Monday 19 September 2016 Session 2 16:00 Collectables 19 Session 3 18:00 Art & Sculpture

SEPT 2016 Collectables, Danish Designer Furniture S. A. & SWA/Namibian Art & Sculpture

BERNARDI PLACE 65 Thomson St. Cnr Glyn St. North, Colbyn Tel: 012 342 3634 COLLECTABLES & DANISH SPRING AUCTION DESIGNER FURNITURE 180 A DELFT BLUE & WHITE FAIENCE CHARACTER TOBY JUG- of a 1 000 - hand-painted and glazed seated Jester with large moulded handle and 3 000 floral motifs, signed on the base with initials "PJ" (Height: 25.5cm) (Crazing)

181 A PAIR OF DELFT VASES WITH FO-DOG FINIALLED COVERS - 300 - hand painted and glazed blue & white landscape decoration with floral 600 embellishment, each signed with initials O/A? on the base (Height: 20cm) (Repairs and imperfections) PLUS a baluster-shaped Delft vase with painted blue Oriental landscape and flower decoration on a grey ground (Height: 17cm) (Glaze imperfections)

182 A PAIR OF DELFT POLYCHROME VASES WITH DOMED 1 000 - FINIALLED COVERS - each baluster-shaped body featuring painted 3 000 Oriental scenes with floral and canine cartouches and gilded decora- tion, each signed with the initials APK? on the base (Height: 34.5cm)

183 AN 18TH CENTURY DUTCH "DELFTS BLAAUW" TOBACCO JAR - 2 000 - baluster-shaped vase with blue white decoration on a grey ground, 4 000 featuring an inscribed cartouche "DUYNKER KER", flanked by standing native figures smoking pipes, including a matched brass finialled cover (Height: 24cm)

184 A LATE 19TH CENTURY MEISSEN FIGURAL SWEETMEAT DISH - 1 000 - featuring a sculpted Eighteenth Century dandy grasping a serpentine- 3 000 rimmed dish, decorated in the "Zwebelmuster" pattern, on a confor- ming base with raised and moulded leaf and scroll decoration. (Restoration and repairs evident) (Height: 18cm) 185 A "BESSBOROUGH" PATTERN PLATTER - 200 - 192 A DOULTON LAMBETH SALT GLAZED "PHAROAH'S TOMB" 500 - square-shaped with painted floral swags and scroll decoration, printed 400 STONEWARE JUG - two tone body with Pharaoh's masque spout, 1 500 mark with back-stamp "Fide et Feducia" (Diameter: 31cm), PLUS a cream-coloured and applied relief decorations, incised bands and a Minton "Dynasty" pattern dinner plate (Diameter: 27cm) hallmarked silver rim - Maker: Albert Sydenham, Birmingham 1901, base stamped and numbered 750 (Height: 13cm) 186 A VILLEROY AND BOCH "DRESDEN ONION" PATTERN BOWL - 300 - dished body with conforming scalloped scroll handles 600 193 DOULTON LAMBETH SALT GLAZED"PHAROAH'S TOMB" 500 - (Diameter: 31cm), PLUS a Meissen Pattern "Blue Onion" tea cup, saucer STONEWARE BEAKER - two tone body, with cream coloured applied 1 500 and later bread-plate, crossed sword mark and impressed "Meissen" relief scenes of Egyptian figures, with hallmarked silver rim, Maker: (Imperfections) Albert Sydenham, Birmingham 1901, base stamped and numbered 809 (Height: 14cm) 187 AN H & C SELB BAVARIA "HEINRICH" PATTERN 300 - 500 - WALL PLATE - the well features a raised and painted red 16th Century 600 194 DOULTON LAMBETH SALT GLAZED STONEWARE "HUNTING" style courting couple, on a burgundy ground, enclosed by an ornate BEAKER - two tone body, with cream coloured applied relief scenes of 1 500 scroll and leaf gilded border (Diameter: 33cm), PLUS a "Gnomes" characters hunting, smoking, drinking and pondering life, with pattern plate - designed after Charles Noke - "Tree trunks with six hallmarked silver rim, Maker: Albert Sydenham, Birmingham 1901, base gnomes peeping out from the roots", gilt overglazed stamped and numbered 267 (Height: 12.5cm) (Diameter: 25.5cm) 195 A CHARLOTTE RHEAD FOR BURSLEY WARE, PATTERN "BLUE 300 - PEONY" PORCELAIN HANDLED SERVING PLATE, CIRCA 1930 - 188 A COPELAND SPODE BLUE & WHITE COMMEMORATIVE PLATE - 200 - 600 "Coronation of Edward VIII, dated May 1937", illustrates a portrait of 400 leaf-shaped body with foliated rim, featuring tube lined and painted His Majesty (Later Duke of Windsor) in the well. Note: This plate was blue peony flowers on a cream ground, impressed 447, numbered made as a "Contribution to the Coronation of His Majesty King Edward Tl43 with back stamp (Diameter: 25cm) VIII. Specially produced as a Souvenir, May 1937. With the compliments of Lawleys of Regent Street" (Diameter: 26.5cm) 196 A COLLECTION OF 4 X CHARLOTTE RHEAD FOR BURSLEY WARE 500 - - a large bowl with painted & tube lined polychrome floral design on a 1 500 cream ground, further embellished with coloured bands and an interior 189 A COPELAND BLUE & WHITE CIRCULAR PLATTER - scalloped 300 - geometric border, base with backstamp, TL14 (Heat crazing) (Diameter: border with transfer central floral medallion, enclosed by an outer 600 21.5cm), a bowl with painted & tube lined polychrome fruit & blos- flower and fruit band with gilt overglaze (Diameter: 20.5 cm) soms on a cream ground, backstamp & numbered T438 (Diameter 18cm), a dwarf candlestick with painted & tube lined polychrome fruit 190 A DOULTON LAMBETH SALT GLAZED "THE DIAMOND JUBILEE" 1 000 - and blossoms on a cream ground, backstamp & numbered TL38 STONEWARE JUG - made to commemorate the Diamond Jubilee of 3 000 (Hairline crack), PLUS a salad bowl with painted & tube lined lilies & Queen Victoria in 1897, the jug features relief portraits of a young and leaves, in tones of orange & brown, backstamp & numbered TL951 old Victoria, with applied cream friezes and is inscribed "Del Gratia (Height: 11cm) (Hairline crack evident) Victorian Queen & Empress 1837 - 1897", further inscribed "She Wrought her People lasting good", marked with the Doulton stamp 197 A CHARLOTTE RHEAD FOR CROWN DUCAL VASE - baluster- 600 - and numbered 7430 on the base (Height: 18.5cm) shaped body, with banded raised and painted blue flowers, leaves and 1 000 dotted line motifs on a cream ground, base signed, intertwined 191 DOULTON LAMBETH SALT GLAZED "HUNTING" STONEWARE 1 000 - C.Rhead & backstamp (Height: 24cm) JUG, CIRCA 1869-1872 - pitcher-shaped, two tone body featuring 3 000 applied relief scenes of characters hunting, smoking, drinking and 198 A CHARLOTTE RHEAD FOR BURSLEY WARE PORCELAIN JUG - 600 - pondering life alongside a windmill, impressed Doulton Lambeth on pitcher-shaped body with beak spout and applied handle, featuring 1 000 the base, with a partial Customs Britain label stating that the item is tube lined and painted polychrome tulips and flowers, with banded antique (Height: 23cm) decoration, base backstamped and numbered TL76 (Height: 25cm) 185 A ROYAL WORCESTER "BESSBOROUGH" PATTERN PLATTER - 200 - 192 A DOULTON LAMBETH SALT GLAZED "PHAROAH'S TOMB" 500 - square-shaped with painted floral swags and scroll decoration, printed 400 STONEWARE JUG - two tone body with Pharaoh's masque spout, 1 500 mark with back-stamp "Fide et Feducia" (Diameter: 31cm), PLUS a cream-coloured and applied relief decorations, incised bands and a Minton Bone China "Dynasty" pattern dinner plate (Diameter: 27cm) hallmarked silver rim - Maker: Albert Sydenham, Birmingham 1901, base stamped and numbered 750 (Height: 13cm) 186 A VILLEROY AND BOCH "DRESDEN ONION" PATTERN BOWL - 300 - dished body with conforming scalloped scroll handles 600 193 DOULTON LAMBETH SALT GLAZED"PHAROAH'S TOMB" 500 - (Diameter: 31cm), PLUS a Meissen Pattern "Blue Onion" tea cup, saucer STONEWARE BEAKER - two tone body, with cream coloured applied 1 500 and later bread-plate, crossed sword mark and impressed "Meissen" relief scenes of Egyptian figures, with hallmarked silver rim, Maker: (Imperfections) Albert Sydenham, Birmingham 1901, base stamped and numbered 809 (Height: 14cm) 187 AN H & C SELB BAVARIA PORCELAIN "HEINRICH" PATTERN 300 - 500 - WALL PLATE - the well features a raised and painted red 16th Century 600 194 DOULTON LAMBETH SALT GLAZED STONEWARE "HUNTING" style courting couple, on a burgundy ground, enclosed by an ornate BEAKER - two tone body, with cream coloured applied relief scenes of 1 500 scroll and leaf gilded border (Diameter: 33cm), PLUS a "Gnomes" characters hunting, smoking, drinking and pondering life, with pattern plate - designed after Charles Noke - "Tree trunks with six hallmarked silver rim, Maker: Albert Sydenham, Birmingham 1901, base gnomes peeping out from the roots", gilt overglazed stamped and numbered 267 (Height: 12.5cm) (Diameter: 25.5cm) 195 A CHARLOTTE RHEAD FOR BURSLEY WARE, PATTERN "BLUE 300 - PEONY" PORCELAIN HANDLED SERVING PLATE, CIRCA 1930 - 188 A COPELAND SPODE BLUE & WHITE COMMEMORATIVE PLATE - 200 - 600 "Coronation of Edward VIII, dated May 1937", illustrates a portrait of 400 leaf-shaped body with foliated rim, featuring tube lined and painted His Majesty (Later Duke of Windsor) in the well. Note: This plate was blue peony flowers on a cream ground, impressed 447, numbered made as a "Contribution to the Coronation of His Majesty King Edward Tl43 with back stamp (Diameter: 25cm) VIII. Specially produced as a Souvenir, May 1937. With the compliments of Lawleys of Regent Street" (Diameter: 26.5cm) 196 A COLLECTION OF 4 X CHARLOTTE RHEAD FOR BURSLEY WARE 500 - - a large bowl with painted & tube lined polychrome floral design on a 1 500 cream ground, further embellished with coloured bands and an interior 189 A COPELAND BLUE & WHITE CIRCULAR PLATTER - scalloped 300 - geometric border, base with backstamp, TL14 (Heat crazing) (Diameter: border with transfer central floral medallion, enclosed by an outer 600 21.5cm), a bowl with painted & tube lined polychrome fruit & blos- flower and fruit band with gilt overglaze (Diameter: 20.5 cm) soms on a cream ground, backstamp & numbered T438 (Diameter 18cm), a dwarf candlestick with painted & tube lined polychrome fruit 190 A DOULTON LAMBETH SALT GLAZED "THE DIAMOND JUBILEE" 1 000 - and blossoms on a cream ground, backstamp & numbered TL38 STONEWARE JUG - made to commemorate the Diamond Jubilee of 3 000 (Hairline crack), PLUS a salad bowl with painted & tube lined lilies & Queen Victoria in 1897, the jug features relief portraits of a young and leaves, in tones of orange & brown, backstamp & numbered TL951 old Victoria, with applied cream friezes and is inscribed "Del Gratia (Height: 11cm) (Hairline crack evident) Victorian Queen & Empress 1837 - 1897", further inscribed "She Wrought her People lasting good", marked with the Doulton stamp 197 A CHARLOTTE RHEAD FOR CROWN DUCAL VASE - baluster- 600 - and numbered 7430 on the base (Height: 18.5cm) shaped body, with banded raised and painted blue flowers, leaves and 1 000 dotted line motifs on a cream ground, base signed, intertwined 191 DOULTON LAMBETH SALT GLAZED "HUNTING" STONEWARE 1 000 - C.Rhead & backstamp (Height: 24cm) JUG, CIRCA 1869-1872 - pitcher-shaped, two tone body featuring 3 000 applied relief scenes of characters hunting, smoking, drinking and 198 A CHARLOTTE RHEAD FOR BURSLEY WARE PORCELAIN JUG - 600 - pondering life alongside a windmill, impressed Doulton Lambeth on pitcher-shaped body with beak spout and applied handle, featuring 1 000 the base, with a partial Customs Britain label stating that the item is tube lined and painted polychrome tulips and flowers, with banded antique (Height: 23cm) decoration, base backstamped and numbered TL76 (Height: 25cm) 199 A LATE VICTORIAN MASONS PATENT IRONSTONE ORIENTAL 300 - 205 A WALTER MOORCROFT "CLEMATIS" VASE - the baluster-shaped 1 000 - PATTERN CHARGER - circular-shaped body with central octagonal 600 body with raised and painted clematis flower with leaves, in colours of 3 000 cartouche featuring peony decoration with gilded scroll and further pink, green and blue, on a blue-wash ground, signed in blue "WM" and medallions of Oriential figures and flowers (Diameter: 37.5cm) (Crazing) impressed "Moorcroft" (Height: 19.5cm) PLUS a "Rubatti- style" polychrome charger - octagonal-shaped with palm leaf, birds of paradise & peony flower decoration 206 A PAIR OF WALTER MOORCROFT "ORCHID" TABLE CANDLE- 1 000 - (Diameter: 42cm) STICKS - each featuring a circular raised body with conforming and 3 000 everted nozzle, raised and painted orchid with leaves, in shades of pink, 200 A LATE 19TH CENTURY "DELFT" "WINDMILL BY 300 - purple, yellow and green, on a mottled blue ground, impressed THE WATER" PATTERN VASE - baluster-shaped body with blue & 600 "Moorcroft" (Tallest height: 10cm) white floral decoration (Height: 19cm) 207 A WALTER MOORCROFT "HIBISCUS" CABINET PLATE - circular- 300 - 201 A 19TH CENTURY DELFT TIN-GLAZED "KRAAK"-STYLE PLATE - 1 000 - shaped with raised and painted hibiscus flower and leaf, in colours of 600 circular body featuring hand-painted landscape scene with tile border 3 000 yellow, purple and green, on a blue glazed ground, impressed & floral decoration (Diameter: 23cm) a Delft tin-glazed plate with blue "Moorcroft" (Diameter: 11.5 cm) and white twig, peony, chrysanthemum and leaf decoration, enclosed by a Chinoiserie floral border (Diameter: 27.5cm) (Chips and crazing) 208 A PAIR OF MOORCROFT "CARP" VASES DESIGNED BY SALLY 6 000 - PLUS a Delft tin-glazed "Kraak"-style plate with blue & white Oriental TUFFIN (First issued 1991) - each tapering baluster-shaped body 10 000 motifs & stylised leafy-scroll border (Diameter: 23cm) (Imperfections) with everted rim, featuring 4 raised and painted carp with scales, fins and tails, in tones of pink, blue, purple and turquoise on a green-wash 202 ATTRIBUTED TO ADRIAEN PYNACKER - A PAIR OF TIN-GLAZED 1 000 - wave ground, Impressed "Moorcroft" with painter's initials 19TH CENTURY DELFT WALL PLATES - each dished body featuring 3 000 painted blue and white decoration, one with a bouquet of flowers, (Height: 31.5cm) ferns and a spandrel medallion border, the other with a Chinese garden scene of rose chrysanthemums enclosed by a flower and fern border, 209 A MODERN MOORCROFT "BLUE FINCHES" VASE DESIGNED BY 3 000 - each with yellow painted rims and bearing the signature "APK" on the SALLY TUFFIN (first issued in 1988) - bulbous-shaped body with 6 000 base (Diameter: 27.5cm) rising neck, featuring raised and painted finches amongst peaches and grapes, in colours of blue, orange, purple and green, on a blue-glazed 203 A PAIR OF MATCHED SÈVRES-STYLE BLUE & WHITE FIGURAL 1 000 - ground on a conforming circular base, impressed "Moorcroft" with painter's initials (Height: 23cm) CANDLESTICKS - each featuring Flora with an attendant cherub, one 3 000 carrying a basket of flowers, the other reaching for a flower, both standing on conforming flat, domed bases and each terminating with 210 A MODERN MOORCROFT "BLUE FINCHES" CHARGER 1 000 - raised scroll and moulded flower decoration. The stemmed candlesticks DESIGNED BY SALLY TUFFIN (first issued in 1988) - circular- 3 000 with sculpted free-form drip-pans and attached candle-nozzles, one shaped with 3 raised and painted finches amongst peaches and grapes, signed on the base "F.R?". Note: A similar mark is found on First in tones of blue, orange, purple and green, on a blue-glazed ground, Republic Sèvres (1793 - 1800) (Height tallest: 28.5cm) (Imperfections impressed "Moorcroft" with painter's initials (Diameter: 35.5cm) and damage) Literature: Darty. P. The Pocketbook of Porcelain & Pottery Marks, p.68, plate 383, illustrates the mark 211 A MODERN MOORCROFT "HERON" CHARGER DESIGNED BY 1 000 - PHILIP RICHARDSON (first issued in 1988) - circular-shaped with a 3 000 204 A WALTER MOORCROFT "TIGER LILY" PLATE- circular-shaped 1 000 - raised and painted heron feeding amongst the bushwillows, in tones of body with a raised and painted lily with leaves in tones of pink, 3 000 yellow, white, turquoise, brown and green, on a dusk landscape in hues burgundy and green, on a blue glazed ground, signed in blue "WM", of washed yellow and blue ground, impressed "Moorcroft" with with original Royal Warrant Label "Potters to the late Queen Mary" painter's initials (Diameter: 35 cm) (Diameter: 26cm) description 199 A LATE VICTORIAN MASONS PATENT IRONSTONE ORIENTAL 300 - 205 A WALTER MOORCROFT "CLEMATIS" VASE - the baluster-shaped 1 000 - PATTERN CHARGER - circular-shaped body with central octagonal 600 body with raised and painted clematis flower with leaves, in colours of 3 000 cartouche featuring peony decoration with gilded scroll and further pink, green and blue, on a blue-wash ground, signed in blue "WM" and medallions of Oriential figures and flowers (Diameter: 37.5cm) (Crazing) impressed "Moorcroft" (Height: 19.5cm) PLUS a "Rubatti- style" polychrome charger - octagonal-shaped with palm leaf, birds of paradise & peony flower decoration 206 A PAIR OF WALTER MOORCROFT "ORCHID" TABLE CANDLE- 1 000 - (Diameter: 42cm) STICKS - each featuring a circular raised body with conforming and 3 000 everted nozzle, raised and painted orchid with leaves, in shades of pink, 200 A LATE 19TH CENTURY ROSENTHAL "DELFT" "WINDMILL BY 300 - purple, yellow and green, on a mottled blue ground, impressed THE WATER" PATTERN VASE - baluster-shaped body with blue & 600 "Moorcroft" (Tallest height: 10cm) white floral decoration (Height: 19cm) 207 A WALTER MOORCROFT "HIBISCUS" CABINET PLATE - circular- 300 - 201 A 19TH CENTURY DELFT TIN-GLAZED "KRAAK"-STYLE PLATE - 1 000 - shaped with raised and painted hibiscus flower and leaf, in colours of 600 circular body featuring hand-painted landscape scene with tile border 3 000 yellow, purple and green, on a blue glazed ground, impressed & floral decoration (Diameter: 23cm) a Delft tin-glazed plate with blue "Moorcroft" (Diameter: 11.5 cm) and white twig, peony, chrysanthemum and leaf decoration, enclosed by a Chinoiserie floral border (Diameter: 27.5cm) (Chips and crazing) 208 A PAIR OF MOORCROFT "CARP" VASES DESIGNED BY SALLY 6 000 - PLUS a Delft tin-glazed "Kraak"-style plate with blue & white Oriental TUFFIN (First issued 1991) - each tapering baluster-shaped body 10 000 motifs & stylised leafy-scroll border (Diameter: 23cm) (Imperfections) with everted rim, featuring 4 raised and painted carp with scales, fins and tails, in tones of pink, blue, purple and turquoise on a green-wash 202 ATTRIBUTED TO ADRIAEN PYNACKER - A PAIR OF TIN-GLAZED 1 000 - wave ground, Impressed "Moorcroft" with painter's initials 19TH CENTURY DELFT WALL PLATES - each dished body featuring 3 000 painted blue and white decoration, one with a bouquet of flowers, (Height: 31.5cm) ferns and a spandrel medallion border, the other with a Chinese garden scene of rose chrysanthemums enclosed by a flower and fern border, 209 A MODERN MOORCROFT "BLUE FINCHES" VASE DESIGNED BY 3 000 - each with yellow painted rims and bearing the signature "APK" on the SALLY TUFFIN (first issued in 1988) - bulbous-shaped body with 6 000 base (Diameter: 27.5cm) rising neck, featuring raised and painted finches amongst peaches and grapes, in colours of blue, orange, purple and green, on a blue-glazed 203 A PAIR OF MATCHED SÈVRES-STYLE BLUE & WHITE FIGURAL 1 000 - ground on a conforming circular base, impressed "Moorcroft" with painter's initials (Height: 23cm) CANDLESTICKS - each featuring Flora with an attendant cherub, one 3 000 carrying a basket of flowers, the other reaching for a flower, both standing on conforming flat, domed bases and each terminating with 210 A MODERN MOORCROFT "BLUE FINCHES" CHARGER 1 000 - raised scroll and moulded flower decoration. The stemmed candlesticks DESIGNED BY SALLY TUFFIN (first issued in 1988) - circular- 3 000 with sculpted free-form drip-pans and attached candle-nozzles, one shaped with 3 raised and painted finches amongst peaches and grapes, signed on the base "F.R?". Note: A similar mark is found on First in tones of blue, orange, purple and green, on a blue-glazed ground, Republic Sèvres (1793 - 1800) (Height tallest: 28.5cm) (Imperfections impressed "Moorcroft" with painter's initials (Diameter: 35.5cm) and damage) Literature: Darty. P. The Pocketbook of Porcelain & Pottery Marks, p.68, plate 383, illustrates the mark 211 A MODERN MOORCROFT "HERON" CHARGER DESIGNED BY 1 000 - PHILIP RICHARDSON (first issued in 1988) - circular-shaped with a 3 000 204 A WALTER MOORCROFT "TIGER LILY" PLATE- circular-shaped 1 000 - raised and painted heron feeding amongst the bushwillows, in tones of body with a raised and painted lily with leaves in tones of pink, 3 000 yellow, white, turquoise, brown and green, on a dusk landscape in hues burgundy and green, on a blue glazed ground, signed in blue "WM", of washed yellow and blue ground, impressed "Moorcroft" with with original Royal Warrant Label "Potters to the late Queen Mary" painter's initials (Diameter: 35 cm) (Diameter: 26cm) description 212 A WALTER MOORCROFT "ORCHID" BOWL - interior tube lined and 300 - shaped bowl, featuring raised and moulded swirling water decoration painted with orchid and leaves in tones of pink, purple and green 600 with water-sprite masque (Height: 70cm) (Height: 5cm) 220 AN ART NOUVEAU IMPERIAL AMPHORA STATUE OF A WOOD 10 000 - 213 A CLARICE CLIFF NEWPORT BIZZARE PATTERN "CROCUS" 1 000 - NYMPH IN CLASSICAL GUISE - standing on a conforming square- 20 000 BISCUIT BARREL WITH COVER, CIRCA 1930-36 - the cauldron- 3 000 shaped base with sculpted figure in a draped green toga, flowing hair, shaped body with conforming knop lugs and bamboo swing-handle, painted facial features and moulded hands (Height: 83.5cm) (Scarce) featuring polychrome painted crocus flowers on a cream ground, separated by painted sections, with black stamp to the base (Height: 18 cm) (Imperfections) 221 A CIRCULAR 300 - PLAQUE - Dated 1956, circular-shaped form with bas-relief of Classical 600 214 A WILKENSON CLARICE CLIFF BIZZARE "CROCUS" PATTERN 500 - figures (Diameter: 14cm) HONEY POT WITH DOMED COVER, CIRCA 1930-36 - the hive- 1 500 shaped, graduated and stepped body, featuring honey-glazed poly- 222 A VICTORIAN OAKWOOD THREE BOTTLE TANTALUS - fitted with 1 000 - chrome painted crocus flowers on a plain ground with brown line three crystal decanters, each featuring cut motifs, diamond pattern and 3 000 decoration, the domed lid features a moulded orange and black bee conforming star-cut bases with matching faceted stoppers, all encased finial (Height: 10 cm) in a three-division brass-mount oak frame with hinged lock, key mechanism and attached handle (Height: 36 cm) (Imperfections) 215 A CLARICE CLIFF NEWPORT PATTERN "MY GARDEN" PATTERN 500 - JUG, CIRCA 1934-41 - the conical-shaped body with everted spout 1 500 223 A COLLECTION OF STUART CRYSTAL PATTERN "IMPERIAL" 4 000 - and sculpted polychrome floral conforming handle, on a pale pink GLASSWARE AND STEMWARE - comprising: liqueur, sherry, port, 8 000 glazed ground, with Clarice Cliff stamp (Height: 23.5cm) champagne, red wine and cordial, each decorated with cut criss-cross and plant motif on bowl, on knop stem and circular rising clear and 216 A CLARICE CLIFF NEWPORT BIZZARE PATTERN "DELICIA 6 000 - lemon squeezer bases (58 pcs) CITRUS" VASE CIRCA 1931-1932 - the cylindrical-shaped body 10 000 with conforming raised three panel feet, featuring cascading green and brown paint, with polychrome painted fruit and leaf decoration, with black stamp to base (Height: 21.5cm)

