Bamfords Auctioneers & Valuers
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Leeds Pottery
Leeds Art Library Research Guide Leeds Pottery Our Art Research Guides list some of the most unique and interesting items at Leeds Central Library, including items from our Special Collections, reference materials and books available for loan. Other items are listed in our online catalogues. Call: 0113 378 7017 Email: [email protected] Visit: www.leeds.gov.uk/libraries leedslibraries leedslibraries Pottery in Leeds - a brief introduction Leeds has a long association with pottery production. The 18th and 19th centuries are often regarded as the creative zenith of the industry, with potteries producing many superb quality pieces to rival the country’s finest. The foremost manufacturer in this period was the Leeds Pottery Company, established around 1770 in Hunslet. The company are best known for their creamware made from Cornish clay and given a translucent glaze. Although other potteries in the country made creamware, the Leeds product was of such a high quality that all creamware became popularly known as ‘Leedsware’. The company’s other products included blackware and drabware. The Leeds Pottery was perhaps the largest pottery in Yorkshire. In the early 1800s it used over 9000 tonnes of coal a year and exported to places such as Russia and Brazil. Business suffered in the later 1800s due to increased competition and the company closed in 1881. Production was restarted in 1888 by a ‘revivalist’ company which used old Leeds Pottery designs and labelled their products ‘Leeds Pottery’. The revivalist company closed in 1957. Another key manufacturer was Burmantofts Pottery, established around 1845 in the Burmantofts district of Leeds. -
Index Volume 46
THE NEWSLETTER FOR COLLECTORS, DEALERS AND INVESTORS September 2019 – August 2020 Volume 46 A Adams, 83, 117, 130 Index Volume 46 Advertising, 4-5, 11, 14, 20-21, 23, 35, 37, 40, 42, 47, 49, Numbers 1 - 12 53, 58-59, 71, 73, 78-79, 82-83, 95, 98-99, 107, 115, 119, 121, September 2019 - August 2020 124, 129-131, 133, 138-139, 143 Pages 1 - 144 Alabaster, 83, 118 Aluminum, 2, 5, 11, 14, 43, 47, 50-51, 63, 143 Amberina, 97, 100 PAGES ISSUES DATE Amphora, 1, 4, 74 1-12 No. 1 September 2019 Anna Pottery, 127 13-24 No. 2 October 2019 Architectural, 7, 32, 91 25-36 No. 3 November 2019 Argenta, 23, 25, 28 37-48 No. 4 December 2019 Argy-Rousseau, 131 49-60 No. 5 January 2020 Art Deco, 23, 28, 34-35, 59, 71, 78-79, 95, 119, 136 61-72 No. 6 February 2020 Art Glass, 10, 23, 97, 100 73-84 No. 7 March 2020 Art Nouveau, 4, 75, 101, 105, 131, 143 85-96 No. 8 April 2020 Art Pottery, 4, 85 97-108 No. 9 Arts & Crafts, 6-7, 59, 131, 143 May 2020 Austria, 4 109-120 No. 10 June 2020 Auto, 59 121-132 No. 11 July 2020 Avon, 95 133-144 No. 12 August 2020 B Blanket Chest, 47, 85, 92 Baccarat, 11, 41 Blown Glass, 12, 107 Badge, 96 Blue Glass, 83, 107 Bank, 17, 57, 70, 110, 143 Blue Onion, 35 Barber, 95, 138 Boehm, 107 Barometer, 131 Bookends, 23, 83, 85, 89, 107-108 Baseball, 14, 79, 94, 106, 141 Bossons, 59 Basket, 18, 71, 93, 95, 99, 107, 109, 113, 125 Bottle, 9, 11, 14, 21, 23, 35, 38, 40, 46-47, 59, 64, 88, 93-95, 97, 104- Bavaria, 46, 58, 96, 120 105, 107, 122, 126, 130-131, 143 Beatles, 3, 38, 47, 127, 129, 143 Bottle Cap, 131 Beehive, 47 Box, 2, 6-7, 11-12, -
The Wilman Collection
The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Lot 1 Lot 4 1. A Meissen Ornithological part dessert service 4. A Derby botanical plate late 19th / early 20th century, comprising twenty plates c.1790, painted with a central flower specimen within with slightly lobed, ozier moulded rims and three a shaped border and a gilt line rim, painted blue marks square shallow serving dishes with serpentine rims and and inscribed Large Flowerd St. John's Wort, Derby rounded incuse corners, each decorated with a garden mark 141, 8½in. (22cm.) diameter. or exotic bird on a branch, the rims within.ects gilt £150-180 edges, together with a pair of large square bowls, the interiors decorated within.ects and the four sides with 5. Two late 18th century English tea bowls a study of a bird, with underglaze blue crossed swords probably Caughley, c.1780, together with a matching and Pressnumern, the plates 8¼in. (21cm.) diameter, slop bowl, with floral and foliate decoration in the dishes 6½in. (16.5cm.) square and the bowls 10in. underglaze blue, overglaze iron red and gilt, the rims (25cm.) square. (25) with lobed blue rings, gilt lines and iron red pendant £1,000-1,500 arrow decoration, the tea bowls 33/8in. diameter, the slop bowl 2¼in. high. (3) £30-40 Lot 2 2. A set of four English cabinet plates late 19th century, painted centrally with exotic birds in Lot 6 landscapes, within a richly gilded foliate border 6. -
