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Introduction: the Genre of the Non-Place: Science Fiction As Critical Theory 1. for Plato's “Allegory of the Cave,” See Th
Notes Introduction: The Genre of the Non-Place: Science Fiction as Critical Theory 1. For Plato’s “Allegory of the Cave,” see The Republic Book VII. 2. For a thorough analysis of science fiction’s origins, see Brian W. Aldiss and David Wingrove’s Trillion Year Spree: The History of Science Fiction (1986). 3. See William S. Burroughs’s Naked Lunch (1959), the Nova (Or Cut-Up) Trilogy (The Soft Machine [1961], The Ticket that Exploded [1962], and Nova Express [196 4]), The Wild Boys (1971), and the “Red Night” Trilogy (Cities of the Red Night [1981], The Place of Dead Roads [1983], and The Western Lands [1987]; Thomas Pynchon’s V (1963), Mason & Dixon (1997), and Against the Day (2006); John Barth’s Giles Goat-Boy; or, The Revised New Syllabus (1966); Don DeLillo’s White Noise (1985); Kathy Acker’s Don Quixote: Which Was a Dream (1986) and Empire of the Senseless (1988); Italo Calvino’s Cosmicomics (1965) or Invisible Cities (1972); David Foster Wallace’s Infinite Jest (1996); Mark Z. Danielewski’s House of Leaves (2000); and Jonathan Lethem’s The Fortress of Solitude (2003). 4. McHale derives this concept of “projecting worlds” from Thomas Pynchon’s The Crying of Lot 49 (1965). As Oedipa Maas begins to explore the potential existence of a secret mail system known as Tristero, she writes underneath the Tristero horn that she has copied off of a bathroom wall, “Shall I project a world?” (65). Here, Oedipa is contemplating the possible existence of an entire other pattern of reality of which she (and most of the world) remains unaware. -
Futurist Fiction & Fantasy
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications -- Department of English English, Department of September 2006 FUTURIST FICTION & FANTASY: The Racial Establishment Gregory E. Rutledge University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/englishfacpubs Part of the English Language and Literature Commons Rutledge, Gregory E., "FUTURIST FICTION & FANTASY: The Racial Establishment" (2006). Faculty Publications -- Department of English. 27. https://digitalcommons.unl.edu/englishfacpubs/27 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. C A L L A L O O FUTURIST FICTION & FANTASY The Racial Establishment by Gregory E. Rutledge “I don’t like movies when they don’t have no niggers in ‘em. I went to see, I went to see “Logan’s Run,” right. They had a movie of the future called “Logan’s Run.” Ain’t no niggers in it. I said, well white folks ain’t planning for us to be here. That’s why we gotta make movies. Then we[’ll] be in the pictures.” —Richard Pryor in “Black Hollywood” from Richard Pryor: Bicentennial Nigger (1976) Futurist fiction and fantasy (hereinafter referred to as “FFF”) encompasses a variety of subgenres: hard science fiction, speculative fiction, fantasy, sword-and-sorcerer fantasy, and cyberpunk.1 Unfortunately, even though nearly a century has expired since the advent of FFF, Richard Pryor’s observation and a call for action is still viable. -
Transgression in Postwar African American Literature Kirin Wachter
Unthinkable, Unprintable, Unspeakable: Transgression in Postwar African American Literature Kirin Wachter-Grene A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Louis Chude-Sokei, Chair Eva Cherniavsky Sonnet Retman Program Authorized to Offer Degree: English ©Copyright 2014 Kirin Wachter-Grene University of Washington Abstract Unthinkable, Unprintable, Unspeakable: Transgression in Postwar African American Literature Kirin Wachter-Grene Chair of Supervisory Committee: Professor Louis Chude-Sokei English This dissertation argues that African American literary representations of transgression, meaning boundary exploration, reveal a complex relationship between sex, desire, pleasure, race, gender, power, and subjectivity ignored or dismissed in advantageous yet constrained liberatory readings/framings. I trace transgression to confront the critical dismissal of, or lack of engagement with African American literature that does not “fit” ideologically