217 AN EARLY 20TH CENTURY 3-PIECE LAMBETH 1 000 - CHINÉ WARE TEA SET - comprising: tea pot, sugar basin & milk jug, 3 000 all with dark green glaze and beaded border, each featuring raised polychrome floral decoration on a gilded enamel ground with strapwork handles & knop-turned finials

218 A PAIR OF ROYAL DOULTON LAMBETH NATURAL FOLIAGE 3 000 - WARE VASES - each baluster-shaped body with everted rim featuring 6 000 impressed and painted brown leaves on a salt-glazed mottled ground, impressed with the Doulton stamp and artist's initials (Height: 30cm)

219 AN ART NOUVEAU AMPHORA TABLE CENTRE-PIECE OF A 8 000 - STANDING NYMPH IN A SINUOUS FLOWING GREEN DRESS, 15 000 HOLDING ALOFT AN IRIS FLOWER - rising out of a dished pond- 212 A WALTER MOORCROFT "ORCHID" BOWL - interior tube lined and 300 - shaped bowl, featuring raised and moulded swirling water decoration painted with orchid and leaves in tones of pink, purple and green 600 with water-sprite masque (Height: 70cm) (Height: 5cm) 220 AN ART NOUVEAU IMPERIAL AMPHORA STATUE OF A WOOD 10 000 - 213 A CLARICE CLIFF NEWPORT BIZZARE PATTERN "CROCUS" 1 000 - NYMPH IN CLASSICAL GUISE - standing on a conforming square- 20 000 BISCUIT BARREL WITH COVER, CIRCA 1930-36 - the cauldron- 3 000 shaped base with sculpted figure in a draped green toga, flowing hair, shaped body with conforming knop lugs and bamboo swing-handle, painted facial features and moulded hands (Height: 83.5cm) (Scarce) featuring polychrome painted crocus flowers on a cream ground, separated by painted sections, with black stamp to the base (Height: 18 cm) (Imperfections) 221 A ROYAL COPENHAGEN BISCUIT PORCELAIN CIRCULAR 300 - PLAQUE - Dated 1956, circular-shaped form with bas-relief of Classical 600 214 A WILKENSON CLARICE CLIFF BIZZARE "CROCUS" PATTERN 500 - figures (Diameter: 14cm) HONEY POT WITH DOMED COVER, CIRCA 1930-36 - the hive- 1 500 shaped, graduated and stepped body, featuring honey-glazed poly- 222 A VICTORIAN OAKWOOD THREE BOTTLE TANTALUS - fitted with 1 000 - chrome painted crocus flowers on a plain ground with brown line three crystal decanters, each featuring cut motifs, diamond pattern and 3 000 decoration, the domed lid features a moulded orange and black bee conforming star-cut bases with matching faceted stoppers, all encased finial (Height: 10 cm) in a three-division brass-mount oak frame with hinged lock, key mechanism and attached handle (Height: 36 cm) (Imperfections) 215 A CLARICE CLIFF NEWPORT PATTERN "MY GARDEN" PATTERN 500 - JUG, CIRCA 1934-41 - the conical-shaped body with everted spout 1 500 223 A COLLECTION OF STUART CRYSTAL PATTERN "IMPERIAL" 4 000 - and sculpted polychrome floral conforming handle, on a pale pink GLASSWARE AND STEMWARE - comprising: liqueur, sherry, port, 8 000 glazed ground, with Clarice Cliff stamp (Height: 23.5cm) champagne, red wine and cordial, each decorated with cut criss-cross and plant motif on bowl, on knop stem and circular rising clear and 216 A CLARICE CLIFF NEWPORT BIZZARE PATTERN "DELICIA 6 000 - lemon squeezer bases (58 pcs) CITRUS" VASE CIRCA 1931-1932 - the cylindrical-shaped body 10 000 with conforming raised three panel feet, featuring cascading green and brown paint, with polychrome painted fruit and leaf decoration, with black stamp to base (Height: 21.5cm)

217 AN EARLY 20TH CENTURY 3-PIECE ROYAL DOULTON LAMBETH 1 000 - CHINÉ WARE TEA SET - comprising: tea pot, sugar basin & milk jug, 3 000 all with dark green glaze and beaded border, each featuring raised polychrome floral decoration on a gilded enamel ground with strapwork handles & knop-turned finials

218 A PAIR OF ROYAL DOULTON LAMBETH NATURAL FOLIAGE 3 000 - WARE VASES - each baluster-shaped body with everted rim featuring 6 000 impressed and painted brown leaves on a salt-glazed mottled ground, impressed with the Doulton stamp and artist's initials (Height: 30cm)

219 AN ART NOUVEAU AMPHORA TABLE CENTRE-PIECE OF A 8 000 - STANDING NYMPH IN A SINUOUS FLOWING GREEN DRESS, 15 000 HOLDING ALOFT AN IRIS FLOWER - rising out of a dished pond- ENGLISH, EUROPEAN SILVER & METALWARE "PEPPER" and featuring flat-domed pierced covers with conforming raised circular bases PLUS a double pair of silver cellars, Maker: RBM 224 A GEORGE V SILVER TEA POT WITH EBONITE HANDLE AND 1 000 - & Co (?) (Probably 19th Century Colonial) - each urn-shaped body with FINIAL, TOGETHER WITH A MATCHING SUGAR BOWL - 3 000 reeded decoration & pierced domed cover (Dents and splits evident) Maker: F H Adams & Co, Birmingham 1926 - on pad feet (Total mass: 590g) (Weighable mass: 500gms) 231 AN ARTS AND CRAFTS PEWTER TOBACCO JAR WITH COVER - 500 - 225 A GEORGE V SILVER SAUCE BOAT - Maker: T & J.P. Birmingham 200 - Maker: Craftsman Pewter, Sheffield, the octagonal-shaped body with 1 500 1924 - with lobed-shaped body, scroll handle & serpentine rim on 400 peaned and hammered "Martele" decoration, attached plain handles three conforming paw feet (Mass: 60 gms) (Imperfections) and flat-domed cover, on a conforming circular base (Height: 22cm)

226 A VICTORIAN BRITANNIA METAL TEA CADDY - Maker: William 500 - 232 A 5-PIECE ART DECO STYLE PEWTER TEA & COFFEE SERVICE 500 - Hutton & Sons, Sheffield - the casket-shaped body with hinged flat- 1 500 WITH TRAY - Maker: Craftsman Pewter, Sheffield - comprising: a tea 1 500 domed lid & ornate finial, featuring engraved cascading leaf and pot, mocha pot, milk jug, sugar basin and matching tray, all featuring scroll swags with husk, flower and vine leaf decoration, on a raised peaned and hammered "Martele" decoration, with bakelite handles and rectangular conforming base, on bun feet (Height: 17cm) finials (Dents evident)