Meissen Porcelain: Precision, Presentation, and Preservation
Graduate Theses, Dissertations, and Problem Reports 2011 Meissen Porcelain: Precision, Presentation, and Preservation. How Artistic and Technological Significance Influence Conservation Protocol Nicole Peters West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Peters, Nicole, "Meissen Porcelain: Precision, Presentation, and Preservation. How Artistic and Technological Significance Influence Conservation Protocol" (2011). Graduate Theses, Dissertations, and Problem Reports. 756. https://researchrepository.wvu.edu/etd/756 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Meissen Porcelain: Precision, Presentation, and Preservation. How Artistic and Technological Significance Influence Conservation Protocol. Nicole Peters Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Art History Approved by Janet Snyder, Ph.D., Committee Chair Rhonda Reymond, Ph.D. Jeff Greenham, M.F.A. Michael Belman, M.S. Division of Art and Design Morgantown, West Virginia 2011 Keywords: Meissen porcelain, conservation, Fürstenzug Mural, ceramic riveting, material substitution, object replacement Copyright 2011 Nicole L. -
Philippa H Deeley Ltd Catalogue 17 Oct 2015
Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high - -
Oval Salts - Quicktopic Free Message Board Hosting Page 1 of 104
Oval Salts - QuickTopic free message board hosting Page 1 of 104 Oval Salts February 2016 OpenSalts.US Last Month Pattern Glass Past Topics Oval Salts Links Oval shaped salts of any material. Back to Message Board TOPIC: Oval Salts V All messages 1-532 of 532 1 Gift QT Pro Debi Raitz I guess I'll leave it up to you if you want to include pedestals instead of Upload 02-01-2016 sticking to flat oval shapes. pictures, 01:25 AM customize ET (US) the look, 2 and more. mary Can our ovals have pointy ends?? Like are what "they" call boat shaped 02-01-2016 09:32 AM considered to be oval?? Just early morning wondering ---- ET (US) 3 mary 02-01-2016 09:41 AM ET (US) Oval Salts - QuickTopic free mess... 8/26/2016 Oval Salts - QuickTopic free message board hosting Page 2 of 104 Okay I start this time - Silver with cobalt - Have not had a chance to look for the maker yet 4 mary 02-01-2016 09:42 AM ET (US) German silver with birds 5 mary 02-01-2016 09:43 AM ET (US) London sterling date mark 1781 6 mary 02-01-2016 09:46 AM ET (US) Unmarked and unknown metal composition - but I love it --- 7 Gosh Mary, you are still awake? Poor baby. Good and plenty comes in Lynda pink and white? Did not know that. I am not liking black licorice, so never LaLonde noticed pink good and plenty. 02-01-2016 Hope we can do ovals with points. -
2 Day Derbyshire Fine
Auction - 2 day Derbyshire Fine Art Auction Including 2 private estates contents - Webcast Only - Postage and Safe Click/Collect Only NO ONLINE FEES ON HANSONSLIVE.CO.UK 02/07/2020 10:30 AM GMT+1 Lot Title/Description Lot Title/Description 1 A Continental porcelain plaque by G. Fremont, Dated 1877, of oval form 8 Two pairs of German porcelain figures, circa 1900, the first Sitzendorf and painted with a scene of a neoclassical maiden in flowing robes and modelled as a shepherd and shepherdess playing pipes, 22cm carrying a water jar, framed. high, the second Volkstedt and modelled as a rustic maid and man, she 25cm (frame 36cm x 39cm) carrying a basket, he carrying a downed doe, 20cm high. (4) Condition: negligible signs of age only. Condition: Sitzendorf - losses to pipes, chips to leaves, oxidation to A Continental porcelain plaque by G. Fremont, Dated 1877, of oval form man's jacket. Volkstedt - minor rubbing to gilt, tiny chips to flower and painted with a scene of a neoclassical maiden in flowing robes petals. carrying a water jar, framed. 25cm (frame 36cm x 39cm) Condition: Two pairs of German porcelain figures, circa 1900, the first Sitzendorf negligible signs of age only. and modelled as a shepherd and shepherdess playing pipes, 22cm Est. 200 - 300 high, the second Volkstedt and modelled as a rustic maid and man, she 2 A George III mahogany and inlaid serpentine writing table, circa 1790, carrying a basket, he carrying a downed doe, 20cm high. (4) Condition: the moulded top above three cock-beaded frieze drawers, raised on Sitzendorf - losses to pipes, chips to leaves, oxidation to man's jacket. -