constrained projects, such as the liberatory. The dissertation makes a unique methodological intervention into the fields of African American literary studies, gender and sexuality studies, and cultural history by applying black, queer writer and critic Samuel R. Delany’s conceptualizing of “the unspeakable” to the work of his African American contemporaries such as Iceberg Slim, Octavia Butler, Gayl Jones, Hal Bennett, and Toni Morrison. Delany theorizes the unspeakable as forms of racial and sexual knowing excessive, or unintelligible, to frameworks such as the liberatory. The unspeakable is often represented in scenes of transgressive staged sex that articulate “dangerous” practices of relation, and, as such, is deprived of a political framework through which to be critically engaged. I argue that the unspeakable can be used as an analytic allowing critics to scrutinize how, and why, much postwar African American literature has been critically neglected or flattened. -
Samuel R. Delany Gerry Canavan Marquette University, [email protected]
Marquette University e-Publications@Marquette English Faculty Research and Publications English, Department of 1-1-2014 Far Beyond the Star Pit: Samuel R. Delany Gerry Canavan Marquette University, [email protected] Published version. "Far Beyond the Star Pit: Samuel R. Delany," in Black and Brown Planets: The Politics of Race in Science Fiction. Ed. Isiah Lavender III. Jackson MS: University Press of Mississippi, 2014: 48-64. Publisher link. © 2014 University Press of Mississippi. Used with permission. FAR BEYOND THE STAR PIT Samuel R. Delany • • • GERRY CANAVAN I am black, I have spent time in a mental hospital, and much of my adult life, for both sexual and social reasons, has been passed on society's margins. My attraction to them as subject matter for fiction, however, is not so much the desire to write autobiography, but the far more parochial desire to set mat ters straight where, if only one takes the evidence of the written word, all would seem confusion. -Samuel R. Delany, Tile Straits of Messina Written in 1965 and published in 1967, Samuel R. Delany's early novella "The Star Pit" presents for its reader an intergalactic narrative landscape in whkh a final, unbreakable constraint has been imposed on the ability of certain peo ple to achieve. Humanity has expanded off Earth into a thriving network of extrasolar colonies, only to find that travel beyond the limits of the Milky Way galaxy causes insanity and death in nearly any human being who attempts it. Only a select elite have the capacity to transcend this barrier and freely travel the wider universe, in all its unimaginable and indescribable splendor; these privileged travelers are the "goldens;' and they are objects of great jealousy for the average people of the galaxy, despite the dangers of their work, their gen erally unappealing personalities, and the calJous and unfeeling demeanor that arises out of their special privilege. -
Linguistics and Fiction
Linguistics and Fiction Most of these are from Mike Maxwell's posting to the Linguist List (19 Mar 1995). Others are from a list posted to the sci.lang newsgroup. None of the comments are mine. Browning's home page Suzette Haden Elgin. Native Tongue trilogy, including: The Native Tongue (wherein language and linguistics are prominent issues in a future society; Laadan is a language in development). Clans of linguists have become crucial because of their mediation with non-humans. Raises issues about innateness, the bioprogram, language learning, relationship between body stucture and language, as well as feminist issues), and Judas Rose. Derek Bickerton. King of the Sea. (Not exactly science fiction. But deals with human-dolphin communication. Best explanation of Bickerton's bioprogram available with a valuable dicussion also of the problems of having a meaningful relationship with a dolphin.). Arnason. A Woman of the Iron People. Vonarburg. In the Motherland. Robert Sheckley. Shall We Have a Little Talk? (for the evil Earth capitalist empire to take over a planet, they have to buy some land on the planet. A representative goes to some planet to start negotiating for a land purchase and finds that every day the language has changed, not only in vocabulary but in grammar. At one point, he exclaims "Stop agglutinating!" The inhabitants of the planet are using accelerated language change as a defense mechanism, and at the end of the story, they are communicating in identical monosyllables). David Carkeet. Double Negative (one respondent called this "a murder mystery in which a linguist uses his knowledge of child language acquisition to solve the murder"; another said it involved the human/animal boundary). -
