DOCSLIB.ORG

Annie Wood: a Portrait Jo Ann Mervis Hofheimer Old Dominion University

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annie Wood: a Portrait Jo Ann Mervis Hofheimer Old Dominion University Old Dominion University ODU Digital Commons Institute for the Humanities Theses Institute for the Humanities Winter 1996 Annie Wood: A Portrait Jo Ann Mervis Hofheimer Old Dominion University Follow this and additional works at: https://digitalcommons.odu.edu/humanities_etds Part of the American Literature Commons, United States History Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Hofheimer, Jo Ann M.. "Annie Wood: A Portrait" (1996). Master of Arts (MA), thesis, Humanities, Old Dominion University, DOI: 10.25777/7ttg-g246 https://digitalcommons.odu.edu/humanities_etds/12 This Thesis is brought to you for free and open access by the Institute for the Humanities at ODU Digital Commons. It has been accepted for inclusion in Institute for the Humanities Theses by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. ANNIE WOOD: A PORTRAIT by JO ANN MERVIS HOFHEMER B.S. May 1970, Old Dominion University A Thesis Submittted to the Faculty of Old Dominion University in Partial Fulfillment of the Requirement for the Degree of MASTER OF ARTS HUMANITIES OLD DOMINION UNIVERSITY December 1996 Approved by: DouglaS G. Greene (Member) snspn C. Harrison (Member) Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1383133 Copyright 1996 by Hofheimer, Jo Ann Mervis All rights reserved. UMI Microform 1383133 Copyright 1997, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Copyright © 1996 by Jo Ann Mervis Hofheimer All rights reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ABSTRACT ANNIE WOOD: A PORTRAIT. Jo Ann Mervis Hofheimer Old Dominion University, 1996 Director: Dr. Michael Pearson Co-Chairs of Advisory Committee: Dr. Douglas Greene Dr. Jefferson Harrison In 1871, Anna Cogswell Wood and Irene FCirke Leache founded a school for girls in Norfolk, Virginia which had a profound influence on the community. The Leache- Wood Seminary became Norfolk’s center for cultural pursuits. After the death of Irene Leache in 1900, Annie Wood established a memorial to perpetuate her friend’s interest in literature, music, art, drama, and spiritual studies. Wood began a number of cultural programs which grew to shape the cultural life of the town in remarkable ways, leading directly to the Virginia Symphony, the Norfolk Little Theater, the Irene Leache Memorial, the Norfolk Society of Arts, and The Chrysler Museum of Art. Wood published two novels, two memoirs of Irene Leache, two books of essays, and a book of dramatic sketches. She also wrote a number of pensees, in album format, sixteen of which are in the collection of the Irene Leache Memorial. Her writings trace the development of an independent Victorian woman who closely observed the changes in society from the Civil War to World War II. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This study explores the life and times of Anna Cogswell Wood. In doing so, it also examines the enormous changes in education, the role of women, and the growth of the cultural arts in the South, and particularly in Norfolk. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. To my family, past, present, andfuture a nd To the members of the Irene Leache Memorial, past, present, andfuture Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ACKNOWLEDGEMENTS I am grateful to a number of people for their suggestions and assistance with this study. For their enthusiasm and patience, and for sharing so many family documents, I am greatly indebted to Edith Brooke Robertson and Elizabeth Crawford Engle. The interest, support, and companionship of Catherine Lee Brinkley and Eleanor Ramsey Williamson never failed to provide encouragement when needed. Carter Grandy Scott’s early enthusiasm and continuing interest in each aspect of the study meant a great deal to me. To all five, thank you: your feel for history is surpassed only by your capacity for friendship. Thanks also to Peggy Haile and Carl Griffler of the Norfolk Public Library, to thee calm and agreeable librarians at Old Dominion University, and to the patient staff of the Chrysler Museum. I offer special thanks to the members of my thesis committee, Michael Pearson, Douglas Greene, and Jefferson Harrison, for their many helpful suggestions and careful reading of the text. Their guidance has been a great benefit. My husband and children have, without doubt, heard more about Annie Wood than they would have chosen to know, and have yet remained steadfast in their encouragement and support. They have my love, always. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OF CONTENTS Page LIST OF FIGURES............................................................................................................. vii PROLOGUE ....................................................................... viii Chapter 1. INTRODUCTION...................................................................................................... 1 2. FAMILY MATTERS.......................................................................................................9 3. WINCHESTER........................................................................................................... 