Wavelength (February 1982)
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Christm4 S Encyclopedia
The Christm4 s Encyclopedia Second Edition William D. Crump cg McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London Frontispiece: Engraving from the 1880s after a work by an artist identified as - Min throp." From Charles Wesley, Hark! The Herald Angels Sing (New York: Dutton,1889). Illustration research and selection by Linda Campbell Franklin Library of Congress Cataloguing-in-Publication Data Crump, William D., 1949- The Christmas encyclopedia / by William D. Crump.— 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0-7864-2293-9 (illustrated case binding : 50# alkaline paper) @ 1. Christmas— Encyclopedias. I. Title. GT4985.C74 2006 394.2663'03 —dc22 2005025349 British Library cataloguing data are available ©2006 William D. Crump. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover image ©2005 BananaStock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com Rudolph's Shiny New Year 338 tainment, and Tundra Productions. DVD: (song); Rudolph, the Red-Nosed Reindeer the fate of the lit Goodtimes Home Video. 74 min. (television special); Rudolph, the Red-Nosed other superstitic See also Rudolph and Frosty: Christmas Reindeer and the Island of Misfit Toys. ished the holida: in July; Rudolph, the Red-Nosed Reindeer winter solstice fo (song); Rudolph, the Red-Nosed Reindeer Russia evil lurked in ti (television special); Rudolph's Shiny New In 988, Vladimir I (956-1015), grand prince foretold the wea- Year. -
MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
Multiple Grammy Award-Winner Aaron Neville Comes to Parker Playhouse for One Night Only on February 12
February 3, 2015 Media Contact: Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center 954.765.5814 MULTIPLE GRAMMY AWARD-WINNER AARON NEVILLE COMES TO PARKER PLAYHOUSE FOR ONE NIGHT ONLY ON FEBRUARY 12 FORT LAUDERDALE – With a voice that has led to Grammy Awards in the vocal, pop and country categories on top of his Grammy nominations for R&B, jazz and traditional soul gospel works, Aaron Neville comes to Parker Playhouse on Thursday, February 12 at 8 p.m. A member of the Louisiana Music Hall of Fame and a Big Easy Award-winner for Best Gospel Singer, Neville has enjoyed an incredible career between his solo work and his iconic role with the first family of New Orleans music, the Neville Brothers. "Tell It Like It Is," Neville’s first hit single, held the number one spot on the R&B charts for five weeks and was recently added to the Grammy Hall of Fame collection for 2015, which acknowledges singles and albums of all genres at least 25 years old that have a historical significance. His collaborations “I Fall to Pieces” with Trisha Yearwood and “All My Life” and “Don’t Know Much” with Linda Ronstadt won Grammy Awards as did “Healing Chant,” which he recorded as part of the Neville Brothers. In his latest release, My True Story, Neville performs in his utterly inimitable vocal style classic doo-wop numbers he grew up with including "Tears on My Pillow," "Under the Boardwalk " and "This Magic Moment." Tickets to the concert at the Parker Playhouse are $37.50 - $67.50. -
Popular Love Songs
Popular Love Songs: After All – Multiple artists Amazed - Lonestar All For Love – Stevie Brock Almost Paradise – Ann Wilson & Mike Reno All My Life - Linda Ronstadt & Aaron Neville Always and Forever – Luther Vandross Babe - Styx Because Of You – 98 Degrees Because You Loved Me – Celine Dion Best of My Love – The Eagles Candle In The Wind – Elton John Can't Take My Eyes off of You – Lauryn Hill Can't We Try – Vonda Shepard & Dan Hill Don't Know Much – Linda Ronstadt & Aaron Neville Dreaming of You - Selena Emotion – The Bee Gees Endless Love – Lionel Richie & Diana Ross Even Now – Barry Manilow Every Breath You Take – The Police Everything I Own – Aaron Tippin Friends And Lovers – Gloria Loring & Carl Anderson Glory of Love – Peter Cetera Greatest Love of All – Whitney Houston Heaven Knows – Donna Summer & Brooklyn Dreams Hello – Lionel Richie