145 Adrien, Gilbert, 83 See Also Gaynor, Janet Allen, Robert, Horr
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Index Abbate, Carolyn, 23, 42 governess, image of, 209–12, 214 Acker, Kathy, 63 “hypothetical lesbian heroine,” 40 Adams, Edith (Edie), 145 “lesbian body,” markers of, 38, Adrien, Gilbert, 83 211–12 See also Gaynor, Janet marriage to Blake Edwards, 171 Allen, Robert, Horrible Prettiness, Mary Poppins, performance in, 124 132, 170, 207, 208 Allen, Woody, 179 Mary Poppins, performance of, Allers, Franz, Camelot, music direc- 131–32 tor, 149 My Fair Lady, performance in, 8, Allison, June, 15 11, 12, 140, 153–60, 184, 207 Altman, Rick, 223 Eliza, performance of, 6, 139, Andrews, Julie, viii, x, 3, 5, 7, 10, 149, 150, 185 22, 86, 90, 97, 129, 131–72, performance with Carol Burnett, 176, 204, 205, 206, 209, 211, 133–35 212, 213, 235, 236 See also butch: butch-femme Camelot, performance in, xi, 11, couples 140, 160–69, 207 The Sound of Music, performance Guenevere, performance of, 37, in, xii, 16, 140, 171, 203–33 150, 161, 167–69 Maria, performance of, xii, 131, Cinderella, performance in, 11, 170, 185, 204, 205–8, 216 140, 142–49 Star!, performance in, 170–72 creation of feminist Cinderella, star persona, 35, 42, 170–72, 147–49, 207 247n.101 Cinderella image, 150–53 Victor/Victoria, performance femme, performance of, ix, xi, 39, in, 131–32, 171 132, 150, 152, 170, 172, 216 voice, 42–43, 102, 140, 167–69 276 Index anti-Semitism. See Funny Girl; Jew- See also musicals, American: jazz ishness; 1950s America and blues, in›uence of Arthur, Jean, 55, 79, 82–84 Bock, Jerry, 17 See also Martin, Mary: friend- bodies ships with women class, performance of, 81, 157–60, 200–202, 223 Bailey, Maureen, 65, 73, 75, 76 racialized, 62–63, 69–70, 223, Ballard, Kaye, 143 228–29 Bancroft, Anne, 184 women’s, 123–25, 181–82, 192 Ban‹eld, Stephen, 29, 119 Booth, Shirley, 22 Barrie, J. M., 8 Borgnine, Ernest, 34, 98 latent homosexuality, 64 See also Merman, Ethel: mar- See also Peter Pan riages Bechdel, Alison, 211–12 Boyarin, Daniel, 182 Belafonte, Harry, 90 Boyarin, Jonathan, 182 belting voice. See Merman, Ethel; Bradbury, Lane, 105 Streisand, Barbra Brandy, 141, 142 Benny, Jack, 61 Brantley, Ben, 104, 107 Berg, Gertrude, 113–14 Brecht, Bertolt See also television shows: The Brechtian moments in perfor- Goldbergs mance, 147, 190–91 Bergen, Polly, 129–30 use of music, 247n.98 See also Merman, Ethel: perfor- See also musicals, American: mance with Bergen Brechtian Alienation effects Bergman, Ingrid, 12 breeches role. See cross-dressing Berkeley, Busby, 28 Brice, Fanny, 179, 182–83, 192–93, Berlin, Irving, 2, 17, 19, 28, 103 270n.63 See also musicals, American: See also Funny Girl; star persona; titles: Annie Get Your Gun; Streisand, Barbra Call Me Madam Britton, Andrew, 50 Bernhardt, Sarah, 64–65, 201–2 Broadway. See musicals, American See also Streisand, Barbra Bronski, Michael, 64, 226 Bernstein, Leonard, 27 Culture Clash, 180 Bikel, Theodore, 35, 80–81 Brooks, Mel, 179 blackface, Jewish performance of, Brynner, Yul, 12 179 Burnett, Carol, xi, 22, 133, 184 Block, Geoffrey, 154, 158 See also Andrews, Julie: perfor- blues, 19 mance with Carol Burnett; Jewish and African American butch: butch-femme couples musicians, connections of, Burt, Ramsey, 72 102, 187 