29 4. NORFOLK......................................................................................................................48 5. TRAVELS................................................................................................................... 72 6. MEMORIALS............................................................................................................. 94 7. ITALY ............................................................................................................................120 8. LEGACY ................................................................................................................... 144 NOTES................................................................................................................................ 165 WORKS CITED................................................................................................................. 184 APPENDICES A. CHRONOLOGY...................................................................................................... 193 B. PRESIDENTS OF THE IRENE LEACHE MEMORIAL..................................... 197 VITA .....................................................................................................................................198 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. LIST OF FIGURES Figure Page 1. Wood Family................................................................................................................. 12 2. Cogswell Family............................................................................................................21 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. viii PROLOGUE The two women arrived in Norfolk in 1871 on a typical August day, sultry and still. They had traveled for seventeen hours by train from the relative cool o f the Valley o f Virginia, leaving far behind the rolling hills o f Winchester fo r the flat Tidewater coast. They had been asked to establish a school for girls in a town just awakening after the Civil War, where education had necessarily been set aside fo r more compelling concerns. They came with a promise and a plan, and little else. Their long Victorian dresses only exacerbated the intensive heat. The only stir o f air seemed to come from the passing wheels o f carriages and carts, but the clop o f horses going by sent unwelcome waves o f dust flying onto shoes, skin, face, and hair. Mule- drawn wagons were stacked high with bales o f cotton or tobacco. Truckfarmers from the outlying counties bringing vegetables to sell in the city market jostledfor room amid the chickens, pigs, fish, and oysters being hauled to wharves and stalls. Boats o f every de­ scription lined the harbor, delivering lumber and supplies, waiting to take on goods, and transporting people and merchandise by the fastest means available, over the waters of Hampton Roads. The port was bustling with activity since the war; economic recovery seemed tangible. The town o f20,000 was poised for sustained growth. The permeating odor o f salt and seafood reminded the travelers how far they had come from the Blue Ridge Mountains. The narrow streets smelled o f a small town's odors: dust, manure, peanut shells, and grape skins carelessly discarded in the road The old Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. houses, set close to the curb, were sheltered by huge trees planted before the Revolution. Hitching posts lined Main Street, which was still in disrepair from the war years, a pit­ ted, rutted, lane o f mud. Always essentially a port town, and always at the end o f the line, Norfolk was working hard to achieve a prominent
Load more

Recommended publications
  • Guide to the Merrimac & Monitor Post Card Company “Virginia in Dry
    Guide to the Merrimac & Monitor Post Card Company “Virginia in Dry Dock” Postcard, 1906 MS0429 The Mariners' Museum Library at Christopher Newport University Contact Information: The Mariners' Museum Library 100 Museum Drive Newport News, VA 23606 Phone: (757) 591-7782 Fax: (757) 591-7310 Email: [email protected] URL: www.MarinersMuseum.org/library Processed by Jay E. Moore, 2012 DESCRIPTIVE SUMMARY Repository: The Mariners' Museum Library Title: Merrimac & Monitor Post Card Company “Virginia in Dry Dock” Postcard Inclusive Dates: 1906 Catalog number: MS0429 Physical Characteristics: 1 picture postcard Language: English Creator: Merrimac & Monitor Post Card Company (Firm); Richardson, Benjamin A. (Benjamin Adworth) HISTORICAL SKETCH The Merrimac & Monitor Post Card Company was formed in 1906 with the immediate purpose of issuing commemorative postcards to be sold during the Jamestown Tercentenary celebration in 1907. The company produced postcards commemorating the events of Mar.8 and 9, 1862 during the Battle of Hampton Roads. It also created postcards pertaining to the life of CSS Virginia. They range from the April 19, 1861 destruction at the Gosport Navy Yard of the US steam frigate Merrimack, from whose hulk Virginia was built, to the destruction of the ironclad on the shores of Craney Island, Virginia, on May 10-11, 1862 at the hands of its own crew. The paintings on the postcards were taken from a series of original works by Benjamin A. Richardson (1833-1909). Richardson, born in Portsmouth, was a self-taught, amateur artist. Early in life, he earned a living as a house and sign painter. During the Civil War, Richardson enlisted in Norfolk as a private in the Confederate States Army in the United Artillery under Captain Thomas Kevill.