Here I Am – Bryan Adams Honesty – Billly Joel Hopelessly Devoted – Olivia Newton-John How Do I Live – Trisha Yearwood I Can't Tell You Why – The Eagles I'd Love You to Want Me - Lobo I Just Fall in Love Again – Anne Murray I'll Always Love You – Dean Martin I Need You – Tim McGraw & Faith Hill In Your Eyes - Peter Gabriel It Might Be You – Stephen Bishop I've Never Been To Me - Charlene I Write The Songs – Barry Manilow I Will Survive – Gloria Gaynor Just Once – James Ingram Just When I Needed You Most – Dolly Parton Looking Through The Eyes of Love – Gene Pitney Lost in Your Eyes – Debbie Gibson Lost Without Your Love - Bread Love Will Keep Us Alive – The Eagles Mandy – Barry Manilow Making Love -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Super Trash Permalink https://escholarship.org/uc/item/6w27981t Author Gledhill, Jennifer Anne Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Super Trash A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Fine Arts in Creative Writing and Writing for the Performing Arts by Jennifer Gledhill March 2014 Thesis Committee: Professor Joshua Malkin, Co-Chairperson Professor Charles Evered, Co-Chairperson Professor Bill Rabkin Copyright by Jennifer Gledhill 2014 The Thesis of Jennifer Gledhill is approved: __________________________________________________ __________________________________________________ Committee Co-Chairperson __________________________________________________ Committee Co-Chairperson University of California, Riverside Acknowledgements I want to thank Elizabeth Crane Brandt for always having seen me. And then for letting me know that I was seen. Thanks, also, to Joshua Malkin, who graciously kept up with my madness, a task not for the faint of heart. Mr. Malkin also had the rare ability to speak “Jenn-Anne.” While maybe not quite fluent (who is?), he was proficient enough to navigate this girl through the Class VI rapids of her own mind. And I would like to thank Marsha. You nailed it thirty- six years ago. Wish I hadn’t taken so long to hear your wisdom. iv For Gavin v EXT: A MAP OF THE UNITED STATES - DAY A patriotic song dissolves into a techno hip-hop jam. There are four large “states” in the United States, each a different color. Cal Town. Asterisk! G-Mart, and Razzmatazz. -
Kiss Kiss Alive 35 - 06/13/08 Donnington, Great Britain Mp3, Flac, Wma
Kiss Kiss Alive 35 - 06/13/08 Donnington, Great Britain mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Kiss Alive 35 - 06/13/08 Donnington, Great Britain Country: UK Released: 2008 Style: Hard Rock MP3 version RAR size: 1687 mb FLAC version RAR size: 1986 mb WMA version RAR size: 1773 mb Rating: 4.8 Votes: 740 Other Formats: MPC XM MP2 AAC VQF MMF ADX Tracklist 1 Deuce 5:17 2 Strutter 3:30 3 Got To Choose 4:52 4 Nothin' To Lose 4:17 5 Hotter Than Hell 4:33 6 C'Mon And Love Me 4:02 7 Parasite 3:41 8 She 11:50 9 100,000 Years / Drumsolo Eric Singer 14:18 10 Cold Gin 6:23 11 Let Me Go Rock 'N' Roll 8:18 12 Black Diamond 6:30 13 Rock & Roll All Night 9:29 14 Shout It Out Loud 4:52 15 Lick It Up 5:09 16 Gene Simmons Bass Solo 4:05 17 I Love It Loud 4:28 18 I Was Made For Lovin' You 5:14 19 Love Gun 6:11 20 Detroit Rock City 7:04 Notes Recorded live at Donington Park, UK on 13/06/2008. CD's pressed and sold immediately after the concert (within about 1 hour). Comes in a generic digipak for the tour. Therefore no track listing on the cover or CDs. "Recorded, Mixed and Produced by Concert Live." Other versions Category Artist Title (Format) Label Category Country Year Kiss Alive 35, Download Festival, none Kiss Concert Live none UK 2008 Donington, Great Britain (File, MP3) Kiss Alive 35, Download Festival, CLCD859 Kiss Concert Live CLCD859 UK 2014 Donington, Great Britain (2xCDr, Dig) none Kiss Kiss Alive 35 (2xLP, Album) Concert Live none UK 2015 Related Music albums to Kiss Alive 35 - 06/13/08 Donnington, Great Britain by Kiss 1. -
Hogmanay Rituals: Scotland’S New Year’S Eve Celebrations
