Mixed Blessing by Chandra Crane
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2019 Gala Program Art Booklet.Indd
The Okura MentalK. Patrick &Health Lily Okura, Leadership Founders Foundation is proud to support Past//Forward 2019: The Present Okura Mental Health Leadership Foundation 340 East Second Street, Suite 409 Los Angeles, CA 90012-4249 Phone: 213.625.2387 Karen ISHIZUKA, MSW, PHD Peggy SAIKA, MSW Bertram S. BROWN, MD President Secretary Founding Member Cindy SANGALANG, MSW, PHD Ford H. KURAMOTO, DSW Phillip HALLEN, MPH Vice-President Treasurer Founding Member Glen KOMATSU, MD At-Large PAST // FORWARD 2018 // COMING HOME 2019 // THE PRESENT 2020 // 50 MORE PAST//FORWARD I S V I S U A L C O MMUNI cat I O N S ’ S E R IE S of S IGN at U R E E V EN ts to celebrate the organization’s upcoming 50th anniversary. Our goal is to celebrate VC’s past, present, and future by (re)connecting with people and communities who made great things happen. Founded in 1970 with the understanding that media and the arts are powerful forms of storytelling, Visual Communications has dedicated five decades to creating cross cultural connections between peoples and generations through the media arts. While Visual Communications’ mission and programming has shifted to meet the changing needs of our diverse communities, the organization has always had a constant element — a group of people passionate about social and cultural acceptance through the arts. PAST//FORWARD recognizes and appreciates the people behind the charge for change (builders + connectors + mobilizers + believers + storytellers) and what we have all accomplished together. Saturday, May 18, 2019 THE L.A. GRAND HOTEL DOWNTOWN 333 South Figueroa Street Los Angeles, CA 90071 W EL co ME to PAST//FORWARD. -
The Politics of Constructing National Identity and Mandatory Detention of Asylum-Seekers in Australia and Japan
National Identity Crisis: The Politics of Constructing National Identity and Mandatory Detention of Asylum-Seekers in Australia and Japan Emily Flahive I. Introduction II. International and Domestic Law on Detention Part A – International Law Part B – Australia’s Laws on Mandatory Detention Part C – Japan’s Laws on Mandatory Detention III. National Identity Part A – Theory of National Identity Part B – Japan’s National Identity in its Immigration and Citizenship Laws Part C – Australia’s National Identity in its Immigration and Citizenship Laws IV. National Identity Crisis V. Conclusion I. INTRODUCTION In an era marked by increasingly repressive policies regarding asylum-seekers, 2005 witnessed two seemingly unconnected countries – Australia and Japan – soften their laws on the detention of unlawful asylum-seekers. 1 Japan and Australia, however, are not so different: in response to the perceived threat to their national identities both countries have developed policies of mandatory detention for unlawful asylum-seekers. Through the use of immigration and citizenship laws, the Australian and Japanese governments have excluded asylum-seekers as the nations’ ‘other’, thereby justifying their detention. In examining how ostensibly different examples as Australia and Japan have developed similar refugee policies, universal elements of national identity emerge that can be used by refugee advocates worldwide. Japan and Australia have undertaken an international obligation not to punish refugees for arriving unlawfully in their countries. 2 Under international law, the deten- tion of an asylum-seeker is not considered punishment if such detention is deemed ‘necessary’ by the host state. 3 In its recommended guidelines, the United Nations High Commissioner for Refugees sets out when, in its view, detention might be considered 1 In this article, the term ‘unlawful asylum-seeker’ denotes an asylum-seeker who has entered a country without a valid visa or passport. -
Winter 2020 NEWSLETTER : BULLETIN Hiver 2020