227 A 19TH CENTURY 42 PIECE PART CANTEEN OF AUSTRIAN 4 000 - 233 AN EDWARD VII SILVER INKWELL, Maker: Samuel M Levi 300 - SILVER-MOUNT CUTLERY - comprising: roasting forks, dessert & 8 000 Birmingham 1907 - the waisted base with rising neck & hinged 600 grapefruit spoons, meat knives and a sauce ladle. Maker: J.R. Vienna domed lid featuring beaded decoration (Sans liner, base loaded) 1860 - all knives fitted with Bosfeld Wien Blades, PLUS a dozen Austrian silver-mount knife-rests, Maker: J.R, Vienna, 1860 - each with 234 AN EDWARD VII SILVER HIP FLASK - Maker: Henry Matthews, 500 - serpentine rim & bracket frame (Total mass:1400gms) Birmingham 1904 - the ovular waisted and panelled body with rising 1 500 neck and matching cover (Mass: 130g) 228 A 5 PIECE GERMAN JUGENDSTIL SILVER TEA & MOCHA 8 000 - SERVICE - Maker: Vereinigte Silberwarenfabrik, Düsseldorf (Established 15 000 235 A PAIR OF VICTORIAN SILVER DWARF CANDLESTICKS - Maker: 500 - 1899) - comprising: tea pot, mocha pot, milk jug, sugar basin with Samuel M Levi, Birmingham 1850 - each with everted candle nozzle on 1 500 cover and matching oval-shaped tray, all featuring stylized and raised conforming circular rising fluted and graduated base (Bases loaded) sinuous interlacing line decoration, on raised circular bases, with (Later glass drip pans) attached silver handles and knop-turned finials (Dents evident) (Total weighable mass: 2800gms) 236 AN ELECTROPLATED WATER PITCHER - the bulbous crystal body 500 - with cut thumb-print and criss-cross faceted panels, electroplated 1 500 229 A 19TH CENTURY CAPE SILVER SAUCE LADLE - Maker: Peter 500 - mounts with domed and hinged cover (Height: 27cm) Clarke Daniel, Cape of Good Hope c.1850 - embellished with fiddle 1 500 pattern and engraved monogram on the handle PLUS a George V 237 A 19TH CENTURY BRITANNIA METAL & CRYSTAL CLARET 500 - silver "Chippendale" pattern teaspoon, Maker: Gorham Manufacturing FLAGON - the crystal facet body with cut diamond stem and thumb- 1 500 Co, Birmingham 1911 (Total mass: 80gms) Literature: Heller. D A print pattern, encased in a Britannia Metal frame with attached scroll (1949) History of Cape Silver 1700 -1870, p.149 illustrates MM.15 as handle, everted spout, hinged and pierced finial, featuring repoussé the Makers mark & Welz S. Cape Silver & Silversmiths, p.120 & 148 scroll and leaf decoration, on circular conforming scroll foot plate 41 & 42 illustrates the Maker's marks base (Repairs to lid) (Height: 38.5cm)

230 A COLLECTION OF BRITISH INDIAN COLONIAL SILVER SALT & 2 000 - 238 A NICHOLAS II RUSSIAN SILVER TABLESPOON - Maker: U. H, 1 000 - PEPPER CELLARS - Maker: Lattey Brothers & Co, Calcutta, established 4 000 Moscow 1898-1914, PLUS a 19th Century Russian silver ladle 3 000 1842 -1855, each plain cylinder-shaped body engraved with "SALT" & stamped "84" (Total mass: 305g) ENGLISH, EUROPEAN SILVER & METALWARE "PEPPER" and featuring flat-domed pierced covers with conforming raised circular bases PLUS a double pair of silver cellars, Maker: RBM 224 A GEORGE V SILVER TEA POT WITH EBONITE HANDLE AND 1 000 - & Co (?) (Probably 19th Century Colonial) - each urn-shaped body with FINIAL, TOGETHER WITH A MATCHING SUGAR BOWL - 3 000 reeded decoration & pierced domed cover (Dents and splits evident) Maker: F H Adams & Co, Birmingham 1926 - on pad feet (Total mass: 590g) (Weighable mass: 500gms) 231 AN ARTS AND CRAFTS PEWTER TOBACCO JAR WITH COVER - 500 - 225 A GEORGE V SILVER SAUCE BOAT - Maker: T & J.P. Birmingham 200 - Maker: Craftsman Pewter, Sheffield, the octagonal-shaped body with 1 500 1924 - with lobed-shaped body, scroll handle & serpentine rim on 400 peaned and hammered "Martele" decoration, attached plain handles three conforming paw feet (Mass: 60 gms) (Imperfections) and flat-domed cover, on a conforming circular base (Height: 22cm)

226 A VICTORIAN BRITANNIA METAL TEA CADDY - Maker: William 500 - 232 A 5-PIECE ART DECO STYLE PEWTER TEA & COFFEE SERVICE 500 - Hutton & Sons, Sheffield - the casket-shaped body with hinged flat- 1 500 WITH TRAY - Maker: Craftsman Pewter, Sheffield - comprising: a tea 1 500 domed lid & ornate finial, featuring engraved cascading leaf and pot, mocha pot, milk jug, sugar basin and matching tray, all featuring scroll swags with husk, flower and vine leaf decoration, on a raised peaned and hammered "Martele" decoration, with bakelite handles and rectangular conforming base, on bun feet (Height: 17cm) finials (Dents evident)

227 A 19TH CENTURY 42 PIECE PART CANTEEN OF AUSTRIAN 4 000 - 233 AN EDWARD VII SILVER INKWELL, Maker: Samuel M Levi 300 - SILVER-MOUNT CUTLERY - comprising: roasting forks, dessert & 8 000 Birmingham 1907 - the waisted base with rising neck & hinged 600 grapefruit spoons, meat knives and a sauce ladle. Maker: J.R. Vienna domed lid featuring beaded decoration (Sans liner, base loaded) 1860 - all knives fitted with Bosfeld Wien Blades, PLUS a dozen Austrian silver-mount knife-rests, Maker: J.R, Vienna, 1860 - each with 234 AN EDWARD VII SILVER HIP FLASK - Maker: Henry Matthews, 500 - serpentine rim & bracket frame (Total mass:1400gms) Birmingham 1904 - the ovular waisted and panelled body with rising 1 500 neck and matching cover (Mass: 130g) 228 A 5 PIECE GERMAN JUGENDSTIL SILVER TEA & MOCHA 8 000 - SERVICE - Maker: Vereinigte Silberwarenfabrik, Düsseldorf (Established 15 000 235 A PAIR OF VICTORIAN SILVER DWARF CANDLESTICKS - Maker: 500 - 1899) - comprising: tea pot, mocha pot, milk jug, sugar basin with Samuel M Levi, Birmingham 1850 - each with everted candle nozzle on 1 500 cover and matching oval-shaped tray, all featuring stylized and raised conforming circular rising fluted and graduated base (Bases loaded) sinuous interlacing line decoration, on raised circular bases, with (Later glass drip pans) attached silver handles and knop-turned finials (Dents evident) (Total weighable mass: 2800gms) 236 AN ELECTROPLATED WATER PITCHER - the bulbous crystal body 500 - with cut thumb-print and criss-cross faceted panels, electroplated 1 500 229 A 19TH CENTURY CAPE SILVER SAUCE LADLE - Maker: Peter 500 - mounts with domed and hinged cover (Height: 27cm) Clarke Daniel, Cape of Good Hope c.1850 - embellished with fiddle 1 500 pattern and engraved monogram on the handle PLUS a George V 237 A 19TH CENTURY BRITANNIA METAL & CRYSTAL CLARET 500 - silver "Chippendale" pattern teaspoon, Maker: Gorham Manufacturing FLAGON - the crystal facet body with cut diamond stem and thumb- 1 500 Co, Birmingham 1911 (Total mass: 80gms) Literature: Heller. D A print pattern, encased in a Britannia Metal frame with attached scroll (1949) History of Cape Silver 1700 -1870, p.149 illustrates MM.15 as handle, everted spout, hinged and pierced finial, featuring repoussé the Makers mark & Welz S. Cape Silver & Silversmiths, p.120 & 148 Rococo scroll and leaf decoration, on circular conforming scroll foot plate 41 & 42 illustrates the Maker's marks base (Repairs to lid) (Height: 38.5cm)

230 A COLLECTION OF BRITISH INDIAN COLONIAL SILVER SALT & 2 000 - 238 A NICHOLAS II RUSSIAN SILVER TABLESPOON - Maker: U. H, 1 000 - PEPPER CELLARS - Maker: Lattey Brothers & Co, Calcutta, established 4 000 Moscow 1898-1914, PLUS a 19th Century Russian silver ladle 3 000 1842 -1855, each plain cylinder-shaped body engraved with "SALT" & stamped "84" (Total mass: 305g) CHINESE ANTIQUITIES DANISH DESIGNER FURNITURE 239 A T'ANG DYNASTY (618 - 906 AD) TRAY WITH SANCAI WINE 6 000 - 246 FINN OSTERGAARD (DANISH 1935 - ) 5 X BEECHWOOD 6 000 - SET & LIDDED JAR - comprising 6 wine bowls, a tray and jar with 10 000 OCCASIONAL CHAIRS "THE ORIGINAL ALBERT" - each frame with 10 000 cover, all featuring dappled paint effects in colours of green & brown ergonomically designed arm rests, curved plain tapering legs and rails, (Imperfections) Provenance: Purchased from Sue Ollemans BCI Fine Art upholstered with cotton weft in criss-cross form (79 x 59 x 40cm each)

240 AN ORIENTAL PATINATED BRONZE FIGURAL LIZARD VASE - the 500 - 247 AFTER ARNE JACOBSEN (1902 - 1971) AND PRODUCED BY 3 000 - waisted body with slender rising neck and everted rim, featuring an 1 500 FRITZ HANSEN, 12 X LACQUERED "ANT" DINING CHAIRS - in 6 000 applied, raised and cast stylised lizard encircling the base colours of red, yellow and blue with stainless steel legs (Imperfections/- (Height: 40cm) (Imperfections) Provenance: Purchased from Sue losses) (70 x 40 x 35cm each) Ollemans BCI Fine Art 248 A PAIR OF DANISH HASLEV BEECHWOOD SIDE TABLES - one 1 000 - 241 A PAIR OF HAN DYNASTY (206 BC - 220 AD) CHINESE DOOR 3 000 - with square tablet-shaped top and the other rectangular-shaped, both 3 000 HANDLE RELICS - each with cast "Taotie" motif and attached loop 6 000 with moulded curved edge and set on four cylindrical tapering legs drop-down handles, supported on a perspex stand (Imperfections) (Largest: 70 x 70cm) Provenance: Purchased from Sue Ollemans BCI Fine Art 249 A FRITZ HANSEN BEECHWOOD & CHROMED STEEL OFFICE 500 - 242 A CHINESE HARDWOOD INKSTAND - the carved and pierced body 15 000 - CHAIR - featuring curved and shaped beech-ply panel seat and 1 500 featuring naturalistic unopened bud, leaf & trunk embellishment on the 25 000 backrest with adjustable mechanisms, on a five-star footed base with free-form carved inkwell compartments and hinged covers (Splitting & losses) (Height: 16 cm) PLUS a "Huanghuali" yellow-flowering roller wheels pearwood gaming table with square-shaped top and moulded edge, on four square-tapering legs with carved and pierced bracket support 250 A DANISH SALLING STOELEFABRIK BEECHWOOD DRAWER SIDE 1 000 - decoration (82.5 x 89.5 x 89.5cm) Provenance: Purchased from Sue TABLE - rectangular-shaped top with conforming and jointed tapering 3 000 Ollemans BCI Fine Art block legs, flanking two recessed felt-lined lower drawers and a lower shelf (48 x 79.5 x 39.5cm) 243 A PAIR OF HAN DYNASTY (206 BC - 220 AD) CLAY HORSE HEAD 6 000 - RELICS - sculpted horse head masques with remains of original red 10 000 251 A PAIR OF DANISH BEECHWOOD GETAMA JENS OLEN 1 000 - paint, each supported on a perspex stand (Losses evident) EACH CHRISTIANSSEN BEDSIDE TABLES - each rectangular-shaped top 3 000 Provenance: Purchased from Sue Ollemans BCI Fine Art with curved edge and conforming joined beechwood panel sides of plain design, enclosing a lower drawer, with attached wooden handle 244 A HAN DYNASTY (206 BC - 220 AD) CLAY WINE GOURD - the 6 000 - (43 x 44.5 x 44cm) cocoon-shaped body with everted rim and circular rising base, featuring 10 000 the remains of original paint in colours of white and pink 252 A DANISH BEECHWOOD GETAMA JENS OLEN CHRISTIANSSEN 1 000 - with banded decoration (Height: 34cm) Provenance: Purchased from 4 - DRAWER CHEST - the rectangular-shaped top with curved and 3 000 Sue Ollemans BCI Fine Art joined beechwood side panels, enclosing four pull-out drawers, fitted with double-sided wooden handles (74.5 x 89.5 x 44.5cm) 245 A HAN DYNASTY (206 BC - 220 AD) TERRACOTTA MALE 6 000 - WARRIOR TOMB GUARDIAN - the figure with sculpted body, 10 000 JAEGER LE-COULTRE CLOCK rudimentary facial features and black-painted hair, supported on a 253 A JAEGER LE-COULTRE MYSTERY CLOCK WITH INLINE-BRIDGE 6 000 - wooden platform with wire support (Height: 61cm) (Losses evident) MOVEMENT, CIRCA 1960 - rectangular-shaped twin-panel glazed 10 000 Note: This tomb guardian is similar to those excavated at the Han body with brushed brass case, on conforming stepped feet, visible 8 Dynasty Tomb of Empress Wang in the Yangling Mausoleum in Xian day movement with manual wind, gilt-metal hands & baton numerals, China Provenance: Purchased from Sue Ollemans BCI Fine Art stamped on one foot 355 (Height: 20 cm) (Original presentation case) CHINESE ANTIQUITIES DANISH DESIGNER FURNITURE 239 A T'ANG DYNASTY (618 - 906 AD) TRAY WITH SANCAI WINE 6 000 - 246 FINN OSTERGAARD (DANISH 1935 - ) 5 X BEECHWOOD 6 000 - SET & LIDDED JAR - comprising 6 wine bowls, a tray and jar with 10 000 OCCASIONAL CHAIRS "THE ORIGINAL ALBERT" - each frame with 10 000 cover, all featuring dappled paint effects in colours of green & brown ergonomically designed arm rests, curved plain tapering legs and rails, (Imperfections) Provenance: Purchased from Sue Ollemans BCI Fine Art upholstered with cotton weft in criss-cross form (79 x 59 x 40cm each)

240 AN ORIENTAL PATINATED BRONZE FIGURAL LIZARD VASE - the 500 - 247 AFTER ARNE JACOBSEN (1902 - 1971) AND PRODUCED BY 3 000 - waisted body with slender rising neck and everted rim, featuring an 1 500 FRITZ HANSEN, 12 X LACQUERED "ANT" DINING CHAIRS - in 6 000 applied, raised and cast stylised lizard encircling the base colours of red, yellow and blue with stainless steel legs (Imperfections/- (Height: 40cm) (Imperfections) Provenance: Purchased from Sue losses) (70 x 40 x 35cm each) Ollemans BCI Fine Art 248 A PAIR OF DANISH HASLEV BEECHWOOD SIDE TABLES - one 1 000 - 241 A PAIR OF HAN DYNASTY (206 BC - 220 AD) CHINESE DOOR 3 000 - with square tablet-shaped top and the other rectangular-shaped, both 3 000 HANDLE RELICS - each with cast "Taotie" motif and attached loop 6 000 with moulded curved edge and set on four cylindrical tapering legs drop-down handles, supported on a perspex stand (Imperfections) (Largest: 70 x 70cm) Provenance: Purchased from Sue Ollemans BCI Fine Art 249 A FRITZ HANSEN BEECHWOOD & CHROMED STEEL OFFICE 500 - 242 A CHINESE HARDWOOD INKSTAND - the carved and pierced body 15 000 - CHAIR - featuring curved and shaped beech-ply panel seat and 1 500 featuring naturalistic unopened bud, leaf & trunk embellishment on the 25 000 backrest with adjustable mechanisms, on a five-star footed base with free-form carved inkwell compartments and hinged covers (Splitting & losses) (Height: 16 cm) PLUS a "Huanghuali" yellow-flowering roller wheels pearwood gaming table with square-shaped top and moulded edge, on four square-tapering legs with carved and pierced bracket support 250 A DANISH SALLING STOELEFABRIK BEECHWOOD DRAWER SIDE 1 000 - decoration (82.5 x 89.5 x 89.5cm) Provenance: Purchased from Sue TABLE - rectangular-shaped top with conforming and jointed tapering 3 000 Ollemans BCI Fine Art block legs, flanking two recessed felt-lined lower drawers and a lower shelf (48 x 79.5 x 39.5cm) 243 A PAIR OF HAN DYNASTY (206 BC - 220 AD) CLAY HORSE HEAD 6 000 - RELICS - sculpted horse head masques with remains of original red 10 000 251 A PAIR OF DANISH BEECHWOOD GETAMA JENS OLEN 1 000 - paint, each supported on a perspex stand (Losses evident) EACH CHRISTIANSSEN BEDSIDE TABLES - each rectangular-shaped top 3 000 Provenance: Purchased from Sue Ollemans BCI Fine Art with curved edge and conforming joined beechwood panel sides of plain design, enclosing a lower drawer, with attached wooden handle 244 A HAN DYNASTY (206 BC - 220 AD) CLAY WINE GOURD - the 6 000 - (43 x 44.5 x 44cm) cocoon-shaped body with everted rim and circular rising base, featuring 10 000 the remains of original paint in colours of white and pink 252 A DANISH BEECHWOOD GETAMA JENS OLEN CHRISTIANSSEN 1 000 - with banded decoration (Height: 34cm) Provenance: Purchased from 4 - DRAWER CHEST - the rectangular-shaped top with curved and 3 000 Sue Ollemans BCI Fine Art joined beechwood side panels, enclosing four pull-out drawers, fitted with double-sided wooden handles (74.5 x 89.5 x 44.5cm) 245 A HAN DYNASTY (206 BC - 220 AD) TERRACOTTA MALE 6 000 - WARRIOR TOMB GUARDIAN - the figure with sculpted body, 10 000 JAEGER LE-COULTRE CLOCK rudimentary facial features and black-painted hair, supported on a 253 A JAEGER LE-COULTRE MYSTERY CLOCK WITH INLINE-BRIDGE 6 000 - wooden platform with wire support (Height: 61cm) (Losses evident) MOVEMENT, CIRCA 1960 - rectangular-shaped twin-panel glazed 10 000 Note: This tomb guardian is similar to those excavated at the Han body with brushed brass case, on conforming stepped feet, visible 8 Dynasty Tomb of Empress Wang in the Yangling Mausoleum in Xian day movement with manual wind, gilt-metal hands & baton numerals, China Provenance: Purchased from Sue Ollemans BCI Fine Art stamped on one foot 355 (Height: 20 cm) (Original presentation case) ART AND SCULPTURE SESSION 3 AT 18:00 409 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Litho- 500 - graphic print, "Eros", signed with the artist's initials, dated 5/1/74, 1 500 400 AMSHEWITZ, JOHN HENRY RBA (ENGLAND/SA 1882 - 1942) Oil 8 000 - inscribed with the title, numbered "First proof" and "Battiss" in the on panel, "Noordhoek, Cape", signed, signed again, dated 1941 and 15 000 image (21 x 28.5cm) inscribed with the title in the artist's hand on the reverse (57 x 65cm) 410 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Litho- 2 000 - 401 ANDERSEN, NILS SEVERIN (SA 1897 - 1972) Oil on board, 3 000 - graphic print, "Landscape with distant Coal Mine", signed in the image 4 000 "Mooring the Boats", signed (59.5 x 90cm) 6 000 and signed again in pencil (35 x 49cm)