    [Show full text]
  • Opportunity Zone Prospectus
    NORFOLK ® OPPORTUNITY ZONE PROSPECTUS N O R F O L K V I R G I N I A - I N V E S T M E N T P R O S P E C T U S 1 WELCOME For more than 300 years, Norfolk has served as the cultural and economic heart of Hampton Roads, mixing ideas, connecting people, creating new experiences and new businesses, and powering the growth of a region that is home to 1.75 million people and a real GDP approaching $84 billion. One of America’s oldest global trade destinations, Norfolk has been transformed into a global center for international security and coastal resilience. We are home to Naval Station Norfolk, the world’s largest naval base, and NATO’s only headquarters in North America. We also serve as a national leader in health care, transportation, higher education, and visual and performing arts. Norfolk is investing in transformative projects that will enhance our assets, foster inclusive economic growth, and develop talented and motivated residents. In 2018, we launched the transformation of the St. Paul’s Area, which will reshape three public housing communities that encompass more than 200 acres near our thriving downtown. Investments in the people, physical infrastructure, and anchor institutions that are native to this area are helping us to attract new businesses and entrepreneurs that will drive regional productivity and growth. The neighborhoods of the St. Paul’s Area are just one example of the 16 qualified opportunity zones, the most of any city or county in the Commonwealth of Virginia, that we hope you will consider for investment.
    [Show full text]
  • Winter 2019 Eric Carle Illustration for Panda Bear, Panda Bear, What Do You See? by Bill Martin, Jr
    winter 2019 Eric Carle Illustration for Panda Bear, Panda Bear, What Do You See? by Bill Martin, Jr. Collection of Eric and Barbara Carle © 2003 Eric Carle Save the Date June 14–September 8, 2019 Scholarship and Innovation This fall, the Chrysler Museum of Art will present Thomas Jefferson, Architect: Palladian Models, Democratic Principles, and the Conflict of Ideals. It will be the first of several major exhibitions organized by the Chrysler Museum’s curatorial team. We aim to mark the Chrysler as a producer of original content and new ideas that will raise our national profile. This ambitious revitalization of the exhibition program will prioritize the skills and knowledge of our staff and bring great art to our community in fresh and compelling ways. Thomas Jefferson, Architect is a partnership with the Palladio Museum in Vicenza, Italy. It is the first major exhibition on Jefferson’s design practice since the 1970s and incorporates a wealth of new scholarship that confronts his desire to convey ideals of liberty and democracy while creating monuments that were founded on the economic and social institution of slavery. In upcoming seasons, the Chrysler will present Alma W. Thomas: A Creative Life, Americans in Spain, and Jacob Lawrence. The exhibitions are led by Chrysler curators, some in collaboration with a curator from a peer institution, and are intended to travel to other museums. A catalog with new scholarship will accompany each exhibition. Developing exhibitions in-house is not unprecedented at the Chrysler. In 2015, we presented Tseng Kwong Chi: Performing for the Camera. It traveled to three other museums and was accompanied by a catalog with new critical essays.