Société d' Opéra National Capital de la Capitale Nationale Opera Society Winter 2020 NEWSLETTER : BULLETIN Hiver 2020 Frankenstein - The Opera, 2019 by Shelagh Williams How did you celebrate Hallowe’en? You should have actually done! In his work he is supported by his been enjoying Andrew Ager’s Frankenstein: The Op- fiancée Elizabeth, sung by soprano Bronwyn Thies- era, 2019! Thompson, his friend Clerval, sung by baritone James Composer Ager himself adapted the novel Fran- Coole-Stevenson, and his brother William, sung by kenstein for his original production, sung in English, 12-year old Elliott Mennier, head chorister of Christ and for this Ottawa premier adjusted some of the voice Church Cathedral. parts for this cast, just as Mozart would do! The result The charming mountain interlude was animated was a fully-staged production directed by Suzanne by baritone Gary Dahl, who sang the sympathetic blind Bassett and featuring excellent Canadian and Ottawa old DeLacey, and soprano Carmen Harris and tenor singers. The composer himself was on one of the two Jeffrey Boyd, who portrayed the young couple. pianos playing the score, with Ian Bevell on the thun- But the centre of the opera is the Creature created dering organ for the ex- by Victor Frankenstein: a citing events, and Zac very large figure with a Pulak on percussion. complex nature. For this Set designer Mark role, Ager had carefully Shulist supplied the selected huge bass Con- electrical machine to stantine Meglis, whom “awaken” the Creature, he had introduced at the and it was quite impres- Opera Launch this sum- sive, with umpteen cop- mer. -
UFW's Vicepresident Clarifies Their Present Position
Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 4-24-1974 Spectator 1974-04-24 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1974-04-24" (1974). The Spectator. 1418. http://scholarworks.seattleu.edu/spectator/1418 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. Pies, carnival, dances, party to raise money for Pat Smith CARE week continues today the highest donation will receive through Friday with a talk with an award at Friday's ASSU- FR.JOE MAGUIRE, S.J.,faces up to a pie for a good cause. Dr. Pat Smith, abarbecue and a sponsoreddance. Clowns got in on the action too at this weekend's carnival. dance still to come. Activities still tocomeinclude the talk with Dr. Smith at noon THE WEEK'S events are today inPigott Auditorium. She designed to raise money for Dr. will also present a slide show. Smith and her Kontum, Viet- nam, hospital. In conjunction THE BLACK Student Union with CARE, various clubs and and SAGA will sponsor dinner organizations have sponsored on the lawn tomorrow. Cost is several activities since Fridayin- $l-$1.50,dependingonthe meat. cluding dance, show, a talent a Friday, the week will carnival,live entertainment and culminate withthe ASSU beer party. dance a at 8:30 p.m.intheChieftain. Ad- Preliminary count, excluding mission is $1.50. Two bands, in- yesterday's beer party profits, cluding one that toured with show that at least a little over Earth, play. -
WEB Amherst Sp18.Pdf
ALSO INSIDE Winter–Spring How Catherine 2018 Newman ’90 wrote her way out of a certain kind of stuckness in her novel, and Amherst in her life. HIS BLACK HISTORY The unfinished story of Harold Wade Jr. ’68 XXIN THIS ISSUE: WINTER–SPRING 2018XX 20 30 36 His Black History Start Them Up In Them, We See Our Heartbeat THE STORY OF HAROLD YOUNG, AMHERST- WADE JR. ’68, AUTHOR OF EDUCATED FOR JULI BERWALD ’89, BLACK MEN OF AMHERST ENTREPRENEURS ARE JELLYFISH ARE A SOURCE OF AND NAMESAKE OF FINDING AND CREATING WONDER—AND A REMINDER AN ENDURING OPPORTUNITIES IN THE OF OUR ECOLOGICAL FELLOWSHIP PROGRAM RAPIDLY CHANGING RESPONSIBILITIES. BY KATHARINE CHINESE ECONOMY. INTERVIEW BY WHITTEMORE BY ANJIE ZHENG ’10 MARGARET STOHL ’89 42 Art For Everyone HOW 10 STUDENTS AND DOZENS OF VOTERS CHOSE THREE NEW WORKS FOR THE MEAD ART MUSEUM’S PERMANENT COLLECTION BY MARY ELIZABETH STRUNK Attorney, activist and author Junius