“In the Bleak Midwinter”. This Carol Is Based on a Poem by the English Poet Christina Rossetti Written Before 1872

Total Page:16

File Type:pdf, Size:1020Kb

“In the Bleak Midwinter”. This Carol Is Based on a Poem by the English Poet Christina Rossetti Written Before 1872 One of my favorite Christmas carols is not the most popular or the best known. My favorite is “In the Bleak Midwinter”. This carol is based on a poem by the English poet Christina Rossetti written before 1872. The poem became a Christmas carol and appeared in The English Hymal in 1906 with a musical setting by the famous composer Gustav Holst. In 2008 it was named the best Christmas carol in a poll of some of the world’s leading choirmasters and choral experts. Our morning choir at Queen of Angels will sing this carol on Christmas Eve at our two Christmas Eve Masses at 4:00pm and at 6:00pm, and I am sure it will be sung again during the Christmas Season. It is the last verse that touches me the most. “What can I give Him, poor as I am? If I were a shepherd I would bring a lamb; if I were a Wise Man I would do my part; yet what I can give Him: give my heart.” And of course, that is the best gift we can ever give to God or to anyone else for that matter. Good readers, we have a week left before Christmas Day. If there is a present we yet have to get for a difficult-to-shop for person, perhaps the heart might be the best gift. Now that difficult-to-shop-for person might be difficult not only because he/she has everything, but perhaps he/she may just be plain difficult to get along with. Perhaps we may not even be speaking to that person at the moment, so hurtful is the situation right now. For this person, the gift of our heart is the only present worth giving. And the gift of the heart might be only a prayer of mercy upon him/her, even without his/her knowing we are doing the prayer. When one is able to do that, the anger begins to melt away ever so slowly, and peace begins to take anger’s place. And when there is peace in the heart, forgiveness comes more easily and charity begins to blossom forth. And where there is charity blooming, God makes His dwelling right there, and the miracle of Christmas some 2015 years ago happens again in 2015, not in Bethlehem, but this time in the heart – my heart and your heart that was given in prayer for someone. Merry Christmas and God bless you and your families. Please pray for those who will be experiencing their first Christmas without a loved one. The first one without Momma was for me pretty sad, so I know they will appreciate your prayers. Again, Merry Christmas! .
Recommended publications
  • THE LINK the Parish Magazine for the Parishes of St Catherine and Holy Trinity Ventnor and St Boniface Bonchurch
    THE LINK The Parish Magazine for the parishes of St Catherine and Holy Trinity Ventnor and St Boniface Bonchurch SEPTEMBER 2017 The Ministry Team Rev’d Hugh Wright 01983 853729 Email: [email protected] Gill Chaloner Reader 854659 Hilary Davis Reader 855797 Jenny Hopkins Holder Reader 852575 Gill Smith Reader 856134 David Tamcken Reader 506693 Churchwardens St Catherine’s Steve Northern 856953 Adrian Pinnock Holy Trinity Jo Nicholson Mark Bell 852631 St Boniface Jonny Fitzgerald Bond 854824 Lyn Ridler-Lee 404508 Morning Prayer Tuesday - Bonchurch Old Church - 8am Wednesday - St Catherine's Church and Thursday Holy Trinity Church - 9am Friday - Bonchurch Parish Church - 8.30am All Welcome Sunday Services Please see inside Link for details of Sunday Services Midweek Services St Catherine’s - Wednesday - 10.30am Holy Communion Holy Trinity - Thursday - 10.00am Holy Communion (BCP) Ventnor & Bonchurch Parish website address www.ventnorcofe2.btck.co.uk Email: [email protected] 2 A Silly Week in August ….during which a combination of Ventnor Fringe and Ventnor Carnival made life here in Ventnor vibrant and lively, and life in Holy Trinity, St Catherine’s and St Boniface somewhat chaotic! It started with the Carnival Service held at St Catherine’s and escalated from there, with all sorts of different things happening all over town in different venues, including churches, church halls and church carparks! Concerts, plays, puppet shows, monologues, busking….it was all going on! The Fringe Book Bus was parked in St Catherine’s carpark, there was a performance of the “Isle of Wight Suite” and the Ventnor Guitar Club and Local History Society combined for “Playing with History”.
