Polly Bergen Musical Arrangements Collection
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Crawford at Large Libraries • Policy • Technology • Media
Cites & Insights Crawford at Large Libraries • Policy • Technology • Media Sponsored by YBP Library Services Volume 5, Number 7: May 2005 ISSN 1534-0937 Walt Crawford fenses are ones that I would argue are always ©3 Perspective deliberately infringing in nature and closely linked to true piracy (widespread commercial FMA: Watching the infringement). The first is unauthorized re- Way You Want cording of motion pictures in a theater— using a camcorder to record a copy from the Congress passed the Family Entertainment and Copy- screen. Possession of a camcorder within a right Act within the last few weeks. By now, it’s proba- movie theater may be considered as evidence bly been signed into law. My thoughts are intertwined toward a conviction but isn’t by itself a crime. with those I’m quoting, as usual. The second new crime is infringement of a work being prepared for commercial distribu- The Family Entertainment and tion—which strikes at the heart of “insider pi- Copyright Act of 2005, S.167/HR357 racy,” where a record or movie studio I printed and saved this bill back in February— employee sneaks an advance copy to pirates. checking to see that the Senate and House bills were The crime must involve commercial advan- identical—because a Cnn.com article noted that the tage or private financial gain; reproduction or legislation was likely to move fast and because it ap- distribution alone is not enough to prove the peared to include the least controversial aspects of the crime. The second also comes with a proce- omnibus copyright bill from last Fall. -
Vigil Against Hate Brings Call for All to Stand Together by WILLIAM K
CYAN MAGENTA YELLOW BLACK » TODAY’S ISSUE U DAILY BRIEFING, A2 • TRIBUTES, A5 • WORLD, A6 • CLASSIFIEDS, B6 • PUZZLES, C3 COMING UP ACES IN VALLEY EVENT FINE-TUNING FOR SEASON PPluchPluPluchinsky,lu Rogner win Greatest titles Browns host Giants tonight on national TV SPORTS | B1 SPORTS | B1 50% OFF vouchers. SEE DETAILS, A2 8 M D ORE RVE THA S SE N 14,000 VALLEY GOLFER FOR DAILY & BREAKING NEWS LOCALLY OWNED SINCE 1869 MONDAY, AUGUST 21, 2017 U 75¢ Valley venues host viewing events today YOUNGSTOWN NIKOS FRAZIER | THE VINDICATOR The Rev. Neil C. Heller speaks during the Vigil Against Hate, hosted by Valley Voices United for Change at First Unitarian Universalist Church of Youngstown on Sunday. Vigil Against Hate brings call for all to stand together By WILLIAM K. ALCORN THIS IS NO TIME [email protected] TO STAND ON ECLIPSE YOUNGSTOWN With the backdrop of ra- THE SIDELINES. cially motivated violence I CHALLENGE YOU TO FIND in Charlottesville, Va., only YOUR TEAM AND GET TO a week ago, Sunday’s Vigil Against Hate at First Unitar- WORK CHANGING THE ian Universalist Church on WORLD.” the North Side was a call to action for everyone to stand Christopher Anderson, MANIA up against racism and in- Mahoning County By JORDYN GRZELEWSKI justice. Young Democrats [email protected] Three people died and YOUNGSTOWN SOLAR ECLIPSE EXPLAINED many were injured during a the violence. S THE MOON COVERS THE SUN white nationalist rally. Killed “What brought us togeth- today during the fi rst solar eclipse When the moon passes between the sun and Earth, the sun is masked and the sky ddarkenedarkened fforor viewers directldirectlyy behind the moon’s inner shadow or umbra. -
Jo April 2019.PPP
