{PDF} the Red Lacquer Case

THE RED LACQUER CASE PDF, EPUB, EBOOK

The cinnabar lacquer is carved in fluid detail. While the heads of the hens are realistically portrayed, the wings, tails, and feathers are carved in an abstracted foliate motif. A detailed geometric diaper pattern has been used to fill in the rest of the body. The interior is a simple black lacquer. Shop the largest collection of antiques for sale online. Newel Antique Gallery is the most trusted name in NY for fine antiques. Visit the gallery or shop our fine antiques online. Explore Mata Moon's 1, photos on Flickr! Century Furniture. An important component of the Japanese art of lacquerwork is the special technique known as "urushi", which uses many layers of wafer-thin,.. Part contemporary. Lot Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. Brought to you by. Angela Berden. Condition Report If you wish to view the condition report of this lot, please sign in to your account. Lacquer box | Mia

Examples of carved lacquer that can be attributed to both these reigns are extant. They are bold in design and free from the superabundance of small detail that characterized later productions; the colour also is generally deeper and richer than that of the 18th-century pieces. In the 16th century there were special factories for carved lacquer at Dali in Yunnan , which also produced spurious imitations. Lacquer with designs painted in gold outlines were made, early in the Ming dynasty , at Nanjing and afterward at Beijing , and lacquer inlaid with mother-of-pearl was made at Jizhou in Jiangxi. In the reign of Xuande, lacquer decorated in sprinkled gold was introduced from Japan and excellent copies were made by Chinese lacquerers. Toward the end of the Ming dynasty there was a decline in lacquer manufacture as a result of the troubles accompanying the fall of the last Ming emperor. The first and perhaps the greatest of the Manchu emperors, Kangxi — , revived the lacquerwork industry in , when he established a series of 27 workshops for artistic handicrafts in the precincts of the palace at Beijing. Carved lacquer was, however, also made at Guangzhou , Suzhou , and Fuzhou. The Jesuit Louis le Comte, who arrived in China in , gave a good account of the flourishing state of the industry at that time. In this connection it is worth noting that the period of Kangxi was that which saw the first considerable importation of lacquerware and other objects of industrial art into Europe. This led to the development of imitation lacquer applied to furniture and other objects, which were conspicuous features of the chinoiserie craze of the late 17th and 18th centuries. A screen c. Freemer Smith, Esq. Carved lacquer of this period, though far from negligible, hardly attains to the rich colour, breadth, and simplicity of that of the Ming period. In technique the Kangxi ware shows an advance and is generally free from the small cracks too often found to have developed in the Ming products. The perfection of this quality, apart from other considerations, is found in the lacquerware of Emperor Qianlong —96 , a devoted admirer of this art, who employed it on a large scale for the furniture and fittings of his palaces, as well as for ceremonial and commemorative gifts. The workmanship of objects made under his auspices is brilliant in the extreme, but the colour is hard as compared with earlier work, and the design tends to a somewhat stereotyped formalism. Still, the 18th century can hardly be called a period of decadence in the decorative arts of China: the superb execution of its productions, a characteristic that commands admiration, redeems it from adverse criticism. The downward course began in the 19th century, with loss of originality and a falling off, due to adulteration, in the quality of the material. What was left of the imperial factories was burnt in , and, though carved red lacquer was made after that date, the industry had already ceased to have artistic importance. Lacquerwork Article Media Additional Info. Round Lobed Box , c. Incense box with peacock , 16th century Japan. Hexagonal Box with Cover , late 14th-early 15th century China. Small Circular Box , 14th century China. Small Box with Landscapes , 19th century Unknown Japanese. Box with floral scrolls , late 19th early - 20th century Korea. Circular Box with Cover , 18th century China. Quatrefoil Box and Cover , 18th century China. Small Box with Cover , late 15th century China. Box with sword beans , 17th century Japan. Gourd shaped box , Sano Chokan. Small Circular Box , late 16th-early 17th century China. Writing box with Nanban figures , Japan. Round Covered Box , 17th century China. Quadrifoil Box , one of a pair , China. Writing box with design of an owl , 17th century Japan. Box with chrysanthemums and flowing water , 17th century Japan. Incense box in the shape of a rooster , c. Lacquer Pactra clear , from Stains , Edward Ruscha. Covered box from a dresser set , Jean Dunand. Small Box with Butterflies , 19th century Unknown Japanese. Hexagonal red hat box , 19th century Unknown Korean. Writing box with bridge and waves , 18th century Unknown Japanese. Accessories box tebako , c. Round Tiered Box , late 15th-early 16th century China. Incense Box and Stand , China. Food Box with Cover , 18th century China. Scroll box with incised design of Phoenix , 18th century Japan. Cosmetics box with cranes and deer , 19th century Unknown Korean. Writing box with moon and wave design , 18th century Unknown Japanese. Box and assorted implements for the incense game , 17thth century Unknown Japanese. Box for writing paper with landscape design , 19th century Unknown Japanese. Monk's robe storage box with fly whisk , 19th century Japan. Three-tiered box with stripes and Nanban patterns , early 17th century Japan. Red footed box with tortoise latch , 19th-early 20th century Unknown Korean. Fudazutsu with ivy design in sprinkled gold and colored lacquer , 18th century Japan. Box and assorted implements for the incense game , 17thth century Japan. Accessories box with scenes from The Tale of Genji , 17thth century Japan. Four-tiered box decorated with fruits, leaves, and foliage , early 20th century Japan. Writing box with peonies, wisteria, and a Chinese lion chasing butterflies , late 19th - early 20th century Japan. Backpack Boxford Red lacquer (L) | Longchamp EN

