DOCSLIB.ORG

2015 Drama & Performance Studies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2015 Drama & Performance Studies Drama & 2 015 Performance Studies Discover.Read.Study.Perform. — A complete digital library of — THE MOST STUDIED, PERFORMED & CRITICALLY ACCLAIMED PLAYS 2014 — from the last 2,500 years — STATIONERS' INNOVATION EXCELLENCE AWARD WINNER ‘Drama Online blazes the trail for a new era of digital theatre publishing.’ — dr cHris meGson, roYAL HOLLOWAY, UNIVERSITY OF LONDON Designed for the Literature and Theatre classroom FOLLOW US ON TWITTER AT @DRAMAONLINELIB LEARN MORE AT WWW.DRAMAONLINELIBRARY.COM CONTACT US AT [email protected] A PARTNERSHIP FROM: Contents Bloomsbury Head Offices & Distributors Letter from the Editors. 2 UK, Europe & Rest of World Modern Drama . .3 Bloomsbury Publishing 50 Bedford Square, London, WC1B 3DP, UK Modern Plays . .3 Tel: +44 (0)207 631 5600 Modern Classics �������������������������������������������������������� 16 Fax: +44 (0)207 631 5800 [email protected] Anthologies . 19 Student Editions. 23 UK Trade Orders Macmillan Distribution (MDL) New Mermaids . 25 Brunel Road, Houndsmill, Basingstoke, RG21 6XT, UK Tel: +44 (0)1256 302692 The Arden Shakespeare ���������������������������������������������� 27 Fax: +44 (0)1256 812521 / 812558 Arden Early Modern Drama . 27 [email protected] The Arden Shakespeare Third Series. 28 US, Canada, Latin America Bloomsbury USA Studying Shakespeare ������������������������������������������������ 30 1385 Broadway, 5th Floor Theatre Studies . 34 New York, NY 10018, USA Tel: +1 212-419-5300 Applied Theatre . 35 [email protected] Critical Companions �������������������������������������������������� 36 US Trade Orders Methuen Drama Engage . 38 Bloomsbury USA MPS/BUSA Orders Bertolt Brecht ���������������������������������������������������������� 39 16365 James Madison Highway, British Theatre. 40 Gordonsville, VA 22942, USA Tel: +1 888-330-8477 American Theatre. 41 Fax: +1 800-672-2054 [email protected] Performance Studies. 42 [email protected] Dramaturgy . 42 Performance and Technique ���������������������������������������� 43 Index . 48 Representatives, Agents & Distributors . .51 Proposals If you have a book proposal, please contact one of the editors listed on page 2 or submit your proposal using forms available at www.bloomsbury.com/academic/forauthors EBooks Inspection / Exam Copies EBook availability is indicated under each book entry: Individual eBook: available for your e-reader Books with this symbol are available on inspection / as exam copies and Library eBook: available for institution-wide access are particularly suitable for course use. You can request these online at www.bloomsbury.com via the Request Inspection / Examination Copy See the website for details of vendors button on the paperback record. If you would like to request any other EBook prices listed in this catalogue relate to the RRP, including UK VAT on paperback books on inspection, please contact us at the sterling price. Prices vary according to local tax, and are subject to [email protected] (North and South America) or change by individual vendors beyond the publisher’s control. [email protected] (UK and rest of world). Review Copies For copies of books for review in journals, please email Books with this symbol also have a companion website or online resources. [email protected] in North and South America and Please see the website for our full inspection/exam/desk copy policy. [email protected] in the UK and rest of world. Standing Orders Open Content Many of our series are available on a standing order basis. For further Bloomsbury is committed to publishing the best scholarship and making information contact our trade ordering departments (as listed above). content as widely accessible as possible. Selected research publications are available to read for free online, under the Creative Commons or Translation Rights Bloomsbury Open licence. For more information, please refer to www.bloomsbury.com/opencontent. Translation rights for all titles are available unless otherwise indicated. Pricing and Availability Imprint is Bloomsbury Academic unless indicated otherwise. Whilst we endeavour to ensure that prices, publication dates and other Bloomsbury Academic is a division of Bloomsbury Publishing Plc. details in this catalogue are correct on going to press, they are subject to Registered in England No. 01984336. change without further notice. www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 1 Letter FROM THE EDITORS ORS DIT Award-winning Publishing from E Bloomsbury Drama THE Incorporating Methuen Drama and The Arden Shakespeare Welcome to the new Bloomsbury Drama & Performance Studies catalogue, including Methuen Drama and The Arden Shakespeare. As part of the Academic & Professional Division at Bloomsbury, we are