Williams ’65 was the second Amherst alum to hold the fellowship named for Harold Wade Jr. ’68. Photograph by BETH PERKINS 2 “We aim to change the First Words reigning paradigm from Catherine Newman ’90 writes what she knows—and what she doesn’t. one of exploiting the 4 Amazon for its resources Voices to taking care of it.” Winning Olympic bronze, leaving Amherst to serve in Vietnam, using an X-ray generator and other Foster “Butch” Brown ’73, about his collaborative reminiscences from readers environmental work in the rainforest. PAGE 18 6 College Row XX ONLINE: AMHERST.EDU/MAGAZINE XX Support for fi rst-generation students, the physics of a Slinky, migration to News Video & Audio Montana and more Poet and activist Sonia Sanchez, In its interdisciplinary exploration 14 the fi rst African-American of the Trump Administration, an The Big Picture woman to serve on the Amherst Amherst course taught by Ilan A contest-winning photo faculty, returned to campus to Stavans held a Trump Point/ from snow-covered Kyoto give the keynote address at the Counterpoint Series featuring Dr. -
Academic Faculty Address-2017
A Ressourcement Vision for Graduate Theological Education Academic Faculty Address-2017 Thomas A. Baima Mundelein Seminary August 11, 2017 I want to welcome everyone to the first of our Academic Faculty meetings for the 2017- 2018 school year. I hope all of you had a refreshing summer. This meeting is the result of comments by some of you that the academic department did not have the same opportunity as the formation department for planning and interaction. It is for this reason that I added this morning to the meetings at the opening of the school year. We do need time to work together as a group on the common project of seminary education. Those of you who are more senior will remember that we used to meet for two full days at the opening of the school year and again at the opening of the beginning of the new year. Without those meetings, we have lost much of the time we used to work together. So, I hope this morning will restore some of that, and at the same time not wear everyone out. Here is my plan for the morning. First, I’m going to do some introductions of our new members. Next, I want to offer some remarks about the vision of higher education. I do this because the academic department is entrusted with the responsibility for the intellectual pillars and shares responsibility for the pastoral pillar 1 with Formation. As such, we are part of the larger higher education enterprise both of this country and of the Catholic Church internationally. -
Latin American Critical Thought Latin American Critical Thought: Theory and Practice / Compilado Por Alberto L
Jorge Arzate Salgado Este libro contiene una serie de trabajos que desdoblan el sentido Latin American Jorge Arzate Salgado de la pobreza como carencia, es decir, presentan las situaciones Doctor en Sociología (Universidad de Salamanca). Doctor en Sociología (Universidad de Salamanca). de pobreza en tanto que formas de vida. Para la tarea se acude al Docente e investigador en la Facultad de Ciencias Docente e investigador en la Facultad de Ciencias uso de categorías sociológicas como la de clase, género, espacio Critical Thought Políticas y Sociales de la Universidad Autónoma del Políticas y Sociales de la Universidad Autónoma del regional, etnia, estructura social. Cada texto presenta una versión Estado de México. Miembro del Sistema Nacional de Estado de México. Miembro del Sistema Nacional de crítica de lo que es la reproducción de la pobreza, por lo que ésta Investigadores. Ha publicado más de cincuenta Investigadores. Ha publicado más de cincuenta es descentrada de su orden estadístico y es colocada como Theory and Practice trabajos académicos y ha sido conferencista en trabajos académicos y ha sido conferencista en referencia a un sistema de relaciones sociales y económicas diversos países de Iberoamérica. diversos países de Iberoamérica. situadas históricamente. Los actores aparecen no sólo como reproductores pasivos de las situaciones de carencia, sino Alicia B. Gutiérrez Alicia B. Gutiérrez como sujetos activos que construyen su tiempo vital, sus Doctora en Sociología (EHSS) y Doctora en Antropología instituciones sociales y económicas, -