402 ARNOLD, MARION (SA 1947 - ) AND STEPHENS, MARGUERITE 6 000 - 411 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Silkscreen, 10 000 - (SA 20TH CENTURY) A collaboration, Woven Tapestry, "African 10 000 "Father and Son", signed in ink, inscribed with the title and numbered 15 000 Landscape", designed by Marion Arnold and woven by the Marguerite 23 in the artist's hand, numbered in pencil 21/25 in a different hand, Stephens Tapestry Studio (267 x 376cm) c.1968 (Sheet size: 33.5 x 49cm) Literature: Siebrits, W. Walter Battiss: I invented myself, the Jack M Ginsberg Collection, p. 90 top left 403 ASCHENBORN, DIETER (SWA 1915 - 2002) Oil on board, Namibian 5 000 - illustrated PLUS DE VILLIERS, IZAK BENJAMIN (SA 1951 - ) Litho- landscape, "Bushveld Landscape with Thorn Trees beside a Path" signed 15 000 graphic print, "Izak and Walter", signed in pencil, dated 1984 and and dated 1951 (32 x 37.5cm) numbered 244/400 (Sheet size: 61 x 45.5cm)

404 ATTRIBUTED TO MITFORD-BARBERTON, IVAN GRAHAM (SA 500 - 412 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Pen, ink 40 000 - 1896 - 1976) Wood, "Masai Woman", mounted on a rectangular 1 500 and watercolour on paper, "Sydney Harbour, April 1976", signed and 60 000 wooden base (Total height: 27.5cm) Condition report: Hairline cracks dated 19/4/76 (35 x 45cm) Literature: Battiss, W.W. (2005) Gentle evident Note: We wish to acknowledge Prof A. Duffey for identifying Anarchist, p.172 illustrated the work 413 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Silkscreen, 30 000 - 6 000 - "Orgy 4", signed in pencil, numbered 22/39 and inscribed with the title, 405 AUDIE, LOUIS (SA 1935 - 2015) Oil on canvas on board, Landscape, 50 000 "The Mukarob - The Finger of God", signed and inscribed on a plaque 10 000 c.1973 (44.5 x 63.5cm) Literature: Siebrits, W. Walter Battiss: I invented on the frame (69 x 108.5cm) myself, the Jack M Ginsberg Collection, p.120, third row, far right, and Skawran. K. and Macnamara. M. (1985), Walter Battiss, p.89 illustrates 406 BALDINELLI, ARMANDO (SA 1908 - 2002) Mixed media, "Ode to 2 000 - the work Bacchus", signed (21 x 17cm) 4 000

407 BALDINELLI, ARMANDO (SA 1908 - 2002) Oil on board, Abstract, 6 000 - "Composition in black and red", signed (44 x 101cm) 10 000

408 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Felt-tip 25 000 - pen on Hammermill Ledger (Water marked) paper "Matala Crete", 40 000 signed, dated 25/6/74, inscribed with the title, signed again in pencil and inscribed with a personal dedication (Sheet size: 35.5 x 43cm) Literature: Siebrits, W. Walter Battiss: I invented myself, the Jack M Ginsberg Collection, p.130 top right illustrates another scene of Matala on the Island of Crete, dated 25/6/74 (Warren Siebrits Archive) Ref: Warren Siebrits & The Art of Collecting July 2016 - In this article Siebrits refers particularly to this work ART AND SCULPTURE SESSION 3 AT 18:00 409 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Litho- 500 - graphic print, "Eros", signed with the artist's initials, dated 5/1/74, 1 500 400 AMSHEWITZ, JOHN HENRY RBA (ENGLAND/SA 1882 - 1942) Oil 8 000 - inscribed with the title, numbered "First proof" and "Battiss" in the on panel, "Noordhoek, Cape", signed, signed again, dated 1941 and 15 000 image (21 x 28.5cm) inscribed with the title in the artist's hand on the reverse (57 x 65cm) 410 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Litho- 2 000 - 401 ANDERSEN, NILS SEVERIN (SA 1897 - 1972) Oil on board, 3 000 - graphic print, "Landscape with distant Coal Mine", signed in the image 4 000 "Mooring the Boats", signed (59.5 x 90cm) 6 000 and signed again in pencil (35 x 49cm)

402 ARNOLD, MARION (SA 1947 - ) AND STEPHENS, MARGUERITE 6 000 - 411 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Silkscreen, 10 000 - (SA 20TH CENTURY) A collaboration, Woven Tapestry, "African 10 000 "Father and Son", signed in ink, inscribed with the title and numbered 15 000 Landscape", designed by Marion Arnold and woven by the Marguerite 23 in the artist's hand, numbered in pencil 21/25 in a different hand, Stephens Tapestry Studio (267 x 376cm) c.1968 (Sheet size: 33.5 x 49cm) Literature: Siebrits, W. Walter Battiss: I invented myself, the Jack M Ginsberg Collection, p. 90 top left 403 ASCHENBORN, DIETER (SWA 1915 - 2002) Oil on board, Namibian 5 000 - illustrated PLUS DE VILLIERS, IZAK BENJAMIN (SA 1951 - ) Litho- landscape, "Bushveld Landscape with Thorn Trees beside a Path" signed 15 000 graphic print, "Izak and Walter", signed in pencil, dated 1984 and and dated 1951 (32 x 37.5cm) numbered 244/400 (Sheet size: 61 x 45.5cm)

404 ATTRIBUTED TO MITFORD-BARBERTON, IVAN GRAHAM (SA 500 - 412 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Pen, ink 40 000 - 1896 - 1976) Wood, "Masai Woman", mounted on a rectangular 1 500 and watercolour on paper, "Sydney Harbour, April 1976", signed and 60 000 wooden base (Total height: 27.5cm) Condition report: Hairline cracks dated 19/4/76 (35 x 45cm) Literature: Battiss, W.W. (2005) Gentle evident Note: We wish to acknowledge Prof A. Duffey for identifying Anarchist, p.172 illustrated the work 413 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Silkscreen, 30 000 - 6 000 - "Orgy 4", signed in pencil, numbered 22/39 and inscribed with the title, 405 AUDIE, LOUIS (SA 1935 - 2015) Oil on canvas on board, Landscape, 50 000 "The Mukarob - The Finger of God", signed and inscribed on a plaque 10 000 c.1973 (44.5 x 63.5cm) Literature: Siebrits, W. Walter Battiss: I invented on the frame (69 x 108.5cm) myself, the Jack M Ginsberg Collection, p.120, third row, far right, and Skawran. K. and Macnamara. M. (1985), Walter Battiss, p.89 illustrates 406 BALDINELLI, ARMANDO (SA 1908 - 2002) Mixed media, "Ode to 2 000 - the work Bacchus", signed (21 x 17cm) 4 000

407 BALDINELLI, ARMANDO (SA 1908 - 2002) Oil on board, Abstract, 6 000 - "Composition in black and red", signed (44 x 101cm) 10 000

408 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Felt-tip 25 000 - pen on Hammermill Ledger (Water marked) paper "Matala Crete", 40 000 signed, dated 25/6/74, inscribed with the title, signed again in pencil and inscribed with a personal dedication (Sheet size: 35.5 x 43cm) Literature: Siebrits, W. Walter Battiss: I invented myself, the Jack M Ginsberg Collection, p.130 top right illustrates another scene of Matala on the Island of Crete, dated 25/6/74 (Warren Siebrits Archive) Ref: Warren Siebrits & The Art of Collecting July 2016 - In this article Siebrits refers particularly to this work 414 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Silkscreen, 30 000 - 424 BOYS, GEORGE (SA 1930 - 2014) Mixed media, "Abstract 1 000 - "Orgy 5", signed in pencil, numbered 24/32 and inscribed with the title, 50 000 Composition", signed in pencil (65.5 x 38cm) 3 000 c.1974 (43 x 62cm) Literature: Siebrits, W. Walter Battiss: I invented myself, the Jack M Ginsberg Collection, p.126 illustrates the work 425 BOYS, GEORGE (SA 1930 - 2014) Mixed media, "Cosmos in a 2 000 - Landscape", signed in pencil (70 x 50cm) 4 000 415 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Silkscreen, 10 000 - "Weeping Dancer", signed in pencil and inscribed "Proof" (28 x 43cm) 15 000 426 BRIGG, MELVIN ARTHUR (MEL) (SA 1950 - ) Oil on canvas on 3 000 - Literature: Siebrits, W. Walter Battiss: I invented myself, the Jack M board, "Near Langezandt", signed and dated '78 (44 x 59cm) 6 000 Ginsberg Collection, p.90 top row left illustrates the work

416 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Oil on 150 000 - 427 BÜCHNER, CARL ADOLPH (SA 1921 - 2003) Mixed media, Portrait, 6 000 - canvas, "Figurative Landscape", signed (40 x 61cm) 250 000 "Girl with a Ribbon in her Hair", signed (45.5 X 29cm) 10 000

417 BENZON, LEONARD ANTON (SA 1944 -) Oil on canvas on board, 1 000 - 428 BUYS, JAN (SA 1909 - 1985) Oil on board, "Storm Clouds over the 5 000 - "Snow on the Drakensberg", signed (20 x 39cm) 3 000 Karoo" signed (49 x 60cm) 15 000

418 BLATT, ARNFRIED (SWA 1935 - 1976) Mixed media "Dry Namib 6 000 - 429 CARTER, SYDNEY (SA 1874 - 1945) Oil on board, "Cottage among 6 000 - Desert Landscape", signed with the artist's intials and dated '73 10 000 Trees, near Koelbaai", signed (31 x 36.5cm) 10 000 (42.5 x 72.5cm) 430 CATHERINE, NORMAN CLIVE (SA 1949 - ) Screenprint, "Masks", 500 - 419 BLATT, JOHANNES (SWA 1905 - 1972) Oil on canvas on board, 25 000 - signed in pencil and numbered 85/250 PLUS COETZEE, CHRISTO 1 500 "Erongo Landscape, Namibia", signed (46 x 57.5cm) 40 000 (SA 1929 - 2001) Screenprint in colours, "Labyrinth", signed in pencil, PAIR dated '83 and numbered 85/250 (40.5 x 28cm each) 420 BOONZAIER, GREGOIRE JOHANNES (SA 1909 - 2005) Hand- 1 000 - coloured Linocut, Still life, "Hibiscus", signed in pencil, dated 1979 3 000 (21 x 16cm) PLUS Linocut, "District Six", signed in pencil (19.5 x 25cm) 431 CILLIERS-BARNARD, BETTIE (SA 1914 - 2010) A pair of Lithographic 500 - Literature: Bekker, M. (1990) Gregoire Boonzaier, p.73 and p.86 prints, "Cosmic Angel" and "Cosmic Masks", each signed in pencil, dated 1 500 illustrates both linocuts in b & w. 1984 and inscribed "Proefdruk" (Largest: 26 x 18cm) PAIR

421 BOONZAIER, GREGOIRE JOHANNES (SA 1909 - 2005) Oil on 30 000 - 432 CILLIERS-BARNARD, BETTIE (SA 1914 - 2010) Lithograph in 2 000 - canvas, "Old Oaks and Newlands Homestead among Trees", signed 50 000 colours, "Paris", signed in pencil, dated 1981, inscribed with the title and 4 000 and dated 1931 (40 x 49.5cm) Literature: Bekker, M. (1990) Gregoire numbered 39/50 (63 x 47cm) Boonzaier, p.9 illustrates a drawing of the Boonzaier house in Newlands; p.14-15 illustrates similar images of the Boonzaier house with bare 433 CILLIERS-BARNARD, BETTIE (SA 1914 - 2010) Mixed media on 20 000 - winter trees, as well as a work by Moses Kottler of the Boonzaier canvas laid down on card, "African Mask", signed and dated 1966 30 000 Newlands house on p.12 (75 x 55cm) 422 BOSCH, RIAAN (SA 1968 - ) Oil on canvas, "Skinny Dip", signed and 1 000 - dated 2006 (45 x 30cm) 3 000 434 COETZEE, CHRISTO (SA 1929 - 2001) Oil and sand on canvas, 20 000 - Abstract, "Spanish Flame Sun", signed, dated '71 and inscribed with the 30 000 423 BOYLEY, ERROL STEPHEN (SA 1918 - 2007) Oil on board, "Geese in 12 000 - title in the artist's hand on the reverse (101 x 101cm) Flight over the Estuary", signed (24 x 34.5cm) 18 000 Condition report: Paint loss and scrape marks evident 414 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Silkscreen, 30 000 - 424 BOYS, GEORGE (SA 1930 - 2014) Mixed media, "Abstract 1 000 - "Orgy 5", signed in pencil, numbered 24/32 and inscribed with the title, 50 000 Composition", signed in pencil (65.5 x 38cm) 3 000 c.1974 (43 x 62cm) Literature: Siebrits, W. Walter Battiss: I invented myself, the Jack M Ginsberg Collection, p.126 illustrates the work 425 BOYS, GEORGE (SA 1930 - 2014) Mixed media, "Cosmos in a 2 000 - Landscape", signed in pencil (70 x 50cm) 4 000 415 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Silkscreen, 10 000 - "Weeping Dancer", signed in pencil and inscribed "Proof" (28 x 43cm) 15 000 426 BRIGG, MELVIN ARTHUR (MEL) (SA 1950 - ) Oil on canvas on 3 000 - Literature: Siebrits, W. Walter Battiss: I invented myself, the Jack M board, "Near Langezandt", signed and dated '78 (44 x 59cm) 6 000 Ginsberg Collection, p.90 top row left illustrates the work

416 BATTISS, WALTER WHALL FRSA FIAL (SA 1906 - 1982) Oil on 150 000 - 427 BÜCHNER, CARL ADOLPH (SA 1921 - 2003) Mixed media, Portrait, 6 000 - canvas, "Figurative Landscape", signed (40 x 61cm) 250 000 "Girl with a Ribbon in her Hair", signed (45.5 X 29cm) 10 000

417 BENZON, LEONARD ANTON (SA 1944 -) Oil on canvas on board, 1 000 - 428 BUYS, JAN (SA 1909 - 1985) Oil on board, "Storm Clouds over the 5 000 - "Snow on the Drakensberg", signed (20 x 39cm) 3 000 Karoo" signed (49 x 60cm) 15 000