Burton, Richard, 8, 150, 161–62, women blues singers, 19–20, 187 164, 168, 183 Index 277 butch comparisons of televised ver- butch-femme couples, 94, sions, 142–49 125–26, 133–35 feminist critique of, 143–49 de‹nitions of, 39, 59, 93–99 See also Andrews, Julie; Brandy; ‹lm characters, 97 Warren, Lesley Ann style, 95–96 “Cinderella” stories, xi, 140–42 See also femme; lesbian; Merman, civil rights movement, 10, 15 Ethel class, issues of. See bodies Clinton, Kate, 212, 216 Camelot, xi, 8, 139, 140, 141, Clum, John M., 22, 106 142, 149, 150, 160–69, 171, Colbert, Claudette, 55 183 Cole, Jack, Kismet, choreography of, cast album, 11, 150 28 Guenevere, character of, 9, 153, Coleman, Robert, 117 167–69 Comden, Betty, 27, 63 homosociality, dominance of, See also Peter Pan 152, 166–69 Cook, Barbara, 22 See also Andrews, Julie Coombe, Rosemary, 34 camp, 21, 180, 194, 221 Coontz, Stephanie, 15 See also musicals, American Coote, Robert, 149, 163 Carr, Charmian, 229 Cornell, Katherine, 81 Case, Sue-Ellen, 96 Coward, Noel, 81, 90, 170 cast albums, 7, 11–12, 149, 184 Crawford, Joan, 98 Castle, Terry, 68, 76 Creekmur, Corey, 31–32 Cat on a Hot Tin Roof (Williams), Crocker, Elizabeth, 135 16 cross-dressing, 64–65, 73, 85 Chafe, William H., 14–15 The Crucible (Miller), 16 Channing, Carol, 22 Cushman, Charlotte, 64–65 Chaplin, Saul, The Sound of Music, producer of, 221 dame roles. See cross-dressing Charlap, Moose, 63, 64 Davis, Angela, 19–20 See also Peter Pan Davis, Madeline, 94–95 Charnin, Martin, 238 Davis, Sammy, Jr., 200 See also musicals, American: Davy, Kate, 63 titles: Annie Day, Doris, 15, 50 Chase, Ilka, 143 Death of a Salesman (Miller), 16 Christ, Judith, 178 de Beauvoir, Simone, 157 Church, Sandra, 105, 127 DeGeneres, Ellen, 210–11 Cinderella, xi, 2, 139, 140, 142–49, de Lauretis, Teresa, 24 151 de Mille, Agnes, Oklahoma, chore- Cinderella, character of, 1, ography of, 28 146–49 Dettmer, Roger, 56 278 Index Deutsch, Helen, Psychology of performance of; butch; les- Women: A Psychoanalytic bian Interpretation, 55 ‹lm titles Dietrich, Marlene, 47, 97 Aliens, 97 See also lesbian: icons Anastasia, 12 Donohue, Vincent, 64, 84, 206 Around the World in Eighty Days, Doty, Alexander, 21–22, 23, 31–32 12 Douglas, Susan, 144 Baby Doll, 12 dramatic realism, 16 Beautiful Thing, 121 Dunne, Irene, 50 Calamity Jane, 50 Dyer, Richard, 63, 104, 177, 230 Clueless, 21, 179–80 The Diary of Anne Frank, 12 Echols, Alice, Daring to Be Bad, 95 Giant, 12 Edwards, Anne, 184 Gone with the Wind, x, 12 Edwards, Blake, 171 In and Out, 21, 180 See also Andrews, Julie The Killing of Sister George, 97 Ehrenreich, Barbara, 120 The King and I (adaptation of Ellis, Havelock, 122–23 musical), 12 Ellsworth, Elizabeth, 25–26 The Lion in Winter, 183 Engel, Lehman, 30–31, 119, 151, Marjorie Morningstar (adaptation 154, 165, 167 of book), 114, 199–200 Equal Rights Amendment, 14 Molly, 113 See also women’s liberation My Fair Lady (adaptation of musi- movement cal), 208 Erdman, Harley, 192 The Next Best Thing, 21 Erens, Patricia, 107, 116 Personal Best, 25 Evans, Caroline, 26 Peyton Place (adaptation of book), Ewen, David, 176 x, 12 Pretty Woman, 141 Faderman, Lillian, The Well of Prince of Tides, 202 Loneliness, 53, 96 Queen Christina, 50 Fassbaender, Brigitte, 68 Star!, 170 feminism Sylvia Scarlett, 50 