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Hervey-Grimes-Resume.Pdf
Smith & Hervey/Grimes Talent Agency E85 Management Contact-Julie Smith Contact-Greg Strangis & Jacob Gallagher 3002 Midvale Ave. Suite 206 3406 W. Burbank Blvd Los Angeles, Ca 90034 Burbank, Ca 91505 310-475-2010 310-955-5835 C L I N T C A R M I C H A E L www.clintcarmichael.com SAG/AFTRA Eyes: Blue/Green Hair: Salt/Pepper HT: 6’4” FILM: Leads, Supporting: A KISS ON CANDY CANE LANE Dir: Stephanie McBain ZBURBS Dir: Greg Zekowski DEVIL’S GRAVEYARDS Dir: Doug Glover/ Pilgrim Studios STAR TREK: RENEGADES Dir: Tim Russ/Sky Conway Productions SHOOTING THE WARWICKS Dir: Adam Rifkin/D-Generate Prods KILLING HAPPY Dir: David Brandvik/Victorhouse Films DAMON (Award Winner) Dir: Nick Snyder/Damon Prods. BIG BAD Dir: Opie Cooper/Eyevox Prods. HEADSHOTS INC. Dir: Joel Hoffman/Quarterwater Ent. DISPATCH Dir: Steven Sprung/Dispatch Prod. THE HOUSE BUNNY Dir: Fred Wolf/Happy Madison Prod. THE OPEN DOOR (Award Winner) Dir: Doc Duhame/Ultimate Action NEW YORK TO MALIBU Dir: Danny Weisberg/Zero 2 Sixty MOVING PIECES (Award Winner) Dir: Chris Pulis/Froglegs Films SINBAD: BEYOND THE VEIL OF MISTS Dir: Alan Jacobs/Improvision Prods. TIME UNDER FIRE Dir: Tripp Reed/Royal Oaks Ent. MALEVOLENCE Dir: Belle Avery/Miramax COMMON GROUND Dir: Michael Donovan/Shadow Prod. NAKED GUN 33 1/3 Dir: Peter Segal/Paramount Pictures TELEVISION (partial list): WHY WOMEN KILL Co-Star Dir: Lucy Liu/CBS Television Studios ADAM RUINS EVERYTHING Guest Star Dir: Matt Pollack/TRU TV LA TO VEGAS Co-star Dir: Jim Hensz/FOX Studios LAW & ORDER TRUE CRIME Co-star Dir: Fred -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Tacsound On-Line
TACSound is a non-profit division of the Teachers' Association (Canada) affiliated with the Royal Scottish Country Dance Society. Your volunteer manager, Lydia Hedge, is TACSound pleased to offer you a unique selection of available recorded music for Scottish Country Dancing and your listening pleasure. Recorded Music Division of TO ORDER: Teachers’ Association (Canada) ONLINE : Go to http://sound.tac-rscds.org Select the albums you want, add them to your CART then proceed to the CHECKOUT pages to select shipping method and payment option. Payment online can be by PayPal or Invoice/Cheque (which includes VISA). If you are a member of TAC, you are entitled to a 5% discount . You need a Discount Coupon to receive this online. Contact Lydia for your coupon number. (See next page for more details about discounts) BY MAIL : Complete an Order Form (back of this catalogue) including Item #, Title, Quantity. Mail it to: TACSound ℅ Lydia Hedge 624 Three Fathom Harbour Road RR#2, Head of Chezzetcook Nova Scotia Canada B0J 1N0 Do not send payment but please note on the order form whether you want to remit in Canadian dollars, U.S. dollars, or Pounds Sterling. We will send an invoice at the current exchange rate with the goods. September 2013 Catalogue : 902-827-2033 BY PHONE BY EMAIL : Just compose an email, indicating which albums you want. Send it to: All Prices Shown are in Canadian Dollars [email protected] All prices shown in the catalogue are in Canadian dollars and are subje ct to change without notice because of price changes from our suppliers or currency fluctuations. -
Damsel in Distress Or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2020-12-09 Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Education Commons BYU ScholarsArchive Citation Carling, Rylee, "Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency" (2020). Theses and Dissertations. 8758. https://scholarsarchive.byu.edu/etd/8758 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Paul Ricks, Chair Terrell Young Dawan Coombs Stefinee Pinnegar Department of Teacher Education Brigham Young University Copyright © 2020 Rylee Carling All Rights Reserved ABSTRACT Damsel in Distress or Princess in Power? Traditional Masculinity and Femininity in Young Adult Novelizations of Cinderella and the Effects on Agency Rylee Carling Department of Teacher Education, BYU Master of Arts Retellings of classic fairy tales have become increasingly popular in the past decade, but little research has been done on the novelizations written for a young adult (YA) audience. -