proud to have picked up the Bookseller Industry Award for Academic, FROM Educational & Professional publisher of the year for the second year running. From The Bookseller: From a shortlist displaying an abundance of energy and innovation, the judges’ winner stands apart 'for the scale and range of its ambition’ … By delving deep into its rich archives of content, it has driven the legacy of publishing at its disposal into exciting new realms. The judges said, 'It leads from the front in re-imagining the way content can be used and sold'. etter Digital Highlights L Since launch, Drama Online has been shortlisted for three industry awards for digital innovation and won the Stationers' Livery Company Award for Innovation Excellence. Featuring 1000+ plays, 100+ scholarly works, and essential tools like character grids, we are continually adding more content: January 2015 sees the addition of Nick Hern Books as a content partner and 400+ audio files from L.A. Theatre Works. See the inside front cover and www.dramaonlinelibrary.com for more. www.actorsandperformers.com provides advice and contacts for actors and performers at all stages of their careers. And, in collaboration with Faber, The Sonnets by William Shakespeare app contains all 154 poems read by an all-star cast including Patrick Stewart and Stephen Fry. In 2014 we launched Bloomsbury Collections. This eBooks platform delivers instant access to quality research and provides libraries with a flexible way to build their collections across the humanities and social sciences. 4,000 eBook titles will be on the platform by spring 2015, featuring content from Bloomsbury’s latest research publications as well as a 100+ year legacy including Continuum, T&T Clark, Bristol Classical Press, Berg, Hart Publishing and The Arden Shakespeare (excludes the plays, which are available on Drama Online). Sign up for an institutional trial or updates at www.bloomsburycollections.com. Book Highlights This year Arden publishes several of the acclaimed Great Shakespeareans reference series in paperback, together with revised editions of Much Ado About Nothing (p. 28) and Two Noble Kinsmen (p. 28), as well new close reading guides for undergraduates, Arden Student Skills: Language and Writing (p. 30). In Theatre Studies we are launching new volumes in our innovative new Applied Theatre Series (p. 35), and Methuen Drama Engage series (p. 38). We’re also proud to publish the first English language Brecht biography for twenty years: Bertolt Brecht: A Literary Life (p. 39), described by the Literary Review as ‘an astonishing tour de force based on impressive scholarship’. On the Performance list we have a major new text and video resource: Actor Movement (p. 43) three new practical guides in our RADA series on Dramatic Dance, Singing on Stage and Genre (all p. 47) and a new Alexander technique book, Physical Expression on Stage and Screen (p. 45) from US coach, Bill Connington. Finally we are excited to publish the very best new modern plays, including the highly successful Birdland by Simon Stephens (p. 4), Rapture, Blister, Burn by Gina Gionfriddo (p. 11), Dark Vanilla Jungle by Philip Ridley (p. 6) and Kingston 14 by Roy Williams (p. 9). Who is Bloomsbury Academic? Publishing around 1,200 books each year, with a backlist of 20,000 titles, Bloomsbury’s Academic Division has grown through strategic acquisitions as well as establishing a home-grown list. Continuum, Berg and Bristol Classical Press are now part of the Bloomsbury brand, while Methuen Drama, The Arden Shakespeare, T&T Clark and Fairchild Books (including former AVA titles) remain as imprints under the Bloomsbury umbrella. Bloomsbury is committed to academic excellence, peer-review, the quality of our authors, digital publishing, speed to market and innovation. We hope you enjoy reading our latest catalogue. Jenny Ridout, Editorial Director, Drama [email protected] Margaret Bartley, Publisher, The Arden Shakespeare [email protected] Mark Dudgeon, Senior Commissioning Editor, Theatre Studies [email protected] Anna Brewer, Commissioning Editor, Drama [email protected] @Methuendrama • @Ardenpublisher • @Dramaonlinelib 2 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] M MODERN plays ODERN Modern Plays The Modern Plays series is world famous for containing the work of many of the finest contemporary playwrights. Established in 1959 with the publication of Shelagh Delaney’s A Taste of Honey, it remains a series synonymous with the very best in new writing for the stage. DRAMA A Doll's House A Life of Galileo Henrik Ibsen Bertolt Brecht Translated by Simon Stephens Translated
Load more

Recommended publications
  • Pinch with Ing Pennies Penny Marshall