cultural politics, 221 Victor/Victoria (adaptation of lesbian feminism, development musical), 236 of, 95–97, 212 Yentl (adaptation of musical), 237 See also spectator Foster, Susan Leigh, 72 femme, 94, 169 Freud, Sigmund, use of theories, de‹nitions of, 39, 135–38, 170 123, 210 “The Femme Tapes,” 136–38 Friedberg, Ann, 213 visibility of, 172 Friedman, Jonathan, 214 See also Andrews, Julie: femme, Frith, Simon, 42 Index 279 Funny Girl, x, xii, 11, 16, 90, 106, Gold, Michael, Jews without Money, 119, 129, 133, 173–202, 205 188 cast album, importance of, Goldman, William, 235 184 Goldstone, Richard, 153, 154 Fanny Brice, character of, 9, 133, Gomez, Jewel, 137 176 Gordon, Vera, 113 Jewishness, 188–89, 191, 199 Gottfried, Martin, 100 marriage to Nick Arnstein, 176, Gould, Elliot, 201 183, 193 See also Streisand, Barbra See also Brice, Fanny Goulet, Robert, 161, 164 ‹lm adaptation of, 185–202 Graham, Paula, 232 See also Streisand, Barbra Green, Adolphe, 27, 63 Fuss, Diana, 25 See also Peter Pan Gregory, Paul, 84 Gamman, Lorraine, 26 See also Gaynor, Janet Garb, Tamar, 194–95, 197 Gypsy, x, xi, 2, 16, 90, 93, 103, Garber, Marjorie, 74, 75 105–28, 129, 176, 185, 196, 235 Garbo, Greta, 48, 50, 79, 97 gynocentric world of, 122–25 See also lesbian: icons as Jewish musical, 107 Garebian, Keith, 102, 120, 121, 154, lyrics of, 29 159–60 Momma Rose, character of, xi, 5, Garland, Judy, 10, 48, 55, 98, 173, 16, 36, 86, 90, 104, 106, 190 107–11, 114, 128, 173 Gaynor, Janet, 79, 82–84 See also Hovick, Rose Louise See also Martin, Mary: friend- setting, homoeroticism of, 40 ships with women See also Merman, Ethel Gaynor, Mitzi, 185 gay rights movement, 10 Hadleigh, Boze, 98 gender Hagman, Benjamin, 53, 77 ideology of, 76–77 See also Martin, Mary: marriages performance of, 62–63, 67, 69–73, Hagman, Larry, 77 85, 125–29, 195 Halberstam, David, 19 role reversal, 13, 74, 80, 121, 198 Halberstam, Judith, 5, 49–50 transcendence of, 189 Female Masculinity, 97 Gershwin, George, 28, 99 Hale, Wanda, 171 See also musicals, American: Hall, Juanita, 39, 58 titles: Girl Crazy Hall, Stuart, 216 Gilman, Sander, The Jew’s Body, Halliday, Richard, x, 56, 64, 76–82, 182, 186, 187, 191 83, 85, 139, 239n.2 Girard, René, 152, 166 See also Martin, Mary: marriages The Glass Menagerie (Williams), 15 Hammerstein, Oscar, II, 17, 21, 143, Gledhill, Christine, 213 148, 236 280 Index Hammerstein, Oscar, II (continued) See also Camelot; My Fair Lady; Jerome Kern, collaboration with, Sedgwick, Eve Kosofsky 26–27 Houston, Whitney, 143 See also Rodgers and Hammer- Hovick, Rose Louise (pseud. Gypsy stein Rose Lee), 105, 106 Harris, Barbara, 22 lesbianism, 107 Harris, Laura, 135 See also Gypsy Harrison, Rex, 8, 12, 149, 155, 157, Hurst, Fannie, 113 183 Hart, Lorenz, 17, 21 Istar, Arlene, 137 Camelot, director of, 149–50 Itzkovitz, Daniel, 178, 182 Hart, Moss, 21 My Fair Lady, director of, 155, Jakobsen, Janet, 182 160 Jewishness Hartnick, Sheldon, 17 anti-Semitism, 19, 194–95, Haydn, Richard, 220 201 Head, Edith, 56 belle juive, image of, xii, 194–96, Heckerling, Amy, Clueless, director 197, 201 of, 179–80 Jewish American Princess Hepburn, Audrey, 140, 185, (J.A.P.), xii, 196–200, 201 208 See also Streisand, Barbra Hepburn, Katharine, 48, 50, 97, 140, links to queerness, 182, 202 183 representations of.