2009 Highlander Vol 92 No 2 October 14, 2009
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PARANORMAL ACTIVITY 3 - Delivers More Terrifying Suspense and Shocks with an Unrated Version on Blu-Ray™/DVD Combo Pack
Record-Setting* Prequel to the Phenomenally Popular Film Series - PARANORMAL ACTIVITY 3 - Delivers More Terrifying Suspense and Shocks With an Unrated Version on Blu-ray™/DVD Combo Pack Debuting January 24, 2012, Blu-ray/DVD Combo Includes Extended Scenes and Chilling Lost Tapes In A First, All Three Films Will be Available for Digital Download in a Seamless, Chronological Experience Prior to the Blu-ray/DVD Debut "A new level of terror."—Brad Miska, BloodyDisgusting.com HOLLYWOOD, Calif., Dec. 20, 2011 /PRNewswire/ -- The record-breaking franchise that has terrified audiences around the world returns with the scariest story yet as PARANORMAL ACTIVITY 3 debuts on January 24, 2012 from Paramount Home Entertainment in a Blu-ray/DVD combo pack with UltraViolet™ and a Digital Copy.PARANORMAL ACTIVITY 3 will also be available On Demand. "Terrifying" (Time) with "heart-pounding scares" (BloodyDisgusting.com), PARANORMAL ACTIVITY 3 takes audiences back to where it all began with the masterminds behind the first two films returning to craft a hauntingly chilling follow up. Directed by Henry Joost and Ariel Schulman, the filmmakers who created the unsettling sensation Catfish, PARANORMAL ACTIVITY 3 achieved the biggest theatrical debut for a horror film ever, ultimately earning more than $200 million worldwide. (Photo: http://photos.prnewswire.com/prnh/20111220/LA25840) Arriving on January 24th, the PARANORMAL ACTIVITY 3 Blu-ray/DVD combo pack includes both the theatrical version of the film and an unrated version with footage not seen in theaters, as well as Lost Tapes that reveal more footage not seen in the film. In addition, all Blu-ray and DVD releases available for purchase will be enabled with UltraViolet, a new way to collect, access and enjoy movies. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema. -
50Th Anniversary Celebration: 1960S Music & Musical Artists Display
Clemson University TigerPrints Presentations University Libraries 12-2016 50th Anniversary Celebration: 1960s Music & Musical Artists Display Maggie Mason Smith Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/lib_pres Part of the Library and Information Science Commons Recommended Citation Mason Smith, Maggie, "50th Anniversary Celebration: 1960s Music & Musical Artists Display" (2016). Presentations. 99. https://tigerprints.clemson.edu/lib_pres/99 This Display is brought to you for free and open access by the University Libraries at TigerPrints. It has been accepted for inclusion in Presentations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. 1960s Music & Musical Artists Display December 2016 1960s Music & Musical Artists Display Photograph taken by Micki Reid, Cooper Library Public Information Coordinator Display Description The final 50th Anniversary book display features 1960s music and musical artists. Genres featured include British Invasion; Motown/R&B; Surf, Psychedelic, Roots, Hard, and Folk Rock and protest music. Formats include print, DVD, and CD. Come to Cooper to read about, watch, or listen to The Beatles, Aretha Franklin, The Beach Boys, Janis Joplin, and Bob Dylan (among many others!) before the holidays. The display will be up throughout December and items on display can be checked out at the Library Services Desk. - Posted on Clemson University Libraries’ Blog, December 2nd 2016 Music on Display • Armstrong, Louis. The Definitive Collection. Hip-O/Verve, 2006. CD. M1630.18.A76D34 2006. • The Beatles. Abbey Road. Parlophone, 1987. CD. M1741.18.B34A23 1987. • ---. The Beatles. Parlophone, 1987. CD. M1741.18.B34B33 1987. • ---. The Beatles 1962-1966. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
2015 United Solo Festival Guide
GREETINGS FROM UNITED SOLO Dear Friends, Welcome to the world of theatre; where a diverse body of artists brings innovative interpretations of the shared currency of human life! Entering its sixth year, United Solo has come to represent a unique landmark on the New York City theatrical map by offering a selection of one hundred fifty productions from six continents, staged over the course of ten weeks. We unite renowned artists and emerging talents, curate collections of scripts at Indie Theater Now, present an international showcase overseas, fundraise for the Actors Fund, and feature companies returning by popular demand in our special Encore category. United Solo thrives as the world’s largest solo theatre festival thanks to the commitment of a global family of patrons, artists, business