Accepted Manuscript of a book chapter published by Routledge Suggested citation: Frew, E. & Mair. J. (2014). Hogmanay Rituals: Scotland’s New Year’s Eve Celebrations. In Frost, W. & Laing, J. (Eds) Rituals and traditional events in the modern world. Routledge Hogmanay Rituals: Scotland’s New Year’s Eve Celebrations Elspeth A. Frew La Trobe University Judith Mair Department of Management Monash University ABSTRACT Hogmanay, which is the name given to New Year’s Eve in Scotland, is a long-standing festival with roots going far back into pagan times. However, such festivals are losing their traditions and are becoming almost generic public celebrations devoid of the original rites and rituals that originally made them unique. Using the framework of Falassi’s (1987) festival rites and rituals, this chapter utilises a duoethnographic approach to examine Hogmanay traditions in contemporary Scotland and the extent to which these have been transferred to another country. The chapter reflects on the traditions which have survived and those that have been consigned to history. Hogmanay and Paganism: Scotland’s New Year’s Eve Celebrations INTRODUCTION New Year’s Eve (or Hogmanay as it is known in Scotland) is celebrated in many countries around the world, and often takes the form of a public celebration with fireworks, music and a carnival atmosphere. However, Hogmanay itself is a long-standing festival in Scotland with roots going far back into pagan times. Some of the rites and rituals associated with Hogmanay are centuries old, and the tradition of celebrating New Year Eve (as Hogmanay) on a grander scale than Christmas has been a part of Scottish life for many hundreds of years. -
Anatomía De La Canción
www.elboomeran.com/ MARC MYERS ANATOMÍA DE LA CANCIÓN HISTORIA ORAL DE 45 TEMAS QUE TRANSFORMARON EL ROCK, EL R&B Y EL POP TRADUCCIÓN DE EZEQUIEL MARTÍNEZ LLORENTE BARCELONA MÉXICO BUENOS AIRES NUEVA YORK anatomia_cancion.indd 5 20/4/18 12:22 www.elboomeran.com/ Para obtener este libro en formato digital escriba su nombre y apellido con bolígrafo o rotulador en la primera página. Tome luego una foto de esa página y envíela a <[email protected]>. A vuelta de correo recibirá el e-book gratis. Si tiene alguna duda escríbanos a la misma dirección. © Marc Myers, 2016. La primera versión de cada capítulo apareció en el Wall Strcct Journal como parte de la columna «Anatomy of a Song» (2011-2016). Publicado de acuerdo con Grove Press, un sello de Grove Atlantic, Inc., Nueva York. © Traducción: Ezequiel Martínez Llorente © Malpaso Ediciones, S. L. U. Gran Via de les Corts Catalanes, 657, entresuelo 08010 Barcelona www.malpasoed.com Título original: Anatomy of a Song ISBN: 978-84-17081-75-1 Depósito legal: B-9.958-2018 Primera edición: mayo de 2018 Impresión: Cayfosa Diseño de interiores: Sergi Gòdia Maquetación: Palabra de apache Imagen de cubierta: Malpaso Ediciones, S. L. U. Bajo las sanciones establecidas por las leyes, quedan rigurosamente prohibidas, sin la autorización por escrito de los titulares del copyright, la reproducción total o parcial de esta obra por cualquier medio o procedimiento mecánico o electrónico, actual o futuro (incluyendo las fotocopias y la difusión a través de Internet), y la distribución de ejemplares de esta edición mediante alquiler o préstamo, salvo en las excepciones que determine la ley. -
KISS Game Features Matrix
KISS Game Features Matrix Premium Limited Game Pro KISS - I Want to Rock and Roll all Night! Edition Edition Main Experience the greatest rock show under glass Attractions Custom speech from Paul Stanley and Gene Simmons Rock with 10 famous tracks performed by "KISS" Shoot balls under the "Demon's" (Gene) head sculpt for fast ball return action from the spinning disc Lock balls in the "Demon's" head, start m-ball and watch them come spitting out of his mouth Play the "Starchild" (Paul) mini play area, complete the targets and get the ball in the hidden hole Game Watch the "Starchild" pinball levitate across the stadium at the start of "Love Gun Multiball" Features Spinning disc under the "Demon" for fast ball return action "Demon" ball trough feeding ball through the "Demon's" head