Creativity in Crisis Rev. Kim Mason June 7, 2020 Order of Service
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
News 2009 Boosey & Hawkes · Schott Music Spring · Summer Peter-Lukas Graf Turns 80!
News 2009 Boosey & Hawkes · Schott Music Spring · Summer Peter-Lukas Graf turns 80! Born in Zurich (Switzerland) in 1929, Peter-Lukas Graf studied the flute with André Jaunet (Zurich), Marcel Moyse and Roger Cortet (Paris). He was awarded the First Prize as flautist and the conductor’s diploma (Eugène Bigot). The period as a principal flutist in Winterthur and in the Swiss Festival Orchestra Lucerne was succeded by many years of full time opera and symphonic conduct- ing. At present, Peter-Lukas Graf plays, conducts and teaches internationally. He has made numerous CD recordings, radio and television productions. He now lives in Basle (Switzerland) where he is professor at the Music Academy. Check-up 20 Basic Studies for Flautists (Eng./Ger.) ISMN 979-0-001-08152-8 ED 7864 · £ 12.50 / € 18,95 (Ital./Fr.) Da capo! Encore! ISMN 979-0-001-08256-3 ED 8010 · £ 11.99 / € 17,95 Zugabe! The Finest Encore Pieces from Bach to Joplin Interpretation for flute and guitar How to shape a melodic line ISMN 979-0-001-08184-9 (Eng.) ED 7908 · £ 12.50 / € 18,95 ISMN 979-0-001-08465-9 ED 9235 · £ 19.50 / € 29,95 for flute and piano ISMN 979-0-001-08185-6 ED 7909 · £ 12.50 / € 18,95 The Singing Flute How to develop an expres- sive tone. A melody book for flautists (Eng./Ger./Fr.) ISBN 978-3-7957-5751-9 ED 9627 · £ 9.50 / € 14,95 MA 4024-01 · 01/09 Dr. Peter Hanser-Strecker Publisher Welcome to Schott’s world of music! I am pleased to present you with just a few of the latest items from the different areas of our extensive publishing programme. -
Fourth International Congress for Church Music
caec1 1a Fourth International Congress for Church Music • VOLUME 88, NO. 2 , SUMMER, 1961 CAECILIA Published foiir times a year, Spring, Summer, Autumn and Winter. Second-Class Postage Paid at Omaha, Nebraska Subscription Price-$3.00 per year All articles for publication must be in the hands of the editor, 3558 Cass St., Omaha 31, Nebraska, 30 days before month of publication. Business Manager: Norbert Letter Change of address should be sent to the circulation manager: Paul Sing, 3558 Cass St., Omaha 31, Nebraska Postmaster: Form 3579 to Caecilia, 3558 Cass St., Omaha 31, Nebr. TABLE OF CONTENTS Editorial ______ ·---------------------------- --------······ ... ·------- ·-------·------·-------------------------- .. 51 The Basis of the Relationship Between Chant and Cult Dr. Basilius Ebel ______ --------------------------------------------------------------------- 58 Father William Joseph Finn, C.S.P.-William Ripley Dorr -------------------- 70 Monsignor Quigley-Mary Grace Sweeney ---------------------------------------------- 74 New York Report-James B. Welch ..... ----------------------------- ------------------·-· 76 Musical Programs at the Congress ... -------------- --------------------------------------------- 79 VOLUME 88, NO. 2 SUMMER, 1961 CAECILIA A Quarterlr ReYiew deYoted to the liturgical music apostolate. Published with ecclesiastical approval by the Society of Saint Caecilia in Spring, Summer, Autwnn and Winter. Established in 1874 by John B. Singenberger, K.C.S.G., K.C.S.S. (1849-1924). Editor _______________________ _ _____________ -
Iiib. Nazi-Musik Und Nazi-Musikliteratur (Titelliste)
- 1 - Musikantiquariat Dr. Ulrich Drüner Ameisenbergstraße 65 D-70188 Stuttgart Tel. 0(049)711-486165 oder 0(049)1795199826 - Fax 0(049)711-4800408 E-mail: [email protected] - Internet: www.musik-druener.de Mitglied im Verband Deutscher Antiquare e. V. und in der Antiquarian Booksellers’ Association (als Associate von Otto Haas, London) USt-IdNr. DE 147436166 Ergänzungsliste zu Katalog 64 1907 bis 1957 50 Jahre Musik in Deutschland Geschäftsbedingungen, Abkürzungs- und Literaturverzeichnis S. 81-83 Katalog-Redaktion: Dr. Ulrich Drüner, Dr. Georg Günther und Annie-Laure Drüner M.A. © 2009 by Dr. Ulrich Drüner, 70188 Stuttgart, Germany - 2 - Vorwort Introduction In den letzten Jahren ergingen an unsere Firma diver- In recent years , we have been commissioned to se Kommissionsaufträge für Autographen, Musika- offer autographs, music and books which had been lien und Bücher, die während der Zeit des National- confiscated during the Nazi period and which, af ter sozialismus beschlagnahmt und nach 1990 restituiert 1990, were