    [Show full text]
  • The Solemnity of the Nativity of Our Lord 2011
    The Solemnity of The Nativity of Our Lord 2011 Cathedral Basilica of Saints Peter and Paul Philadelphia, Pennsylvania Cathedral Basilica of Saints Peter and Paul Philadelphia, Pennsylvania Most. Rev. Charles J. Chaput,O.F.M. Cap., Archbishop of Philadelphia Rev. Msgr. Arthur E. Rodgers, Rector-Primus Rev. Edward P. Burke, Parochial Vicar Rev. Charles J. Kennedy, Parochial Vicar Rev. Kieran Udeze, Parochial Vicar Rev. Gerald Dennis Gill, Director of the Office for Divine Worship Dr. John A. Romeri, Director of the Office for Liturgical Music CONTENTS CHORAL PRELUDE TO 7:30 P.M. VIGIL MASS (7:00 p.m.) page 2 CHORAL PRELUDE TO MIDNIGHT MASS (11:00 p.m.) page 3 PRELUDE TO 10:00 A.M. MASS (Selections from Midnight) page 3 ALL MASSES page 12 The Solemnity of The Nativity of the Lord Cover Artwork: The Nativity. 1523. Oil on wood; Lorenzo Lotto ~ Choral Prelude to 7:30 p.m. Mass ~ Archdiocesan Boy Choir of Philadelphia Veni, Veni Emmanuel Chant, XV Century O Come, O Come, Emmanuel Hodie, Christus Nactus Est Chant Christ Is Born Today Procession of the Choirboys Jeremy Triplett, Organ Lo How a Rose E’er Blooming Theodore Baker Lullay My Liking R. R. Terry Text 15th Century English arr. Tom Windfleder In Nativitate Christi Traditional For the Birth of Christ arr. and orch. by Tom Windfelder A collection of traditional Christmas music from around the world Il Est Ne (He is Born) Stille Nacht (Silent Night) What Child Is This? Angels We Have Heard on High Archdiocesan Boy Choir of Philadelphia Director, Thomas Windfelder Accompanist, Jeremy Triplett, Choir Alumnus Cantor, James Corcoran, Choir Alumnus Psalmist, Michael Zubert, Choir Alumnus Harp, Joana ShawRuss 1st Violin, Lenuta Atanasiu 2nd Violin, Doris Loder Viola, Andrea Quinn Cello, George Atanasiu 1st Trumpet, William Hughes 2nd Trumpet, Catherine Dierkes Trombone, Alex Siniavski Timpani, William Kerrigan -2- ~ Choral Prelude to Midnight Mass ~ Cathedral Basilica Choir, Cathedral Brass Quintet, Violin, Timpani, Organ Fanfare and Variations on “Noel Nouvelet” French Carol Trumpets and Organ arr.
    [Show full text]
  • On Christmas Night
    On Christmas Night Eleanor Farjeon (1881 –1965) / Christopher Steel (1938 –1991) Phillips Brooks (1835 –1893) / Henry Walford Davies (1869 –1941) 1 People, look east 3.13 10 O Little Town of Bethlehem 4.33 Johannes Brahms (1833 –1897) Anon. ( c.1300) / Benjamin Britten (1913 –1976) 2 Chorale Prelude for organ ‘Es ist ein Ros entsprungen’ 2.47 11 A Hymn to the Virgin 3.05 Op.122 No.8 Traditional French carol (arr. Stephen Jackson) Anon. 15th century / Robin Nelson (b.1943) 12 Noël nouvelet 4.30 3 Out of your sleep 2.44 Christina Rossetti (1830 –1894) / Harold Darke (1888 –1976) Thomas Campion (1567 –1620) / Richard H. Lloyd (b.1933) 13 In the bleak midwinter 4.29 4 View me, Lord 2.41 Herbert Sumsion (1899 –1995 ) Johann Sebastian Bach (1685 –1750) 14 Prelude for organ on ‘The holly and the ivy’ 4.33 5 Chorale prelude for organ ‘Wachet auf, ruft uns die Stimme’ 4.02 BWV 645 Bruce Blunt (1899 –1957) / Peter Warlock (1894 –1930) 15 Bethlehem Down 4.23 Anon. 15th century / William Mathias (1934 –1992) 6 A babe is born 3.21 John Rutter (b.1945) 16 Shepherd’s Pipe Carol 3.08 Traditional Czech carol ‘Hajej, nynjej’ (trans. Percy Dearmer) / Traditional Czech melody (collected Martin Shaw, Traditional English folk carols (collected Cecil Sharp & arr. Edward Higginbottom) Ralph Vaughan Williams) / Ralph Vaughan Williams (1872 –1958) 7 Rocking 2.16 17 Fantasia on Christmas Carols 12.45 Marcel Dupré (1886 –1971) 69.02 8 Variations on ‘Il est né le divin enfant’, offertory for organ 4.02 Choir of Magdalen College, Oxford Anon.
