really couldn’t tell you. WATSON What, you couldn’t tell me? BILLY No, sir. There was a clergyman looked in yesterday, and there was an old bookmaker, and there was a workman. WATSON Well? 3 BILLY But I’m not sure they weren’t all Mr. Holmes. You see, he’s very hot on a chase just now. WATSON Oh! BILLY He neither eats nor sleeps. Well, you’ve lived with him same as me. You know what he’s like when he’s after someone. WATSON Yes, I know. BILLY He’s a responsibility, sir, that he is. It’s a real worry to me sometimes. When I asked him if he would order dinner, he said, ‘Yes, I’ll have chops and mashed potatoes at seven-thirty the day after tomorrow.’ ‘Won’t you eat before then, sir?’ I asked. -
Scuttlebutt from the Spermaceti Press 2014
Jan 14 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 160th birthday during the long weekend from Jan. 15 to Jan. 19. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was James O'Brien, author of THE SCIENTIFIC SHER- LOCK HOLMES: CRACKING THE CASE WITH SCIENCE & FORENSICS (2013); the title of his talk was "Reassessing Holmes the Scientist", and you will be able to read his paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) entertained their audience with a tribute to an aged Sherlock Holmes and Dr. Watson. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber) honoring the most whimsical piece in The Serpentine Muse last year; the winners (Susan Rice and Mickey Fromkin) received certificates and shared a check for the Canonical sum of $221.17. And Otto Penzler's tradi- tional open house at the Mysterious Bookshop provided the usual opportuni- ties to browse and buy. The Irregulars and their guests gathered for the BSI annual dinner at the Yale Club, where John Linsenmeyer proposed the preprandial first toast to Marilyn Nathan as The Woman. -
Murderously Funny by Charles Marowitz Maria
MURDEROUSLY FUNNY SHERLOCK’S LAST CASE CURRICULUMBY DIRECTED BY GUIDE CHARLES MAROWITZ MARIA AITKEN TABLE OF CONTENTS Common Core Standards 3 Massachusetts Standards in Theatre 4 Artists 5 Themes for Writing and Discussion 7 Mastery Assessment 9 For Further Exploration 10 Suggested Activities 14 Recommendations for Further Reading and Viewing 16 © Huntington Theatre Company Boston, MA 02115 September 2018 No portion of this curriculum guide may be reproduced without written permission from the Huntington Theatre Company’s Department of Education & Community Programs Inquiries should be directed to: Alexandra Smith | Interim Co-Director of Education [email protected] This curriculum guide was prepared for the Huntington Theatre Company by: Ivy Ryan | Teaching Artist Fellow Alexandra Smith | Interim Co-Director of Education COMMON CORE STANDARDS IN ENGLISH LANGUAGE ARTS STANDARDS: Student Matinee performances and pre-show workshops provide unique opportunities for experiential learning and support various combinations of the Common Core Standards for English Language Arts. They may also support standards in other subject areas such as Social Studies and History, depending on the individual play’s subject matter. Activities are also included in this Curriculum Guide and in our pre-show workshops that support several of the Massachusetts state standards in Theatre. Other arts areas may also be addressed depending on the individual play’s subject matter. Reading Literature: Key Ideas and Details 1 Reading Literature: Craft and Structure 5 • Grade 7: Cite several pieces of textual evidence to support • Grade 7: Analyze how a drama’s or poem’s form or structure analysis of what the text says explicitly as well as inferences (e.g., soliloquy, sonnet) contributes to its meaning. -
2015 Jhws Treasure Hunt
2015 JHWS TREASURE HUNT “Mr. Sherlock Holmes” Category: Holmes’s personality 1. This author, while writing his own stories about a fatherly detective, went so far as to assert that Sherlock Holmes was not a man, but a god. Who? (1 pt.) Answer: G.K. Chesterton, author of the Father Brown mysteries ---See The Sherlock Holmes Collection, The University of Minnesota, USH Volume I, Section VI: The Writings About the Writings, Chesterson, G.K., Sherlock Holmes the God, G.K.’s Weekly (February 21, 1935), at lib.umn.edu, and numerous others. ---Full quote: “Not once is there a glance at the human and hasty way in which the stories were written; not once even