    [Show full text]
  • Anna Holloway Image Collection on Ironclad Warships, 1889-1911 MS0438
    Guide to the Anna Holloway Image Collection on Ironclad Warships, 1889-1911 MS0438 The Mariners' Museum Library at Christopher Newport University Contact Information: The Mariners' Museum Library 100 Museum Drive Newport News, VA 23606 Phone: (757) 591-7782 Fax: (757) 591-7310 Email: [email protected] URL: www.mariner.org/library Processed by Johanna Quinn, 2010 DESCRIPTIVE SUMMARY Repository: The Mariners' Museum Library Title: Anna Holloway Image Collection on Ironclad Warships Inclusive Dates: 1889-1911 Catalog number: MS0438 Physical Characteristics: 11 items, including cigarette cards, advertising cards, picture postcards and stereographs Language: English Creator: Holloway, Anna Gibson BIOGRAPHICAL SKETCH Anna Gibson Holloway is the Vice President of Museum Collections and Programs at The Mariners’ Museum in Newport News, VA where she oversees the Curatorial, Collections Management, Education, Conservation and Exhibition Design functions of the Museum. She also serves as curator of the USS Monitor Center and in that role, won the American Association of Museum’s Award for the Best Exhibition of 2007. Before the cheesebox on a raft entered her life, she was the Director of Education and Resident Pirate at The Mariners’ Museum, then Chief Curator. In the waning years of the 20th century, she was Manager of School Tour Programs for the Chrysler Museum of Art in Norfolk, VA and has also worked for Jamestown Settlement as part of the crew of the Susan Constant, and for the Colonial Williamsburg Foundation where she was a puppeteer and understudy fire eater. This Winston-Salem native graduated from The University of North Carolina at Greensboro with baccalaureate degrees in English Literature and Medieval Civilization, neither of which was very helpful in fulfilling her goal of being a rock star.
    [Show full text]
  • Theaters and Performing Arts Companies in Hampton Roads
    Theaters & Performing Arts Companies THE PLAY’S THE THING: THEATERS AND PERFORMING ARTS COMPANIES IN HAMPTON ROADS ll of Hampton Roads is but a stage and the theater companies merely players that strut across it. Yet, what a stage it is! The area’s companies provide a rich menu of thought-provoking and entertaining productions, all of which enhance Athe region with vital cultural and economic benefits. The vibrant community of thespians in Hampton Roads premiered in the late 19th and early 20th centuries at venues like The Academy of Music, and the American, the Colonial and the Wells theaters, where vaudeville mixed with drama and the emerging moving picture amusements. In fact, in the early days of the 20th century, Norfolk was viewed as the cultural “gateway to the south.” A brief decline into adult entertainment occurred in several of these theaters during the middle of the 20th century, followed by a slow and deliberate emergence into a healthy and engaging theatrical life. Currently, the theatrical venues of Hampton Roads boast several major professional companies, a changing plate of smaller com- munity performing companies, and a host of universities and colleges stretching the diversity of dramatic selections. Whether sup- ported by magnanimous corporate sponsorship, dedicated avocational passions or the hobby of a few rich patrons of the arts, local theater contributes significantly to the revitalization of Hampton Roads communities. THE WELLS THEATRE Since opening in 1913, the historic landmark New Wells Theatre welcomed guests into an ornate and exquisite venue of beaux-arts classicism, originally seating 1,650 with a top balcony “For Negro Audiences Only.” It once featured “Ben Hur,” with chariots on treadmills, and hosted the likes of Fred and Adele Astaire, Will Rogers and John Philip Sousa.