On the Issue of Origin of the Yakut Epic Olonkho
Journal of History Culture and Art Research (ISSN: 2147-0626) Tarih Kültür ve Sanat Araştırmaları Dergisi Vol. 7, No. 1, March 2018 Revue des Recherches en Histoire Culture et Art Copyright © Karabuk University http://kutaksam.karabuk.edu.tr ﻣﺠﻠﺔ اﻟﺒﺤﻮث اﻟﺘﺎرﯾﺨﯿﺔ واﻟﺜﻘﺎﻓﯿﺔ واﻟﻔﻨﯿﺔ DOI: 10.7596/taksad.v7i1.1369 Citation: Ivanov, V., Koriakina, A., Savvinova, G., & Anisimov, R. (2018). On the Issue of Origin of the Yakut Epic Olonkho. Journal of History Culture and Art Research, 7(1), 194-204. doi:http://dx.doi.org/10.7596/taksad.v7i1.1369 On the Issue of Origin of the Yakut Epic Olonkho Vasiliy Nikolayevich Ivanov1, Antonina Fedorovna Koriakina2, Gulnara Egorovna Savvinova3, Ruslan Nikolayevich Anisimov4 Abstract The issue on the origin of the Yakut heroic epic Olonkho was covered in works in history and ethnography of the Yakuts back in the 19th century, for instance, in the famous monograph Yakuts. Experience of ethnographic research by a Polish exile V.L. Seroshevskiy (1896). Since that time, this issue was interesting for many, but no special monograph research has been done yet. Currently, the issue of Olonkho origin is gaining special scientific and general cultural significance, as on November 25, 2005 the Yakut heroic epic Olonkho according to the historical decision of UNESCO was granted the high status “Masterpiece of oral and non-material heritage of humanity”. The Yakut epic is a part of the multicomponent epic creative work of the Turkic nations but it was the only one to get such a high international recognition. This paper aims to revive the scientific interest to the issue of the Yakut epic’s genesis. -
The Effects of Stigmatization, Group Sentiment and Standardization Movements on the Future of the Kashubian Language
Prospects for an Endangered Language: The Effects of Stigmatization, Group Sentiment and Standardization Movements on the Future of the Kashubian Language Patricia S. Vandel A Senior Essay in Linguistics Presented on May 6, 2004 Yale University New Haven, CT BA, Linguistics Berkeley College Advisor: Darya Kavitskaya Department ofLinguistics TABLE OF CONTENTS 1.0 Introduction 3 1.1 Overview ofthe Kashubian Language .4 1.2 Influence ofPolitical Climate on the Study ofKashubian 5 1.3 Linguistic History ofKashubia 6 1.4 Literature 7 1.5 Press and Media 8 1.6 Religion 9 1.7 Education 9 2.0 Use ofthe Kashubian Language 11 2.1 Language versus Dialect ~ .11 2.2 Dialectal Variation within Kashubia 12 2.3 Differences between Kashubian and Polish 13 2.3.1 Phonological Differences 13 2.3.2 Lexical Differences 15 2.3.3 Register Differences 16 2.3.4 Prestige Differences 17 2.4 Cultural Differences 17 2.5 Diglossia 18 3.0 Group Sentiment Among the Kashubs 21 3.1 Ethnicity '" 21 3.1.1 Language as a Symbol ofEthnicity 23 3.1.2 Kashubian Ethnic Identity 24 3.2 Nationalism ; 25 3.2.1 Language and Nationalism 27 3.2.2 Kashubian National Identity and the Post-Communist Transformation 28 4.0 Language Standardization 32 4.1 Adopting a Standard Language 34 4.2 Kashubian Efforts at Standardization 36 4.3 Problems Associated with Standardization 38 5.0 The Future ofKashubian 40 5.1 Efforts to Sustain Language Awareness ; 40 5.2 Language Shift 41 5.3 Why Are Speakers Abandoning the Kashubian Language? 45 6.0 Conclusion •................................................................................ -
The Unbidden the Unbidden