    [Show full text]
  • The Carol and Its Context in Twentieth-Century England Sean Vogt
    The Carol and Its Context in Twentieth-century England Sean Vogt loria in excelsis deo, et in terra G pax hominibus (“Glory to God in the highest and on earth peace to all people”), Luke 2:14, was likely the fi rst carol ever heard, sung by the angels over the fi elds of Bethlehem. It would be more than a millennium before the next documented account of carol singing. In this case, it happened in Greccio, Italy, where St. Francis made the fi rst Christ- mas crèche (crib) in 1223, in response to the Manichaeism1 of the eleventh and twelfth centuries—recreating the stable, even obtaining an ox and ass. People from around the village began to gather around St. Francis’s biblical re-creation. As a result, the people “poured out their hearts in praises to God; and the friars sang new canticles…”2 The dawn of the Protestant Reforma- tion brought carol singing—amongst a myriad of other activities—to an abrupt halt. The Reformation during the six- teenth and seventeenth centuries re- sulted in a fragmented church. The Lu- therans viewed the feast of Christmas as a popish abuse. Since the Calvinist Gustav Holst (early 1920s) in front of movement was quite popular, Christmas Queen’s Hall (©Holst Birthplace Museum/ was consequently unpopular in England. Cheltenham Art Gallery & Museum) Christmas Day was abolished by Parlia- ment from 1644–1660; The Book of Com- Christmas Carols New and Old (1871) mon Prayer had no seasonal hymns. It being just a few examples. was not until the Supplement to the New From the Piae Cantiones, which itself Version of the Psalms (1700) that interest contained medieval carols, to the Vic- in carols was rekindled.
    [Show full text]
  • November 29Th | 4:00 P.M
    November 29th | 4:00 p.m. Featuring .. on Organ & Piano Streamed Live from with Advent and Christmas favorites for all ages! Watch on our Website or Facebook page: mempres.org/live-streaming or facebook.com/MPCMidland Featuring Dr. Adrienne Wiley A recital of works for organ and piano featuring well known and favorite Advent and Christmas selections Noel Fanfares from A Christmas Suite Charles Callahan (b. 1951) The King Shall Come setting by Charles Ore (b. 1936) Savior of the Nations Come What Child is This? Arr. by Marilyn Thompson In the Bleak Midwinter Joseph Martin (b. 1959) Mary, Did You Know? Jay Rouse A Maid Most Gentle setting by Andrew Gant O Come Little Children setting by Dale Wood (1934-2003) Noel Nouvelet setting by Michael Burkhardt Theme Pastoral Dance O Come, O Come Emmanuel Joseph Martin Today’s program offers a variety of works for organ and piano featuring Advent and Christmas selections. The pieces on this program were selected to offer up musical moments of preparation and reflection in the anticipation and joy of knowing that Christ will come again. The Christmas Suite, by Charles Callahan, features several movements based on Christmas Carols, notably Greensleeves (What Child is This), Silent Night, and the Christmas Rondel which features snipits of The First Nowell, Puer natus in Bethlehem, and Adeste Fideles. The first movement, “Fanfare,” heralds tunes such as Joy to the World, Angels we Have Heard on High, and From Heaven Above. The beautiful Letourneau organ provides a hefty reed chorus that does justice to this work. Savior of the Nations Come, or by the German name “Nun komm der Leiden heiland,” was written and originally attributed to Saint Ambrose (349-397).