Delany's Dhalgren and Gibson's Pattern Recognition
Memory’s Guilted Cage: Delany’s Dhalgren and Gibson’s Pattern Recognition Jason Haslam Dalhousie University , William Gibson—the “father” of Icyberpunk, living in British Columbia after moving to Canada to evade the Vietnam draft¹—wrote an introduction to the re-release of the novel Dhalgren, originally published in , written by Samuel Delany, often described as a precursor to or inspiration for later authors of cyberpunk.² In his introduction to Delany’s eight-hundred-page opus, Gibson writes that he “place[s] Dhalgren in history,” a history he then specifies: No one under thirty-five today can remember the singularity that overtook America in the nineteen-sixties, and the genera- tion that experienced it most directly seems largely to have opted for amnesia and denial. But something did happen: a city came to be, in America. (And I imagine I use America here as shorthand for something else; perhaps for the industrialized nations of the American Century.) e city had no specific locale, and its internal geography was mainly fluid. […] e city was largely invisible to America. If America was about “home” and “work,” the city was about neither, and that made the city very difficult for America to see. […] I would not sug- gest that Dhalgren is any sort of map of that city, intentional ESC . (March ): – Haslam.indd 77 9/6/2007, 10:05 AM or otherwise, but that they bear some undeniable relationship. (ose who would prefer to forget the city say that it produced no true literature, but that too is denial.) […] When I think of J H is an Dhalgren, I remember this: A night in Dupont Circle, Wash- Assistant Professor in the ington, D.C., amid conditions of civil riot, when someone, as the police arrived with their staves and plastic shields, tossed Department of English a Molotov cocktail. -
Winter/Spring 2008
SEGUE READING SERIES These events are made possible, in part, with public funds from The New York State @ BOWERY POETRY CLUB Council on the Arts, a state agency. Saturdays: 4:00 p.m. - 6:00 p.m. 308 BOWERY, just north of Houston ****$6 admission goes to support the readers**** Winter/Spring 2008 The Segue Reading Series is made possible by the support of The Segue Foundation. For more information, please visit www.seg- uefoundation.com, bowerypoetry.com/midsection.htm, or call (212) 614-0505. Curators: February by Alan Davies, March by Charles Borkhuis, April-May. by Erica Kaufman and Tim Peterson. FEBRUARY FEBRUARY 2 GILBERT ADAIR and P. INMAN Gilbert Adair, who moved to NYC in 1999, founded and curated the “Sub-Voicive” reading series, London’s leading venue for experimental poetry. His pub- lications include “frog boks”, “keep the curtains the farce has ended”, “steakweasel”, and most recently “xiangren”, a collection of short, sometimes super-short poems. P. INMAN grew up on Long Island off the coast of “America”; publications include: Ocker; Red shift; criss cross; Vel; at. least.; amounts. to.; now/time; employment: retired Fed employee, currently works as a labor rep for AFSCME Council 26, 3 blocks away from the White House. FEBRUARY 9 MARTHA OATIS and LARRY PRICE Martha Oatis is the author of from Two Percept (Portable Press at Yo-Yo Labs). As well as text, drawing and sculpture are a part of her work. She is in her first year of acupuncture school and lives in Providence. Larry Price is the sometime publisher of GAZ. -
The Interaction of Feminism(S) and Two Strands of Popular American Fiction, 1968-89