    [Show full text]
  • Winter 2020 Save the Date June 19–September 20, 2020 Strandbeests: Theo Jansen's Fantastical Beach Creatures
    winter 2020 Save the Date June 19–September 20, 2020 Strandbeests: Theo Jansen's Fantastical Beach Creatures Theo Jansen, Animaris Mulus, 2017, Courtesy of Theo Jansen, Photo by Alexander Schlichter Collaboratively organized by Museum Services, LLC and Theo Jansen Building the Collection One of the cornerstones of excellence at the Chrysler Museum of Art is the outstanding collection. We pride ourselves on the depth and quality of to Tell New Stories our holdings in European and American painting and sculpture as well as comprehensive collections of photography and glass. We have fine selections from ancient Egypt, Greece, Rome, Assyria, and pre-colonial Latin America as well representative works from Asia and Africa. These marvelous pieces allow us to appreciate the breadth of human creativity and educate our visitors about the cultures of other times and places. As proud as we are of our masterpieces, we recognize that there are more stories to tell. The collection was largely formed by the interests of Jean and Walter P. Chrysler, Jr. and a few trusted advisors and dealers in the third quarter of the twentieth century. Today, we seek to build on the strengths of the collection but also explore new areas and keep the Museum at the forefront of the field. Scholars have reassessed the traditional history of art, frequently bringing attention to the contributions of women and people of color as well the broad geographic range of artistic production. As a result, the Chrysler seeks to build the collection to tell a fuller story. Last year, the Chrysler purchased a Besamim—a very fine spice box that may have been used as part of the Sabbath ceremony.
    [Show full text]
  • Calendar of Events
    Calendar the November/December 2010 hrysler of events CTHE MAGAZINE OF THE CHRYSLER MUSEUM OF ART p 4 Exhibitions • p 6 News • p 8 Daily Calendar • p 11 Public Programs • p 15 Member Programs G ENERAL INFORMATION COVER Contact Us The Museum Shop Group and School Tours Stevens & Williams Open during Museum hours Stourbridge, England Chrysler Museum of Art (757) 333-6269 Covered Jar in the 245 W. Olney Road (757) 333-6297 www.chrysler.org/programs.asp Chinese Taste Norfolk, VA 23510 with Rock Crystal Phone: (757) 664-6200 Cuisine & Company Board of Trustees Engraving, ca. 1884 Fax: (757) 664-6201 at The Chrysler Café 2010–2011 Engraved by Joseph E-mail: [email protected] Wednesdays, 11 a.m.–8 p.m. Shirley C. Baldwin Keller (English, Website: www.chrysler.org 1880–1925) Thursdays–Saturdays, 11 a.m.–3 p.m. Carolyn K. Barry Blown, cut, and Sundays, 12–3 p.m. Robert M. Boyd Museum Hours engraved glass (757) 333-6291 Nancy W. Branch Museum purchase Wednesday, 10 a.m.–9 p.m. Macon F. Brock, Jr., Chairman Thursday–Saturday, 10 a.m.–5 p.m. Historic Houses Robert W. Carter Sunday, 12–5 p.m. Free Admission Andrew S. Fine The Museum galleries are closed each The Moses Myers House Elizabeth Fraim Monday and Tuesday, as well as on 323 E. Freemason St. (at Bank St.), Norfolk David R. Goode, Vice Chairman major holidays. The Norfolk History Museum at the Cyrus W. Grandy V Marc Jacobson Admission Willoughby-Baylor House 601 E. Freemason Street, Norfolk Maurice A.
    [Show full text]
  • Waldef: a French Romance from Medieval England
    FOR PRIVATE AND NON-COMMERCIAL USE ARC HUMANITIES PRESS FOUNDATIONS This series responds to the pressing need for new primary texts on the premodern world. The series fits Arc’s academic mission to work with scholars of the past in expanding our collective horizons. This source of accessible new texts will refresh research resources, engage students, and support the use of innovative approaches to teaching. The series takes a flexible, case-by-case approach to publishing. The works helpmay thebe original reader situate language the editions,text. facing-page (with English translation) editions, or translations. Each edition includes a contextual introduction and explanatory notes to Advisory Board Arizona State University Università Ca’ Foscari, Venezia Robert E. Bjork,University of Canterbury / Te Whare Wānanga o Waitaha Alessandra Bucossi,University of California, Santa Cruz Chris Jones, University of Oxford Sharon Kinoshita, Matthew Cheung Salisbury, FOR PRIVATE AND NON-COMMERCIAL USE ARC HUMANITIES PRESS WALDEF A FRENCH ROMANCE FROM MEDIEVAL ENGLAND Translated by IVANA DJORDJEVIĆ, NICOLE CLIFTON, and JUDITH WEISS FOR PRIVATE AND NON-COMMERCIAL USE ARC HUMANITIES PRESS British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. © 2020, Arc Humanities Press, Leeds The authors assert their moral right to be identified as the authors of their part of this work. Permission to use brief excerpts from this work in scholarly and educational works is hereby granted provided that the source is acknowledged. Any use of material in this work that is an exception or limitation covered by Article 5 of the European Union’s Copyright Directive (2001/29/EC) or would be determined to be “fair use” under Section 107 of the U.S.