A! Fresh Fear! And ! Thunder Communications International Production! The Unbidden! A film by Quentin Lee! Approx. 84 minutes! Not Yet Rated! Preliminary Press Notes! The Unbidden is a supernatural thriller about four women confronted by a mysterious young man who unburies a dark secret from their past. Mystery Novelist Lauren Lee (Tamlyn Tomita) is haunted by the ghost of a tortured, bloodied man. She tries to forget the apparition’s terrifying warnings and her unstable mental state by hosting dinner with her best friends (Julia Nickson, Amy Hill and Elizabeth Sung). Each of her best friends has her own idea and opinion to make Lauren better. In the midst of a séance that Rachel believes will exorcise Lauren, a mysterious young man arrives brandishing a gun and announces that one of them is his mother. He holds the women hostage in order to get to the truth of the whereabouts of his missing father, Lauren’s husband. The women’s world unravels as Lauren confesses that she has killed her husband Jake (Jason Yee) in self defense. Even though the young man is stunned by his mother’s frank confession, there are brutal twists to the dark secret that he never imagined. He goes on an emotional journey through the four women's past which reverses his perspective on vengeance. But forgiveness doesn’t come easy to those who’ve committed the ultimate betrayal as a decades long mystery gets solved in an unexpected final reckoning. Writer and Director’s Statement If you're a fan of the horror, psychological thriller, family melodrama or Asian American film genres, you're in for a treat, not a trick. -
Central Asia the Caucasus
CENTRAL ASIA AND THE CAUCASUS Volume 17 Issue 3 2016 CENTRAL ASIA AND THE CAUCASUS Journal of Social and Political Studies Published since 2000 Volume 17 Issue 3 2016 CA&CC Press® SWEDEN 1 Volume 17 FOUNDEDIssue 3 2016 AND PUBLISHEDCENTRAL ASIA AND THEBY CAUCASUS INSTITUTE INSTITUTE OF FOR CENTRAL ASIAN AND STRATEGIC STUDIES OF CAUCASIAN STUDIES THE CAUCASUS Registration number: 620720-0459 Registration number: M-770 State Administration for Ministry of Justice of Patents and Registration of Sweden Azerbaijan Republic PUBLISHING HOUSE CA&CC Press®. SWEDEN Registration number: 556699-5964 Journal registration number: 23 614 State Administration for Patents and Registration of Sweden E d i t o r i a lC o u n c i l Eldar Chairman of the Editorial Council ISMAILOV Tel./fax: (994 - 12) 497 12 22; E-mail: [email protected] Murad ESENOV Editor-in-Chief Tel./fax: (46) 70 232 16 55; E-mail: [email protected] Vladimer PAPAVA Deputy Editor-in-Chief Tel./fax: (995 - 32) 24 35 55; E-mail: [email protected] Jannatkhan Deputy Editor-in-Chief EYVAZOV Tel./fax: (994 - 12) 596 11 73; E-mail: [email protected] Kalamkas represents the journal in Kazakhstan (Astana) YESSIMOVA Tel./fax: (7 - 701) 7408600; E-mail: [email protected] Ainura represents the journal in Kyrgyzstan (Bishkek) ELEBAEVA Tel./fax: (996 - 312) 61 30 36; E-mail: [email protected] Saodat OLIMOVA represents the journal in Tajikistan (Dushanbe) Tel.: (992 372) 21 89 95; E-mail: [email protected] Farkhad represents the journal in Uzbekistan (Tashkent) TOLIPOV Tel.: (9987 - 1) 225 43 22; -
Alvin Ailey's Embodiment of African American Culture
DeFrantz.00 FM 10/20/03 2:50 PM Page ii Alvin Ailey’s Embodiment of African American Culture 1 2004 DeFrantz.00 FM 10/20/03 2:50 PM Page iii DANCING REVELATIONS THOMAS F. DEFRANTZ DeFrantz.00 FM 10/20/03 2:50 PM Page iv 1 Oxford New York Auckland Bangkok Bogotá Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto Copyright © 2004 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data DeFrantz, Thomas Dancing revelations : Alvin Ailey’s embodiment of African American culture / Thomas F. DeFrantz. p. cm. Includes bibliographical references and index. ISBN 0-19-515419-3 1.Ailey, Alivn. 2. Dancers—United States—Biography. 3.Choreographers— United States—Biography. 4.Alvin Ailey American Dance Theater. 5.African American dance. I. Title. GV1785.A38 D44 2003 792.8'028'092—dc21 2002156670 Credits: Photographs: frontispiece and pages 5, 8, 19, 47, 63, 95, 101 courtesy and copyright by Jack Mitchell; cover illustration and pages 11, 12,courtesy and copyright by J.