ResearchOnline@JCU This file is part of the following reference: Kelso, Sylvia (1996) Singularities : the interaction of feminism(s) and two strands of popular American fiction, 1968-89. PhD thesis, James Cook University of North Queensland. Access to this file is available from: http://researchonline.jcu.edu.au/47036/ If you believe that this work constitutes a copyright infringement, please contact [email protected] and quote http://researchonline.jcu.edu.au/47036/ SINGULARITIES: THE INTERACTION OF FEMINISM(S) AND TWO STRANDS OF POPULAR AMERICAN FICTION, 1968-8'9 Thesis submitted by Sylvia Anne KELSO BA (Hons) (Qld) in August 1996 for the degree of Doctor of Philosophy i.n the Department of English at James. Cook University of North Queensland STATEMENT OF ACCESS I, lhe undersigned. lhe. aulhor of this tllesis, understand lh.at James Cook University of North Queensland will make it available for use within lhe University Library and. by microfilm or other photographic means. allow access to users in otber approved libraries. All users consulting this chesis will have to sign the following statemem: ·rn consulring 1his 1hesis l agree not m copy or closely paraphrase ii in whole or in pan wichout the written consent of the author; and to ma.ke proper wriuen acknowledgemem for any assiscance I have obtained from it.· Beyond chis. l do not wish to place any restriction of access cm lhis thesis. (signature) (d.ace) ABSTRACT The thesis examines how American writers in the popular genres of Female Gothic, Horror, and Science Fiction interact with strands of (mainly) American feminist thought and action, and with the cultural image of feminism(s) during the period 1968-89. -
POSTCYBERPUNK UNITOPIA a Comparative Study of Cyberpunk and Postcyberpunk NACYE GÜLENGÜL ALTINTAŞ 102617011 ISTANBUL BILGI UN
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Istanbul Bilgi University Library Open Access POSTCYBERPUNK UNITOPIA A Comparative Study of Cyberpunk and Postcyberpunk NAC İYE GÜLENGÜL ALTINTA Ş 102617011 ISTANBUL BILGI UNIVERSITY INSTITUTE OF SOCIAL SCIENCES DEPARTMENT OF FILM AND TV M.A. THESIS THESIS SUPERVISOR: TUNA ERDEM, MA February, 2006 POSTCYBERPUNK UNITOPIA A Comparative Study of Cyberpunk and Postcyberpunk POSTSİBERPUNK UNITOPYA Kar şıla ştırmalı Siberpunk ve Postsiberpunk Çalı şması Naciye Gülengül ALTINTA Ş 102617011 Tezin Onaylandı ğı Tarih (approved on): Şubat (February) 17, 2006 Toplam Sayfa Sayısı: 134 Anahtar Kelimeler Key Words 1) Siberpunk 1) Cyberpunk 2) Postsiberpunk 2) Postcyberpunk 3) Teknokrasi 3) Technocracy 4) Technopoli 4) Technopoly 5) Heterotopya 5) Heterotopia iii ABSTRACT POSTCYBERPUNK UNITOPIA A Comparative Study of Cyberpunk and Postcyberpunk by NAC İYE GÜLENGÜL ALTINTA Ş In early 1990s, a new wave emerged within the cyberpunk genre and in 1998 it was detected by Lawrence Person as “postcyberpunk.” The aim of this study is to discuss this generic deflection and inquire its characteristics within the context of social environment of the era. The subject of the study is established around four films which I claim that should be considered as postcyberpunk: Gattaca (Andrew Niccol, 1997), Code 46 (Michael Winterbottom, 2003), Girl from Monday (Hal Hartley, 2005) and The Island (Michael Bay, 2005). Through comparing these films with their cyberpunk ancestors, it is argued in the thesis that while the essence of cyberpunk is chaos and disorder -an oceanic flow resembling the multiple interacting elements of the matrix-, in the world of postcyberpunk order is re-established and chaos is eliminated by a monolithic system of centralized power which is exercised through panoptic structures of new cyber technologies. -
Visions of Law and Lawyers in Cyberpunk Science Fiction