An alphabetical listing of her studio recordings, including recording dates, matrix numbers and, when known, dates first issued. Compiled by Jim Marshall, and updated April 2019 I first produced a Jo Stafford discography ‘way back in 1995, encouraged by the late Tom Colborn who probably knew more about Jo’s career than the lady herself. Tom had already done much of the groundwork and, knowing that I’d acquired a computer - an early Amstrad - suggested that I take over the task. I was well into my research when the indispensable "In Tune" magazine started publishing its own in-depth listing of Jo’s huge catalogue of recordings. The work put into that by Brian Henson, Colin Morgan, Robert W. Rice and others was an immeasurable help. My thanks also go to Ken Seavor, John Ridgeway, Lucas Tuinstra, Jeff Lasbury and Ray Purslow plus, of course Jo Stafford and Paul Weston , all of whom contributed to Tom’s original research. More recently I’ve had important help from Michel Ruppli, Tim Weston, Robert Rice, Richard Weize and Adam Daff resulting in what I like to think is an almost “complete" alphabetical listing of Jo’s commercial recordings, including her work with the Pied Pipers and her alter egos, Cinderella G. Stump and Darlene Edwards, not forgetting Jonathan! (Apologies if I’ve forgotten anyone!) Apart from a handful of never-ever issued Capitol and Columbia tracks, almost all Jo’s studio recordings seem to have been reissued on CD and are probably still in print. In fact, the seemingly relentless reissue of Stafford CDs, mainly in the UK, is proof, if proof was needed, of the lady’s long-lasting popularity. -
Rodgers and Hart
Otterbein University Digital Commons @ Otterbein 1981 Summer Theatre Productions 1981-1990 7-1-1981 Rodgers and Hart Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/summer_production_1981 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Rodgers and Hart" (1981). 1981 Summer Theatre. 5. https://digitalcommons.otterbein.edu/summer_production_1981/5 This Book is brought to you for free and open access by the Productions 1981-1990 at Digital Commons @ Otterbein. It has been accepted for inclusion in 1981 Summer Theatre by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. OTTERBEIN SUMMER THEATRE presents 329th Production (72nd Summer Theatre) RODGERS and HART i (A Musical Celebration) # Music by Lyrics by • RICHARD RODGERS LORENZ HART • July 1, 2, 3 and 7, 9, 10, 11, 1981 • Musical Director Lyle Barkhymer 2 Choreographer Joanne VanSant 0 Designer Fred J. Thayer * Costume Design Kathleen Lewicki ^ Rodgers and Hart is presented through special arrangements with The Rodgers and ® Hammerstein Theatre Library, 598 Madison Ave., New York, N.Y. 10022. ® ••••••••••••••••••••••••••••••/ Uk$tervilkRealtyt SINC » l%«l Tncorporakd “77ie Complete Real Estate Service** 16 E. COLLEGE WESTERVILLE. OHIO Phone 882-3641 ^ ______ ___ _/¥ DIRECTORS Lyle Barkhymer is an instructor of clarinet, music history and conducting. He hails from Pennsylvania, and after graduating from Otterbein he returned to Westerville, having completed his graduate studies at Indiana University. He has studied abroad in Vienna and London and is a member of the Columbus Symphony Orchestra. -
Hart, Lorenz (1895-1943) Lorenz Hart (Standing, by Raymond-Jean Frontain Right) with Richard Rodgers in 1936
Hart, Lorenz (1895-1943) Lorenz Hart (standing, by Raymond-Jean Frontain right) with Richard Rodgers in 1936. Encyclopedia Copyright © 2015, glbtq, Inc. Library of Congress Prints and Photographs Entry Copyright © 2002, glbtq, Inc. Division. Reprinted from http://www.glbtq.com Barely five feet tall, balding early, and possessing a disproportionately large head, Larry Hart was the first to disparage his own attractiveness. His jokes, however, masked a deeply-rooted inability to accept the possibility of romantic happiness or sexual gratification. Hart impulsively proposed marriage to several women friends, none of whom thought his offer