    [Show full text]
  • Norfolk Architectral Survey Update Work Plan, City of Norfolk, Virginia
    NORFOLK ARCHITECTRAL SURVEY UPDATE WORK PLAN, CITY OF NORFOLK, VIRGINIA by Adriana T. Moss with contributions from Peggie Haile McPhillips Prepared for Virginia Department of Historic Resources Prepared by DOVETAIL CULTURAL RESOURCE GROUP August 2020 Norfolk Architectural Survey Update Work Plan, City of Norfolk, Virginia by Adriana T. Moss with contributions from Peggie Haile McPhillips Prepared for Virginia Department of Historic Resources Capital Region Office 2801 Kensington Avenue Richmond, Virginia 23221 Prepared by Dovetail Cultural Resource Group 11905 Bowman Drive, Suite 502 Fredericksburg, Virginia 22408 Dovetail Job #19-074 August 2020 August 26, 2020 Adriana T. Moss, Principal Investigator Date Dovetail Cultural Resource Group This page intentionally left blank ABSTRACT Dovetail Cultural Resource Group (Dovetail) conducted a background review and windshield study associated with the preparation of a multi-phased work plan to update architectural documentation within the City of Norfolk, Virginia; the study was done between December 2019 and January 2020. The project was completed at the request of the City of Norfolk’s (the City) Department of City Planning in partnership with the Virginia Department of Historic Resources (DHR) Cost Share Survey and Planning Program (Cost Share Program). The study comprised a desktop review of past survey records, reports, and associated materials in DHR’s archives and a citywide windshield survey to identify potential areas in need of resurvey or new survey, including opportunities for thematic or resource-specific survey efforts. Particular attention was paid to resources that have reached 50 years of age since the last citywide survey conducted in 1997 by Hanbury Evans Newill Vlattas & Company (HENV), as well as resources in areas targeted for redevelopment as denoted by the Norfolk Department of Economic Development or susceptible to storm surge and sea level rise flooding as outlined by the Federal Emergency Management Agency (FEMA) and National Oceanic and Atmospheric Administration (NOAA) maps (HENV 1997).
    [Show full text]
  • The University of Hull the Early Career of Thomas
    THE UNIVERSITY OF HULL THE EARLY CAREER OF THOMAS, LORD HOWARD, EARL OF SURREY AND THIRD DUKE OF NORFOLK, 1474—c. 1525 being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Susan Elisabeth Vokes, B.A. September, 1988 Acknowledgements I should like to thank the University of Hull for my postgraduate scholarship, and the Institute of Historical Research and Eliot College, the Universiy of Kent, for providing excellent facilities in recent years. I am especially grateful to the Duke of Norfolk and his archivists for giving me access to material in his possession. The staff of many other archives and libraries have been extremely helpful in answering detailed enquiries and helping me to locate documents, and / regret that it is not possible to acknowledge them individually. I am grateful to my supervisor, Peter Heath, for his patience, understanding and willingness to read endless drafts over the years in which this study has evolved. Others, too, have contributed much. Members of the Russell/Starkey seminar group at the Institute of Historical Research, and the Late Medieval seminar group at the University of Kent made helpful comments on a paper, and I have benefitted from suggestions, discussion, references and encouragement from many others, particularly: Neil Samman, Maria Dowling, Peter Gwynn, George Bernard, Greg Walker and Diarmaid MacCulloch. I am particularly grateful to several people who took the trouble to read and comment on drafts of various chapters. Margaret Condon and Anne Crawford commented on a draft of the first chapter, Carole Rawcliffe and Linda Clerk on my analysis of Norfolk's estate accounts, Steven Ellis on my chapters on Surrey in Ireland and in the north of England, and Roger Virgoe on much of the thesis, including all the East Anglian material.