418 BLATT, ARNFRIED (SWA 1935 - 1976) Mixed media "Dry Namib 6 000 - 429 CARTER, SYDNEY (SA 1874 - 1945) Oil on board, "Cottage among 6 000 - Desert Landscape", signed with the artist's intials and dated '73 10 000 Trees, near Koelbaai", signed (31 x 36.5cm) 10 000 (42.5 x 72.5cm) 430 CATHERINE, NORMAN CLIVE (SA 1949 - ) Screenprint, "Masks", 500 - 419 BLATT, JOHANNES (SWA 1905 - 1972) Oil on canvas on board, 25 000 - signed in pencil and numbered 85/250 PLUS COETZEE, CHRISTO 1 500 "Erongo Landscape, Namibia", signed (46 x 57.5cm) 40 000 (SA 1929 - 2001) Screenprint in colours, "Labyrinth", signed in pencil, PAIR dated '83 and numbered 85/250 (40.5 x 28cm each) 420 BOONZAIER, GREGOIRE JOHANNES (SA 1909 - 2005) Hand- 1 000 - coloured Linocut, Still life, "Hibiscus", signed in pencil, dated 1979 3 000 (21 x 16cm) PLUS Linocut, "District Six", signed in pencil (19.5 x 25cm) 431 CILLIERS-BARNARD, BETTIE (SA 1914 - 2010) A pair of Lithographic 500 - Literature: Bekker, M. (1990) Gregoire Boonzaier, p.73 and p.86 prints, "Cosmic Angel" and "Cosmic Masks", each signed in pencil, dated 1 500 illustrates both linocuts in b & w. 1984 and inscribed "Proefdruk" (Largest: 26 x 18cm) PAIR

421 BOONZAIER, GREGOIRE JOHANNES (SA 1909 - 2005) Oil on 30 000 - 432 CILLIERS-BARNARD, BETTIE (SA 1914 - 2010) Lithograph in 2 000 - canvas, "Old Oaks and Newlands Homestead among Trees", signed 50 000 colours, "Paris", signed in pencil, dated 1981, inscribed with the title and 4 000 and dated 1931 (40 x 49.5cm) Literature: Bekker, M. (1990) Gregoire numbered 39/50 (63 x 47cm) Boonzaier, p.9 illustrates a drawing of the Boonzaier house in Newlands; p.14-15 illustrates similar images of the Boonzaier house with bare 433 CILLIERS-BARNARD, BETTIE (SA 1914 - 2010) Mixed media on 20 000 - winter trees, as well as a work by Moses Kottler of the Boonzaier canvas laid down on card, "African Mask", signed and dated 1966 30 000 Newlands house on p.12 (75 x 55cm) 422 BOSCH, RIAAN (SA 1968 - ) Oil on canvas, "Skinny Dip", signed and 1 000 - dated 2006 (45 x 30cm) 3 000 434 COETZEE, CHRISTO (SA 1929 - 2001) Oil and sand on canvas, 20 000 - Abstract, "Spanish Flame Sun", signed, dated '71 and inscribed with the 30 000 423 BOYLEY, ERROL STEPHEN (SA 1918 - 2007) Oil on board, "Geese in 12 000 - title in the artist's hand on the reverse (101 x 101cm) Flight over the Estuary", signed (24 x 34.5cm) 18 000 Condition report: Paint loss and scrape marks evident 435 COETZEE, CYRIL (SA 1959 - ) Oil on board, "Family Group", signed in 6 000 - 445 DE JONGH, MARTHINUS JOHANNES (TINUS) (SA 1885 - 1942) 1 000 - Cyrillic script and inscribed "Untitled III" on the reverse 10 000 Etching, "Stellenberg, Kenilworth", signed in pencil, inscribed with the 3 000 Provenance: Telkom Art Collection title and a blind embossed studio stamp (23.5 x 28.5cm)

436 COETZER, WILLEM HERMANUS FRSA FIAL FIBA (SA 1900 - 1983) 6 000 - 446 DE JONGH, MARTHINUS JOHANNES (TINUS) (SA 1885 - 1942) 1 000 - Oil on canvas on card, "Landscape with Cloud-shrouded Mountains", 10 000 Etching, Homestead, "Old Farm, Clanwilliam", signed in pencil, inscribed 3 000 signed and dated '46 (25.5 x 37.5cm) with the title and marked with a studio stamp (22 x 28.5cm)

437 COETZER, WILLEM HERMANUS FRSA FIAL FIBA (SA 1900 - 1983) 18 000 - 447 DE JONGH, MARTHINUS JOHANNES (TINUS) (SA 1885 - 1942) 1 000 - Oil on canvas on board, Landscape, "Die Winterberge", signed, dated 25 000 Etching,"Old Dutch Farm, Franschoek", signed in pencil, inscribed with 3 000 '57 and inscribed with the title on the frame on the reverse the title and marked with a studio stamp (21.5 x 24cm) (38 x 48.5cm) 448 DESMOND, NERINE CONSTANTIA FIAL (SA 1908 - 1993) 2 000 - 438 COETZER, WILLEM HERMANUS FRSA FIAL FIBA (SA 1900 - 1983) 8 000 - Watercolour, "Basotho Riders in the Rain", signed (38.5 x 28cm) 4 000 Oil on canvas on panel, Landscape, "Vrystaat na die Reën", signed, 15 000 dated '44 and inscribed with the title on the reverse (23 x 30.5cm) 449 ELAHI, ALICE (SA 1926- ) Charcoal, Portrait, "Sleeping Child, Dorrieh", 1 000 - signed and dated '79 (36.5 x 35.5cm) Note: A newspaper article on her 3 000 exhibition at the S.A. Kunsvereniging, Noord Transvaal, dated 2 439 COSTELLO, MICHAEL ALAN (SA 1948 - ) 2 x Woodblock prints in 1 000 - colours, "Riders", numbered 1/20 (65.5 x 53.5cm) AND "Flea", signed in 3 000 September 1979, is attached on the reverse (36.5 x 35.5cm) Note: We pencil, dated '75 and numbered 15/20 (55.5 x 68.5cm) wish to thank the artist's daughter Nushin Elahi for identifying this work Condition report: Paper loss and tear evident 450 ELAHI, ALICE (SA 1926 - ) Watercolour, Landscape, "Namibian Skele- 2 000 - ton coast, near Cape Cross", faintly signed (42.5 x 47cm) Note: We wish 440 DE BEER, ANDRE (SA 1933 - ) Oil on canvas on board, "Die Naweek- 6 000 - 4 000 pos se Koerantverkopertjie", signed and dated '88 (49 x 36,5cm) 10 000 to thank the artist's daughter, Nushin Elahi for identifying this work

451 ELOFF, ZACHARIAS (ZAKKIE) (SA 1925 - 2004) Resin engraving on 1 000 - 441 DE BEER, ANDRE (SA 1933 - ) Oil on canvas on board, "Koerant- 4 000 - panel, "Gemsbokke", signed, dated '75 and numbered 19/150 3 000 verkopertjie in die Sonlig", signed (29.5 x 19cm) 8 000 Literature: Kloppers, S. (2013) Andre de Beer, Master of colour and line, (64.5 x 88cm) p.68 - 83 illustrates the numerous depictions of "Koerantverkopertjies”

442 DE BEER, STEFAN (SA 1962 - ) Oil on canvas on board, "Die ou Wa", 1 000 - signed, signed again, inscribed with the title and dated 2014 in the 3 000 artist's hand on the reverse (23 x 28.5cm)

443 DE JONGH, GABRIEL CORNELIS (SA 1913 - 2004) Oil on canvas, 3 000 - Landscape, "Thatch Cottage beside a River and distant Mountains", 6 000 signed (31.5 x 47cm) Condition report: Some surface cracking evident

444 DE JONGH, MARTHINUS JOHANNES (TINUS) (SA 1885 - 1942) 1 000 - Etching, "After the Storm", signed in pencil, inscribed with the title and 3 000 marked with a blind embossed studio stamp (24 x 29cm) 435 COETZEE, CYRIL (SA 1959 - ) Oil on board, "Family Group", signed in 6 000 - 445 DE JONGH, MARTHINUS JOHANNES (TINUS) (SA 1885 - 1942) 1 000 - Cyrillic script and inscribed "Untitled III" on the reverse 10 000 Etching, "Stellenberg, Kenilworth", signed in pencil, inscribed with the 3 000 Provenance: Telkom Art Collection title and a blind embossed studio stamp (23.5 x 28.5cm)

436 COETZER, WILLEM HERMANUS FRSA FIAL FIBA (SA 1900 - 1983) 6 000 - 446 DE JONGH, MARTHINUS JOHANNES (TINUS) (SA 1885 - 1942) 1 000 - Oil on canvas on card, "Landscape with Cloud-shrouded Mountains", 10 000 Etching, Homestead, "Old Farm, Clanwilliam", signed in pencil, inscribed 3 000 signed and dated '46 (25.5 x 37.5cm) with the title and marked with a studio stamp (22 x 28.5cm)

437 COETZER, WILLEM HERMANUS FRSA FIAL FIBA (SA 1900 - 1983) 18 000 - 447 DE JONGH, MARTHINUS JOHANNES (TINUS) (SA 1885 - 1942) 1 000 - Oil on canvas on board, Landscape, "Die Winterberge", signed, dated 25 000 Etching,"Old Dutch Farm, Franschoek", signed in pencil, inscribed with 3 000 '57 and inscribed with the title on the frame on the reverse the title and marked with a studio stamp (21.5 x 24cm) (38 x 48.5cm) 448 DESMOND, NERINE CONSTANTIA FIAL (SA 1908 - 1993) 2 000 - 438 COETZER, WILLEM HERMANUS FRSA FIAL FIBA (SA 1900 - 1983) 8 000 - Watercolour, "Basotho Riders in the Rain", signed (38.5 x 28cm) 4 000 Oil on canvas on panel, Landscape, "Vrystaat na die Reën", signed, 15 000 dated '44 and inscribed with the title on the reverse (23 x 30.5cm) 449 ELAHI, ALICE (SA 1926- ) Charcoal, Portrait, "Sleeping Child, Dorrieh", 1 000 - signed and dated '79 (36.5 x 35.5cm) Note: A newspaper article on her 3 000 exhibition at the S.A. Kunsvereniging, Noord Transvaal, dated 2 439 COSTELLO, MICHAEL ALAN (SA 1948 - ) 2 x Woodblock prints in 1 000 - colours, "Riders", numbered 1/20 (65.5 x 53.5cm) AND "Flea", signed in 3 000 September 1979, is attached on the reverse (36.5 x 35.5cm) Note: We pencil, dated '75 and numbered 15/20 (55.5 x 68.5cm) wish to thank the artist's daughter Nushin Elahi for identifying this work Condition report: Paper loss and tear evident 450 ELAHI, ALICE (SA 1926 - ) Watercolour, Landscape, "Namibian Skele- 2 000 - ton coast, near Cape Cross", faintly signed (42.5 x 47cm) Note: We wish 440 DE BEER, ANDRE (SA 1933 - ) Oil on canvas on board, "Die Naweek- 6 000 - 4 000 pos se Koerantverkopertjie", signed and dated '88 (49 x 36,5cm) 10 000 to thank the artist's daughter, Nushin Elahi for identifying this work

451 ELOFF, ZACHARIAS (ZAKKIE) (SA 1925 - 2004) Resin engraving on 1 000 - 441 DE BEER, ANDRE (SA 1933 - ) Oil on canvas on board, "Koerant- 4 000 - panel, "Gemsbokke", signed, dated '75 and numbered 19/150 3 000 verkopertjie in die Sonlig", signed (29.5 x 19cm) 8 000 Literature: Kloppers, S. (2013) Andre de Beer, Master of colour and line, (64.5 x 88cm) p.68 - 83 illustrates the numerous depictions of "Koerantverkopertjies”

442 DE BEER, STEFAN (SA 1962 - ) Oil on canvas on board, "Die ou Wa", 1 000 - signed, signed again, inscribed with the title and dated 2014 in the 3 000 artist's hand on the reverse (23 x 28.5cm)

443 DE JONGH, GABRIEL CORNELIS (SA 1913 - 2004) Oil on canvas, 3 000 - Landscape, "Thatch Cottage beside a River and distant Mountains", 6 000 signed (31.5 x 47cm) Condition report: Some surface cracking evident