then restored to their right ful owners by worden waren. Dies gab Anlass zur Auseinanderset- German institutions. This became a reason for t ack - zung mit dieser Problematik und führte schließlich ling the problem, and finally led to planning a cat a - dazu, einen speziellen Katalog zum Thema Musik logue on the subject of Music and the ‘Third Reich’. und ‚Drittes Reich’ zu erarbeiten. Dieser Katalog The aim of this cat alogue is not, however, to explain dient allerdings nicht dazu, über Grundsätzliches auf- basic historical fact s, to accuse or to condemn – this zuklären, anzuklagen oder zu verdammen – das wur- has already been done, quite rightly, as recently as de spätestens in den 80er und 90er Jahren des letzten the 1980s and 1990s. -
Stylistic Trends in Contemporary Organ Music. (Volumes I and II). Robert Michael Rudd Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1967 Stylistic Trends in Contemporary Organ Music. (Volumes I and II). Robert Michael Rudd Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Rudd, Robert Michael, "Stylistic Trends in Contemporary Organ Music. (Volumes I and II)." (1967). LSU Historical Dissertations and Theses. 1360. https://digitalcommons.lsu.edu/gradschool_disstheses/1360 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfihned exactly as received 67-17,343 RUDD, Robert Michael, 1939- STYLISTIC TRENDS IN CONTEMPORARY ORGAN MUSIC. (VOLUMES I AN D n). Louisiana State University and Agricultural and Mechanical College, Ph.D., 1967 Music University Microfilms, Inc., Ann Arbor. Michigan Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. (Ç^ Copyright by ROBERT MICHAEL RUDD 1968 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. STYLISTIC TRENDS IN CONTEMPORARY ORGAN MUSIC Volume I A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by Robert Michael Rudd B.M., Louisiana State University, 1962 M.M., Louisiana State University, 1963 August, 1967 Reproduced with permission of the copyright owner. -
Missa Cum Populo: a Liturgical and Musical Innovation
Missa Cum Populo: A Liturgical and Musical Innovation by © 2016 Laura M. Rau M.S.M, University of Notre Dame, 2011 B.M., Wichita State University, 2008 Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts ______________________________ Chair: Michael Bauer ______________________________ James Higdon ______________________________ Scott Murphy ______________________________ Michael Murray ______________________________ Colin Roust Date Defended: 8 December 2016 The dissertation committee for Laura M. Rau certifies that this is the approved version of the following dissertation: Missa Cum Populo: A Liturgical and Musical Innovation ______________________________ Chair: Michael Bauer Date Approved: 8 December 2016 ii Abstract This lecture-recital document presents a study of the missa cum populo, a new genre of Catholic liturgical music developed during the twentieth century in response to the desire for more active participation of laity in worship. Relevant twentieth century liturgical documents will be cited as a means of understanding concepts important in the reformed Catholic Mass: the treasury of sacred music, participation of the assembly, and the role of the choir. A history of the missa cum populo will then be presented and missa cum populo settings by Hermann Schroeder, Anton Heiller, Norman Dello Joio, and Richard Proulx will be examined to illustrate the techniques composers use to overcome the difficulties of writing music that employs both trained and untrained ensembles. Finally, this document supports the use of missa cum populo settings in contemporary Catholic worship. iii Table of Contents Chapter 1 Introduction ....................................................................................................... -
Sacred Music Volume 111 Number 1
