(1616, John Selden), 24 Adams, H Omas, 3

Home , A Dirge, John Keats

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290

Index

Abergavenny, Lady, 70 authorship “ Ad V. CL. Ben. Ionsonivm, Carmen and autonomy, 11 , 159 , 161 , 167 , Protrepticon ” (1616, John 176 , 178 Selden), 24 and book history, 7 – 8 , 11 Adams, h omas, 3 and class, 17 , 159 , 161 , 176 “ h e Adieu and Recall to Love” (1787, and gender, 34 , 77 , 107 , 108 Robert Merry), 94 , 100 as institutional entity, 5 , 6 , 8 , 9 , 104 , Adney, h omas, 99 108 , 110 , 159 , 177 , 180 , 187 Adonais (1821, Percy Shelley), 199 , and the market, 29 , 36 , 55 213 , 215 – 219 , 221 , 225 , 226 , and the nation, 160 , 164 , 179 – 183 263n. 11 , 263n. 3 and portraiture, 22 , 27 , 116 Advertisement to Lyrical Ballads as public self, 8 , 27 , 70 , 104 , 107 , (1798, Samuel Coleridge and 130 , 159 , 178 , 180 , 184 , 187 William Wordsworth), 130 , and Romanticism, 10 – 11 , 19 , 36 , 138 235n. 22 Alastor (1816, Percy Shelley), Autobiography (1850, Leigh Hunt), 208 175 , 228 “Autumn: A Dirge” (1824, Percy Alborn, Timothy, 168 Shelley), 229 Ali eri, Count Vittorio, 98 Anderson, John M., 247n. 18 Baillie, Joanna, 46 Anderson, Robert, 16 – 18 , 32 , 35 Barbauld, Anna, 2 Andrews, Miles Peter, 94 , 99 Barchas, Janine, 239n. 34 “Anecdote for Fathers” (1798, William Barchus, James E., 198 Wordsworth), 130 Barker, Mary, 168 , 177 , 179 Annual Anthology (1799, 1800, ed. Barker, Nicolas, 3 Southey), 174 , 186 Bates, Brian R., 120 anthology, the, 2 , 16 , 34 , 36 , 45 , Baudrillard, Jean, 3 113 , 186 h e Baviad (1791, William Gif ord), Anti- Jacobin Review, 138 13 , 91 , 92 , 94 , 102 – 105 , 107 , Appadurai, Arjun, 4 108 , 109 – 112 , 116 – 118 , Arch, J. & A., 122 253n. 20 Arnold, Matthew, 198 Beachy Head, and Other Poems (1807, Augustan Review, 182 Charlotte Smith), 54 – 57 290

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291

Index 291 Beaumont, Francis, 20 British Poets and Poetical Translations Beaumont, George, 49 (1822, Whitmore), 33 Becket, h omas, 31 h e British h eatre (1776– 8, ed. Bedford, Grosvenor, 163 , 195 Bell), 32 Bell, John, 13 , 32 , 111 – 114 , 252n. Broadhead, Alex, 251n. 6 14 , 255n. 48 Bromwich, David, 153 Editions Bronfen, Elisabeth, 211 Bell’s Classical Arrangement of “ h e Brothers” (1800, William Fugitive Poetry (1789– 97), Wordsworth), 144 – 147 , 34 , 116 , 256n. 58 148 – 150 , 151 , 152 h e British Album (1790), 92 , Brown, Bill, 4 113 , 116 – 118 Brydges, Samuel Egerton, 59 h e British h eatre (1776– 78), 113 Buccleuch, Duke of, 160 Poets of Great Britain Complete Bugg, John, 147 from Chaucer to Churchill Burke, Tim, 259n. 29 (1777– 82), 13 , 32 , 34 , 45 , Burney, Charles, 132 113 , 241n. 52 Burney, Fanny, 77 Shakespeare (1774), 32 , 113 Burns, Robert, 32 , 43 , 77 , 79 and literary marketing, 158 Butler, James, 258n. 18 and the newspaper, 99 , 111 Butler, Martin, 24 Benedict, Barbara, 16 Byron, Lord, 2 , 32 , 48 , 57 , 80 , 106 , Benjamin, Walter, 233 107 , 175 – 176 , 178 , 185 , 188 , Bennett, Andrew, 9 , 215 189 , 193 , 216 , 220 Beppo (1818, Lord Byron), 225 and the death of Percy Shelley, 206 , Berkeley, George Monck, 99 207 , 208 Betjeman, John, 185 and the Della Cruscan coterie, 102 , Bion, 218 105 , 111 Blackstone, William, 124 and h e Liberal , 197 , 204 – 205 Blackwood, William, 203 Works Blackwood’s Edinburgh Magazine , 177 , Beppo (1818), 225 202 , 203 , 204 Childe Harold’s Pilgrimage Bloom, Harold, 263n. 3 (1812– 18), 48 , 226 Bloomi eld, Robert, 57 h e Corsair (1814), 48 Bonaparte, Napoleon, 48 , 164 Don Juan (1818– 24), 80 , 83 , Bonnell, h omas, 16 , 113 , 241n. 51 , 160 , 225 , 226 255n. 48 English Bards and Scotch h e Book of the Church (1824, Robert Reviewers (1809), 106 , 107 Southey), 185 “Epigrams on Lord Castlereagh” Bourdieu, Pierre, 235n. 16 (1822), 204 Braudy, Leo, 9 h e Giaour (1813), 48 , 226 h e British Album (1790, ed. Bell), 13 , Manfred (1816), 226 92 , 113 , 116 – 118 “ h e Vision of Judgment” British Critic , 107 , 138 (1821), 185 British Poets (1773– 4, ed. Creech), 31 h e Byrth, Lyf, and Actes of Kyng Arthur British Poets (1794–, ed. Cooke), 34 (1817, Robert Southey), 185