444 DE JONGH, MARTHINUS JOHANNES (TINUS) (SA 1885 - 1942) 1 000 - Etching, "After the Storm", signed in pencil, inscribed with the title and 3 000 marked with a blind embossed studio stamp (24 x 29cm) 452 ELOFF, ZACHARIAS (ZAKKIE) (SA 1925 - 2004) Oil on board, 25 000 - 464 GROBLER, PIET (SA 1959 - ) A pair of Watercolours on handmade 1 000 - "Running Ostriches", signed with the artist's initials and dated '59 40 000 paper, "Bless this house" and "The Kiss", each signed and inscribed 3 000 (40 x 45cm) with their respective titles (Largest: 10 x 14cm) PLUS Watercolour, Illustration, "The Mermaid", signed and dated 2008 (13 x 9.5cm) 453 ELOFF, ZACHARIAS (ZAKKIE) (SA 1925 - 2004) Sepia watercolour, 2 000 - 465 "Kudus", signed (23.5 x 35.5cm) PLUS Lithographic Print, "Impala", 4 000 HESSELBARTH, BERHNARD FRANZ (BERNE) (SA 1903 - ?) Oil on 1 000 - signed in pencil (29 x 41cm) canvas on board, "Landscape with Trees and Mountain Stream amidst 3 000 a cloudy Sky", signed (39 x 43cm) 30 000 - 454 ELOFF, ZACHARIAS (ZAKKIE) (SA 1925 - 2004) Oil on canvas, 466 "Damara Dik-Dik", signed (57 x 79cm) 50 000 HESSELBARTH, BERHNARD FRANZ (BERNE) (SA 1903 - ?) Oil on 2 000 - canvas on board, Landscape, "Baobab Country, Soutpansberg", signed, 4 000 signed again and inscribed with the title in the artist's hand on the EVERARD-STEENKAMP, ROSAMUND KING (SA 1907 - 1946) Oil 455 6 000 - reverse (48.5 x 58.5cm) on canvas on board, "Still Life with Frangipani", signed "Rosamund K 10 000 Everard" (34 x 26cm) Condition report: Paint loss evident 467 HEYNS, MICHAEL FERREIRA (SA 1946 - ) Oil on board, "Twee 1 000 - Visse", signed, dated '11, signed again, inscribed with the title and 3 000 456 FASCIOTTI, TITTA (SA 1927 - 1993) Oil on board, Landscape, "View 1 000 - dated 10/2011 in the artist's hand on the reverse (40.5 x 38cm) of the Swartberg, C.P", signed with the artist's pseudonym "T. Scotty" 3 000 and inscribed with the title on a label on the reverse (34.5 x 49.5cm) 468 HODGINS, ROBERT GRIFFITHS (SA 1920 - 2010) Mixed media on 50 000 - paper, "Accusation", signed and dated '84 (Sheet size: 37 x 55cm) 70 000 457 FASCIOTTI, TITTA (SA 1927 - 1993) Oil on canvas on board, "Clouds 6 000 - 3 000 - above a sunlit Landscape", signed (24 x 34cm) 10 000 469 HOEFSLOOT, TJEERD ADRIANUS JOHANNES (TED) (SA 1930 - 2013) Oil on canvas on board, Landscape, "Scene near Overhex, Cape", 6 000 signed, inscribed with the title and dated 6/6/2006 in the artist's hand FASCIOTTI, TITTA (SA 1927 - 1993) Oil on canvas on board, "Sunlit 6 000 - 458 on the reverse (44 x 59cm) Landscape with Vlei", signed and dated '52 (24.5 x 34.5cm) 10 000 470 HONIBALL, THOMAS OCHSE (TO) (SA 1905 - 1990) Mixed 500 - 459 GROBLER, DIEK (SA 1964 - ) Gouache, "Cheese", signed and 500 - media/Felt-tip pen and watercolour, Illustration, "Goeie maniere 1 500 dated '98 (10 x 10cm) 1 500 verseker veiligheid! / Good manners ensure Safety", signed in pen, dated 1964 and inscribed with the title (14.5 x 23cm) 460 GROBLER, DIEK (SA 1964 - ) Mixed media, "The lonely Goat's 1 000 - Note: A humoristic interpretation of good manners for a series Cheese", from the "The Lonely Goat Suite" series, signed and dated '07 3 000 published in Die Burger Newspaper, Circa 1950's (26 x 26 cm) PLUS a digital (Giclee) print, "Lonely Goat Suite: Glamour Goat", signed in pencil, dated '07, inscribed with the title and numbered 471 JENSMA, WOPKO (SA 1939 - 1993) Gouache and charcoal, Abstract, 3 000 - 1/5 (34.5 x 25.5cm) "Snakes and Ladders", signed with the artist's initials in pencil and 6 000 dated 1973 (55 x 74.5cm) 461 GROBLER, JOHANN (SA 1935 - 1992) Oil on canvas, "Landscape with 1 000 - grazing Blouwildebeest", signed and dated '74 (51 x 76cm) 3 000 472 JENSMA, WOPKO (SA 1939 - 1993) Woodcut, Abstract, "African 3 000 - Presence", signed with the artist's initials in pencil, dated '70 and 6 000 462 GROBLER, PIET (SA 1959 - ) A pair of mixed media on handmade 1 000 - numbered 12/20 (33.5 x 36cm) Literature: Alexander F.L. (1974) South African Graphic Art and it's Techniques, p.68 illustrates a similar image paper, Book illustrations, "Elf voëls en een goor eiertjie" and "Kraai", 3 000 each signed, dated '92 and inscribed with their respective titles sold together with a Book: Alexander, F.L (1974) South African (Largest sheet size 29.5 x 20.5cm) Graphic Art and it's Techniques Condition report: Some paper loss evident 463 GROBLER, PIET (SA 1959 - ) A pair of Pen and ink Illustrations, "Mis 1 000 - 473 JENTSCH, ADOLPH STEPHAN FRIEDRICH (SWA 1888 - 1977) 8 000 - oor die see, vye aan die boom" and "Wat sou ons sonder pasta doen", 3 000 each signed, dated '94 and inscribed with their respective titles on the Watercolour, "Windiges Wetter in SWA", signed with the artist's initials, 15 000 mountboard in the artist's hand (26 x 20cm) dated 1945 and inscribed with the title on the reverse (17.5 x 25.5) 452 ELOFF, ZACHARIAS (ZAKKIE) (SA 1925 - 2004) Oil on board, 25 000 - 464 GROBLER, PIET (SA 1959 - ) A pair of Watercolours on handmade 1 000 - "Running Ostriches", signed with the artist's initials and dated '59 40 000 paper, "Bless this house" and "The Kiss", each signed and inscribed 3 000 (40 x 45cm) with their respective titles (Largest: 10 x 14cm) PLUS Watercolour, Illustration, "The Mermaid", signed and dated 2008 (13 x 9.5cm) 453 ELOFF, ZACHARIAS (ZAKKIE) (SA 1925 - 2004) Sepia watercolour, 2 000 - 465 "Kudus", signed (23.5 x 35.5cm) PLUS Lithographic Print, "Impala", 4 000 HESSELBARTH, BERHNARD FRANZ (BERNE) (SA 1903 - ?) Oil on 1 000 - signed in pencil (29 x 41cm) canvas on board, "Landscape with Trees and Mountain Stream amidst 3 000 a cloudy Sky", signed (39 x 43cm) 30 000 - 454 ELOFF, ZACHARIAS (ZAKKIE) (SA 1925 - 2004) Oil on canvas, 466 "Damara Dik-Dik", signed (57 x 79cm) 50 000 HESSELBARTH, BERHNARD FRANZ (BERNE) (SA 1903 - ?) Oil on 2 000 - canvas on board, Landscape, "Baobab Country, Soutpansberg", signed, 4 000 signed again and inscribed with the title in the artist's hand on the EVERARD-STEENKAMP, ROSAMUND KING (SA 1907 - 1946) Oil 455 6 000 - reverse (48.5 x 58.5cm) on canvas on board, "Still Life with Frangipani", signed "Rosamund K 10 000 Everard" (34 x 26cm) Condition report: Paint loss evident 467 HEYNS, MICHAEL FERREIRA (SA 1946 - ) Oil on board, "Twee 1 000 - Visse", signed, dated '11, signed again, inscribed with the title and 3 000 456 FASCIOTTI, TITTA (SA 1927 - 1993) Oil on board, Landscape, "View 1 000 - dated 10/2011 in the artist's hand on the reverse (40.5 x 38cm) of the Swartberg, C.P", signed with the artist's pseudonym "T. Scotty" 3 000 and inscribed with the title on a label on the reverse (34.5 x 49.5cm) 468 HODGINS, ROBERT GRIFFITHS (SA 1920 - 2010) Mixed media on 50 000 - paper, "Accusation", signed and dated '84 (Sheet size: 37 x 55cm) 70 000 457 FASCIOTTI, TITTA (SA 1927 - 1993) Oil on canvas on board, "Clouds 6 000 - 3 000 - above a sunlit Landscape", signed (24 x 34cm) 10 000 469 HOEFSLOOT, TJEERD ADRIANUS JOHANNES (TED) (SA 1930 - 2013) Oil on canvas on board, Landscape, "Scene near Overhex, Cape", 6 000 signed, inscribed with the title and dated 6/6/2006 in the artist's hand FASCIOTTI, TITTA (SA 1927 - 1993) Oil on canvas on board, "Sunlit 6 000 - 458 on the reverse (44 x 59cm) Landscape with Vlei", signed and dated '52 (24.5 x 34.5cm) 10 000 470 HONIBALL, THOMAS OCHSE (TO) (SA 1905 - 1990) Mixed 500 - 459 GROBLER, DIEK (SA 1964 - ) Gouache, "Cheese", signed and 500 - media/Felt-tip pen and watercolour, Illustration, "Goeie maniere 1 500 dated '98 (10 x 10cm) 1 500 verseker veiligheid! / Good manners ensure Safety", signed in pen, dated 1964 and inscribed with the title (14.5 x 23cm) 460 GROBLER, DIEK (SA 1964 - ) Mixed media, "The lonely Goat's 1 000 - Note: A humoristic interpretation of good manners for a series Cheese", from the "The Lonely Goat Suite" series, signed and dated '07 3 000 published in Die Burger Newspaper, Circa 1950's (26 x 26 cm) PLUS a digital (Giclee) print, "Lonely Goat Suite: Glamour Goat", signed in pencil, dated '07, inscribed with the title and numbered 471 JENSMA, WOPKO (SA 1939 - 1993) Gouache and charcoal, Abstract, 3 000 - 1/5 (34.5 x 25.5cm) "Snakes and Ladders", signed with the artist's initials in pencil and 6 000 dated 1973 (55 x 74.5cm) 461 GROBLER, JOHANN (SA 1935 - 1992) Oil on canvas, "Landscape with 1 000 - grazing Blouwildebeest", signed and dated '74 (51 x 76cm) 3 000 472 JENSMA, WOPKO (SA 1939 - 1993) Woodcut, Abstract, "African 3 000 - Presence", signed with the artist's initials in pencil, dated '70 and 6 000 462 GROBLER, PIET (SA 1959 - ) A pair of mixed media on handmade 1 000 - numbered 12/20 (33.5 x 36cm) Literature: Alexander F.L. (1974) South African Graphic Art and it's Techniques, p.68 illustrates a similar image paper, Book illustrations, "Elf voëls en een goor eiertjie" and "Kraai", 3 000 each signed, dated '92 and inscribed with their respective titles sold together with a Book: Alexander, F.L (1974) South African (Largest sheet size 29.5 x 20.5cm) Graphic Art and it's Techniques Condition report: Some paper loss evident 463 GROBLER, PIET (SA 1959 - ) A pair of Pen and ink Illustrations, "Mis 1 000 - 473 JENTSCH, ADOLPH STEPHAN FRIEDRICH (SWA 1888 - 1977) 8 000 - oor die see, vye aan die boom" and "Wat sou ons sonder pasta doen", 3 000 each signed, dated '94 and inscribed with their respective titles on the Watercolour, "Windiges Wetter in SWA", signed with the artist's initials, 15 000 mountboard in the artist's hand (26 x 20cm) dated 1945 and inscribed with the title on the reverse (17.5 x 25.5) 474 JENTSCH, ADOLPH STEPHAN FRIEDRICH (SWA 1888 - 1977) 6 000 - 486 MARAIS, WESSEL (SA 1935 - 2009) Oil on canvas on board, "Still 2 000 - Watercolour, "Blühenderhakie", signed with the artist's initials and 10 000 Life with Cosmos in a Vase", signed and dated '85 (59.5 x 44cm) 4 000 dated 1940, inscribed with the title and dated 1982/04/20, together with an Arts Association S.W.A. /Namibia label with further anno- 487 MAYER, (ERNST KARL) ERICH (SA 1876 - 1960) Etching, Landscape, 2 000 - tations: "1942 gekauft bei Kunsthandling Josef Reiter-Ortilie Nitzsche/ "Departing from the Farm", signed and dated in the image in reverse, 4 000 Kaiserstrase fur £7.10", on the reverse (18.5 x 25cm) signed again with the artist's initials in pencil and dated 1928 (15 x 18cm) 475 JENTSCH, ADOLPH STEPHAN FRIEDRICH (SWA 1888 - 1977) 8 000 - Watercolour, "Dry Namib Landscape", signed with the artist's initials 15 000 488 MAYER, (ERNST KARL) ERICH (SA 1876 - 1960) Watercolour over 2 000 - and dated 1946 (17.5 x 30cm) pencil, Landscape, "Pioneer Cottage beside Bluegums", signed and 4 000 dated 1946 (16 x 12cm) 476 KENTRIDGE, WILLIAM JOSEPH (SA 1955 - ) Photo Lithographic 10 000 - exhibition poster, "Notes on a Model Opera", signed, dated 2015 and 15 000 489 MAYER, (ERNST KARL) ERICH (SA 1876 - 1960) Watercolour, 2 000 - numbered 89/100 (80 x 80cm) "Landscape near Tshipise", signed and dated 1939 (12 x 16cm) 4 000 477 KLAR, OTTO (SA 1908 - 1994) Mixed media, "Figures beside 1 000 - 490 MAYER, (ERNST KARL) ERICH (SA 1876 - 1960) Watercolour, Street 4 000 - Workers' Cottages", signed (11.5 x 36cm) 3 000 scene, "Reid St Burghersdorp", signed, dated 1930 and inscribed with 8 000 the title in pencil in the artist's hand on the reverse (18 x 24cm) 478 KOBELI, ELI (SA 1932 - 1999) Pastel, "The Penny Whistler", signed 1 000 - (62.5 x 49cm) 3 000 491 MBATHA, ERIC (SA 1948 - 2012) Etching and pencil, "Gossiping", 1 000 - signed in pencil, dated '71, numbered 1/15 and inscribed with the title 3 000 479 KOCH, JOHANN ROBERT FRANCIS (SA 1948 - ) Oil on canvas on 6 000 - (Sheet size: 36 x 25.5cm) board, "Bushveld Landscape after the Rain", signed and dated ' 71 10 000 (24 x 49.5cm) 492 MUZONDO, JOSEPH (Zimbabwe 1953 - ) African Wonderstone, 5 000 - "Confluence of Time", signed and dated 2011, mounted on a granite 480 KOCH, JOHANN ROBERT FRANCIS (SA 1948 - ) Oil on canvas on 15 000 6 000 - base (Total height: 63.5cm) board, "Bushveld Landscape with Trees beside a dry River bed", 10 000 signed (24.5 x 49.5cm) 493 NICE, CHRISTIAAN ST PATRICK (SA 1937 - ) Oil on canvas on 8 000 - board, "Farm Cottage", signed (29 x 21.5cm) 15 000 481 KOTZE, KOBUS PETRUS (SA 1938 - ) Oil on canvas on board, 2 000 - "Landscape with farm house and distant Mountains", signed and 4 000 NIEMANN, HENDRIK CHRISTIAAN (SA 1941 - ) Mixed media, 4 000 - inscribed with the title and dated July 2015 on the artist's gallery 494 “Girl Reading", signed and dated '89 (33.5 x 28cm) label on the reverse (15 x 20cm) 8 000 3 000 - 482 KOTZE, KOBUS PETRUS (SA 1938 - ) Watercolour, Landscape, 1 000 - 495 NIEMANN, HENDRIK CHRISTIAAN (SA 1941 - ) Mixed media, Portrait, "Deep in Thought", signed and dated '87 (29.5 x 19cm) 6 000 "Bloekombome", signed and inscribed with the title and dated May 3 000 2010 on the artist's gallery label on the reverse (18 x 28cm) 496 NIEMANN, HENDRIK CHRISTIAAN JNR (SA 1972 - ) Bistre ink, 1 000 - 483 KRAMPE, FRITZ (SA 1913 - 1966) Lithographic reproduction print, 500 - "Zebra and Foal", signed with the artist's initials and dated '96 3 000 (24.5 x 18.5cm) "Himba Kaokoveld Unter West", signed, inscribed and numbered 6/25 1 500 in the image (36 x 27cm) 497 NJARA, LUANDISO (SA 1978 - ) Pen and ink, "Male Nude", signed 500 - 484 LUYT, ARIE MARTINUS (NETHERLANDS 1879 - 1951) Charcoal, 6 000 - and dated '77 (25 x 14.5cm) 1 500 "Transporting the Wounded", signed in pencil (75.5 x 94cm) 10 000 498 OLDERT, JOHANNES (SA 1912 - 1984) Oil on board, "On the Way to 2 000 - 485 MARAIS, (ANNA) CHRISTINE (SWA 1935 - ) Oil on board, "Fishing 1 000 - Tokai Forest, Cape", signed and inscribed in the artist's hand with the 4 000 on the Beach", signed (44 x 60cm) 3 000 title on a label on the reverse (34.5 x 50cm) 474 JENTSCH, ADOLPH STEPHAN FRIEDRICH (SWA 1888 - 1977) 6 000 - 486 MARAIS, WESSEL (SA 1935 - 2009) Oil on canvas on board, "Still 2 000 - Watercolour, "Blühenderhakie", signed with the artist's initials and 10 000 Life with Cosmos in a Vase", signed and dated '85 (59.5 x 44cm) 4 000 dated 1940, inscribed with the title and dated 1982/04/20, together with an Arts Association S.W.A. /Namibia label with further anno- 487 MAYER, (ERNST KARL) ERICH (SA 1876 - 1960) Etching, Landscape, 2 000 - tations: "1942 gekauft bei Kunsthandling Josef Reiter-Ortilie Nitzsche/ "Departing from the Farm", signed and dated in the image in reverse, 4 000 Kaiserstrase fur £7.10", on the reverse (18.5 x 25cm) signed again with the artist's initials in pencil and dated 1928 (15 x 18cm) 475 JENTSCH, ADOLPH STEPHAN FRIEDRICH (SWA 1888 - 1977) 8 000 - Watercolour, "Dry Namib Landscape", signed with the artist's initials 15 000 488 MAYER, (ERNST KARL) ERICH (SA 1876 - 1960) Watercolour over 2 000 - and dated 1946 (17.5 x 30cm) pencil, Landscape, "Pioneer Cottage beside Bluegums", signed and 4 000 dated 1946 (16 x 12cm) 476 KENTRIDGE, WILLIAM JOSEPH (SA 1955 - ) Photo Lithographic 10 000 - exhibition poster, "Notes on a Model Opera", signed, dated 2015 and 15 000 489 MAYER, (ERNST KARL) ERICH (SA 1876 - 1960) Watercolour, 2 000 - numbered 89/100 (80 x 80cm) "Landscape near Tshipise", signed and dated 1939 (12 x 16cm) 4 000 477 KLAR, OTTO (SA 1908 - 1994) Mixed media, "Figures beside 1 000 - 490 MAYER, (ERNST KARL) ERICH (SA 1876 - 1960) Watercolour, Street 4 000 - Workers' Cottages", signed (11.5 x 36cm) 3 000 scene, "Reid St Burghersdorp", signed, dated 1930 and inscribed with 8 000 the title in pencil in the artist's hand on the reverse (18 x 24cm) 478 KOBELI, ELI (SA 1932 - 1999) Pastel, "The Penny Whistler", signed 1 000 - (62.5 x 49cm) 3 000 491 MBATHA, ERIC (SA 1948 - 2012) Etching and pencil, "Gossiping", 1 000 - signed in pencil, dated '71, numbered 1/15 and inscribed with the title 3 000 479 KOCH, JOHANN ROBERT FRANCIS (SA 1948 - ) Oil on canvas on 6 000 - (Sheet size: 36 x 25.5cm) board, "Bushveld Landscape after the Rain", signed and dated ' 71 10 000 (24 x 49.5cm) 492 MUZONDO, JOSEPH (Zimbabwe 1953 - ) African Wonderstone, 5 000 - "Confluence of Time", signed and dated 2011, mounted on a granite 480 KOCH, JOHANN ROBERT FRANCIS (SA 1948 - ) Oil on canvas on 15 000 6 000 - base (Total height: 63.5cm) board, "Bushveld Landscape with Trees beside a dry River bed", 10 000 signed (24.5 x 49.5cm) 493 NICE, CHRISTIAAN ST PATRICK (SA 1937 - ) Oil on canvas on 8 000 - board, "Farm Cottage", signed (29 x 21.5cm) 15 000 481 KOTZE, KOBUS PETRUS (SA 1938 - ) Oil on canvas on board, 2 000 - "Landscape with farm house and distant Mountains", signed and 4 000 NIEMANN, HENDRIK CHRISTIAAN (SA 1941 - ) Mixed media, 4 000 - inscribed with the title and dated July 2015 on the artist's gallery 494 “Girl Reading", signed and dated '89 (33.5 x 28cm) label on the reverse (15 x 20cm) 8 000 3 000 - 482 KOTZE, KOBUS PETRUS (SA 1938 - ) Watercolour, Landscape, 1 000 - 495 NIEMANN, HENDRIK CHRISTIAAN (SA 1941 - ) Mixed media, Portrait, "Deep in Thought", signed and dated '87 (29.5 x 19cm) 6 000 "Bloekombome", signed and inscribed with the title and dated May 3 000 2010 on the artist's gallery label on the reverse (18 x 28cm) 496 NIEMANN, HENDRIK CHRISTIAAN JNR (SA 1972 - ) Bistre ink, 1 000 - 483 KRAMPE, FRITZ (SA 1913 - 1966) Lithographic reproduction print, 500 - "Zebra and Foal", signed with the artist's initials and dated '96 3 000 (24.5 x 18.5cm) "Himba Kaokoveld Unter West", signed, inscribed and numbered 6/25 1 500 in the image (36 x 27cm) 497 NJARA, LUANDISO (SA 1978 - ) Pen and ink, "Male Nude", signed 500 - 484 LUYT, ARIE MARTINUS (NETHERLANDS 1879 - 1951) Charcoal, 6 000 - and dated '77 (25 x 14.5cm) 1 500 "Transporting the Wounded", signed in pencil (75.5 x 94cm) 10 000 498 OLDERT, JOHANNES (SA 1912 - 1984) Oil on board, "On the Way to 2 000 - 485 MARAIS, (ANNA) CHRISTINE (SWA 1935 - ) Oil on board, "Fishing 1 000 - Tokai Forest, Cape", signed and inscribed in the artist's hand with the 4 000 on the Beach", signed (44 x 60cm) 3 000 title on a label on the reverse (34.5 x 50cm) 499 OLDERT, JOHANNES (SA 1912 - 1984) Oil on board, "Riviertjie naby 1 000 - 508 ROOS, NICHOLAS OSWALD (NICO) PROF (SA 1940 - 2008) 8 000 - Worcester, Kaap", signed and inscribed with the title in the artist's 3 000 Mixed media, "Moon above the Namib", signed (47 x 66.5cm) 15 000 hand on a label on the reverse (29 x 42cm) 509 ROOS, NICHOLAS OSWALD (NICO) PROF (SA 1940 - 2008) 6 000 - 500 PALMER, ALFRED, RBA, ROI (SA 1877 - 1951) Oil pastel, "Cape 1 000 - Mixed media, Abstract, "Namib Landscape", signed (36 x 30.5cm) 10 000 Landscape with Trees and distant Table Mountain", signed 3 000 (59 x 49.5cm) 510 ROSSOUW, ROELOF S (SA 1957 - ) Oil on canvas on board, Street 3 000 - Scene, "Springtime in Amsterdam", signed (58 x 73.5cm) 6 000 501 PEMBERTON, HILDA MARY (BRITISH 1880 - 1956) Etching, 500 - Landscape, "Lourensford", signed in pencil and inscribed with the 1 500 511 ROWORTH, EDWARD (PROF) (SA 1880 - 1964) Oil on panel, 4 000 - title (26.5 x 21cm) Landscape, "Sun and Shadow", signed, dated 1962 and inscribed 8 000 with the title on a label on the reverse (61 x 73cm) 502 PEMBERTON, HILDA MARY (BRITISH 1880 - 1956) Etching, 500 - Landscape, "Table Mountain from Golf Link, Milnerton", signed in 1 500 512 SAOLI, WINSTON (SA 1950 - 1995) Pen, ink and conte wash, 2 000 - pencil and inscribed with the title (16.5 x 22cm) "Keyboard Player", signed in pen, dated '69, inscribed with the title 4 000 and date on a Goodman Gallery, Johannesburg Exhibition label on 503 PIERNEEF, JACOB HENDRIK (SA 1886 - 1957) Linocut, "Afrikaanse 6 000 - the reverse (39 x 26cm) Kuns- en Kultuurdag, Bloemfontein", signed in pencil and dated 1929 10 000 (22.5 x 17cm) Literature: Nilant, F.E.G (1974) Pierneef Linosneë, p.165 513 SCHRODER, OTTO EDWARD HENRY FRSA (SWA 1913 - 1975) 3 000 - illustrates. Note: This image was used as the programme cover for Mixed media, "Overcast Seascape, Skeleton Coast" , signed and 6 000 the A.T.K. Konferensie 18-19 December 1929, PLUS Lithographic dated '69 (36 x 63cm) reproduction print, "Fisherman's Harbour - Hermanus", printed signature and title, numbered in pencil 34/500 (23 x 28.5cm) 514 SCHWANECKE, ULRICH CONRAD HEINRICH VALTIN (SWA 1932 3 000 - - 2006) Mixed media, "Rocks and Trees in the Namib", signed and 6 000 504 PIERNEEF, JACOB HENDRIK (SA 1886 - 1957) Linocut, "Unie Gebou 20 000 - dated '72 (54 x 74.5cm) vanaf Prinshof, Pretoria", signed with the artist's monogram in the 30 000 plate, signed in pencil, dated 1925 and inscribed with the title and 515 SIBIYA, LUCKY MADLO (SA 1942 - 1999) Carved, incised and 20 000 - "impr" (29 x 36cm) Literature: Nilant, F. E. G (1974) Pierneef Linosneë, painted Wood panel, "Figures in Conversation", signed and dated '87 40 000 p.66 plate 36, and Bouman, A. C (1938) Kuns in (86 x 105cm) Condition report: Splits to panel Suid-Afrika p. LII illustrates the work 516 SKOTNES, CECIL EDWIN FRANS (SA 1926 - 2009) Pastel, "Figures", 20 000 - 505 PIERNEEF, JACOB HENDRIK (SA 1886 - 1957) Linocut, Landscape, 6 000 - signed, dated ' 67 and inscribed with the title on a label on the reverse 30 000 "Doringboom, Rustenburg, Transvaal", signed with the artist's 10 000 (42.5 x 61cm) monogram in the plate, signed, numbered 5/8 and inscribed with the title on the mountboard (Sheet size: 14 x 18cm) 517 SPEARS, FRANK SYDNEY (SA 1906 - 1991) Oil on board, "Portrait 10 000 - Literature: Nilant, F.E.G (1974) Pierneef Linosneë p.133 plate 98, of a Clown", signed (40 x 29cm) 15 000 illustrates the work 518 STERN, IRMA (SA 1894 - 1966) Pen and gouache on paper, Portrait, 40 000 - 506 PRELLER, ALEXIS (SA 1911 - 1975) Pencil, Portrait, "Seychelles Man", 500 - “The Lovers”, signed and dated 1955 (31 x 24cm) 60 000 signed in pencil, Circa 1948 (Sheet size: 27.5 x 19cm) 1 500 Condition report: Water stain evident 519 SUMNER, MAUD EYSTON (SA 1902 - 1985) Mixed media, "Muse", 6 000 - signed twice in pencil and again in ink (40 x 26cm) 10 000 507 ROOS, JO M (SA 1926 - 2010) Bronze casting with green patination, 8 000 - "Maiden and Birds", signed (Height: 54cm) Provenance: Purchased by 15 000 520 SUMNER, MAUD EYSTON (SA 1902 - 1985) Oil pastel, "Namib 30 000 - the current owner from the Gallery Van Rijn, Pretoria Seascape", faintly signed lower right (46 x 62.5cm) 50 000 499 OLDERT, JOHANNES (SA 1912 - 1984) Oil on board, "Riviertjie naby 1 000 - 508 ROOS, NICHOLAS OSWALD (NICO) PROF (SA 1940 - 2008) 8 000 - Worcester, Kaap", signed and inscribed with the title in the artist's 3 000 Mixed media, "Moon above the Namib", signed (47 x 66.5cm) 15 000 hand on a label on the reverse (29 x 42cm) 509 ROOS, NICHOLAS OSWALD (NICO) PROF (SA 1940 - 2008) 6 000 - 500 PALMER, ALFRED, RBA, ROI (SA 1877 - 1951) Oil pastel, "Cape 1 000 - Mixed media, Abstract, "Namib Landscape", signed (36 x 30.5cm) 10 000 Landscape with Trees and distant Table Mountain", signed 3 000 (59 x 49.5cm) 510 ROSSOUW, ROELOF S (SA 1957 - ) Oil on canvas on board, Street 3 000 - Scene, "Springtime in Amsterdam", signed (58 x 73.5cm) 6 000 501 PEMBERTON, HILDA MARY (BRITISH 1880 - 1956) Etching, 500 - Landscape, "Lourensford", signed in pencil and inscribed with the 1 500 511 ROWORTH, EDWARD (PROF) (SA 1880 - 1964) Oil on panel, 4 000 - title (26.5 x 21cm) Landscape, "Sun and Shadow", signed, dated 1962 and inscribed 8 000 with the title on a label on the reverse (61 x 73cm) 502 PEMBERTON, HILDA MARY (BRITISH 1880 - 1956) Etching, 500 - Landscape, "Table Mountain from Golf Link, Milnerton", signed in 1 500 512 SAOLI, WINSTON (SA 1950 - 1995) Pen, ink and conte wash, 2 000 - pencil and inscribed with the title (16.5 x 22cm) "Keyboard Player", signed in pen, dated '69, inscribed with the title 4 000 and date on a Goodman Gallery, Johannesburg Exhibition label on 503 PIERNEEF, JACOB HENDRIK (SA 1886 - 1957) Linocut, "Afrikaanse 6 000 - the reverse (39 x 26cm) Kuns- en Kultuurdag, Bloemfontein", signed in pencil and dated 1929 10 000 (22.5 x 17cm) Literature: Nilant, F.E.G (1974) Pierneef Linosneë, p.165 513 SCHRODER, OTTO EDWARD HENRY FRSA (SWA 1913 - 1975) 3 000 - illustrates. Note: This image was used as the programme cover for Mixed media, "Overcast Seascape, Skeleton Coast" , signed and 6 000 the A.T.K. Konferensie 18-19 December 1929, PLUS Lithographic dated '69 (36 x 63cm) reproduction print, "Fisherman's Harbour - Hermanus", printed signature and title, numbered in pencil 34/500 (23 x 28.5cm) 514 SCHWANECKE, ULRICH CONRAD HEINRICH VALTIN (SWA 1932 3 000 - - 2006) Mixed media, "Rocks and Trees in the Namib", signed and 6 000 504 PIERNEEF, JACOB HENDRIK (SA 1886 - 1957) Linocut, "Unie Gebou 20 000 - dated '72 (54 x 74.5cm) vanaf Prinshof, Pretoria", signed with the artist's monogram in the 30 000 plate, signed in pencil, dated 1925 and inscribed with the title and 515 SIBIYA, LUCKY MADLO (SA 1942 - 1999) Carved, incised and 20 000 - "impr" (29 x 36cm) Literature: Nilant, F. E. G (1974) Pierneef Linosneë, painted Wood panel, "Figures in Conversation", signed and dated '87 40 000 p.66 plate 36, and Bouman, A. C (1938) Kuns in (86 x 105cm) Condition report: Splits to panel Suid-Afrika p. LII illustrates the work 516 SKOTNES, CECIL EDWIN FRANS (SA 1926 - 2009) Pastel, "Figures", 20 000 - 505 PIERNEEF, JACOB HENDRIK (SA 1886 - 1957) Linocut, Landscape, 6 000 - signed, dated ' 67 and inscribed with the title on a label on the reverse 30 000 "Doringboom, Rustenburg, Transvaal", signed with the artist's 10 000 (42.5 x 61cm) monogram in the plate, signed, numbered 5/8 and inscribed with the title on the mountboard (Sheet size: 14 x 18cm) 517 SPEARS, FRANK SYDNEY (SA 1906 - 1991) Oil on board, "Portrait 10 000 - Literature: Nilant, F.E.G (1974) Pierneef Linosneë p.133 plate 98, of a Clown", signed (40 x 29cm) 15 000 illustrates the work 518 STERN, IRMA (SA 1894 - 1966) Pen and gouache on paper, Portrait, 40 000 - 506 PRELLER, ALEXIS (SA 1911 - 1975) Pencil, Portrait, "Seychelles Man", 500 - “The Lovers”, signed and dated 1955 (31 x 24cm) 60 000 signed in pencil, Circa 1948 (Sheet size: 27.5 x 19cm) 1 500 Condition report: Water stain evident 519 SUMNER, MAUD EYSTON (SA 1902 - 1985) Mixed media, "Muse", 6 000 - signed twice in pencil and again in ink (40 x 26cm) 10 000 507 ROOS, JO M (SA 1926 - 2010) Bronze casting with green patination, 8 000 - "Maiden and Birds", signed (Height: 54cm) Provenance: Purchased by 15 000 520 SUMNER, MAUD EYSTON (SA 1902 - 1985) Oil pastel, "Namib 30 000 - the current owner from the Gallery Van Rijn, Pretoria Seascape", faintly signed lower right (46 x 62.5cm) 50 000 521 SWART SUSANNA (SANA) (SA 1967 - ) Bronze "Warrior", signed on 10 000 - 531 VORSTER, GORDON FRANK (SA 1924 - 1988) Oil on board, incised 2 000 - the base, dated '04, numbered 2/7 and Cast by Boudiccea Foundry 20 000 and bass relief, "Zebra in a Landscape" (16 x 33.5cm) 4 000 (Height: 51cm) Note: According to the artist, a total of 3 castings were made before the mould was destroyed and the work has alternate titles 532 VORSTER, GORDON FRANK (SA 1924 - 1988) Pastel, "Giraffe and 2 000 - - "Teiwaz or Warrior” Gemsbok - Pafuri", signed (37.5 x 56cm) 4 000