Oriental & European Ceramics & Glass
THIRD DAY’S SALE WEDNESDAY 24th JANUARY 2018 ORIENTAL & EUROPEAN CERAMICS & GLASS Commencing at 10.00am Oriental and European Ceramics and Glass will be on view on: Friday 19th January 9.00am to 5.15pm Saturday 20th January 9.00am to 1.00pm Sunday 21st January 2.00pm to 4.00pm Monday 22nd January 9.00am to 5.15pm Tuesday 23rd January 9.00am to 5.15pm Limited viewing on sale day Measurements are approximate guidelines only unless stated to the contrary Enquiries: Andrew Thomas Enquiries: Nic Saintey Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 661 662 A large presentation wine glass and a pair of wine glasses Two late 18th century English wine glasses, one similar the former with bell shaped bowl engraved with the arms of and an early 19th century barrel-shaped tumbler the first Weston, set on a hollow knopped stem and domed fold over two with plain bowls and faceted stems, 13.5 cm; the third foot, 27 cm high, the pair each with rounded funnel shaped engraved with floral sprays and on faceted stem, 14 cm; the bowl engraved with an eagle’s head set on a double knopped tumbler engraved with urns, paterae and swags with the stem and conical foot, 23 cm high. initials ‘GS’,11 cm (4). *£200 - 250 *£120 - 180 663 A George Bacchus close pack glass paperweight set with various multi coloured canes and four Victoria Head silhouettes, circa 1850, 8 cm diameter, [top polished]. *£300 - 500 664 665 A Loetz Phanomen glass vase of A Moser amber crackled glass vase of twelve lobed form with waisted neck shaped globular form, enamelled with and flared rim, decorated overall with a a crab, a lobster and fish swimming trailed and combed wave design, circa amongst seaweed and seagrass, circa 1900-05, unmarked, 19 cm high. -
Clay: Form, Function and Fantasy
4 Ceramics Monthly Letters to the Editor................................................................................. 7 Answers to Questions............................................................................... 9 Where to Show.........................................................................................11 Suggestions ..............................................................................................15 Itinerary ...................................................................................................17 Comment by Don Pilcher....................................................................... 23 Delhi Blue Art Pottery by Carol Ridker...............................................31 The Adena-Hopewell Earthworks by Alan Fomorin..................36 A Gas Kiln for the Urban Potter by Bob Bixler..................................39 Clay: Form, Function and Fantasy.......................................................43 Computer Glazes for Stoneware by Harold J. McWhinnie ...................................................................46 The Three Kilns of Ken Ferguson by Clary Illian.............................. 47 Marietta Crafts National........................................................................ 52 Latex Tile Molds by Nancy Skreko Martin..........................................58 Three English Exhibitions...................................................................... 61 News & Retrospect...................................................................................73 -
FINE GLASS and BRITISH CERAMICS Wednesday 17 May 2017 at 10.30Am Knightsbridge, London