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https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] SINGING THE VOID Volume 1 Submitted by Dorothy Alexander for the Degree of PhD to the University of Glasgow October 2006 Practice-led research conducted in the Department of English Literature University of Glasgow © Dorothy Alexander 2006 ProQuest Number: 10390610 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10390610 Published by ProQuest LLO (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLO. -
No. 269 October 10
small screen News Digest of Australian Council on Children and the Media (incorporating Young Media Australia) ISSN: 0817-8224 No. 269 October 2010 Changes at ACCM The Australian Children’s Television Children lie to join Facebook Foundation (ACTF), the founding Present- Professor Elizabeth ing Partner of Trop Jr, is again providing Handsley was elect- According to Jim O’Rourke, writing in The support to the festival. ABC3, ABC TV’s ed President of the Age, children as young as 8 are signing up dedicated children’s digital channel, is the Australian Council to Facebook and exposing themselves to Major Media Partner. on Children and the cyber bullying and online predators. media at the Annual Entries close on 6 January and young film- General Meeting held Both police and teachers are warning makers can enter online. To be eligible, they on Tuesday 26 October parents to be more vigilant when it comes to will have to create a film that is no longer 2010. their children and Facebook. They say that than seven minutes long that must feature a growing number of children are flouting the Trop Jr Signature Item for 2011 – FAN Jane Roberts (WA) is the new Vice- the Facebook age restrictions and creating - to prove it was made for the festival President. We are happy to welcome new accounts despite the age requirement. Directors, Kym Goodes (Tasmania) and These children have to lie about their age http://www.tropjr.com.au Marjorie Voss (Queensland) . because users have to be over 13 to create a Facebook account and many parents are Rev Elisabeth Crossman (Qld), Anne Fit- unaware that this is happening. -
An Animated Comedy for 8-12 Year Olds 26 X 12Min SERIES
An animated comedy for 8-12 year olds 26 x 12min SERIES © 2014 MWP-RDB Thongs Pty Ltd, Media World Holdings Pty Ltd, Red Dog Bites Pty Ltd, Screen Australia, Film Victoria and the Australian Broadcasting Corporation. Whale Bay isis homehome toto thethe disaster-pronedisaster-prone ThongThong familyfamily andand toto Australia’sAustralia’s leastleast visitedvisited touristtourist attraction,attraction, thethe GiantGiant Thong.Thong. ButBut thatthat maymay bebe about to change, for all the wrong reasons... Series Synopsis ........................................................................3 Holden Character Guide....................................................4 Narelle Character Guide .................................................5 Trevor Character Guide....................................................6 Brenda Character Guide ..................................................7 Rerp/Kevin/Weedy Guide.................................................8 Voice Cast.................................................................................9 ...because it’s also home to Holden Thong, a 12-year-old with a wild imagination Creators ...................................................................................12 and ability to construct amazing gadgets from recycled scrap. Holden’s father Director’s‘ Statement..........................................................13 Trevor is determined to put Whale Bay on the map, any map. Trevor’s hare-brained tourist-attracting schemes, combined with Holden’s ill-conceived contraptions, -
Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. in Re