Lot Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. Brought to you by. Five-tiered lacquer box: Mountain Range , Enoki Kei. Lacquer storage box with cranes, deer, and fish , 19th century Unknown Korean. Lacquer writing box with design of autumn grasses and stream , late 17th century Japan. Octagonal Box , 15th century China. Four-case inro with carved lacquer decoration and netsuke of a box with chinese lion , late 18th century Unknown Japanese. Nine Dragon Box , 18th century China. Inkstone with Fitted Box , early 19th century Lu T'ung. Boxes , China. Manuscript Box Sadaik , late 19th-early 20th century Myanmar Burma. Small box with country house , s Kamisaka Sekka. Lian cosmetic box , 2nd century China. Sweets box with violets , s Kamisaka Sekka. Cover of a Chun Box , 18th century China. Souvenir lacquer box , Date Unknown Japan. Buddhist Manuscript Box , c. Lacquer storage box for a mirror , 7thth century China. Covered Box , 19th century China. Document Box , Wanli period China. Hat Box , 19th century Korea. Hexafoil Box , China. Basketwork Box , China. Box and Cover , 17th century China. Seal Box , c. Tiered Box , late 15th century China. Circular Box , China. Round Box , 19th century Unknown Japanese. Cosmetic box , 18th century Unknown Japanese. Visit the gallery or shop our fine antiques online. Explore Mata Moon's 1, photos on Flickr! Century Furniture. An important component of the Japanese art of lacquerwork is the special technique known as "urushi", which uses many layers of wafer-thin,.. Part contemporary. Part classic. Our affordable mix works effortlessly in any home.

STRAUSS ALLARD MEYER, A red lacquer and eggshell silver cigarette case, s | Symbolic & Chase