Volume 111, Number 1 SACRED MUSIC (Spring) 1984 anonis fllw SACRED MUSIC Volume 111, Number 1, Spring 1984 FROM THE EDITORS What We Profess 3 Music Publishers 4 About the Pictures 5 HERMAN SCHROEDER: AN OCTOGENARIAN Reverend Robert A. Skeris 7 SPANISH BISHOPS COMMISSION ON THE LITURGY 9 KARL GUSTAV FELLERER (1902-1984) Motisignor Johannes Overath 11 SECOND THOUGHTS ON THE REFORM: A VIEW FROM ENGLAND Denick Hanshell, S.J. 13 REVIEWS 17 NEWS 22 CONTRIBUTORS 23 EDITORIAL NOTES 23 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publications: 548 Lafond Avenue, Saint Paul, Minnesota 55103. Editorial Board: Rev. Msgr. Richard J. Schuler, Editor Rev. Ralph S. March, S.O. Cist. Rev.John Buchanan Harold Hughesdon William P. Mahrt Virginia A. Schubert Cal Stepan Rev. Richard M. Hogan Mary Ellen Strapp Judy Labon News: Rev. Msgr. Richard J. Schuler 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Paul Salamunovich, 10828 Valley Spring Lane, N. Hollywood, Calif. 91602 Rev. Ralph S. March, S.O. Cist., Eintrachstrasse 166, D-5000 Koln 1, West Germany Paul Manz, 7204 Schey Drive, Edina, Minnesota 55435 Membership, Circulation and Advertising: 548 Lafond Avenue, Saint Paul, Minnesota 55103 CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Monsignor Richard J. Schuler Vice-President Gerhard Track General Secretary Virginia A. Schubert Treasurer Earl D. Hogan Directors Mrs. Richard K. Biggs Rev. Ralph S. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand com er and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann ArtXJr, Ml 48106-1346 USA 800-521-0600 UMI* THE LATE TWENTIETH-CENTURY AMERICAN ORGAN CHORALE: A STUDY OF SIX COMPOSERS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Lisa Ann Browne, M.M. ***** The Ohio State University 2001 Dissertation Committee: Approved by Professor Charles Atkinson, Adviser Professor Lois Rosow idvfser Professor Arved Ashby Music Graduate Program UMi Number: 9999374 Copyright 2001 by Browne, Lisa Ann All rights reserved. -
2008 Fall Classical Update
46191 Update Fall08: 10/2/08 3:37 PM Page 1 HAL LEONARD Fall 2008 UPDATE GABRIEL FAURÉ: VOCAL 15 SELECTED SONGS Within this newsletter you SAMUEL BARBER: includes historical notes, word-for-word translations will find a recap of recent TEN SELECTED SONGS and International Phonetic classical releases from with a CD of performances Alphabet, with CDs of and accompaniments diction lessons and Hal Leonard, including including the first publication and piano accompaniments publications from the many recording of two early songs The Vocal Library G. Schirmer Pronunciation lessons were recorded catalogs we distribute. These songs were chosen as being especially by coach, conductor and diction specialist Pierre Vallet. useful for student singers. Includes the first Contents: Après un rêve • Au bord de l’eau • Aurore • Automne ever publication and recording of two early • Chanson d’amour • Clair de lune • Ici-bas • Le Secret • Les songs: “Mother, I cannot mind my wheel,” and “Hey nonny no!” Also berceaux • Les roses d’Ispahan • Lydia • Mandoline • Nell • includes the little known “Slumber Song of the Madonna” and Notre amour • Recontre. Hear sample diction and “Strings in the earth and the air” (both originally published in Barber: accompaniment recordings at www.halleonard.com. Ten Early Songs 50482014). Other songs: Bessie Bobtail • The 00001145 High Voice, Book/CDs .................................$17.95 Crucifixion • The Daisies • The Secrets of the Old • Sure on this 00001146 Low Voice, Book/CDs ..................................$17.95 G. Henle Verlag shining night • With rue my heart is laden. Hear selections at www.halleonard.com. JOHN JACOB NILES: 50486751 High Voice, book/CD .............................................$17.95 CHRISTMAS SONGS 50486752 Low Voice, book/CD ..............................................$17.95 Celebrates AND CAROLS JOHANNES BRAHMS: 12 Selections 60 Years 15 SELECTED SONGS with a CD of performances and accompaniments includes historical notes, word-for-word G. -
The Reconstruction of Post-War West German New Music During the Early Allied Occupation
The Reconstruction of Post -War West German New Music during the early Allied Occupation (1945 -46), and its Roots in the Weimar Republic and Third Reich (1918 -45) PhD Submission, 2018 Cardiff University Ian Pace Abstract This thesis is an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945, until the end of 1946, in terms of the creation of institutions for the propagation of new music, in the form of festiva ls, concert series, radio stations, educational institutions and journals focusing on such a field, alongside an investigation into technical and aesthetic aspects of music being composed during this period. I argue that a large number of the key decisions which would affect quite fundamentally the later trajectory of new music in West Germany for some decades were made during this period of a little over eighteen months. I also argue that subsequent developments up to the year 1951, by which time the infra structure was