    PINCH ING PENNIES WITH PENNY MARSHALL DEATH RITUALS FOR PENNY MARSHALL BY PROJECT MANAGER Alfredo Macias Victor I. Cazares DIRECTION Alton Alburo Martin Manzanita Barna Barzin Randa Jarrar Olivia Jimenez Frances McDormand as Madre Cabrona April Matthis Ellen DeGeneres Pooya Mohseni Leo Scorpio, Esq. MD/PHO MBA Ashton Muiiiz BBSloppyJoe Jesus I. Valles Penny Marshall EPISODE1 A Zoom Webinar Offering Financial Advice for OnlyFans Content Creators EPISODE2 Sliding Scales NEW YORK EPISODE3 Dia de la Muerta THEATRE WORKSHOP Victor I. Cazares is a Tow Playwright in Residence. just to name a few. Wearing all those hats has The Guggenheim (Machine Dazzle), Art Institute resulted in 1) a strong core & excellent posture, Chicago/Swiss Institute/New Museum (Cally 2) delight in working and playing with all sorts of Spooner), Biennial Performa/Lehmann Maupin people, 3) an enduring belief in the power of play. (Nicholas Hlobo) & Pace Gallery (Lilleth Glimcher). Olivia’s curiosity currently lies at the intersections Additionally, Ashton has danced for Marc Jacobs of embodied healing, civic practice, and FW 2020 (Karole Armitage), A$AP Rocky (Lab sustainability. Olivia holds a B.A. in Theater from Rat-Sotheby’s), Rihanna (MTV VMAs 2016). Muñiz is the University of Southern California and studied a co-founder of Legacy: A Black Queer Production interactive storytelling with Deep Dive Austin. She Collective & received training at Ithaca College, is a company member of the VORTEX Repertory Moscow Arts Theatre School and Shakespeare & Company and Shrewd Productions, and an Company. Enterprise Rose Artist Fellow working at Foundation Communities in Austin, TX. Jesús I. Valles Penny Marshall April Matthis Jesús I.
    [Show full text]
  • The Play That Goes Wrong
    Press Release: 6 September 2017 THE PLAY THAT GOES WRONG (MIRACULOUSLY) CELEBRATES ITS THIRD BIRTHDAY BY EXTENDING ITS WEST END BOOKING PERIOD INTO A FOURTH YEAR TO SEPTEMBER 2018 AND ANNOUNCING ANOTHER UK TOUR The Play That Goes Wrong, the Olivier Award-winning box office hit, today celebrates its third birthday in the West End by announcing a new booking period with tickets going on sale until 30 September 2018. The production’s exceptional popularity looks sets to continue as The Play That Goes Wrong will also embark on a national tour from January 2018 hoping to astound audiences all over again. Awarded the 2014 Whatsonstage.com Best New Comedy, the 2015 Olivier Award for Best New Comedy and a Tony award for the Broadway transfer, The Play That Goes Wrong continues to thrive in the West End. The remarkable rags-to-riches story shows no signs of slowing down for a play which started its life at a London fringe venue with only four paying customers at the first performance. Since then, it has played to an audience of over a million. This Autumn The Play That Goes Wrong will be playing simultaneously in twelve countries. Mischief Theatre was founded in 2008 by a group of graduates of The London Academy of Music and Dramatic Art (LAMDA) and began as an improvised comedy group. Mischief Theatre performs across the UK and internationally with improvised and original scripted work. Their other production The Comedy About A Bank Robbery is currently at the Criterion Theatre whilst The Play That Goes Wrong completed a UK national tour in July 2017, an Australian tour in June 2017, and is currently running on Broadway, booking until December 2017.
    [Show full text]
  • Edition 4 | 2018-2019
    2018-2019 SEASON Letter from the Chairman 9 Letter from the CEO 11 The Book of Mormon 14 Palace Theater Staff Directory 30 Program information for tonight’s presentation inside. The Palace would like to thank all of its Program advertisers for their support. ADVERTISING Onstage Publications Advertising Department 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. This program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business, Inc. Contents ©2019. All rights reserved. Printed in the U.S.A. letter from the chairman s Chairman of the Board of Directors for the Palace A Theater, I am grateful for the opportunity to serve this organization, and enthusiastic about its future. Committed to fostering the Palace’s success, the Board of Directors is currently working on a new three-year Strategic Business Plan, which will chart out the artistic, organizational, and financial goals for the theater. Focusing on expanded arts and educational programming, marketing, capital projects, and financial development, the objective of the plan is to continue expanding our current entertainment initiatives and ensure financial sustainability and growth for the Palace for years to come. Artistic success and economic stability help us provide a welcoming stage for both local and national arts groups. While we consistently seek out top-tier productions and popular artists, we also look to foster the next generation of talent, through our partnership with the Waterbury Arts Magnet Schools and our own educational programs.