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292 Index Cadell and Davies, 54 – 57 collected work, the Cadell, h omas Sr., 73 , 81 , 83 and the author’s body, 28 , 43 , 47 Canning, George, 105 and the author’s life, 46 , 191 canons and canonization, 2 , 16 – 17 , as estate, 43 , 215 18 , 20 , 22 , 30 , 34 , 36 , as literary last will and testament, 37 , 48 – 49 , 93 , 114 , 116 , 28 , 191 , 192 , 201 118 , 218 and the market, 29 , 36 , 55 Carmen Nuptiale (1816, Robert as monument or shrine, 20 , 21 , 22 , Southey), 189 28 , 29 , 41 Carmen Triumphale (1814, Robert relation to publishers’ canon, 41 Southey), 163 – 166 , 189 , 195 collections and collecting, 3 – 4 , 17 , Carmina Aulica (1814, Robert 18 , 19 , 26 , 39 , 45 , 46 , 47 , Southey), 164 , 195 60 , 95 , 113 , 115 , 119 , 201 , Carretta, Vincent, 240n. 35 208 , 215 Cave, Jane, 77 , 79 Collins, William, 70 Cavendish, Lady Georgiana, 81 Colman, George, 75 h e Cenci (1819, Percy Shelley), 202 Complete Edition of the Poets of Great Chalmers, Alexander, 17 Britain (1792–5, ed. Anderson), “Chanson” (1784, Charlotte 1 7 , 3 2 Smith), 59 Condell, Henry, 20 Chapman, George, 18 copyright Charles I, 161 and authorship, 10 , 11 , 235n. 22 Chartier, Roger, 11 and canon- formation, 19 , 30 Chatterton, h omas, 186 Copyright Act (1814), 44 – 45 , Chaucer, Geof rey, 17 , 20 46 , 170 Childe Harold’s Pilgrimage (1812– 18, Copyright Act (1842), 44 Lord Byron), 48 , 226 Donaldson v. Becket (1774), 30 – 32 , Christabel (1816, Samuel Coleridge), 44 , 113 , 124 , 235n. 22 136 , 226 and gender, 54 – 57 Churchill, Charles, 186 and literary mourning, 213 Cibber, Colley, 164 , 185 and literary value, 43 , 179 Clark, William, 203 and the market, 1 , 5 , 9 , 10 , 11 Clarke, Stanier, 173 and publishers’ canons, 19 , 30 Clif ord, James L., 98 and reprinting, 30 , 34 Clymer, Lorna, 210 and Scotland, 19 , 30 , 31 , 124 Cobbett, William, 105 Statute of Anne (1710), 19 , 30 , 31 , Coleridge, Samuel, 16 , 32 , 34 , 38 , 44 , 46 , 170 122 , 137 , 142 , 170 , 172 , corpus, literary 174 , 175 and the author’s body, 5 , 15 , 21 , and poetic fame, 29 – 30 28 , 29 , 39 , 41 , 44 , 111 , 171 , Works 176 , 191 , 201 , 213 , 220 Christabel (1816), 136 , 226 and the author’s life, 12 , 29 , 39 , 41 , Kubla Khan (1816), 226 46 , 47 , 184 , 185 , 189 , 191 , “Rime of the Ancyent Marinere” 192 , 193 (1798), 132 – 137 and the career, 8 , 24 , 28 , 38 , 52 , Coleridge, Sara Fricker, 162 53 , 55 , 175

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Index 293 and copyright, 54 – 57 , 213 and the newspaper, 99 – 102 , 110 , as curatorial object, 10 , 19 , 185 111 , 117 as estate, 41 , 43 , 154 , 178 politics of, 95 , 103 , 104 as investment portfolio, 158 , 170 , and the salon, 93 , 96 , 101 , 104 171 , 176 , 184 Descriptive Sketches (1793, William as monument or shrine, 114 , Wordsworth), 38 157 , 191 Deutch, Helen, 208 as representative of the nation, 47 , “ h e Devil’s Walk” (Robert 51 , 53 Southey), 192 h e Corsair (1814, Lord Byron), 48 Devonshire, Georgiana Duchess Cottle, Joseph, 42 , 122 – 125 , 132 , of, 81 137 , 193 Dictionary of National Biography, Cowley, Hannah, 105 , 110 91 , 102 “I hate thy tardy Elegiac lay” Dilly, Charles, 58 (1787), 101 “Dirge for the Year” (1824, Percy “To Del Crusca: h e Pen” (1787), Shelley), 229 94 , 100 Dodsley, James, 58 Cowper, William, 43 Don Juan (1818– 24, Lord Byron), 80 , Cox, Jef rey, 198 , 216 83 , 160 , 225 , 226 Creech, William, 31 Donaldson, Alexander, 31 Critical Review, 182 Drayton, Michael, 20 Croker, John Wilson, 163 , “ h e Dream” (1785, Bertie 167 , 206 Greatheed), 97 Cultural Capital (1993, John Dryden, John, 76 , 161 , 164 , 185 Guillory), 18 Du Bartas, Guillaume de Salluste, 48 Curran, Stuart, 64 , 121 , 198 , 216 D u f , David, 147 Curse of Kehama (1810, Robert Dumas, Alexandre, 248n. 24 Southey), 174 Dyer, Gary, 253n. 24 h e Cyclops (Euripides, 1824, trans. Shelley), 230 Eagleton, Terry, 235n. 22 Eclectic Review , 165 , 166 , 167 , 182 D’Elci, Angelo, 93 Edgeworth, Maria, 75 Daniel, Samuel, 20 Edinburgh Annual Register , 173 , Dante Alighieri, 96 , 216 177 , 178 Darnton, Robert, 3 Edinburgh Review , 40 , 165 , 166 , 182 Davenant, h omas, 41 Egremont, Earl of, 70 Deazley, Ronan, 243 , 243n. 71 Eilenberg, Susan, 153 “Dedication” (1785, William Parsons), Elegiac Sonnets (1784– 97, Charlotte 94 , 95 Smith), 13 , 56 , 57 , 58 , 59 , Della Cruscan coterie 6 0 – 7 2 , 7 9 – 9 0 and contemporary reception, 98 , “Ellen Irwin” (1800, William 102 , 252n. 13 Wordsworth), 146 and gender, 99 , 103 , 108 , 109 h e Emigrants (1792, Charlotte and improvisation, 96 , 101 Smith), 55 and masquerade, 96 , 99 , 103 , 104 , Emmeline (1788, Charlotte Smith), 107 , 108 , 111 13 , 82 , 86