Electronically Filed Docket: 14-CRB-0010-CD/SD (2010-2013) Filing Date: 12/29/2017 03:37:55 PM EST Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS 2010-2013 CABLE ROYALTY YEARS VOLUME I OF II WRITTEN TESTIMONY AND EXHIBITS Gregory O. Olaniran D.C. Bar No. 455784 Lucy Holmes Plovnick D.C. Bar No. 488752 Alesha M. Dominique D.C. Bar No. 990311 Mitchell Silberberg & Knupp LLP 1818 N Street NW, 8th Floor Washington, DC 20036 (202) 355-7917 (Telephone) (202) 355-7887 (Facsimile) [email protected] [email protected] [email protected] Attorneys for MPAA-Represented Program Suppliers December 29, 2017 Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF MPAA-REPRESENTED PROGRAM SUPPLIERS FOR 2010-2013 CABLE ROYALTY YEARS The Motion Picture Association of America, Inc. (“MPAA”), its member companies and other producers and/or distributors of syndicated series, movies, specials, and non-team sports broadcast by television stations who have agreed to representation by MPAA (“MPAA-represented Program Suppliers”),1 in accordance with the procedural schedule set forth in Appendix A to the December 22, 2017 Order Consolidating Proceedings And Reinstating Case Schedule issued by the Copyright Royalty Judges (“Judges”), hereby submit their Written Direct Statement Regarding Distribution Methodologies (“WDS-D”) for the 2010-2013 cable royalty years2 in the consolidated 1 Lists of MPAA-represented Program Suppliers for each of the cable royalty years at issue in this consolidated proceeding are included as Appendix A to the Written Direct Testimony of Jane Saunders. -
Celebrating Duke Ellington
Thursday–Saturday Evening, April 25 –27, 2013, at 8:00 Saturday Afternoon, April 27, 2013, at 2:00 Wynton Marsalis, Managing & Artistic Director Greg Scholl, Executive Director Bloomberg is the Lead Corporate Sponsor of this performance. CELEBRATING DUKE ELLINGTON JAZZ AT LINCOLN CENTER ORCHESTRA WYNTON MARSALIS, Music Director, Trumpet RYAN KISOR, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet VINCENT GARDNER, Trombone CHRIS CRENSHAW, Trombone ELLIOT MASON, Trombone SHERMAN IRBY, Alto Saxophone, Clarinet TED NASH, Alto Saxophone, Clarinet VICTOR GOINES, Tenor Saxophone, Clarinet WALTER BLANDING, Tenor Saxophone, Clarinet JOE TEMPERLEY, Baritone Saxophone, Bass Clarinet JAMES CHIRILLO, Guitar and Banjo DAN NIMMER, Piano CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums Selections will be announced from the stage. There will be a 20-minute intermission for the evening performances. Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at Columbus Circle at Time Warner Center, and SiriusXM. MasterCard ® is the Preferred Card of Jazz at Lincoln Center. Qatar Airways is a Premier Sponsor and Official Airline Partner of Jazz at Lincoln Center. This concert is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. ROSE THEATER JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL jalc.org PROGRAM JAZZ AT LINCOLN CENTER 25TH ANNIVERSARY SEASON HONORS Since Jazz at Lincoln Center’s inception on August 3, 1987, when Lincoln Center for the Performing Arts initiated a three-performance summertime series called “Classical Jazz,” the organization has been steadfast in its commitment to broadening and deepening the public’s awareness of and participation in jazz. -
V I T O V I S C O
VITO VISCOMI – LOS ANGELES 323-314-5448 [email protected] KATHY A ROCCHIO – VANCOUVER 604-506-3460 [email protected] COLLECTIVE PERSONAL CREDITS FOR PARTNERS Vito Viscomi WGA/WGC WRITER SKETCH/REALITY MTV MOVIE AWARDS ’06 Writer Tenth Planet/MTV LAST LAUGH ’05 and ‘06 Writer Tenth Planet/COMEDY CENTRAL BLUE COLLAR TV Writer/Co-Prod WB VIVA LA BAM Writer MTV NICK & JESSICA VARIETY HOUR Writer ABC Variety Special JACKASS Writer MTV JACKASS: THE MOVIE Writer MTV Films I’M WITH BUSEY Writer Jimco/Comedy Central SMOKING GUN Writer Court-TV special BOMBITTY OF ERRORS Co-EP MTV pilot ANIMAL PRANKSTERS Writer Stone-Stanley/Animal Planet special THE ANDY DICK SHOW Senior Writer MTV series THE TOM GREEN SHOW Writer MTV series THE VACANT LOT Writer/Creator Lorne Michaels/COMEDY CENTRAL TALK THE HOWARD STERN SHOW Senior Producer CBS-TV THE LATE EDITION Supervising Producer CNBC SITCOM THE ROAMING GNOME Co-EP, Creator USA Studios/Pilot APARTMENT 2F Story Editor/Writer MTV ANIMATION KID