    [Show full text]
  • English 252: Theatre in England 2006-2007 * [Optional Events
    English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E.
    [Show full text]
  • The One-Act Play That Goes Wrong
    THE ONE-ACT PLAY THAT GOES WRONG by Henry Lewis, Jonathan Sayer & THE ONE-ACT Henry Shields SHIELDS — LEWIS, SAYER, WRONG GOES THAT PLAY THE ONE-ACT PLAY THAT 6 men, 2 women GOES WRONG You all know the classic murder mystery story: There has been an untimely death at a country manor, everyone is a suspect, and an inspector is set on the case to find who the culprit is. However, when this play is performed by the accident-prone thespians of BY HENRY LEWIS, The Cornley Polytechnic Drama Society, everything that can go wrong…does! The actors and crew battle against all odds to make JONATHAN SAYER it through to their final curtain call, with hilarious consequences! From Mischief, the creators of the West End smash Peter Pan Goes & HENRY SHIELDS Wrong, critically acclaimed TV series The Goes Wrong Show, and the Tony-winning Broadway hit The Play That Goes Wrong, this is the original one-act play which started everything going wrong. Over the course of an hour, expect a plethora of disasters from missed lines to falling props. Do you ever find out who murdered Charles Haversham? You’ll have to see for yourself! Also by Henry Lewis, Jonathan Sayer & Henry Shields THE PLAY THAT GOES WRONG DRAMATISTS PLAY SERVICE INC. DRAMATISTS PLAY SERVICE, INC. THE ONE-ACT PLAY THAT GOES WRONG Copyright © 2012, Mischief Worldwide Ltd. THE PLAY THAT GOES WRONG®, MISCHIEF® and MISCHIEF THEATRE® are trademarks and registered trademarks of Mischief Worldwide Ltd. www.mischiefworldwide.com All Rights Reserved THE ONE-ACT PLAY THAT GOES WRONG is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations.
    [Show full text]
  • NSF Programme Book 23/04/2019 12:31 Page 1
    two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA.
    [Show full text]
  • MINERVA THEATRE Feasibility Study – Executive Summary
    MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition.
    [Show full text]
  • The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More Information
    Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information The Cambridge Companion to Harold Pinter The Cambridge Companion to Harold Pinter provides an introduction to one of the world’s leading and most controversial writers, whose output in many genres and roles continues to grow. Harold Pinter has written for the theatre, radio, television and screen, in addition to being a highly successful director and actor. This volume examines the wide range of Pinter’s work (including his recent play Celebration). The first section of essays places his writing within the critical and theatrical context of his time, and its reception worldwide. The Companion moves on to explore issues of performance, with essays by practi- tioners and writers. The third section addresses wider themes, including Pinter as celebrity, the playwright and his critics, and the political dimensions of his work. The volume offers photographs from key productions, a chronology and bibliography. © Cambridge University Press www.cambridge.org Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Greek Tragedy The Cambridge Companion to the French edited by P. E. Easterling Novel: from 1800 to the Present The Cambridge Companion to Old English edited by Timothy Unwin Literature The Cambridge Companion to Modernism edited by Malcolm Godden and Michael edited by Michael Levenson Lapidge The Cambridge Companion to Australian The Cambridge Companion to Medieval Literature Romance edited by Elizabeth Webby edited by Roberta L. Kreuger The Cambridge Companion to American The Cambridge Companion to Medieval Women Playwrights English Theatre edited by Brenda Murphy edited by Richard Beadle The Cambridge Companion to Modern British The Cambridge Companion to English Women Playwrights Renaissance Drama edited by Elaine Aston and Janelle Reinelt edited by A.
    [Show full text]
  • Cheltlf12 Brochure
    SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive.