Buffalo Law Review Volume 45 Number 3 Article 9 10-1-1997 High-Tech Heroes, Virtual Villians, and Jacked-In Justice: Visions of Law and Lawyers in Cyberpunk Science Fiction Walter A. Effross Washington College of Law, American University Follow this and additional works at: https://digitalcommons.law.buffalo.edu/buffalolawreview Part of the Computer Law Commons Recommended Citation Walter A. Effross, High-Tech Heroes, Virtual Villians, and Jacked-In Justice: Visions of Law and Lawyers in Cyberpunk Science Fiction, 45 Buff. L. Rev. 931 (1997). Available at: https://digitalcommons.law.buffalo.edu/buffalolawreview/vol45/iss3/9 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Buffalo Law Review by an authorized editor of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. High-Tech Heroes, Virtual Villains, and Jacked-In Justice: Visions of Law and Lawyers in Cyberpunk Science Fiction WALTER A. EFFROSSt We can anticipate the formation of subcults built around ... computer gaming and the like. We can even see on the horizon the creation of cer- tain anti-social leisure cults-tightly organized groups of people who will disrupt the workings of society not for material gain, but for the sheer sport of 'beating the system" .... Such groups may attempt to tamper with governmental or corporate computer programs .... 1 We [cyberpunk authors] are wise fools .... Very few feel obliged to take us seriously, yet our ideas permeate the culture, bubbling along invisibly, like background radiation. -
ON BECOMING: AFROFUTURISM, WORLDBUILDING, and EMBODIED IMAGINATION by Clayton D. Colmon Jr. a Dissertation Submitted to the F
ON BECOMING: AFROFUTURISM, WORLDBUILDING, AND EMBODIED IMAGINATION by Clayton D. Colmon Jr. A dissertation submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Spring 2020 © 2020 Clayton D. Colmon Jr. All Rights Reserved ON BECOMING: AFROFUTURISM, WORLDBUILDING, AND EMBODIED IMAGINATION by Clayton D. Colmon Jr. Approved: __________________________________________________________ John R. Ernest, Ph.D. Chair of the Department of English Literature Approved: __________________________________________________________ John Pelesko, Ph.D Dean of the College of Arts & Sciences Approved: __________________________________________________________ Douglas J. Doren, Ph.D. Interim Vice Provost for Graduate and Professional Education and Dean of the Graduate College I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ M. Jean Pfaelzer, Ph.D. Professor in charge of dissertation I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ A.Timothy Spaulding, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: __________________________________________________________ P. Gabrielle Foreman, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. -
Reading Worlds Literature with Samuel R. Delany: General Information and the Worlds of Objects
Christopher Meade Appalachian State University READING WORLDS LITERATURE WITH SAMUEL R. DELANY: GENERAL INFORMATION AND THE WORLDS OF OBJECTS Abstract: Drawing on science fiction and object-oriented ontology, this article suggests new methods for conceiving a pluralized world(s) literature, through the lens of Samuel Delaney’s decades of worlds- making narrative. Meade offers the principle of subjunctivity and of fuzzy concepts as a means for expanding the theoretical presumptions of the World Literature debate in contemporary literature, and details the ways in which Delaney offers a narrative pedagogy of worldedness that goes on the Mercatorian confines of contemporary globalization discourses. Keywords: Samuel Delaney w world literature w science fiction w object-oriented ontology w untranslatability Introduction In this article I will analyze science-fiction author and literary theorist Samuel R. Delany’s fictional practice as both worldly and other-wordly. This is only possible if one holds that many worlds exist, as Delany does. He envisions the writing and reading of fiction as a means to disorient, and thereby reorient, the reader between perceptually exclusive worlds—worlds that are “incompossible,” to use Leibnitz’s term. The Meade, Christopher. “Reading Worlds Literature with Samuel R. Delany: General Information and the Worlds of Objects.” Critical Multilingualism Studies 4:1 (2016): pp. 71–94. ISSN 2325-2871. Meade Reading Worlds Literature reoriented reader is forced, in the mutual construction of the text, to inhabit a world other than her own and, if it functions correctly, to accept it as the real world. This (other)worldly orientation, as I will show through an analysis of Delany’s theory of the paraliterary genre of science fiction, is achieved by cultivating blindness to conventional perceptions and facilitating other perceptions.