Decorated lacquerware is a process that originated in China, more than years ago and later spread throughout East and Southeast Asia. The spread of Buddhism from the ninth century inspired the production of a large number of decorative lacquered objects for temples and for the privileged classes. In Japan, lacquer raw sap originally had a functional use as a varnish. Maki-e , the association of lacquer with decorative elements typical of Japanese art, came much later, and its date is uncertain. Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period This skill was passed on from father to son and from master to apprentice. Lords and shoguns privately employed lacquerers to produce ceremonial and decorative objects for their homes and palaces. Picture by Thierry Ollivier. Most of the pieces imported from Japan and China via India were adapted to Western customs and tastes. Japanese lacquer art was one of the most popular items exported to Europe by Portuguese traders from Nagasaki from the 16th century. Two centuries later, Queen Marie-Antoinette built up a remarkable collection of lacquerware and in , in her gilded cabinet in Versailles, had a "lacquer cage" fitted out by the cabinetmaker Jean-Henri Riesener to house her precious Japanese lacquers. Although the lacquerware market never experienced decay in Japan, a slow decline in exports began at the end of the eighteenth century and during the nineteenth century in Europe. The World Fairs of and and the Art Nouveau period revived Japan's taste and demand for lacquered objects, whose delicate patterns were in perfect harmony with the vegetal style then in vogue. The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree Rhus vernacifera , which mainly grows in Japan and China, as well as Southeast Asia. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch , and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique! Flowing from incisions made in the bark, the sap, or raw lacquer is a viscous greyish-white juice. The harvesting of the resin can only be done in very small quantities. Three to five years after being harvested , the resin is treated to make an extremely resistant, honey-textured lacquer. After filtering, homogenization and dehydration, the sap becomes transparent and can be tinted in black, red, yellow, green or brown. Its harvesting and highly technical processing make urushi an expensive raw material applied in exceptionally fine successive layers, on objects such as bowls or boxes. After heating and filtering, urushi can be applied directly to a solid, usually wooden, base. Pure urushi dries into a transparent film, while the more familiar black and red colors are created by adding minerals to the material. Each layer is left to dry and polished before the next layer is added. This process can be very time-consuming and labor-intensive , which contributes to the desirability, and high costs, of traditionally made lacquer goods. When considering the uses of Japanese lacquer, perhaps the most classic example is the lacquerware bowl. Urushi is ideally suited to such items, producing lightweight, watertight, and of course beautiful tableware. The skills and techniques of Japanese lacquer have been passed down through the generations for many centuries. This lacquered bowl is presented for the new year, with the sprig of evergreen pine representing new growth. Many creative opportunites are provided by the layering of different colors of lacquer. The style known as Negoro , after the Buddhist monastery where it was developed, was used to create this classic water pitcher. Global shipping available. Buy online, view images and see past prices for A rare and important red lacquered cabinet. Invaluable is the world's largest marketplace for art, antiques, and collectibles. Rare Antique Chinese Cabinet with. A finely carved cinnabar lacquer covered box in the form of a roosting hen. The cinnabar lacquer is carved in fluid detail. While the heads of the hens are realistically portrayed, the wings, tails, and feathers are carved in an abstracted foliate motif. Flat square metal case, with hinge and clasp; front, back, and entire inside are covered with black lacquer. Heart shaped container, possibly metal covered with red lacquer. Item has a jade cap with a slender wooden spoon attached, the spoon has become separated from the spoon. One rectangular lidded box, inside lacquered in red, outside in gold and lib depicting edge of land, trees, a building, body of water, and a mountain with decorative markings. One square lidded wood box, covered with carved brown lacquer, with designs depicting a bridge, trees, rocks, and water. One square lidded metal box, lacquered on inside with gold and black specs and in gold on outside depicting a house, trees, water, and rocks. One metal bracelet gold? One square wood box covered in imitation red lacquer, with carved design on sides and fruit and leaves on the top, one side is chipped, exposing materials used. One square wood box Magnolia wood? One rectangular flat box inro with 4 compartments, with piece of narrow rope linking the box, ball ojime on rope to tighten and a the piece disc netsuke on end, each piece is red lacquer carved in detail, depicting human figures. One rectangular flat box inro with 4 compartments, decorated with paintings and embosses of a section of tree trunk, leaves, fruits, and river on one side and a monkey, crab, and a large rat on the other side. One rectangular flat box inro with 4 compartments; there is a piece of narrow rope linking the box, a ball ojime on rope to tighten. One small round box with 1 compartment, covered in red lacquer carved in detail with leaves and pineapple scale-like shapes; inside is entirely black. One heart shaped container, metal covered with red lacquer, carved in detail with 2 men, trees, and mountains on each side; cap is missing. One heart shaped container, metal covered with red lacquer carved detail with 2 men, trees and mountains on one side and a single woman with trees and mountains on the other; cap made of metal and orange stone with slender wooden spoon.

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