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294 Index English Bards and Scotch Reviewers Fortnum, Sophia, 105 (1809, Lord Byron), 106 , 107 Foucault, Michel, 10 , 47 English Eclogues (1799, Robert Foulis, Robert and Andrew, 31 Southey), 175 Fox, Charles James, 138 , 152 English Short Title Catalogue, 77 Foxon, David, 240n. 36 “Epigrams on Lord Castlereagh” “A Fragment” (1800, William (1822, Lord Byron), 204 Wordsworth), 147 Epipsychidion (1821, Percy Shelley), “Fragments from an Uni nished Drama” 266n. 52 (1824, Percy Shelley), 227 “Epistle to the Marquis Ippolito Fraistat, Neil, 121 , 132 , 221 Pindemonte” (1785, William Frankenstein (1818, Mary Shelley), Parsons), 97 220 Essay on Criticism (1711, Alexander Frere, John Hookham, 105 Pope), 28 Freud, Sigmund, 3 “Essay, Supplementary to the Preface” “ h e Fugitives” (1824, Percy (1815, William Wordsworth), Shelley), 229 36 – 37 , 42 , 43 , 49 Essays Moral and Political, now i rst Galignani, A. and W., 188 , 191 , 192 collected (1832, Robert Galperin, William, 38 , 245n. 88 Southey), 185 Garnai, Amy, 91 Esterhammer, Angela, 96 Garret, James M., 47 h e European Magazine , 93 , 99 , 130 genius, literary An Evening Walk (1793, William and the market, 1 , 5 , 9 , 10 , 11 Wordsworth), 38 , 132 as proof of a higher calling, 6 , 9 , Everest, Kelvin, 226 12 , 51 h e Examiner , 166 , 198 , 204 , 208 and Romanticism, 10 – 11 , 19 , 36 , h e Excursion (1814, William 235n. 22 Wordsworth), 49 , 51 – 53 , 120 , h e Gentleman’s Magazine, 99 , 105 , 226 254n. 28 “Expostulation and Reply” (1798, George IV, 195 William Wordsworth), h e Giaour (1813, Lord Byron), 132 – 137 48 , 226 Ezell, Margaret, 11 G i f ord, William, 92 , 102 , 163 , 206 contemporary reception and Favret, Mary, 263 inl uence of, 103 , 108 Feather, John, 243n.72 Works Ferguson, Frances, 38 h e Baviad (1791), 13 , 91 , h e Field of Waterloo (1815, Walter 92 , 94 , 102 – 105 , 107 , 108 , Scott), 181 109 – 112 , 116 – 118 , 253n. 20 Finch, Anne, 17 , 66 , 101 h e Maeviad (1795), 91 Fletcher, Loraine, 249n. 35 h e Satires of Decimus Junius h e Florence Miscellany (1785), 92 , 93 , Juvenalis (1802), 106 – 107 9 4 – 9 8 Gill, Stephen, 39 , 40 , 120 , 123 , Foliage: Poems Original and Translated 242n. 55 (1818, Leigh Hunt), 220 Gisborne, Maria, 206

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Index 295 Gisborne, h omas, 105 Hunt, John, 205 , 225 , 231 Goethe, Johann Wolfgang (von), 70 , Hunt, Leigh, 112 , 167 , 185 , 221 , 205 , 231 224 , 261n. 15 Gof redo, o Gerusalemme Liberata correspondence and journals, 212 , (1580– 1, Torquato Tasso), 213 21 – 22 and the death of Percy Shelley, Goodman, Kevis, 147 197 – 198 , 204 – 206 , 207 – 215 , Graver, Bruce, 147 266n. 48 Gray, h omas, 64 , 65 , 101 , 160 and h e Liberal , 197 , 204 – 206 Greatheed, Bertie, 93 , 105 Works “ h e Dream” (1785), 97 Autobiography (1850), 208 Green, Karen, 258n. 18 Foliage: Poems Original and Greville, Fulke, 18 Translated (1818), 220 Grii n, Dustin, 249n. 35 Lord Byron and Some of His Grundy, Isobel, 249n. 35 Contemporaries (1828), 208 , Guillory, John, 18 209 h e Indicator, 202 Hadley, Elaine, 211 Hunt, Marianne, 197 , 208 “Hart- Leap Well” (1800, William “Hymn of Calliope” (1785, Ippolito Wordsworth), 135 – 137 Pindemonte), 97 Hartley, David, 43 “Hymn to Mercury” (1824, Percy Hastings, Warren, 110 Shelley), 230 Hayles, N. Katherine, 2 “Hyperion” (1820, John Keats), 218 Hayley, William, 58 , 60 , 70 , 85 Hays, Mary, 59 “I hate thy tardy Elegiac lay” (1787, Haywood, Eliza, 239n. 34 Hannah Cowley), 101 Hazlitt, William, 185 , 188 , 197 “ h e Idiot Boy” (1798, William Helgerson, Richard, 22 , 160 , 181 Wordsworth), 130 Heminge, John, 20 “ h e Idle Shepherd Boys” (1800, Heraud, James, 1 , 5 – 6 William Wordsworth), 130 Herbert, George, 18 “Imitation” (1784, Charlotte Herrick, Robert, 18 Smith), 59 Hess, Scott, 249n. 35 , 249n. 37 Indicator (Leigh Hunt), 202 History of Brazil (1810– 19, Ingpen, Roger, 199 Robert Southey), 185 “Inscription for the Spot where the History of English Poetry (1774– 81, Hermitage stood on St. Herbert’s h omas Warton), 186 Island, Derwent- Water” (1800, Hoccleve, h omas, 17 William Wordsworth), 148 , Hodgson, Francis, 107 149 Hogg, h omas Jef erson, 197 insurance, 14 , 159 , 167 – 172 , 178 , Holmes, Richard, 198 184 Home at Grasmere (William intellectual property, see copyright Wordsworth), 203 Horace (Quintus Horatius Jackson, H. J., 10 Flaccus), 20 , 68 Jacobus, Mary, 149