FINE GLASS AND BRITISH CERAMICS Wednesday 17 May 2017 at 10.30am Knightsbridge, London FINE GLASS S AND BRITISH CERAMICS | Knightsbridge, London | 17 May 2017 | Knightsbridge, London 17 May 2017 24158 FINE GLASS AND BRITISH CERAMICS Wednesday 17 May 2017 at 10.30am Knightsbridge, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Sunday 14 May 11am-3pm +44 (0) 20 7447 7447 Glass Monday to Friday 8.30am to 6pm Monday 15 May 9am-4.30pm +44 (0) 20 7447 7401 fax John Sandon +44 (0) 20 7447 7447 Tuesday 16 May 9am-4.30pm To bid via the internet please +44 (0) 20 7468 8244 visit bonhams.com [email protected] Please see page 2 for bidder SALE NUMBER information including after-sale 24158 Please note that telephone British Ceramics collection and shipment bidding is only available on Fergus Gambon CATALOGUE lots with the low estimate in +44 (0) 20 7468 8245 IMPORTANT INFORMATION £25.00 excess of £500. Bids should be [email protected] The United States Government submitted no later than 4pm on has banned the import of ivory the day prior to the sale. New Administrator into the USA. Lots containing bidders must also provide proof Anna Burnside ivory are indicated by the symbol of identity when submitting bids. +44 (0) 20 7393 3975 Ф printed beside the lot number Failure to do this may result in [email protected] in this catalogue. your bid not being processed. General Enquiries LIVE ONLINE BIDDING IS [email protected] AVAILABLE FOR THIS SALE [email protected] Please email [email protected] with ‘live bidding’ in the subject line 48 hours before the auction to register for this service Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. -
February 16 ROYAL CROWN DERBY CELEBRATES 90 GLORIOUS YEARS of QUEEN ELIZABETH II
February 16 ROYAL CROWN DERBY CELEBRATES 90 GLORIOUS YEARS OF QUEEN ELIZABETH II As the British Monarchy prepare to celebrate the 90th birthday of Queen Elizabeth II (Thursday 21st April 2016) fine bone china perfectionist, Royal Crown Derby is marking this momentous occasion with a beautifully handcrafted commemorative collection, designed by renowned royal specialist, June Branscombe. Hand-crafted in England by Royal Crown Derby’s skilled artisans, in its historic Osmaston Road factory, the collection, which will be available to purchase in April, features five delicate pieces; a 21.5cm Talbot Plate, Loving Cup, Miniature Loving Cup, Covered Trinket Box and Five Petal Tray, each festooned in rich blues and reds and hand-finished in 22-carat gold. Each item features a commemorative backstamp and will be a limited edition of 426 pieces (with the exception of the general release Five Petal Tray), to reflect the fourth month of 1926, when Queen Elizabeth was born. June Branscombe’s inspired designs follow the theme of the family badge of the House of Windsor - the Oak tree - and depicts the sovereign’s crown surrounded by the emblems of the United Kingdom; the Tudor rose of England, the thistle of Scotland, the leek of Wales and the shamrock of Northern Ireland. The centre of the plate carries the Queen’s Cipher – E II R with the Sovereign’s Crown within a cartouche of oak leaves and all items are surrounded by a commemorative inscription, “To Celebrate the Ninetieth Birthday of H.M. Queen Elizabeth II 21st April 2016”, making each item the perfect addition to any royal aficionado’s collection. -
Club Fermoy Edition
The David Roche Foundation House Museum View this email in your browser North Adelaide The David Roche Foundation House Museum Britain, Fox, 1850-1890, wool on canvas back cloth. TDRF 2480 TDRF: Club Fermoy #18 Dear friends and supporters, In this, the first of our winter editions, I am pleased to announce that The David Roche Foundation is celebrating its fifth anniversary on June 3 with a range of special programmes. Join a house tour between 1-16 June to receive a free exhibition ticket to Embroidery and view a specially curated showcase of person items belonging to David Roche, including Geelong Grammar memorabilia and his Pierre Cardin and Breguet wrist watches. We have also been working hard on developing a membership programme so you can get even more out of our house tours, exhibitions, events and shop. Come along to our twilight evening on Thursday 17 June to be amongst the first to see our new exhibition Embroidery: Oppression to Expression and become a member! This visually stunning exhibition of over 100 English, European and Australian embroideries stretches across four centuries. A rare and wonderful treat for textile lovers. When David Roche left his Estate, home and art collection to the people of South Australia it was a transformative philanthropic gift. The museum has now welcomed over 26,000 visitors, held exhibitions and events that expand our knowledge and enjoyment of the decorative arts, and become part of the cultural life of the State. Passionately led by Martyn Cook until early 2019, the museum collection also benefited greatly from his generosity.