VS. KAT Writer Studio B / YTV / Jetix RICKY SPROCKET Writer Studio B / Teletoon / Nicktoons MR. MEN Writer Cartoon Network ROLLBOTS Story Editor/Writer Amberwood/YTV BEING IAN Story Editor/Writer Studio B/YTV WEIRD YEARS Writer Lenz Entertainment/YTV AMAZING ADRENALINI BROS. Writer Studio B/YTV MONSTER BUSTER CLUB Writer Marathon/YTV BARNYARD Add’l Writing Steve Oedekerk Feature YAKKITY YAK Story Editor/Writer Studio B/Nicktoons/Teletoon THE GODTHUMB Writer Steve Oedekerk, DVD release DIRK DERBY Writer Steve Oedekerk/Nicktoons JOHN CALLAHAN’S QUADS Writer Nelvana YVON OF THE YUKON Writer Studio B/YTV Canada Vito Viscomi continued… RUGRATS GO WILD Add’l Writing Klasky Csupo Feature AWARDS/HONORS ELAN AWARDS (Canada) ‘Being Ian’ – Best Writing – WINNER GOLDEN ROSE AWARD (International) 'The Vacant Lot' - Outstanding Comedy Series - Finalist. -
Melbourne Programme Guide
MELBOURNE PROGRAMME GUIDE Sunday 04th October 2009 06:00 am Mass For You At Home WS G Enjoy Mass in the comfort of your own home. 06:30 am Hillsong With Brian Houston WS G Religious Program 07:00 am Totally Wild (Rpt) CC C WS Explore the natural beauty of Australia's native flora and fauna with the Totally Wild team. 07:30 am Pearlie CC Dial A Dilemma / Throwing Down It's magic in the city with Pearlie, a colourful comedy about a fashionable, urban fairy. 08:00 am Meet The Press CC WS Network Ten's premier political program. Join Paul Bongiorno as he interviews the main players on the Australian public affairs stage, and covers the issues making news in Federal politics. 08:30 am Video Hits G Video Hits is Australia's #1 music show. Hosted by Faustina 'Fuzzy' Agolley & Hayden Guppy, it features the best new music and classic tunes. Plus interviews, live event shows and huge competitions. 10:00 am Video Hits PG Sexual References, Mild Coarse Language Video Hits is Australia's #1 music show. Hosted by Faustina 'Fuzzy' Agolley & Hayden Guppy, it features the best new music and classic tunes. Plus interviews, live event shows and huge competitions. 11:00 am Video Hits Presents Video Hits Presents: The Big Day Out Australia's number one music show brings you specials with interviews and music from the world's hottest acts. 12:00 pm IFish WS G Providing tips and information for the beginner fisherman, right through to the hard-core fishing enthusiasts. -
The Fairy-Tale Facade: Cinderella's Anti-Grotesque Dream
The Fairy-Tale Facade: Cinderella’s Anti-grotesque Dream Alexandra Robbins Cinderella and the prince lived, they say, happily ever after, like two dolls in a museum case never bothered by diapers or dust, never arguing over the timing of an egg, never telling the same story twice, never getting a middle-aged spread, their darling smiles pasted on for eternity. Regular Bobbsey Twins. That story. (Anne Sexton, “Cinderella”) In “The Model,” a fictional tale in Joyce Carol Oates’ Haunted: Tales of the Grotesque, Oates employs the simile “as vague and unexam- ined as a childhood fairy tale” (Oates 111). Certainly, fairy tales can heavily influence early childhood, particularly regarding perceptions of those characteristics and demeanors traditionally considered “good” or “evil.” As Madonna Kolbenschlag details in Kiss Sleeping Beauty Good- bye, “Fairy tales are the bedtime stories of the collective conscious- ness .... They are shared wish fulfillment, abstract dreams that resolve conflicts and give meaning to experience” (3). Not just mere short sto- ries with marketable maxims, fairy tales can worm their way into a child’s subconsciousness, where images and attitudes can then perpetu- ate societal standards. “Often despised as silly or grotesque,” Alfred Corn writes, “fairy tale is the Cinderella among literary forms, going so much further than its humble origins seemed to promise and providing us with many sharply outlined archetypes and clichkd metaphors (like the Cinderella analogy in this very sentence)” (612). Cinderella repre- sents the quintessential fairy tale, with its chaste damsel in distress, wicked steprelatives, patriarchal royalty, and, of course, Prince Charming and the ever-trite wish come true.