    [Show full text]
  • Clerestory.Org Welcome to Holiday Lights!
    Holiday Lights SAN FRANCISCO BERKELEY November 28, 8:00pm November 29, 8:00pm St. Mark’s Lutheran Church St. Mark's Episcopal Church Listen and learn more at clerestory.org Welcome to Holiday Lights! The turkey’s done and now, ’tis the season…for holiday music! Welcome to Clerestory’s Holiday Lights, a festive tour of seasonal music from across the British Isles. We are delighted you chose to join us tonight, and we hope this concert offers you a peaceful hour to relax and luxuriate in these gorgeous medieval, Renaissance, and contemporary Christmas carols. It’s hard to believe that we are midway through our tenth season. Who knew back in 2006 that the singers would still be planning, rehearsing, and performing together a decade later? The bonds of creative brotherhood and a shared artistic vision are powerful, indeed! Now is the time to mark your calendar for our season-ending capstone, featuring premiere works from many long-time contemporary composer friends to the ensemble. Don’t miss New Lights, March 5 in San Francisco and March 6 in Berkeley. The men of Clerestory know well that your support—by attending concerts, donating to the organization, and spreading the word—is crucial to the group’s continued success. From Clerestory’s board and the singers, we thank you. Warmly, Nancy Roberts President, Clerestory Board of Directors Save the Date for Our Next Performances: New Lights Clerestory closes its tenth anniversary season with a program of luminous and exciting contemporary music. Works by Eric Whitacre, Jake Heggie, and Aaron Jay Kernis will be sung alongside new songs written for Clerestory’s tenth anniversary by composer friends dear to the ensemble.
    [Show full text]
  • December 18, 2016 • 11 Am Sanctuary Worship Fourth Sunday of Advent
    EAST LIBERTY PRESBYTERIAN CHURCH 116 South Highland Ave., Pittsburgh, PA 15206 412.441.3800 www.ELPC.church As a diverse community of believers, we strive to follow God – the Creator who calls us, Jesus who teaches us, and the Spirit who empowers us. We show God’s unconditional love by providing a refuge for spiritual growth, ardently pursuing justice, and extending Christ’s radical hospitality to all. (Strategic Vision mission statement, 2011) DECEMBER 18, 2016 • 11 AM SANCTUARY WORSHIP FOURTH SUNDAY OF ADVENT TIME OF PREPARATION “Warren,’ she said, ‘he has come home to die: You needn’t be afraid he’ll leave you this time’… ‘Home is the place where, when you have to go there, they have to take you in.’ Gustav Holst’s ‘I should have called it something you somehow haven’t to deserve.” (1874-1934) setting of — Robert Frost, “The Death of the Hired Man” (1914) Christina Rossetti’s (1830-1894) poem In the “So then, whenever we have an opportunity, let us work for the good of all, and Bleak Midwinter first especially for those of the family of faith.” — Galatians 6:10 appeared in The English Hymnal in 1906. MINISTRY OF MUSIC ELPC Ringers “In the Bleak Midwinter” Gustav Holst arr. Mark Schweizer “Angels from the Realms of Glory” Henry Thomas Smart arr. Anna Laura Page WELCOME & CHURCH NEWS The Rev. Dr. Randall K. Bush * SHARING GOD’S PEACE The Rev. Dr. Bush Leader: La paz de Cristo esté con ustedes. The peace of Christ be with you. PRAYER FOR THE DAY: People: Y también contigo.
    [Show full text]
  • Concert Program Notes
    Concert Program Notes Directions: Write program notes for each piece that was scheduled to be performed on ​ our next concert. What are program notes? Program notes give the audience concise information about ​ the piece of music they are about to hear so that they have a greater understanding of the musical ideas that are being conveyed. Please include the following information in your program notes: ○ Composer and Lyricist- Dates of birth/death, education, other famous works, and awards. ○ Text- Translation of the text, significance, and origin. ○ Cultural significance- What culture does this piece come from, specific musical ideas of that culture, religious importance (if any) ○ Specific information about the piece- Who/what was it written for, other interesting information. Below you will find an example of program notes for the piece In the Bleak Midwinter: ​ In the Bleak Midwinter is a traditional Christmas carol based on the poem by Christina ​ Rosetti (1830-1894). After Rosetti’s death the poem was set to one of Gustav Holst’s (1874-1934) choral settings entitled “Cranham”, and published in the English Hymnal. ​ ​ Holst was an English 20th century composer who was well known for his works in both orchestral and choral music. His most famous orchestral work The Planets epitomizes ​ ​ his strengths as a composer. Holst’s original arrangement of In the Bleak Midwinter has ​ ​ inspired other well known choral composers like Benjamin Britten and Bob Chilcott to arrange versions of Rosetti’s hauntingly beautiful poem. Concert Program- 1. 2. 3. 4. 5. .