essentially complete, were primarily an extension and expansion of the early period, when many of the key appointments were made, and institutions created. I also consider the role of new music in mainstream programming of orchestras, opera h ouses, chamber music societies, and consider all of these factors in terms of the occupation policies of the three Western powers – the USA, the UK and France. Furthermore, I compare these developments to those which occurred in during the Weimar Republic and the Third Reich, of which I give an overview, and argue as a result that the post -war developments, rather than being radically new, constituted in many ways a continuation and sometimes distillation of what was in place especially in the Weimar years . -
Twentieth Century Organ Works As Pedagogical Devices: Using Select
Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 12-3-2020 Twentieth Century Organ Works as Pedagogical Devices: Using Select Compositions by Hermann Schroeder, Jean Langlais, and Daniel Pinkham as Teaching Tools for the Beginning Organ Student Mary-Katherine Fletcher Bridgewater State University Follow this and additional works at: https://vc.bridgew.edu/honors_proj Part of the Music Commons Recommended Citation Fletcher, Mary-Katherine. (2020). Twentieth Century Organ Works as Pedagogical Devices: Using Select Compositions by Hermann Schroeder, Jean Langlais, and Daniel Pinkham as Teaching Tools for the Beginning Organ Student. In BSU Honors Program Theses and Projects. Item 441. Available at: https://vc.bridgew.edu/honors_proj/441 Copyright © 2020 Mary-Katherine Fletcher This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Twentieth Century Organ Works as Pedagogical Devices: Using Select Compositions by Hermann Schroeder, Jean Langlais, and Daniel Pinkham as Teaching Tools for the Beginning Organ Student Mary-Katherine Fletcher Submitted in Partial Completion of the Requirements for Departmental Honors in Music Bridgewater State University December 3, 2020 Dr. Steven Young, Thesis Advisor Dr. Sarah McQuarrie, Committee Member Dr. Donald Running, Committee Member Introduction Countless teaching methods, articles, and books have been written about organ pedagogy. But even with so many options from which to choose, a few of these have emerged as some of the most frequently used teaching materials for beginning organ students. Among the most often used are “The Organist’s Manual” by Roger E. Davis and Howard Gleason’s “Method of Organ Playing.” Both address the basic aspects of organ-playing including registration selection, finger independence, articulation, substitution, hymn-playing, and, of course, pedal technique, to name a few. -
The Reconstruction of Post-War West German New Music During
The Reconstruction of Post -War West German New Music during the early Allied Occupation (1945 -46), and its Roots in the Weimar Republic and Third Reich (1918 -45) PhD Submission, 2018 Cardiff University Ian Pace Abstract This thesis is an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945, until the end of 1946, in terms of the creation of institutions for the propagation of new music, in the form of festiva ls, concert series, radio stations, educational institutions and journals focusing on such a field, alongside an investigation into technical and aesthetic aspects of music being composed during this period. I argue that a large number of the key decisions which would affect quite fundamentally the later trajectory of new music in West Germany for some decades were made during this period of a little over eighteen months. I also argue that subsequent developments up to the year 1951, by which time the infra structure was essentially complete, were primarily an extension and expansion of the early period, when many of the key appointments were made, and institutions created. I also consider the role of new music in mainstream programming of orchestras, opera h ouses, chamber music societies, and consider all of these factors in terms of the occupation policies of the three Western powers – the USA, the UK and France. Furthermore, I compare these developments to those which occurred in during the Weimar Republic and the Third Reich, of which I give an overview, and argue as a result that the post -war developments, rather than being radically new, constituted in many ways a continuation and sometimes distillation of what was in place especially in the Weimar years .