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296 Index Jameson, Fredric, 8 and ridicule, 160 – 162 , 165 , 166 Javitch, Derek, 22 h e Lay of the Last Minstrel (1805, J e f rey, Francis, 40 , 120 , 206 Walter Scott), 156 – 158 Jerningham, Edward, 94 , 99 , 105 h e Lay of the Laureate, or Carmen Jervas, Charles, 27 Nuptiale (1816, Robert Joan of Arc (1796, Robert Southey), Southey), 164 , 193 185 , 193 Leopold, Duke of Austria, 95 Johns, Adrian, 234n. 8 “Letter to — [Maria Gisborne]” Johnson, Joseph, 56 , 123 (1824, Percy Shelley), 227 Johnson, Samuel, 32 , 35 , 113 , 124 , Letter to William Smith (1817, Robert 208 , 257n. 14 Southey), 187 Jonson, Ben, 28 , 41 , 172 Letters from England (1807, Robert Workes (1616), 20 , 22 – 26 Southey), 174 , 185 “Julian and Maddalo” (1824, Percy Letters Written during a Short Residence Shelley), 224 , 225 in Spain and Portugal (1797, Robert Southey), 174 Keats, John, 33 , 66 , 213 , 216 , 218 Levinson, Marjorie, 153 , 155 “Hyperion” (1820), 218 h e Liberal (1822– 3), 15 , 197 , 204 – 206 , Lamia, Isabella, h e Eve of St. Agnes, 208 , 214 , 225 , 230 and Other Poems (1820), 199 , life insurance, see insurance 210 , 219 h e Life of John Wesley (1820, “Ode on a Grecian Urn” (1820), 218 Robert Southey), 185 “Ode to a Nightingale” (1820), 218 Life of Nelson (1813, Robert “Ode to Psyche” (1820), 219 Southey), 175 “To Autumn” (1820), 218 “Lift not the painted veil” (1824, Kelley, h eresa, 37 Percy Shelley), 229 “ h e Kitten and the Falling Leaves” “Lines to an Indian Air” (1824, (William Wordsworth), 39 Percy Shelley), 229 Knight, Charles, 113 “Lines Written during the Castlereagh Knowles, Claire, 247n. 17 Administration” (Percy Kramnick, Jonathan, 16 Shelley), 225 Kubla Khan (1816, Samuel “Lines written with a Slate-pencil Coleridge), 226 upon a Stone” (1800, William Wordsworth) , 147 Labbe, Jacqueline, 63 , 76 , 91 , 234n. 6 , Lintot, Bernard, 26 , 27 246n. 4 , 247n. 17 , 248n. 21 literary production and reception, Lamb, Charles, 122 , 197 theories of, 2 – 3 “A Lament” (1824, Percy Shelley), 229 Lives and Works of Our Uneducated Lamia, Isabella, h e Eve of St. Agnes, Poets (1831, Robert and Other Poems (1820, Southey), 185 John Keats), 199 , 210 , 219 Lives of the British Admirals (1833, Landor, Walter Savage, 161 , 168 Robert Southey), 185 laureateship, 14 , 20 , 159 , 160 – 163 , Lockhart, John Gibson, 202 169 , 177 , 179 – 183 , 189 , 195 Loewenstein, Joseph, 20 and the nation, 160 , 164 , 179 – 183 Lof t, Capel, 55

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Index 297 London Chronicle, 99 McCutcheon, Mark, 259n. 27 London Magazine, 202 McGann, Jerome, 91 , 267n. 67 Longman, T. N., 122 , 123 , 124 , 137 , McGill, Meredith, 7 138 – 139 , 188 , 190 , 192 McLaverty, James, 26 Lonsdale, First Earl of, 43 , 51 Medwin, h omas, 198 , 214 Lord Byron and Some of His Mee, John, 91 Contemporaries (1828, Leigh Merry, Robert, 93 , 110 , 111 Hunt), 208 , 209 “ h e Adieu and Recall to Love” Lovell, Mary Fricker, 162 (1787), 94 , 100 Lucan (Marcus Annaeus Lucanus), 216 “To the Criticks” (1785), 94 , 95 Luzzi, Joseph, 153 “Verses Sent to Count Vittorio Ali eri Lyrical Ballads (Samuel Coleridge and at Pisa, in Return for a Present William Wordsworth), 14 , 39 , of His Tragedies” (1785), 97 40 , 42 , 120 – 155 , 226 Meyers, John, 89 “Michael” (1800, William Wordsworth), Mack, Maynard, 240n. 35 139 , 147 , 150 – 155 Madoc (1805, Robert Southey), Millar, Andrew, 30 , 31 156 – 158 , 173 , 174 Millgate, Jane, 45 h e Maeviad (1795, William Milton, John, 31 , 47 , 52 , 97 , 156 , Gif ord), 91 158 , 186 , 216 Mahoney, Charles, 50 , 120 , 244n. 81 “Milton! thou should’st be living at Manfred (1816, Lord Byron), 226 this hour” (1807, William Manning, Peter, 121 Wordsworth), 48 Marchand, Leslie A., 264 Minstrelsy of the Scottish Border market, the (1802– 3, Scott), 162 as contaminating force, 9 , 19 , 29 , Miscellaneous Works of Edward Gibbon 49 , 108 (1796), 220 as cultural i eld, 7 , 49 Modern Poets, A Satire (1791), 253n. 20 and literary value, 1 , 4 , 35 , 49 , 55 , Montagu, Basil, 44 , 243n. 71 76 , 174 as shaping literary production, 3 , “Mont Blanc” (1817, Percy Shelley), 18 , 32 , 49 226 , 228 marketing, literary, 71 , 107 , 112 , 116 , Monthly Magazine, 102 125 Monthly Review , 74 , 107 , 114 , Martial (Quintus Gargilius 132 , 182 Martialis), 20 Morgan, John, 170 Marvell, Andrew, 18 Morison, Stanley, 111 “ h e Mask of Anarchy” (1832, h e Morning Post , 99 , 112 , 138 Percy Shelley), 225 Morritt, John B. S., 161 Massey, Irving, 225 Moschus, 216 Mathias, h omas James, 105 , 254n. 26 Mr. William Shakespeares Comedies, Matthews, Samantha, 265n. 34 Histories, & Tragedies (1623, May, John, 168 , 170 Heminge and Condell), 20 “May- day Night” (1822, Percy Shelley), Murray, John, 106 205 , 206 , 230 “My heart leaps” (1807, William Mazzeo, Tilar, 244 Wordsworth), 39 , 40