    [Show full text]
  • CHURCH | 5:30 PM DECEMBER 20, 2020 Christmas LESSONS and CAROLS
    Cover art courtesy of Bart Forbes Cover art courtesy CHRISTMAS LESSONS AND CAROLS CHURCH | 5:30 PM DECEMBER 20, 2020 Christmas LESSONS AND CAROLS Welcome to Christmas Lessons and Carols at Saint Michael and All Angels Episcopal Church! The service you will experience tonight draws on a century-long tradition of King’s College, Cambridge in England. Featuring voices of all ages, this service tells the story of God’s faithfulness to His people through the course of history. The first imaginings of a Christmas Lessons and Carols service took place in Truro, England in 1880 in a wooden shed that was serving as cathedral while a new church was being constructed. The Bishop of Truro, E.W. Benson, wanted to create a service that told the story of the Messiah clearly in a way that uneducated townspeople would understand. He wanted to make the story of Christ’s birth, the prophecies that foretold it, and the stories of the first witnesses, simple and approachable. To this day, the narrative nature of Christmas Lessons and Carols is one of its most enduring virtues. By 1918 when King’s College, Cambridge designed their Lessons and Carols service, and again the following year, the readings and structure underwent some changes. Since 1928, King’s College has broadcast this service, and it can now be heard around the world every Christmas Eve. The service you will hear tonight is closely linked, in form, to the King’s College service. One of the distinctive features of the English cathedral music tradition is that the highest lines of music are sung by children.
    [Show full text]
  • In the Bleak Midwinter for Concert Band
    Gustav Holst arranged by Julie Giroux In the Bleak Midwinter for Concert Band Instrumentation 1 - Full Score 4 - Flute 1 2 - F Horn 3 & 4 4 - Flute 2 2 - Trombone 1 2 - Oboe 1 & 2 2 - Trombone 2 4 - Bb Clarinet 1 2 - Trombone 3 4 - Bb Clarinet 2 2 - Bass Trombone 4 - Bb Clarinet 3 2 - Euphonium B.C. 2 - Bb Bass Clarinet 2 - Euphonium T.C. 2 - Bassoon 1 & 2 4 - Tuba 2 - Eb Alto Saxophone 1 1 - Timpani 2 - Eb Alto Saxophone 2 2 - Orchestra Bells, Chimes 2 - Bb Tenor Saxophone 2 - Crotales 1 & 2 1 - Eb Baritone Saxophone 1 - Vibraphone 3 - Bb Trumpet 1 1 - Marimba 3 - Bb Trumpet 2 2 - Percussion (Triangle, 3 - Bb Trumpet 3 Bass Drum) 2Preview - F Horn 1 & 2 Only Printed Use Requires Purchase Score & Parts $80.00 Additional Full Score $17.00 Musica Propria, Inc. Additional Parts @ $2.00 P. O. Box 680006 San Antonio TX 78268 All prices U.S. www.musicapropria.com Edition Number: MP 99161 email: [email protected] About the Composer Julie Ann Giroux was born 1961 in Fairhaven, Massachusetts, and raised in Phoenix, Arizona and Monroe, Louisiana. She received her formal education from Louisiana State University and Boston University. She studied composition with John Williams, Bill Conti and Jerry Goldsmith, to name a few. Julie is an accomplished performer on piano and horn, but her first love is composition. She began playing the piano at the age of three and had published her first piece at the age of nine. In 1985, she began composing, orchestrating, and conducting music for television and films.