serious. And when he allowed himself to act upon his desire for other men, he seems to have had difficulty performing sexually. (Biographer Frederick Nolan quotes one unidentified male partner's shock at discovering Hart cowering in the bedroom closet after sex, suggesting that the songwriter was unable actively to pursue homosexual pleasure without being overcome by guilt.) The result of such emotional imbroglio is that, despite having written lyrics as witty as any sung on the Broadway stage before or since, Hart is best remembered for his songs of unfulfilled desire and failed romance. Born Lorenz Milton Hart on May 2, 1895, to an immigrant Jewish family, Hart learned from his entrepreneur father that self-assertion allows survival. Never without a business venture, many of which were dishonest, Hart's father provided Larry with a lasting model for the cycles of impulsive free-spending and resulting impecuniosity that characterized Hart's own life. Hart entertained both friends and strangers lavishly, often living far beyond his means, but with a (sometimes unfounded) optimism that something would turn up. -
Washington Performing Arts Teaching Artists Enriching Experiences for Seniors (EES)
Washington Performing Arts Teaching Artists Enriching Experiences for Seniors (EES) Music Bernard Mavritte Cantaré, Latin American Music Caron Dale Chris Urquiaga Dehrric Richburg KA/PO Kelvin Page Lincoln Ross Trio Mark Hanak Not2Cool Jazz Reverb Sandra Y. Johnson Band Dance KanKouran West African Dance Ensemble Ziva’s Spanish Dance Ensemble Bernard Mavritte Bernard Mavritte was born in Washington, DC where he received his education in the public schools, and later studied Education and Vocal Studies at Howard University. He also studied Choral Conducting at the Inter-American University in Puerto Rico. He taught in DC Public Schools for many years as well as performed internationally. He also hosted a DC radio show on a leading Gospel Music station. In 1965 he toured Europe at the Assistant Musical Director for James Baldwin’s play The Amen Corner, and served as the Choral Music Director for the Tony Award winning play The Great White Hope for which one of his own compositions was used. He has performed for President John F. Kennedy and Lyndon B. Johnson, Barbara Streisand, Leonard Bernstein, Sammy Davis Jr, Duke Ellington, and others. He is also featured on the soundtrack of ABC television special Back to Glory where his arrangement of “The Colored Volunteers” is heard. Currently, Bernard is the CEO the publishing company Branches Music and his own record label. He has recorded five CDs and continues to perform in DC and beyond. He serves as the director and a musician for the Chancel Choir of his church, and enjoys performing regularly for Washington Performing Arts’ Enriching Experiences for seniors program. -
The Songs of PETE ATKIN&CLIVE JAMES
EDSS 1029 PA BOTBS booklet 6/1/09 17:38 Page 2 EDSS 1029 The Songs Of PETE ATKIN&CLIVE JAMES 28 1 EDSS 1029 PA BOTBS booklet 6/1/09 17:38 Page 4 Beware Of The Beautiful Arranged by Pete Atkin Project co-ordination – Val Jennings Strings arranged by Nick Harrison CD package – Jools at Mac Concept Stranger Produced by Don Paul CD mastering – Alchemy Engineered by Tom Allom Ephemera courtesy of the collections of Fontana 6309 011, 1970. Re-issued on RCA Recorded at Regent Sound A, Tottenham Pete Atkin and Clive James SF 8387 in 1973 in a re-designed sleeve with CD front cover main photo and strapline photo – “Touch Has A Memory” replaced by “Be Street, London W1, on 31st March and 1st & 2nd April 1970 Sophie Baker Careful When They Offer You The Moon”, and Huge thanks – Pete Atkin, Clive James, Simon Mixed between 2 pm and 6 pm with “Sunrise” as