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298 Index Naval Chronicle, 138 “Ode to the Venus of Medicis” h e New English h eatre (1776– 7), (1785), 98 32 , 113 “Sonnet” (1785), 98 “To the Chevalier d’Elci, in Answer “ h e Oak and Broom” (1800, William to His Sonnets” (1785), 97 Wordsworth), 147 “Partenza” (1785, Hester Piozzi), 94 “Ode” (Intimations Ode, 1807, William Pascoe, Judith, 91 , 258n. 17 Wordsworth), 39 , 48 Pastorals (1709, Alexander Pope), 28 “Ode on a Grecian Urn” (1820, John patronage, literary, 13 , 24 , 43 , 49 , Keats), 218 57 , 58 “Ode to a Nightingale” (1820, John Pavoni, Giuseppi, 22 Keats), 218 Peacock, h omas Love, 198 “Ode to Despair” (1789, Charlotte Pearce, Susan, 4 Smith), 86 Peter Bell (1819, William Wordsworth), “Ode to Naples” (1824, Percy 226 Shelley), 227 Peter Bell the h ird (Percy Shelley), 225 “Ode to Psyche” (1820, John Keats), 219 Petrarch (Francesco Petrarca), 20 , 21 , “Ode to the Venus of Medicis” (1785, 65 , 160 , 221 William Parsons), 98 Pignotti, Lorenzo, 93 , 96 “Ode, Written during the Negotiations “Serenata” (1785), 98 with Buonaparte in January, Pindemonte, Ippolito, 93 , 96 , 98 , 102 1814” (Robert Southey), 189 “Hymn of Calliope” (1785), 97 “Ode, written in December 1814” Piozzi, Hester, 92 , 93 , 94 , 96 , 99 , (Robert Southey), 189 108 “ h e Old Cumberland Beggar” (1800, “Partenza” (1785), 94 William Wordsworth), 142 “To Wm. Parsons Esqr.” (1785), 96 Ollier, Charles, 203 Piper, Andrew, 11 , 234n. 8 “On My First Acquaintance with Pitaval, Gayot de, 75 Poets” (1823, William Plato, 216 Hazlitt), 29 – 30 Poems (1815, William Wordsworth), “On the Medusa of Leonardo da 12 , 19 , 37 – 41 , 42 , 43 , 46 , Vinci in the Florentine 47 – 50 , 120 , 181 , 202 Gallery, 229 Poems, in Two Volumes (1807, William h e Oracle , 13 , 102 Wordsworth), 12 , 39 – 40 , 41 , “ h e Origin of Flattery” (1784, 43 , 45 , 47 , 158 Charlotte Smith), 59 “Poems on the Naming of Places” Otway, h omas, 70 (1800, William Wordsworth), “Ozymandius” (Percy Shelley), 181 139 , 144 , 147 , 150 Poetical Works of Robert Southey (1829, Parini, Giuseppi, 93 Galignani), 188 – 190 Parrish, Stephen, 147 Poetical Works of Robert Southey Parsons, William, 93 , 105 (1837– 38), 184 , 191 – 196 “Dedication” (1785), 94 , 95 Poetry of Anna Matilda (1788), 114 “Epistle to the Marquis Ippolito Poetry of the World (1788, ed. Pindemonte” (1785), 97 Topham), 13 , 92 , 114 – 116

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Index 299 h e Poet’s Pilgrimage to Waterloo (1816, publishers’ canons Robert Southey), 164 , 179 – 183 , and canon- formation, 19 , 34 185 , 193 and the collected work, 41 Poets of Great Britain Complete from conventions of, 34 Chaucer to Churchill and copyright, 19 , 46 (1777– 82, ed. Bell), 13 , 32 , and gender, 34 34 , 45 , 113 , 241n. 52 impact of, 12 , 18 , 19 , 30 , 32 – 34 , Poets of Great Britain from the time of 3 6 , 4 6 Chaucer to Sir William Jones and the market, 57 (1807, ed. Bagster), 32 and national taste, 19 , 34 Polwhele, Richard, 105 Pye, Henry James, 160 , 162 , 165 , Pope v. Curll (1741), 235n. 22 166 , 185 Pope, Alexander, 26 , 27 , 28 , 41 , 64 , 68 , 76 , 105 , 161 Quarterly Review , 17 , 32 , 102 , 106 , Essay on Criticism (1711), 28 163 , 176 , 187 , 202 , 203 h e Iliad of Homer (1715– 20), 26 , Queen Mab (1813, Percy Shelley), 203 27 Pastorals (1709), 28 Rambles Further (1796, Charlotte Rape of the Lock (1712), 27 Smith), 81 Temple of Fame (1715), 28 Rape of the Lock (1712, Alexander Windsor Forest (1713), 28 Pope), 27 Works (1717), 29 Raven, James, 77 , 249n. 37 Porter, Dahlia, 234 , 247n. 18 , 262 Raymond, Claire, 215 portraiture, literary, 22 , 27 , 28 , 116 , h e Reading Nation in the Romantic 202 , 226 Period (2004, St. Clair), 3 posterity, 6 , 7 , 9 , 14 , 20 , 43 , 56 , 94 , re- collection, 2 114 , 178 , 187 , 188 , 191 , 198 , and the author’s body, 28 , 43 , 47 201 , 215 , 230 , 232 and the author’s life, 46 , 191 Posthumous Poems of Percy Bysshe Shel- and authorship, 2 , 4 , 5 , 8 , 120 , 132 ley (1824, ed. Mary Shelley), and book history, 2 – 3 , 7 – 8 15 , 201 , 214 , 219 – 231 and collecting, 3 – 4 posthumous writing, see posterity and copyright, 55 Preface to Lyrical Ballads (1800, and gender, 5 , 54 – 57 William Wordsworth), 43 , and literary mourning, 15 , 198 , 119 , 134 , 136 , 148 201 , 202 , 215 , 220 , 224 Preface to Poems (1815, William and literary reputation, 92 , 121 , Wordsworth), 39 201 h e Prelude (William Wordsworth), and the market, 29 , 36 , 55 52 , 142 , 174 , 194 , 203 and social authorship, 11 , 26 , Price, Leah, 7 , 234n. 6 28 , 92 “Prince Athanase: A Fragment” (1824, Recollections of the Last Days of Shelley Percy Shelley), 227 and Byron (1858, Edward Project for Historical Bibliography Trelawny), 199 , 201 , 263n. 10 (Newcastle University), 77 h e Remains of Henry Kirke White Public Advertiser, 74 (1807, ed. Southey), 186