    [Show full text]
  • By Christina Rossetti (1830- 1894)
    “IN A BLEAK MIDWINTER” (1872) BY CHRISTINA ROSSETTI (1830- 1894) Version: 12, 13, 14, 15 December 2020 Christina Rossetti, in 1872, wrote these words in response to a request from the magazine Scribner’s Monthly for a Christmas poem. The music is “Cranham” by Gustav T. Holst (1906). Musical performances: The Queen’s Six with Richard Pinel, Lo, How a Rose E’er Blooming (2017); Sarah McLachlan, Wintersong (2006); Poella, In the Bleak Midwinter (Piano & Poetry), (2019); James Taylor, James Taylor at Christmas (2006); Voces8, Winter (2016). “Christina Rossetti wrote huge volumes of religious and secular poetry. It is helpful to remember that she wrote poems on Classical subjects as well as Christian; her vision was shaped by Italian masters like Dante, as much as by emergent Anglican pieties, and she wrote in Italian as well as in English. She lived through the emergent heights of the Victorian Empire (dying in 1894) as part of one of the most prominent artistic families in the land; if by 1872, when ‘In the Bleak Midwinter’ was published, her poetic attentions were increasingly and firmly fixed on devotional verse and subjects, she also had a rich cultural and personal grasp of life’s realities. Not only had she experienced the limits of being a middle-class woman in a patriarchal culture, she had experienced significant personal ill-health and familial loss.” [Rachel Mann. In the Bleak Midwinter: Advent and Christmas with Christina Rossetti (pp. 8-9). Canterbury Press Norwich. Kindle Edition.] NOTES BY RICHARD GANZ 1 TEXT In the1 bleak2 midwinter, 3 Frosty wind made moan,4 1 “the” – Notice this use of the definite article, where we might have expected “In a bleak midwinter….” In other words, Rossetti makes it clear that she means one very specific year and its particular midwinter time.
    [Show full text]
  • Download Booklet
    CTP Template: CD_INL1 COLOURS Compact Disc Back Inlay CYAN MAGENTA Customer SignumClassics YELLOW Catalogue No.SIGCD269 BLACK Job Title: Journey into Light SIGNUM JOURNEY INTO LIGHT CLASSICS SIGCD269 Music for Advent, Christmas, Epiphany and Candlemas 1 Jesus Christ the apple tree Elizabeth Poston (1905-1987) [3.05] 2 We wait for thy loving kindness William McKie (1901-1984) [2.32] 3 Patrick Hadley (1899-1973) [2.43] I sing of a maiden JOURNEY INTO LIGHT 4 Advent Prose Judith Weir (b.1954) [1.43] 5 There is no rose John Joubert (b.1927) [2.29] 6 Hymn to the Virgin Benjamin Britten (1913-1976) [3.18] 7 Bright star carol Nico Muhly (b.1981) [3.52] 8 In the bleak midwinter Harold Darke (1888-1976) [4.28] 9 Tomorrow shall be my dancing day John Gardner (b.1917) [2.06] 0 The Shepherd’s Carol Bob Chilcott (b.1955) [2.54] q I saw three ships Trad. arr. Simon Preston (b.1938) [2.03] JESUS COLLEGE CHOIRS w The little road to Bethlehem Michael Head (1900-1976) [3.00] e Away in a manger W.J. Kirkpatrick (1838-1921) [2.56] JESUS COLLEGE CHOIRS r Sir Christèmas William Mathias (1934-1992) [1.28] t The Lamb John Tavener (b.1944) [3.26] y Paean on ‘Divinum Mysterium’ John Cook (1918-1984) [4.20] u Epiphany Judith Bingham (b.1952) [3.37] i Here is the little door Herbert Howells (1892-1983) [4.00] o Bethlehem Down Peter Warlock (1894-1930) [4.03] p Nunc dimittis Geoffrey Burgon (1941-2010) [2.45] a Hymn to the Creator of Light John Rutter (b.1945) [7.22] JOURNEY INTO LIGHT Total timings: [68.13] LC15723 Signum Records Ltd, Suite 14, 21 Wadsworth Road, SIGCD269 CLASSICS Perivale, Middx UB6 7JD, United Kingdom.
    [Show full text]