the second song. Platz, Steve Birkill, Ronen Guha on 2nd April 1970 and Caroline Cook “Be Careful When They Offer You The Moon” and “A Man Who’s Been Around” For everything (and we mean everything) relating to were recorded at Tin Pan Alley Studio, Pete Atkin’s works, visit www.peteatkin.com, but Denmark Street on 11th August 1970 make sure you’ve got plenty of time to spend! Then of course, you’ll want to visit Credits – British Rail, Arthur Guinness, www.clivejames.com William Hazlitt, John Keats, Meade Lux Lewis, Garcia Lorca, Odham’s Junior Pete Atkin’s albums on the Encyclopaedia, Auguste Renoir, William Edsel label: Shakespeare and Duke Ellington (there never was another). -
RCA Victor LJM 3000 10 Inch Jazz Series
RCA Discography Part 34 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor LJM 3000 10 Inch Jazz Series The LJM releases were dedicated to jazz recordings. LJM 3000 – Brad Gowans and His New York Nine – Brad Gowans [1954] Poor Butterfield/I'm Coming Virginia/Jazz Me Blues/Stompin' At The Savoy/Singin' The Blues/Clari-Jama/Carolina In The Morning/Jada LJM 3001 – Progressive Piano – Various Artists [1954] Cover by Andy Warhol. Out of Nowhere - Art Tatum/Erroll’s Blues - Erroll Garner/Get Happy - Andre Previn/Just Judy - Lennie Tristano/Oop’s My Lady - Beryl Booker/Plus one song by Ellis Larkins, Eddie Heywood, and Mary Lou Williams LJM 3002 – Mundell Lowe Quintet - Mundell Lowe [1954] Spring Will Be A Little Late This Year/Pantomime/Prelude To A Kiss/There Goes Rusty!/How Long Has This Been Going On/Darn That Dream/Spring Is Here/Street Of Dreams/Takin' The Blues For A Walk LJM 3003 – Jazz on the Campus – Max Kaminsky [1954] Jazz On The Campus/I Wish I Could Shimmy Like My Sister Kate/Shim-Me-Sha-Wabble/Whiffenpoof Song/If I Had My Way/Ugly Chile/Satanic Blues/Carey Me Back To Old Kaminsky RCA Victor LJM 1000 12 Inch Jazz Series LJM 1000 – Hot Mallets – Lionel Hampton [4/54] Stompology/I'm On My Way From You/Ring Dem Bells/Confessin' (That I Love You)/Shufflin' At The Hollywood/Memories Of You/Hot Mallets/I Surrender, Dear/Rhythm, Rhythm/I Can't Get Started/I Just Couldn't Take It, Baby/After You've Gone LJM 1001 – Barbara Carroll Trio – Barbara Carroll Trio [1954] I Want A Little Girl/What's The Use -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Art History 101-102 (With Only a Little Fudging) Audio Bonus Answer Key 1. “Right Now”—“Before He Cheats,” Carrie Underwood (2004) 2
Art History 101-102 (With Only a Little Fudging) Audio Bonus Answer Key 1. “Right Now”—“Before He Cheats,” Carrie Underwood (2004) 2. “Some Art”—“If I Had A Million Dollars,” Barenaked Ladies (1992) 3. “History”—“Rudolph the Red-Nosed Reindeer,” Gene Autry (1949) 4. “101”—“Honey Bun,” South Pacific (1949) 5. “102”—“Touch My Body,” Mariah Carey (2008) 6. “If I was a sculptor…”—“Your Song,” Elton John (1971) 7. “Venus de Milo” [anon., c. 100 BC]—“Venus,” Television (1977) 8. “Nike” [anon., c. 190 BC]—“Air Force Ones,” Nelly (2002) 9. “Laocoon” [anon., 25 BC]—“Laughing,” R. E. M. (1983) 10. “David” [various, including Donatello, c. 1440]—“Hallelujah,” Rufus Wainwright (2001) 11. “Cupid” [various, including Canova, 1793]—“Cupid,” Sam Cooke (1958) 12. “The Gates of Heaven” [Ghiberti, 1425]—“Bat Out of Hell,” Meat Loaf (1977) 13. “The Gates of Hell” [Rodin, late 19th c.]—“I Won’t Back Down,” Tom Petty (1989) 14. “The Walking Man” [Rodin, 1878]—“Walking Man,” James Taylor (1974) 15. “Kiss” [various, including Brancusi, 1908]—“This Kiss,” Faith Hill (1998) 16. “Fountain” [Duchamp, 1917]—“Good King Wenceslas,” Bing Crosby (1941) 17. “Architects may come and architects may go”—“So Long, Frank Lloyd Wright,” Simon & Garfunkel (1970) 18. “The Parthenon” [anon., 438 BC]—“Thanks for the Memory,” Shirley Ross & Bob Hope (1938) 19. “The Coliseum” [anon., 70]—“You’re the Top,” Ethel Merman (1936) 20. “Notre Dame” [various, including Paris 1160-1345]—“Victory March,” Notre Dame Glee Club (1905) 21. “St. Peter”[Bramante/Michelangelo, early 16th c.]—“Viva La Vida,” Coldplay (2008) 22. “The House of Lords” [Barry, 1836]—“A Day in the Life,” Beatles (1967) 23. -