associates, and supporters. I am deeply grateful to them for making it possible again this year! This Festival guide is an open invitation to a world of exciting stories. Enjoy this world through United Solo. Stay united! Omar Sangare, Ph.D. Artistic Director UNITED SOLO unitedsolo.org THE WORLD’S LARGEST SOLO THEATRE FESTIVAL (3) 2015 FACTS & FIGURES UNITED SOLO TEAM the world’s largest solo theatre festival OMAR SANGARE MICHAEL MILLER Artistic Director Literary Advisor 150 productions from 6 continents [email protected] [email protected] September 17 – November 22, 2015 ILYA KHODOSH MARCIN LIPINSKI PERFORMANCES AT TICKETS THROUGH Associate Artistic Director General Manager [email protected] [email protected] JULIA KWINTO TERRY TAMM 410 WEST 42nd STREET www.telecharge.com Creative Director Dramaturg [email protected] NEW YORK CITY 212-239-6200 [email protected] SPECIAL THANKS TO ANDREA DUQUETTE DIANE R. -
Sam Cooke.Pptx
Sam Cooke Group 5: Michael Muradian, Vinh Dang, Yazan Alkhatib http://assets.rollingstone.com/assets/images/artists/304x304/sam-cooke.jpg Sam Cooke Overview • Commonly referred as the "King of Soul" • Famous black gospel, soul, R&B, and pop singer and songwriter o Considered a pioneer/founder of soul music • Created 29, top 40 hits during his musical career (1957-1964) o most famous songs include: "You Send Me," "Chain Gang," and "A Change is Gonna Come" • Among first black performers to develop business side of musical career o founded a record label, and publishing company Sam Cooke Overview • Active in African-American Civil Rights Movement • Cooke's life was abruptly ended at the young age of 33 (December 11, 1964) o Cooke was fatally shot while drunk by a hotel manager in Los Angeles o Controversial • Inducted into the Rock and Roll Hall of Fame in 1986 Early Life • Born on January 22nd, 1931 in Clarksdale, Mississippi • One of eight children born to Charles Cook Sr., and Annie May Cook o Father was a traveling minister of Baptist faith • Born with the name Samuel Cook, but later developed stage name of Sam Cooke • Attended Wendell Phillips Academy High School in Chicago Development of Musical Career • Began career at nine years old in the group, "The Singing Children" o sang with siblings • Sang for the "Highway QC's" at age 15 • Became lead singer in "The Soul Stirrers" o introduced revolutionary two- lead singing o gospel group attracted younger crowds due to good looks o signed with Specialty Records o songs include "Jesus Gave Me Water," "Peace in the Valley," "Jesus Paid the Debt" Sam Cooke's Musical Style • Considered to have been unique. -
The Racialization of Jimi Hendrix Marcus K
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2007 The Racialization of Jimi Hendrix Marcus K. Adams Follow this and additional works at: http://commons.emich.edu/honors Part of the African American Studies Commons Recommended Citation Adams, Marcus K., "The Racialization of Jimi Hendrix" (2007). Senior Honors Theses. 23. http://commons.emich.edu/honors/23 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. The Racialization of Jimi Hendrix Abstract The period of history immediately following World War Two was a time of intense social change. The nde of colonialism, the internal struggles of newly emerging independent nations in Africa, social and political changes across Europe, armed conflict in Southeast Asia, and the civil rights movement in America were just a few. Although many of the above conflicts have been in the making for quite some time, they seemed to unite to form a socio-political cultural revolution known as the 60s, the effects of which continues to this day. The 1960s asw a particularly intense time for race relations in the United States. Long before it officially became a republic, in matters of race, white America collectively had trouble reconciling what it practiced versus what it preached. Nowhere is this racial contradiction more apparent than in the case of Jimi Hendrix. Jimi Hendrix is emblematic of the racial ideal and the racial contradictions of the 1960s. -
A Change Is Gonna Come