522 VAN DEN BERG, SHANY (SA 1958 - ) Oil on canvas on board, 6 000 - 533 VORSTER, GORDON FRANK (SA 1924 - 1988) Pastel, Landscape, 2 000 - Portrait, "Me and I / Untitled", signed, dated '98 and authenticated by 10 000 "Baobabs - Pafuri", signed (38 x 56cm) 4 000 the artist in an electronic note on the reverse, dated 29 July 2016 (70.5 x 60cm) 534 VORSTER, GORDON FRANK (SA 1924 - 1988) Pastel, Landscape, 2 000 - "Fever Trees - Pafuri", signed (37.5 x 56cm) 4 000 523 VAN DER REIS, GUNTHER FRIEDRICH JULIUS (SA 1927 - ) 2 000 - Etching, "Conversation", signed in the image, signed again in 4 000 535 VOSSER, RUDOLPH (SA 1965 - ) Oil on panel, Triptych, "Voyeurs I, II 8 000 - pencil, dated '56 and numbered 3/5 (23 x 33cm) and III, each panel signed and dated '06 respectively 15 000 (122 x 43.5cm each) 524 VAN DER WESTHUIZEN, PIETER (SA 1931 - 2008) Woodblock, pen 30 000 - and ink on paper, Landscape, "Philadelphia Collage", signed and dated 50 000 536 WAITE, MARGARET HEBE (MAISIE) (SA 1906 - 1986) Watercolour, 1 000 - '86 (70 x 98.5cm) Literature: Schneider, L. Pieter van der Westhuizen: "Harvest Flowers", signed (64 x 35.5cm) 3 000 Life Love and Landscapes, p.142 and 143 illustrates elements of the woodblock printed areas and typical vignettes of his work 537 WALLACE, MARJORIE (SA 1925 - 2005) Oil on canvas, "Sea 20 000 - Cottage near Vermont", signed (60 x 72cm) 30 000 525 VAN ESSCHE, MAURICE CHARLES LOUIS (SA 1906 - 1977) A pair 2 000 - of Linocuts, "Cape Minstrels", each marked with the artist's initials in 4 000 538 WESTBROOK, WALTER EDWARD (SA 1921 - ) Oil on canvas on 3 000 - the image and numbered in pencil 75/275 and 121/275 respectively PAIR board, "Northern Cape Landscape", signed and dated '85 (15 x 27cm) 6 000 (Largest Sheet size: 20 x 18cm) 539 WESTBROOK, WALTER EDWARD (SA 1921 - ) Oil on canvas, 20 000 - 526 VAN HEERDEN, PIETER GERHARDUS (PIET) (SA 1917 - 1991) Oil 12 000 - "Spanish Landscape", signed and dated '66 (60.5 x 73.5cm) 30 000 on board, Landscape, "Genadendal", signed, inscribed with the title, 18 000 dated December 1964 with a personal gift message on a label on the 540 WITHERS, HONORINE MARGARET (MABEL) FRGS (SA 1870 - 1 000 - reverse (33 x 58cm) Provenance: Purchased - Pieter Wenning Gallery, 1956) Watercolour heightened with gouache, "Rondavels and 3 000 Johannesburg, December 1964, original purchase price of R 84 Blossoming Coral Tree", signed (25 x 36.5cm)