Notations Spring 2011
The ASCAP Foundation Making music grow since 1975 www.ascapfoundation.org Notations Spring 2011 Tony Bennett & Susan Benedetto Honored at ASCAP Foundation Awards The ASCAP Foundation held its 15th Annual Awards Ceremony at the Allen Room, Frederick P. Rose Hall, Home of Jazz at Lincoln Center, in New York City on December 8, 2010. Hosted by ASCAP Foundation President, Paul Williams, the event honored vocal legend Tony Bennett and his wife, Susan Benedetto, with The ASCAP Foundation Champion Award in recognition of their unique and significant efforts in arts education. ASCAP Foundation Champion Award recipients Susan Benedetto (l) & Tony Bennett with Mary Rodgers (2nd from left), Mary Ellin A wide variety of ASCAP Foundation Scholarship Barrett (2nd from right), and ASCAP Foundation President Paul and Award recipients were also honored at the Williams (r). event, which included special performances by some of the honorees. For more details and photos of the event, please see our website. Bart Howard provides a Musical Gift The ASCAP Foundation is pleased to announce that composer, lyricist, pianist and ASCAP member Bart Howard (1915-2004) named The ASCAP Foundation as a major beneficiary of all royalties and copyrights from his musical compositions. In line with this generous bequest, The ASCAP Foundation has established programs designed to ensure the preservation of Bart Howard’s name and legacy. These efforts include: Songwriters: The Next Generation, presented by The ASCAP Foundation and made possible by the Bart Howard Estate which showcases the work of emerging songwriters and composers who perform on the Kennedy Center’s Millennium Stage. The ASCAP Foundation Bart Howard Songwriting Scholarship at Berklee College recog- nizes talent, professionalism, musical ability and career potential in songwriting. -
Download Booklet
120836bk BobHope 3/10/06 5:09 PM Page 2 1. Put It There Pal 2:23 6. My Favorite Brunette 3:06 12. Blind Date 3:12 16. Nobody 2:06 (Johnny Burke–Jimmy van Heusen) (Jay Livingston–Ray Evans) (Sid Robin) (Bert Williams–Alex Rogers From Road to Utopia From My Favorite Brunette With Margaret Whiting,The Starlighters & From The Seven Little Foys With Bing Crosby;Vic Schoen’s Orchestra With Dorothy Lamour; Billy May’s Orchestra With Veola Vonn; Orchestra conducted by Decca 40000, mx DLA 3686-A Paul Weston’s Orchestra Capitol 1042, mx 6018-1 Joe Lilley Recorded 8 December 1944, Los Angeles Capitol 381, mx 1691-3 Recorded 11 May 1950, Hollywood RCA Victor LPM 3275, mx F2PL 1443 2. Road to Morocco 2:33 Recorded 13 February 1947, Hollywood 13. Home Cookin’ 2:48 Recorded 1955, Hollywood (Johnny Burke–Jimmy van Heusen) 7. Sonny Boy 1:31 (Jay Livingston–Ray Evans) 17. I’m Tired 2:20 From Road to Morocco (Al Jolson–Buddy DeSylva–Lew Brown– From Fancy Pants (William Jerome–Jean Schwartz) With Bing Crosby;Vic Schoen’s Orchestra Ray Henderson) With Margaret Whiting,The Starlighters & From The Seven Little Foys Decca 40000, mx DLA 3687-A With The Andrews Sisters Billy May’s Orchestra Orchestra conducted by Joe Lilley Recorded 8 December 1944, Los Angeles From Radio’s Biggest Show broadcast, Capitol 1042, mx 6011-4 RCA Victor LPM 3275, mx F2PL 1443 3. The Big Broadcast of 1938: Radio 18 June 1946 Recorded 11 May 1950, Hollywood Recorded 1955, Hollywood Preview (Excerpts) introducing 8.