    [Show full text]
  • Scott & Bailey 2 Wylie Interviews
    Written by Sally Wainwright 2 PRODUCTION NOTES Introduction .........................................................................................Page 3 Regular characters .............................................................................Page 4 Interview with writer and co-creator Sally Wainwright ...................Page 5 Interview with co-creator Diane Taylor .............................................Page 8 Suranne Jones is D.C. Rachel Bailey ................................................Page 11 Lesley Sharp is D.C. Janet Scott .......................................................Page 14 Amelia Bullmore is D.C.I. Gill Murray ................................................Page 17 Nicholas Gleaves is D.S. Andy Roper ...............................................Page 20 Sean Maguire is P.C. Sean McCartney ..............................................Page 23 Lisa Riley is Nadia Hicks ....................................................................Page 26 Kevin Doyle is Geoff Hastings ...........................................................Page 28 3 INTRODUCTION Suranne Jones and Lesley Sharp resume their partnership in eight new compelling episodes of the northern-based crime drama Scott & Bailey. Acclaimed writer and co-creator Sally Wainwright has written the second series after once again joining forces with Consultancy Producer Diane Taylor, a retired Detective from Greater Manchester Police. Their unique partnership allows viewers and authentic look at the realities and responsibilities of working within
    [Show full text]
  • MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 Melbourne 'S Home of Theatre
    MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 MElBOURNE 'S hOME OF ThEATRE MELBOURNE THEATRE COMPANY Media Release 28 AUGUST 2016 MTC Season 2017 Melbourne Theatre Company Artistic Director Brett Sheehy ao today revealed MTC’s 2017 Season – a collection of works from around the world that celebrate the art of great, live storytelling. ‘Season 2017 is one of our most exciting yet,’ Brett Sheehy said. ‘The year ahead draws together an enviable assortment of artists to present stories from France, Britain, Ireland, America, India, and, of course, Australia for a season that will bring laughter, empathy, debate and intrigue to all our lives.’ ‘In a season that celebrates and showcases live storytelling at its best, we are especially thrilled that four outstanding new Australian plays will have world premiere productions on our stages,’ Mr Sheehy said. Melbourne Theatre Company’s 2017 Season features eleven mainstage productions, an extensive Education Program and touring education production, plus a range of industry-leading initiatives including MTC’s Women in Theatre Program, NEON NEXT, MTC CONNECT and Cybec Electric. The season opens in grand period style with Garson Kanin’s 1940s Broadway classic Born Yesterday – a screwball romance directed by MTC Associate Director Dean Byrant, starring Christie Whelan Browne and Joel Jackson. The incomparable Helen Morse and Julia Blake return to the stage alongside Ursula Mills making her MTC debut in John, the latest highly acclaimed work from Pulitzer Prize-winning playwright Annie Baker, directed by MTC Associate Director Sarah Goodes. Judy Davis directs Brian Friel’s enduring work of art, Faith Healer – an extraordinary creation presented in four beautifully sculpted monologues – starring Colin Friels, Pip Miller and Alison Whyte.
    [Show full text]
  • Brochure 74 (05.10.2016) .Qxp Layout 1 01/11/2016 15:36 Page 1
    Brochure 74 (05.10.2016) .qxp_Layout 1 01/11/2016 15:36 Page 1 PRICE BAND GUIDE FOR ALL EVENTS 74 What’s on December 2016 - September 2017 Box Office: (01603) 63 00 00 Restaurant Booking: (01603) 59 85 77 A B C D E Prices for each event are inside the brochure IN PARTNERSHIP WITH Priority on these seats Seats towards the ends of rows may is given to wheelchair have a restricted view. users and those transferring This is reflected in the from a wheelchair price of these seats. Book Online: www.theatreroyalnorwich.co.uk Booking Form Inside Theatre Royal, Theatre Street, Norwich NR2 1RL 74 Registered Charity No. 262259 Brochure 74 (05.10.2016) .qxp_Layout 1 01/11/2016 15:36 Page 3 Assisted performances AUDIO DESCRIBED Jack & the Beanstalk..................................Wed 4 Jan, 1pm Matthew Piper & Caroline Williams Jack & the Beanstalk..................................Sat 7 Jan, 2.30pm Matthew Piper & Caroline Williams La Cage aux Folles......................................Sat 21 Jan, 2.30pm Matthew Piper Mamma Mia ...............................................Sat 18 Mar & 25 Mar, 2.30pm Matthew Piper & Caroline Williams Sunny Afternoon .........................................Sat 15 April, 2.30pm Caroline Williams Running Wild...............................................Sat 29 April, 2.30pm Caroline Williams Sister Act ....................................................Sat 6 May, 2.30pm Minds Eye – Matthew Piper Fantastic Mr Fox .........................................Sat 24 June, 2.30pm Caroline Williams Funny Girl ...................................................Sat
    [Show full text]