527 VASARELY, VICTOR (1905 - 1997) A 1983 Vintage 750ml Brut 1 000 - 541 WOODROW, MERVYN (PROF) (SA 1932 - ) Oil on board, "Bare 1 000 - Tattinger Champagne - Artist's Collection, signed (with foil seal) 3 000 Trees", signed and dated '71 (44 X 61.5cm) 3 000

528 VERSTER, ANDREW CLEMENT (SA 1937 - ) Mixed media, 1 000 - 542 ZANDER, KONRAD ERHARD (KONNIE) (SA 1920 - 2009) 3 000 - "Harlequin", signed in pencil and dated '62 (44 x 26.5cm) 3 000 Watercolour, "Ostriches in the Namib", signed and dated 1970 6 000 (41 x 70cm) 529 VOIGTZ, JOACHIM (1907 - 1994) Watercolour, "Herero Family", 1 000 - signed and dated '47 (17 x 24cm) 3 000 543 ZEELIE, ADELIO ZAGNI (SA 1911 - 1991) Oil on board, Seascape, 2 000 - "Sharing the Catch at Daybreak", signed and dated Durban 1958 4 000 530 VORSTER, ANNA (SA 1928 - 1990) A pair of sepia Abstract Etchings, 500 - (34 x 49cm) "Rotswand" and "Fasette van 'n Rotswand", each signed in pencil, 1 500 dated '75, inscribed with their respective titles and numbered 5/20 PAIR and 3/15 (Largest: 29 x 18cm) 521 SWART SUSANNA (SANA) (SA 1967 - ) Bronze "Warrior", signed on 10 000 - 531 VORSTER, GORDON FRANK (SA 1924 - 1988) Oil on board, incised 2 000 - the base, dated '04, numbered 2/7 and Cast by Boudiccea Foundry 20 000 and bass relief, "Zebra in a Landscape" (16 x 33.5cm) 4 000 (Height: 51cm) Note: According to the artist, a total of 3 castings were made before the mould was destroyed and the work has alternate titles 532 VORSTER, GORDON FRANK (SA 1924 - 1988) Pastel, "Giraffe and 2 000 - - "Teiwaz or Warrior” Gemsbok - Pafuri", signed (37.5 x 56cm) 4 000

522 VAN DEN BERG, SHANY (SA 1958 - ) Oil on canvas on board, 6 000 - 533 VORSTER, GORDON FRANK (SA 1924 - 1988) Pastel, Landscape, 2 000 - Portrait, "Me and I / Untitled", signed, dated '98 and authenticated by 10 000 "Baobabs - Pafuri", signed (38 x 56cm) 4 000 the artist in an electronic note on the reverse, dated 29 July 2016 (70.5 x 60cm) 534 VORSTER, GORDON FRANK (SA 1924 - 1988) Pastel, Landscape, 2 000 - "Fever Trees - Pafuri", signed (37.5 x 56cm) 4 000 523 VAN DER REIS, GUNTHER FRIEDRICH JULIUS (SA 1927 - ) 2 000 - Etching, "Conversation", signed in the image, signed again in 4 000 535 VOSSER, RUDOLPH (SA 1965 - ) Oil on panel, Triptych, "Voyeurs I, II 8 000 - pencil, dated '56 and numbered 3/5 (23 x 33cm) and III, each panel signed and dated '06 respectively 15 000 (122 x 43.5cm each) 524 VAN DER WESTHUIZEN, PIETER (SA 1931 - 2008) Woodblock, pen 30 000 - and ink on paper, Landscape, "Philadelphia Collage", signed and dated 50 000 536 WAITE, MARGARET HEBE (MAISIE) (SA 1906 - 1986) Watercolour, 1 000 - '86 (70 x 98.5cm) Literature: Schneider, L. Pieter van der Westhuizen: "Harvest Flowers", signed (64 x 35.5cm) 3 000 Life Love and Landscapes, p.142 and 143 illustrates elements of the woodblock printed areas and typical vignettes of his work 537 WALLACE, MARJORIE (SA 1925 - 2005) Oil on canvas, "Sea 20 000 - Cottage near Vermont", signed (60 x 72cm) 30 000 525 VAN ESSCHE, MAURICE CHARLES LOUIS (SA 1906 - 1977) A pair 2 000 - of Linocuts, "Cape Minstrels", each marked with the artist's initials in 4 000 538 WESTBROOK, WALTER EDWARD (SA 1921 - ) Oil on canvas on 3 000 - the image and numbered in pencil 75/275 and 121/275 respectively PAIR board, "Northern Cape Landscape", signed and dated '85 (15 x 27cm) 6 000 (Largest Sheet size: 20 x 18cm) 539 WESTBROOK, WALTER EDWARD (SA 1921 - ) Oil on canvas, 20 000 - 526 VAN HEERDEN, PIETER GERHARDUS (PIET) (SA 1917 - 1991) Oil 12 000 - "Spanish Landscape", signed and dated '66 (60.5 x 73.5cm) 30 000 on board, Landscape, "Genadendal", signed, inscribed with the title, 18 000 dated December 1964 with a personal gift message on a label on the 540 WITHERS, HONORINE MARGARET (MABEL) FRGS (SA 1870 - 1 000 - reverse (33 x 58cm) Provenance: Purchased - Pieter Wenning Gallery, 1956) Watercolour heightened with gouache, "Rondavels and 3 000 Johannesburg, December 1964, original purchase price of R 84 Blossoming Coral Tree", signed (25 x 36.5cm)

527 VASARELY, VICTOR (1905 - 1997) A 1983 Vintage 750ml Brut 1 000 - 541 WOODROW, MERVYN (PROF) (SA 1932 - ) Oil on board, "Bare 1 000 - Tattinger Champagne - Artist's Collection, signed (with foil seal) 3 000 Trees", signed and dated '71 (44 X 61.5cm) 3 000

528 VERSTER, ANDREW CLEMENT (SA 1937 - ) Mixed media, 1 000 - 542 ZANDER, KONRAD ERHARD (KONNIE) (SA 1920 - 2009) 3 000 - "Harlequin", signed in pencil and dated '62 (44 x 26.5cm) 3 000 Watercolour, "Ostriches in the Namib", signed and dated 1970 6 000 (41 x 70cm) 529 VOIGTZ, JOACHIM (1907 - 1994) Watercolour, "Herero Family", 1 000 - signed and dated '47 (17 x 24cm) 3 000 543 ZEELIE, ADELIO ZAGNI (SA 1911 - 1991) Oil on board, Seascape, 2 000 - "Sharing the Catch at Daybreak", signed and dated Durban 1958 4 000 530 VORSTER, ANNA (SA 1928 - 1990) A pair of sepia Abstract Etchings, 500 - (34 x 49cm) "Rotswand" and "Fasette van 'n Rotswand", each signed in pencil, 1 500 dated '75, inscribed with their respective titles and numbered 5/20 PAIR and 3/15 (Largest: 29 x 18cm) CONDITIONS OF SALE CONDITIONS OF SALE

1 The highest accepted bidder shall be the Purchaser immediately which could preclude the lot/s to be in pristine condition and some descriptions in the the lot/s have been knocked down to him/her. catalogue may make reference to damage and/or restoration to the article. Such 19 Should any dispute arise between two or more bidders, the information is voluntarily given for guidance only and the absence of such reference in the Auctioneer at his sole discretion will put up the lot that is in catalogue does not imply the absence of any faults. Purchaser’s must thoroughly satisfy dispute, again, and he will declare the Purchaser, The SEPT 2016 themselves by prior inspection as to condition and state of the lot/s, before the date of Auctioneer’s decision in all cases is final. All goods are sold auction, ie. At the auction viewing dates. Voetstoots as found. 11 TELEPHONE BIDS - The telephone Purchaser will be required to make prior 2 The Auctioneer does not hold himself responsible for any errors of description and a bid arrangements of at least 48 hours before the commencement of the auction sale, by way shall be taken as proof that the bidder has made himself/herself acquainted with the of a letter or a facsimile of his/her intention to participate and to bid on the auction sale. lot/s for which he/she bids. NB: Acceptance of telephone bids are subject to the availability of sufficient telephone lines. BERNARDI AUCTIONEERS CC will not be held responsible for the lack of clear 3 TERMS: Cash. All accounts must be settled immediately at the conclusion of today’s instructions, losses arising from missed bids or omissions to the telephone clerk/s. sale. Ownership of the goods sold vest at all times in the Auctioneers principal until payment in full has been made. Cheques tendered will not be accepted as cash until 12 A Buyers Premium of 10% (plus the applicable rate of VAT) will be levied on all purchases cleared by the bank. NB: NEW BUYERS be advised that if you have not purchased from made. BERNARDI AUCTIONEERS CC reserve the right to charge interest on all Bernardi Auctioneers CC before this auction sale, please make timeous arrangements for outstanding accounts, over a period of more than seven days, together with storage and payment prior to the commencement of the auction, this will assist and avoid delays as removal charges where applicable, if the purchaser has made no prior arrangements cheques must be cleared before purchases are released. VISA & Master Cards are now with BERNARDI AUCTIONEERS CC. Purchasers with outstanding accounts will no accepted forms of payment. longer be allowed to bid until their accounts have been settled in full.

4 The Auctioneer’s Vendu Roll is FINAL. No dispute will be taken into consideration as to 13 VALUE ADDED TAX - There is no VAT on the hammer price, except when indicated by the correctness of same. the Auctioneer.

5 The Auctioneer reserves the right of regulating the bidding. Bidding advances are 14 Patrons are requested to check the Salesroom notices, as these supersede the generally in increments of 10% of the bid made. The Auctioneer reserves the right of Information List descriptions. withdrawing or adding to any lot/s to the merchandise for sale on auction. 15 Shipping and collections by Agents - If an agent or carrier is instructed to collect on behalf of a Buyer and cannot produce the necessary correct paperwork, including 6 All lots knocked down remain at the risk of the Purchaser. written authority from the Buyer then BERNARDI AUCTIONEERS CC will not release the Purchaser’s property to the agent. 7 The removal of movables and furniture is at the Purchaser’s risk and cost. 16 NB: In order to save time the prospective purchasers are requested to PLEASE view and 8 In the event of legal proceedings being instituted, the Auctioneer shall be entitled at examine the numbered auction lots, as per the catalogue on the viewing days and well his option to institute such legal proceedings in the Auctioneer’s name, whether or not before the auction sale. Please note that BERNARDI AUCTIONEERS CC will not present he is acting as Agent. or display any of the lots once the auction sale has commenced. 9 The signatory hereto by his/her signing of the registration cards shall ipso facto be 17 We request that cell phones are switched off or placed on silent mode, during the deemed to have bound himself/herself to the Seller as Surety and co-principal debtor for duration of the auction, in order as not to disrupt the proceedings. the obligation incurred as purchaser. 18 PLEASE NOTE: These Conditions will be legally enforced if necessary. 10 Information List Descriptions - Any representations made or statements by BERNARDI AUCTIONEERS CC or their staff as to authorship, origin, date, age, attribution, 19 Merchandise/furniture purchased for cash will only be delivered after the auction genuineness, provenance, condition or estimated selling price of any lot/s, is purely a statement of opinion only. In addition, lots may be of any age, condition and nature, We wish to thank you for your close attention to these Conditions of Auction Sale. CONDITIONS OF SALE CONDITIONS OF SALE

1 The highest accepted bidder shall be the Purchaser immediately which could preclude the lot/s to be in pristine condition and some descriptions in the the lot/s have been knocked down to him/her. catalogue may make reference to damage and/or restoration to the article. Such 19 Should any dispute arise between two or more bidders, the information is voluntarily given for guidance only and the absence of such reference in the Auctioneer at his sole discretion will put up the lot that is in catalogue does not imply the absence of any faults. Purchaser’s must thoroughly satisfy dispute, again, and he will declare the Purchaser, The SEPT 2016 themselves by prior inspection as to condition and state of the lot/s, before the date of Auctioneer’s decision in all cases is final. All goods are sold auction, ie. At the auction viewing dates. Voetstoots as found. 11 TELEPHONE BIDS - The telephone Purchaser will be required to make prior 2 The Auctioneer does not hold himself responsible for any errors of description and a bid arrangements of at least 48 hours before the commencement of the auction sale, by way shall be taken as proof that the bidder has made himself/herself acquainted with the of a letter or a facsimile of his/her intention to participate and to bid on the auction sale. lot/s for which he/she bids. NB: Acceptance of telephone bids are subject to the availability of sufficient telephone lines. BERNARDI AUCTIONEERS CC will not be held responsible for the lack of clear 3 TERMS: Cash. All accounts must be settled immediately at the conclusion of today’s instructions, losses arising from missed bids or omissions to the telephone clerk/s. sale. Ownership of the goods sold vest at all times in the Auctioneers principal until payment in full has been made. Cheques tendered will not be accepted as cash until 12 A Buyers Premium of 10% (plus the applicable rate of VAT) will be levied on all purchases cleared by the bank. NB: NEW BUYERS be advised that if you have not purchased from made. BERNARDI AUCTIONEERS CC reserve the right to charge interest on all Bernardi Auctioneers CC before this auction sale, please make timeous arrangements for outstanding accounts, over a period of more than seven days, together with storage and payment prior to the commencement of the auction, this will assist and avoid delays as removal charges where applicable, if the purchaser has made no prior arrangements cheques must be cleared before purchases are released. VISA & Master Cards are now with BERNARDI AUCTIONEERS CC. Purchasers with outstanding accounts will no accepted forms of payment. longer be allowed to bid until their accounts have been settled in full.

4 The Auctioneer’s Vendu Roll is FINAL. No dispute will be taken into consideration as to 13 VALUE ADDED TAX - There is no VAT on the hammer price, except when indicated by the correctness of same. the Auctioneer.

5 The Auctioneer reserves the right of regulating the bidding. Bidding advances are 14 Patrons are requested to check the Salesroom notices, as these supersede the generally in increments of 10% of the bid made. The Auctioneer reserves the right of Information List descriptions. withdrawing or adding to any lot/s to the merchandise for sale on auction. 15 Shipping and collections by Agents - If an agent or carrier is instructed to collect on behalf of a Buyer and cannot produce the necessary correct paperwork, including 6 All lots knocked down remain at the risk of the Purchaser. written authority from the Buyer then BERNARDI AUCTIONEERS CC will not release the Purchaser’s property to the agent. 7 The removal of movables and furniture is at the Purchaser’s risk and cost. 16 NB: In order to save time the prospective purchasers are requested to PLEASE view and 8 In the event of legal proceedings being instituted, the Auctioneer shall be entitled at examine the numbered auction lots, as per the catalogue on the viewing days and well his option to institute such legal proceedings in the Auctioneer’s name, whether or not before the auction sale. Please note that BERNARDI AUCTIONEERS CC will not present he is acting as Agent. or display any of the lots once the auction sale has commenced. 9 The signatory hereto by his/her signing of the registration cards shall ipso facto be 17 We request that cell phones are switched off or placed on silent mode, during the deemed to have bound himself/herself to the Seller as Surety and co-principal debtor for duration of the auction, in order as not to disrupt the proceedings. the obligation incurred as purchaser. 18 PLEASE NOTE: These Conditions will be legally enforced if necessary. 10 Information List Descriptions - Any representations made or statements by BERNARDI AUCTIONEERS CC or their staff as to authorship, origin, date, age, attribution, 19 Merchandise/furniture purchased for cash will only be delivered after the auction genuineness, provenance, condition or estimated selling price of any lot/s, is purely a statement of opinion only. In addition, lots may be of any age, condition and nature, We wish to thank you for your close attention to these Conditions of Auction Sale. EXPLANATION OF CATALOGUING PRACTICE

The following expressions with their accompanying explanations are used by Bernardi Auctioneers as standard cataloguing practice. Our use of these expressions does not take into account the condition of the lot or the extent of any restoration. Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request before the auction sale. Name or names of Artist(s) or Recognised Designation of an Artist without any Qualification. In our opinion a work by the artists. “Attributed to...” In our opinion probably a work by the artist in whole or in part. “Studio of.../Workshop of...” In our opinion a work executed in the studio or workshop. of the artist, possibly under his supervision, circa or of later date. “Circle of...” In our opinion a work of the period of the artist and showing his influence. “Follower of...” In our opinion a work executed in the artist’s style but not necessarily by a pupil. “After...” In our opinion a copy of a work of the artist and of any date. “Signed...”/”Dated...”/”Inscribed...” In our opinion the work has been signed/dated/ /inscribed by the artist. “Bears.../with signature...””Bears... /with date...”/”Bears.../with inscription...” In our opinion the signature/date/inscription appears to be by a hand other than that of the artist and possibly of later date.

Please ensure that we have your updated details. Send an email to [email protected] Visit our NEW website www.bernardiauctioneers.co.za Consignments for our next auction will be assessed/accepted after 21 September 2016. Please call: 012 342-3634 for an appointment, or send photographs and descriptive information on the items to [email protected]

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