300

300 Index “ h e Retrospect” (1795, Robert and authorship, 177 Southey), 183 and class, 161 h e Revolt of Islam (Percy Shelley), 203 and copyright, 45 , 46 , 156 Reynolds, Frederick, 99 and the laureateship, 159 , 160 – 163 , Richardson, Ruth, 209 166 , 181 Richer, François, 75 and literary marketing, 158 Rickman, John, 164 and literary value, 156 – 158 “Rime of the Ancyent Marinere” relations with publishers, 45 (1798, Samuel Coleridge), Works and editions 132 – 137 h e Field of Waterloo (1815), 181 Robinson, Daniel, 64 , 91 , 92 , Journal, 105 247n. 11 h e Lay of the Last Minstrel Robinson, Mary, 77 , 94 , 108 , 122 (1805) 156 – 158 Roderick (1815, Robert Southey), 189 Minstrelsy of the Scottish Border Rogers, Samuel, 94 (1802– 3), 162 Rokeby (1812, Walter Scott), 156 – 158 Rokeby (1812), 156 – 158 h e Romance of Real Life (1787, Charlotte Waverley (1814), 177 Smith), 13 , 74 , 82 , 248n. 24 h e Seasons (1726– 30, James Rosalind and Helen (1818, Percy h omson), 29 , 30 , 31 Shelley), 207 Sedgwick, Eve, 8 Rose, Mark, 235n. 22 Selden, John, 24 Ross, Trevor, 16 , 20 Select Works of the British Poets from “Rural Architecture” (1800, William Chaucer to Johnson (1831, Wordsworth), 147 Robert Southey), 185 Rural Walks (1795, Charlotte self- collection, 20 – 29 , 39 , 41 , 46 , 51 Smith), 81 “Serenata” (1785, Lorenzo “Ruth” (1800, William Wordsworth), Pignotti), 98 142 Seward, Anna, 45 , 65 Ruwe, Donelle, 247 Shakespeare (1774, ed. Bell), 32 , 113 Rzepka, Charles, 153 Shakespeare, William, 47 , 216 Mr. William Shakespeares Sade, Marquis de, 248n. 24 Comedies, Histories, & Saint- Amour, Paul, 44 Tragedies (1623), 20 h e Satires of Decimus Junius h e Tempest , 198 Juvenalis (1802, William Sharp, Richard, 42 , 43 , 44 Gif ord), 106 – 107 Shee, Martin, 107 h e Satirist , 40 Shelley, Lady, 198 , 199 “Scenes from the Faust of Goëthe” Shelley, Mary, 15 , 201 (1824, Percy Shelley), 230 and copyright, 213 , 231 “Scenes from the ‘Magico Prodigioso’ correspondence and journals, 212 , of Calderon” (1824, Percy 213 Shelley), 230 and the death of Percy Shelley, Schoeni eld, Mark, 124 197 – 198 , 199 , 207 – 215 Scott, Walter, 2 , 32 , 48 , 57 , 156 – 159 , as an editor, 219 – 231 168 , 172 , 173 , 176 and the Liberal , 197 , 206

301

Index 301 Works and editions “May- day Night” (1822), 205 , Frankenstein (1818), 220 206 , 230 Posthumous Poems of Percy Bysshe “Mont Blanc” (1817), 226 , 228 Shelley (1824), 219 – 232 “Ode to Naples” (1824), 227 Shelley, Percy, 2 , 175 “On the Medusa of Leonardo and contemporary reception, da Vinci in the Florentine 202 – 206 , 214 , 217 Gallery”, 229 death and cremation of, 197 – 198 , “Ozymandius”, 181 207 – 215 Peter Bell the h ird, 225 heart of, 198 , 199 , 201 , 211 – 212 Posthumous Poems of Percy Bysshe monumentalization of, 198 – 201 , 211 Shelley (1824), 15 , 201 , 214 , piracies of, 231 219 – 231 and posterity, 215 , 232 , “Prince Athanase: A Fragment” 266n. 52 (1824), 227 posthumous reputation, 198 – 201 , Queen Mab (1813), 203 215 h e Revolt of Islam (1818), 203 Works Rosalind and Helen (1818), 207 Adonais (1821), 199 , 213 , 215 – “Scenes from the Faust of 219 , 221 , 225 , 226 , 263n. 11 , Goëthe” (1824), 230 263n. 3 “Scenes from the ‘Magico Alastor (1816), 175 , 228 Prodigioso’ of Calderon” “Autumn: A Dirge” (1824), 229 (1824), 230 h e Cenci (1819), 202 “Stanzas Written in Dejection” “ h e Cyclops of Euripides” (1824), 229 (1824), 230 “ h e Sunset” (1824), 229 “Dirge for the Year” (1824), 229 Swellfoot the Tyrant, 225 Epipsychidion (1821), 266n. 52 “To Constantia, Singing” “Fragments from an Uni nished (1824), 229 Drama” (1824), 227 “To Night” (1824), 229 “ h e Fugitives” (1824), 229 “Translation from Moschus” “Hymn to Mercury” (1824), 230 (1824), 230 “Julian and Maddalo” (1824), “ h e Triumph of Life” (1824), 224 , 225 227 , 230 “A Lament” (1824), 229 “ h e Witch of Atlas” (1824), “Letter to — [Maria Gisborne]” 225 , 226 (1824), 227 Shelley, Percy Florence, 198 , 206 “Lift not the painted veil” Shelley, Timothy, 206 , 231 (1824), 229 Sher, Richard B., 80 , 249n. 37 “Lines to an Indian Air” (1824), Sheridan, Richard Brinsley, 114 229 Sidney, Philip, 18 , 87 , 216 “Lines Written during the Simpson, Erik, 47 Castlereagh Administra- “A slumber did my spirit seal” (1800, tion”, 225 William Wordsworth), 147 “ h e Mask of Anarchy” (1832), Smith, Barbara Herrnstein, 235n. 16 225 Smith, Benjamin, 58 , 59 , 82 – 85