an admission that they were written. The real inference is that Sherlock Holmes really existed and that Conan Doyle never existed. If posterity only reads these latter books, it will certainly suppose them to be serious. It will imagine that Sherlock Holmes was a man. But he was not; he was only a god.” 2. Holmes did not, perhaps, have a knowledge of women across the continents, but, according to Watson, Holmes did hold a position across several of them. How many continents and what position? (2 pts.) Answer: Three, position of unofficial adviser and helper to everybody who is absolutely puzzled ---W., p. 191, IDEN: I smiled and shook my head. "I can quite understand you thinking so," I said. "Of course, in your position of unofficial adviser and helper to everybody who is absolutely puzzled, throughout three continents, you are brought in contact with all that is strange and bizarre. -
Dying Detective
TheDying Detective The Dying Detective ~ 155 BBlluueepprriinntt ffoorr RReeaaddiinngg magnifying glass, a considerable odd-lot Background Bytes of varied disguises, his deerstalker cap, Put on your thinking caps. Grab your calabash pipe, violin, and chemistry set. notepad and pencil. Tuck your In fact, Holmes’ expertise was chemistry, magnifying glass into your pocket. And and his favorite readings were the actual turn up your brain power to full-strength. sensational horror stories of his century. You are about to meet the one and only But he was sharp at anatomy, and knew Sherlock Holmes! Who is Holmes? Why, just enough about botany and geology. he is the famous A-1 detective, super- He knew the laws of England. He could sleuth, mastermind, and champion of box and fence. And he had a certain flair justice! Mr. Holmes is a very, very for being dramatic, as you will see in The famous guy— world-famous . If you’ve Dying Detective . Among his many heard of him, here he is again. If not, it’s enemies were Professor Moriarty, “the time you did: Sherlock Holmes is the Napoleon of Crime,” Colonel Moran (the best-known detective in literature. second most dangerous man in London), Sherlock Holmes was created by Sir and Charles Augustus Milverton (the Arthur Conan Doyle in 1886. Doyle was worst man in London). an eye doctor and a literary genius. He But for Sir Arthur Conan Doyle, who had sketched out Sherlock Holmes like this: created him, Sherlock Holmes was a In height he was rather over six feet, and character who took time away from his so excessively lean that he seemed to be other writing. -
Sean Jackson Photo: Sally Mais
1st Floor 37 Great Queen Street London WC2B 5AA t +44 (0)20 7831 4450 e [email protected] Sean Jackson Photo: Sally Mais Appearance: White Greater London, England, United Location: Kingdom Other: Equity Cardiff, Wales, United Kingdom Eye Colour: Blue Height: 5'9" (175cm) Hair Colour: Dark Brown Weight: 10st. 8lb. (67kg) Voice Quality: Clear Playing Age: 51 - 60 years Voice Character: Direct Television Television, The Businessman, The Innocents, TI Productions, Jamie Donoughue Television, Gualberto, Da Vinci's Demons (Season 2), DVDS2 Ltd, Charles Sturridge/Peter Hoar Television, Cameron Roper, Silent Witness, BBC, Richard Clark Television, Matt, The Fear, World Productions & Channel 4, Michael Samuels Television, Gualberto, Da Vinci's Demons (Season 1), Tonto Films, Jamie Payne Television, Duty Constable, Waking the Dead, BBC, Richard Standeven Television, Special Branch Officer, No Bananas, BBC Television, Robert Tronson Television, Police Sergeant James, Soldier Soldier VI, Central Television, Graham Moore Television, Reg, Eastenders, BBC Television, Jo Johnson Stage 2019, Stage, Fabien Muller/Theo Marber, Mephisto (A Rhapsody), Gate Theatre London, Kirsty Housley 2019, Stage, Bob Brodie, Eden, Hampstead Theatre, Matthew Xia 2018, Stage, Peter Walsh/Evans/Miss Pam/Sir William Bradshaw, Mrs Dalloway, Arcola & Forward Arena, Thomas Bailey Stage, Lennox, Macbeth, Theatre Severn, Loveday Ingram Stage, Piggy, The Hook, Royal & Derngate Northampton/Liverpool Everyman, James Dacre Stage, Gerard of Ridefort/Napoleon, Holy Warriors, Shakespeare's -
The Return of Sherlock Holmes Arthur Conan Doyle the Return of Sherlock Holmes Arthur Conan Doyle