A CHANGE IS GONNA COME: A CRITICAL ANALYSIS OF THE BENEFITS OF MUSICAL ACTIVISM IN THE CIVIL RIGHTS MOVEMENT By ERIN NICOLE NEAL A Capstone submitted to the Graduate School-Camden Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Arts Graduate Program in Liberal Studies Written under the direction of Dr. Stuart Z. Charmé And approved by ____________________________________ Dr. Stuart Z. Charmé Camden, New Jersey January 2021 CAPSTONE ABSTRACT A Change Is Gonna Come: A Critical Analysis Of The Benefits Of Musical Activism In The Civil Rights Movement by ERIN NICOLE NEAL Capstone Director: Dr. Stuart Z. Charmé The goal of this Capstone project is to understand what made protest music useful for political activists of the Civil Rights Movement. I will answer this question by analyzing music’s effect on activists through an examination of the songs associated with the movement, regarding lyrical content as well as its musical components. By examining the lyrical content, I will be evaluating how the lyrics of protest songs were useful for the activists, as well as address criticisms of the concrete impact of song lyrics of popular songs. Furthermore, examining musical components such as genre will assist in determining if familiarity in regards to the genre were significant. Ultimately, I found that music was psychologically valuable to political activists because music became an outlet for emotions they held within, instilled within listeners new emotions, became a beacon for psychological restoration and encouragement, and motivated listeners to carry out their activism. Furthermore, from a political perspective, the lyrics brought attention to the current socio-political problems and challenged social standards, furthered activists’ political agendas, persuaded the audience to take action, and emphasized blame on political figures by demonstrating that socio-political problems citizens grappled with were due to governmental actions as well as their inactions. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
7.1 the Post-Cinematic in PARANORMAL ACTIVITY and PARANORMAL ACTIVITY 2
7.1 The Post-Cinematic in PARANORMAL ACTIVITY and PARANORMAL ACTIVITY 2 BY THERESE GRISHAM, JULIA LEYDA, NICHOLAS ROMBES, AND STEVEN SHAVIRO Therese Grisham: I want to start at the most theoretical level, to find out where you position your thought with regard to the two films we are discussing, Paranormal Activity (Oren Peli, 2007) and Paranormal Activity 2 (Tod Williams, 2010). It would be helpful if you gave a brief definition of the “post-cinematic,” or an equivalent term you work with, and include some introductory remarks about these movies as post-cinematic. Nick Rombes: Great to be here, and thanks for this opening question, Therese. My thinking about post-cinema has certainly been influenced by Steven’s writing, especially in his Film- Philosophy essay, “Post-Cinematic Affect: On Grace Jones, Boarding Gate, and Southland Tales” and his book, Post-Cinematic Affect. Particularly right-on, I think, is Steven’s phrase about how the expressive nature of post-cinematic media gives rise to “a kind of ambient, free-floating sensibility that permeates our society today” (Post-Cinematic 2). My own still- in-progress mapping of post-cinema would begin with this phenomenon: the totalitarian immersion of our everyday lives in the slipstream of the digital, cinematic imaginary, as captured so well in the Paranormal films which, at their most fundamental level, tackle the question of how to navigate the private spaces of this new media landscape. I’d turn here to a concept used by some psychiatrists—limbic resonance—to describe how human beings seemingly “tune into” each other via neural attunement and mirror neurons. -
Cineworld.Pdf
Cineworld Unlimited Survey * 1. What is your gender? Female Male * 2. What Region do you live in? Scotland North East North West East Midlands West Midlands Wales East Anglia South East South West Ireland * 3. How many times have you been to the cinema in the past three months? 03 times 45 times 68 times 9+ times * 4. What Genre of films have you seen most in the last three months? Drama Romance Comedy Thriller SciFi Non English Language Animated Musical Family * 5. Who did you go to the cinema with most over the last three months? Partner/Husband or Wife Friends Children Date By yourself * 6. Who do you think is the sexiest actress of all time? Angeline Jolie Scarlett Johansson Natalie Portman Marilyn Monroe Grace Kelly Cameron Diaz Emma Stone Brigitte Bardot Halle Berry Julia Roberts * 7. Who to you think it the sexiest actress from the upcoming films this summer? Cary Mulligan The Great Gatsby Amy Adams Man of Steel Tao Okamoto The Wolverine Kristen Bell Stuck In Love Vera Farmiga The Conjuring * 8. Which of these superhero characters would you most like to date in real life? Tobey Maguire Spiderman Christian Bale Batman Robert Downey Jnr Iron Man Henry Cavil Superman Chris Evans Captain America Nicholas Cage Big Daddy (Kick Ass) Chris Hemsworth Thor Mark Ruffalo The Hulk Hugh Jackman Wolverine * 9. If you could play the part of a superheroes' love interest which character would you choose? Lois Lane Superman Pepper Pots Iron Man Jane Foster Thor Rachel Dawes Batman Mary Jane Spiderman Betty Ross the Hulk Penny Carter Captain America * 10.