302

302 Index Smith, Charlotte Rambles Further (1796), 81 and authorship, 60 , 70 , 74 , 76 , 86 , h e Romance of Real Life (1787), 246n. 4 , 246n. 6 13 , 74 , 82 , 248n. 24 and contemporary reception, 61 , Rural Walks (1795), 81 74 , 75 “Sonnet I” (1784), 63 , 65 and copyright, 54 – 57 , 58 , 85 , 86 “Sonnet II: Written at the Close correspondence, 54 – 57 , 59 , 61 , of Spring” (1784), 65 72 – 74 , 75 “Sonnet III: To a Nightingale” and gender, 54 – 57 , 82 – 85 , (1784), 65 , 66 248n. 21 “Sonnet IV: To the Moon” and gentility, 13 , 60 , 61 , 72 – 74 , (1784), 67 76 , 82 , 84 , 88 “Sonnet V: To the South Downs” and literary marketing, 71 – 72 , 74 , (1784), 67 85 , 89 “Sonnet VI: To Hope” (1784), 67 and literary patronage, 57 , 58 , 85 “Sonnet VII: On the Departure and literary reputation, 55 , 56 , 60 , of the Nightingale” (1784), 69 76 , 89 “Sonnet VIII: To Spring” (1784), and the market, 72 , 74 , 107 , 108 , 59 , 69 176 , 184 “Sonnet IX: Blest is yon and poetic personae, 68 , 70 , shepherd”(1784), 59 , 69 71 , 87 , 247n. 17 , 248n. 21 “Sonnet X: To Mrs. G.” relations with publishers, 45 (1786), 69 and the sonnet form, 59 , 60 – 61 , “Sonnet XI: To Sleep” (1784), 69 6 4 – 6 5 “Sonnet XII: Written on the and subscription publishing, 13 , Sea Shore – October 1784” 7 9 – 9 0 (1786), 69 Works “Sonnet XXXVI:” (1786), Beachy Head, and Other Poems 7 1 – 7 2 , 8 7 (1807), 54 – 57 “Sonnet XXXVII To the “Chanson” (1784), 59 Honorable Mrs. O’Neill” Elegiac Sonnets (i rst ed., 1784), 57 , (1789), 86 58 , 59 “Sonnet XLIV: Written in a Elegiac Sonnets (second ed., Churchyard at Middleton in 1784), 59 Sussex” (1789), 87 Elegiac Sonnets (third ed., 1786), “Sonnet XLV: On Leaving a Part 13 , 56 , 60 – 72 of Sussex” (1789), 87 Elegiac Sonnets (i fth ed., 1789), 13 “Sonnet XLVI: Written at Pen- Elegiac Sonnets (eighth ed., shurst, in Autumn of 1788” 1797), 81 (1789), 87 h e Emigrants (1792), 55 “Supposed to be Written by Emmeline (1788), 13 , 82 , 86 Werther” (1784– 86), 63 “Imitation” (1784), 59 “To Fancy”, 87 Manon L’escaut (1786), 74 “To Mrs. ***” (1789), 87 “Ode to Despair” (1789), 86 Smith, Elizabeth, 79 “ h e Origin of Flattery” Smith, Horace, 197 , 214 (1784), 59 social authorship, 5 , 11 , 26 , 28 , 92

303

Index 303 “ h e Solitary Reaper” (1807, William Distress” (1787, William Wordsworth), 66 Wordsworth), 132 “Sonnet I” (1784, Charlotte Smith), “Sonnet” (1785, Williams 143 , 146 Parsons), 98 “Sonnet II Written at the Close of Southey, Edith, 167 , 168 , 169 , 180 Spring” (1784, Charlotte Southey, Robert, 1 , 12 , 14 , 16 , 122 , Smith), 146 156 – 159 “Sonnet III To a Nightingale” (1784, and authorship, 159 , 167 Charlotte Smith), 65 , 66 and class, 169 , 176 “Sonnet IV To the Moon” (1784, and contemporary reception, 164 Charlotte Smith), 67 and copyright, 1 , 5 , 14 , 45 , 156 , “Sonnet V To the South Downs” 170 , 177 , 178 , 191 (1784, Charlotte Smith), 67 correspondence, 212 , 213 “Sonnet VI To Hope” (1784, and insurance, 167 – 172 Charlotte Smith), 67 and the laureateship, 159 – 167 , “Sonnet VII On the Departure of the 179 – 183 , 195 Nightingale” (1784, Charlotte and literary marketing, 156 , 158 Smith), 69 and literary reputation, 175 , “Sonnet VIII To Spring” (1784, Char- 177 , 180 lotte Smith), 59 , 69 and literary value, 156 – 158 , “Sonnet IX Blest is yon shepherd” 174 , 179 (1784, Charlotte Smith), 59 , and poetic reputation, 156 , 159 69 and posterity, 157 , 201 “Sonnet X To Mrs. G.” (1786, and publishers’ canons, 12 , 18 , 32 Charlotte Smith), 69 relations with publishers, 1 , 178 “Sonnet XI To Sleep” (1784, Charlotte and subscription publishing, 80 , Smith), 69 178 “Sonnet XII Written on the Sea Works and editions Shore – October 1784” Annual Anthology (1799, 1800), (1786, Charlotte Smith), 69 174 , 186 “Sonnet XXXVI” (1786, Charlotte h e Book of the Church (1824), 185 Smith), 71 – 72 , 87 h e Byrth, Lyf, and Actes of Kyng “Sonnet XXXVII To the Honorable Arthur (1817), 185 Mrs. O’Neill” (1789, Carmen Triumphale (1814), Charlotte Smith), 86 163 – 166 , 189 , 195 “Sonnet XLIV Written in a Church- Carmina Aulica (1814), 164 , 195 yard at Middleton in Sussex” Curse of Kehama (1810), 174 (1789, Charlotte Smith), 87 “ h e Devil’s Walk”, 192 “Sonnet XLV On Leaving a Part of English Eclogues (1799), 175 Sussex” (1789, Charlotte Essays Moral and Political, now Smith), 87 i rst collected (1832), 185 “Sonnet XLVI Written at Penshurst, History of Brazil (1810– 19), 185 in Autumn of 1788” (1789, Joan of Arc (1796), 185 , 193 Charlotte Smith), 87 h e Lay of the Laureate, or “Sonnet on seeing Miss Helen Maria Carmen Nuptiale (1816), 164 , Williams weep at a Tale of 189 , 193