The Return of Sherlock Holmes Arthur Conan Doyle The Return of Sherlock Holmes Arthur Conan Doyle The Adventure Of The Empty House It was in the spring of the year 1894 that all London was interested, and the fashionable world dismayed, by the murder of the Honourable Ronald Adair under most unusual and inexplicable circumstances. The public has already learned those particulars of the crime which came out in the police investigation, but a good deal was suppressed upon that occasion, since the case for the prosecution was so overwhelmingly strong that it was not necessary to bring forward all the facts. Only now, at the end of nearly ten years, am I allowed to supply those missing links which make up the whole of that remarkable chain. The crime was of interest in itself, but that interest was as nothing to me compared to the inconceivable sequel, which afforded me the greatest shock and surprise of any event in my adventurous life. Even now, after this long interval, I find myself thrilling as I think of it, and feeling once more that sudden flood of joy, amazement, and incredulity which utterly submerged my mind. Let me say to that public, which has shown some interest in those glimpses which I have occasionally given them of the thoughts and actions of a very remarkable man, that they are not to blame me if I have not shared my knowledge with them, for I should have considered it my first duty to do so, had I not been barred by a positive prohibition from his own lips, which was only withdrawn upon the third of last month. -
The Adventure of the Empty House
The Adventure of the Empty House Arthur Conan Doyle This text is provided to you “as-is” without any warranty. No warranties of any kind, expressed or implied, are made to you as to the text or any medium it may be on, including but not limited to warranties of merchantablity or fitness for a particular purpose. This text was formatted from various free ASCII and HTML variants. See http://sherlock-holm.esfor an electronic form of this text and additional information about it. This text comes from the collection’s version 3.1. t was in the spring of the year 1894 that The Honourable Ronald Adair was the second all London was interested, and the fash- son of the Earl of Maynooth, at that time Governor ionable world dismayed, by the murder of one of the Australian Colonies. Adair’s mother I of the Honourable Ronald Adair under had returned from Australia to undergo the opera- most unusual and inexplicable circumstances. The tion for cataract, and she, her son Ronald, and her public has already learned those particulars of the daughter Hilda were living together at 427, Park crime which came out in the police investigation; Lane. The youth moved in the best society, had, so but a good deal was suppressed upon that occa- far as was known, no enemies, and no particular sion, since the case for the prosecution was so over- vices. He had been engaged to Miss Edith Woodley, whelmingly strong that it was not necessary to of Carstairs, but the engagement had been broken bring forward all the facts. -
Screen Romantic Genius.Pdf MUSIC AND
“WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Musicology – Master of Arts 2015 ABSTRACT “WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart Arguably one of the most famous literary characters of all time, Sherlock Holmes has appeared in numerous forms of media since his inception in 1887. With the recent growth of on-screen adaptations in both film and serial television forms, there is much new material to be analyzed and discussed. However, recent adaptations have begun exploring new reimaginings of Holmes, discarding his beginnings as the Victorian Gentleman Detective to create a much more flawed and multi-faceted character. Using Sir Arthur Conan Doyle’s original work as a reference point, this study explores how recent adaptors use both Holmes’s diegetic violin performance and extra-diegetic music. Not only does music in these screen adaptations take the role of narrative agent, it moreover serves to place the character of Holmes into the Romantic Genius archetype. Copyright by EMILY MICHELLE BAUMGART 2015 .ACKNOWLEDGEMENTS I am incredibly grateful to my advisor Dr. Kevin Bartig for his expertise, guidance, patience and good humor while helping me complete this document. Thank you also to my committee members Dr. Joanna Bosse and Dr. Michael Largey for their new perspectives and ideas.