and out of his mouth "Demon" 3 ball lock trough assembly with ball eject device Enormous, molded "Demon" head sculpt "Starchild's" ball levitating, "Love Gun" ball transfer mechanism on back panel. "Starchild" single drop target with coil assisted trip mechanism Static "Starchild" custom action figure with guitar Animated "Starchild" custom action figure with guitar "Starchild" decorative molded amplifier "Starchild" mini play area 16 LED iconic progress grid 4 bank "KISS" stand up target bank 4 bank "KISS" drop target bank 4 bank "ARMY" stand up target bank 2 "Lite Lock" stand up targets Spinning target assembly Left plastic ramp feeds to chrome left wire ramp Right plastic ramp that feeds to chrome -
Rhythm & Blues Rhythm & Blues S E U L B & M H T Y
64 RHYTHM & BLUES RHYTHM & BLUES ARTHUR ALEXANDER JESSE BELVIN THE MONU MENT YEARS CD CHD 805 € 17.75 GUESS WHO? THE RCA VICTOR (Baby) For You- The Other Woman (In My Life)- Stay By Me- Me And RECORD INGS (2-CD) CD CH2 1020 € 23.25 Mine- Show Me The Road- Turn Around (And Try Me)- Baby This CD-1:- Secret Love- Love Is Here To Stay- Ol’Man River- Now You Baby That- Baby I Love You- In My Sorrow- I Want To Marry You- In Know- Zing! Went The My Baby’s Eyes- Love’s Where Life Begins- Miles And Miles From Strings Of My Heart- Home- You Don’t Love Me (You Don’t Care)- I Need You Baby- Guess Who- Witch craft- We’re Gonna Hate Ourselves In The Morn ing- Spanish Harlem- My Funny Valen tine- Concerte Jungle- Talk ing Care Of A Woman- Set Me Free- Bye Bye Funny- Take Me Back To Love- Another Time, Another Place- Cry Like A Baby- Glory Road- The Island- (I’m Afraid) The Call Me Honey- The Migrant- Lover Please- In The Middle Of It All Masquer ade Is Over- · (1965-72 ‘Monument’) (77:39/28) In den Jahren 1965-72 Alright, Okay, You Win- entstandene Aufnahmen in seinem eigenwilligen Stil, einer Ever Since We Met- Pledg- Mischung aus Soul und Country Music / his songs were covered ing My Love- My Girl Is Just by the Stones and Beatles. Unique country-soul music. Enough Woman For Me- SIL AUSTIN Volare (Nel Blu Dipinto Di SWINGSATION CD 547 876 € 16.75 Blu)- Old MacDonald (The Dogwood Junc tion- Wildwood- Slow Walk- Pink Shade Of Blue- Charg ers)- Dandilyon Walkin’ And Talkin’- Fine (The Charg ers)- CD-2:- Brown Frame- Train Whis- Give Me Love- I’ll Never -
Pharoah Sanders, Straight-Ahead and Avant-Garde
Jazz Perspectives ISSN: 1749-4060 (Print) 1749-4079 (Online) Journal homepage: http://www.tandfonline.com/loi/rjaz20 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman To cite this article: Benjamin Bierman (2015) Pharoah Sanders, Straight-Ahead and Avant- Garde, Jazz Perspectives, 9:1, 65-93, DOI: 10.1080/17494060.2015.1132517 To link to this article: http://dx.doi.org/10.1080/17494060.2015.1132517 Published online: 28 Jan 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjaz20 Download by: [Benjamin Bierman] Date: 29 January 2016, At: 09:13 Jazz Perspectives, 2015 Vol. 9, No. 1, 65–93, http://dx.doi.org/10.1080/17494060.2015.1132517 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman Introduction Throughout the early 1980s, Sweet Basil, a popular jazz club in New York City, was regularly packed and infused with energy as the Pharoah Sanders Quartet was slam- ming it—Sanders on tenor, John Hicks on piano, Walter Booker on bass, and Idris Muhammad on drums.1 The music was up-tempo and unflagging in its intensity and drive. The rhythm section was playing with a straight-ahead yet contemporary feel, while Sanders was seamlessly blending the avant-garde or free aesthetic and main- stream straight-ahead jazz, as well as the blues and R&B influences from early in his career.2 This band—and this period of Sanders’s career—have been largely neglected and Sanders himself has generally been poorly represented in the media.3 Sanders, as is true for many, many musicians, suffers from the fact that in critical discourses jazz styles often remain conceptualized as fitting into pre-conceived cat- egories such as straight-ahead, mainstream, and avant-garde or free jazz.