    [Show full text]
  • Norfolk Archaeology 2017 Content V2.Indd
    Norfolk Archaeology XLVII (2017), 511–522 THE BLACK MIDDLE CLASS IN NINETEENTH- AND EARLY TWENTIETH- CENTURY NORFOLK by Richard C. Maguire This article considers the under-researched subject of English people of African heritage who lived a prosperous and fulfi lled life in Norfolk during the 19th and early 20th centuries. In doing so, the article aims to provide additional data and analysis in respect of an issue to which Gretchen Gerzina and James Walvin have, rightly, drawn our attention; the relative paucity of our knowledge concerning the lives of Black and mixed-race people in 19th-century Britain.1 In respect of Norfolk I have suggested elsewhere already that the evidence of the history of Norfolk's Black and mixed race population shows how Norfolk had a long-standing Black population from at least the 16th century and that this population appears to have been integrated relatively well into the white majority population.2 The evidence produced here expands upon that interpretation by looking at the period after 1800 and also by looking at a specifi c group about which nothing has been written to date, those members of the county’s middle-class who had an African heritage. INTRODUCTION This article focuses on the members of two families, the Steeles, one of whom lived in Yarmouth, and the Minns family in Thetford. The Minns family name is more well-known, because on 9 November 1904 one of them, Dr Allan Glaisyer Minns (Plate 1), was elected as the mayor of the town of Thetford and, in so doing, became Britain’s fi rst Black and mixed-race mayor, some nine years before John Richard Archer was elected in Battersea, London.3 Minns’ story is now becoming more well known, but less recognised are the stories of his brother, Pembroke, his sister, Ophelia, and those of his fi ve children; all of whom lived as an integrated part of Thetford’s middle-class society from the 1850s onwards.
    [Show full text]
  • {PDF} a History of Norfolk in 100 Objects Kindle
    A HISTORY OF NORFOLK IN 100 OBJECTS PDF, EPUB, EBOOK John A. Davies | 176 pages | 01 Jan 2019 | The History Press Ltd | 9780752461625 | English | Stroud, United Kingdom A History of Norfolk in 100 Objects PDF Book In the General Court granted them their own town under the name of Wrentham. Jim Davis Paperback Books. The degree of historical resonance is nicely vast. Paleolithic , Mesolithic , and Neolithic artifacts have been found in the county. Zoom Zoom. Please read our Cookie Policy. Davies, Tim Pestell Paperback, The discovery of the beautiful Happisburgh handaxe, described inside, led to a find of further flint tools twice as old as anything found elsewhere in the country. While he was serving in India, Meinertzhagen, apparently, killed one of his assistants in a fit of rage — and then had the local police cover up the death. History Trade Paperback Nonfiction Books. Paperback Tim O'Brien Books. Norfolk is a rich farming county, but regions of natural or seminatural vegetation survive. Articles from Britannica Encyclopedias for elementary and high school students. See all 3 brand new listings. We use different types of cookies to optimize your experience on our website. He also lives in Norwich. Davies, Tim Pestell Paperback, Be the first to write a review. Skip to main content. Paperback Jim Davis Books. More Details Contributor: John A. You can explore more about the history of our town through the Norfolk Timeline Project brought to you by the Norfolk Historical Commission. What is the largest lake in the British Isles? See all 6 - All listings for this product.
    [Show full text]