304

304 Index Southey, Robert (Cont.) h e Works of h omas Chatterton Letter to William Smith (1817), 187 (1803), 186 Letters from England (1807), 174 , h e Works of William Cowper 185 (1834), 195 Letters Written during a Short Specimens of the Later English Poets Residence in Spain and Portugal (1807, ed. Southey), 174 , 186 (1797), 174 Speck, W. A., 77 h e Life of John Wesley (1820), 185 Spenser, Edmund, 20 , 41 , 48 , 50 , 164 , Life of Nelson (1813), 175 185 , 216 Lives and Works of Our St. Clair, William, 3 , 33 Uneducated Poets (1831), 185 Stanton, Judith, 73 , 248 Lives of the British Admirals “Stanzas Written in Dejection” (1824, (1833), 185 Percy Shelley), 229 Madoc (1805), 156 – 158 , 173 , 174 Statute of Anne (1710), 19 , 30 , 31 , “Ode, Written during the 44 , 46 Negotiations with Buonaparte Steevens, George, 74 in January, 1814”, 189 Stewart, Susan, 3 , 8 “Ode, written in December Stillinger, Jack, 241n. 50 1814”, 189 “Strange i ts of passion” (1800, Poetical Works of Robert Southey William Wordsworth), 147 (1829, Galignani), 188 – 190 Stuart, Daniel, 138 Poetical Works of Robert Southey Suarez, Michael F., S.J., 76 , 234n. 9 (1837– 38), 184 , 191 – 196 subscription publishing h e Poet’s Pilgrimage to Waterloo as charitable vehicle, 80 – 81 (1816), 164 , 179 – 183 , 185 and class, 74 , 80 , 82 h e Remains of Henry Kirke White and gender, 77 , 80 , 82 – 85 (1807), 186 and intimacy, 72 “ h e Retrospect” (1795), 183 and literary marketing, 57 , 81 Review of Alexander Chalmers’ as literary monument or shrine, 80 Works of the English Poets and literary patronage, 81 (1810), 17 , 32 , 186 – 187 and literary reputation, 57 , 89 Review of Lyrical Ballads, popularity of, 76 – 77 258n. 14 and reader relations, 72 , 82 – 85 , 86 Select Works of the British Poets “ h e Sunset” (1824, Percy Shelley), 229 from Chaucer to Johnson “Supposed to be Written by Werther” (1831), 185 (1784– 86, Charlotte Specimens of the Later English Smith), 63 Poets (1807), 174 , 186 Swann, Marjorie, 233n. 6 h alaba the Destroyer (1801), Swellfoot the Tyrant (Percy Shelley), 225 173 , 174 , 175 Swift, Jonathan, 101 “To the Exiled Patriots Muir and Palmer”, 189 Tasso, Torquato, 21 – 22 A Vision of Judgment (1821), 185 Taylor, Charles, 219 Wat Tyler (1817), 6 , 167 , 184 , Taylor, William of Norwich, 175 187 , 188 , 189 , 193 , 194 h e Tempest (William Shakspeare), 198

305

Index 305 Temple of Fame (1715, Alexander Poetry of the World (1788), 92 Pope), 28 “Translation from Moschus” (1824, Tennyson, Alfred, 185 Percy Shelley), 230 Terry, Richard, 16 Trelawny, Edward, 198 h alaba the Destroyer (1801, Robert accounts of Percy Shelley’s Southey), 173 , 174 , 175 cremation, 208 – 211 h anksgiving Ode (1816, William and the death of Percy Shelley, Wordsworth), 120 , 181 198 – 199 , 207 – 215 , 217 h eocritus, 218 Recollections of the Last Days of “ h ere was a Boy” (1800, William Shelley and Byron (1858), 199 , Wordsworth), 144 – 147 201 , 263n. 10 h omson, James, 31 , 70 “ h e Triumph of Life” (1824, Percy h e Seasons (1726– 30), 29 , 31 Shelley), 227 , 230 “ h e h orn” (1798, William Trott, Nicola, 176 Wordsworth), 130 , 142 Timperley, Charles H., 81 Vaughn, h omas, 99 “Tintern Abbey” (1798, William “Verses Sent to Count Vittorio Ali eri Wordsworth), 119 , 181 at Pisa, in Return for a Present “To a Butterl y” (1807, William of His Tragedies” (1785, Wordsworth), 40 Robert Merry), 97 “To Autumn” (1820, John Keats), 218 Vincenti, Giacomo, 22 “To Constantia, Singing” (1824, Percy Virgil (Publius Vergilius Maro), 20 , Shelley), 229 30 , 160 , 221 , 224 “To Del Crusca: h e Pen” (1787, A Vision of Judgment (1821, Robert Hannah Cowley), 94 , 100 Southey), 185 , 193 “To Fancy” (Charlotte Smith), 87 “ h e Vision of Judgment” (1822, Lord “To Joanna” (1800, William Byron), 189 , 204 , 225 , 230 Wordsworth), 148 “To Mrs. ***” (1789, Charlotte h e Waggoner (1816, William Smith), 87 Wordsworth), 120 “To Night” (1824, Percy Waller, Edmund, 87 Shelley), 229 Warton, h omas, 70 , 164 , 186 “To the Chevalier d’Elci, in Answer to History of English Poetry (1774– 81), His Sonnets” (1785, William 186 Parsons), 97 Wasserman, Earl, 215 “To the Criticks” (1785, Robert Wat Tyler (1817, Robert Southey), 6 , Merry), 94 , 95 167 , 184 , 187 , 188 , 189 , 193 , “To the Exiled Patriots Muir and 194 Palmer” (Robert Southey), 189 Waverley (1814, Walter Scott), 177 “To the Small Celandine” (1807, “We Are Seven” (1798, William William Wordsworth), 39 Wordsworth), 130 “To Wm. Parsons Esqr.” (1785, Hester Webb, Timothy, 198 , 207 , 263 Piozzi), 96 Werkmeister, Lucyle, 99 Topham, Edward, 99 , 105 , 114 – 116 , Wertheimer, Eric, 168 252n. 14 Wheatley, Kim, 214

306

306 Index h e White Doe of Rylstone (1815, “Anecdote for Fathers” (1798), 130 William Wordsworth), 48 , 49 , “ h e Brothers” (1800), 147 , 50 – 51 , 120 148 – 150 , 151 , 152 Whitehead, William, 160 , 165 , 185 Descriptive Sketches (1793), 38 Williams, Edward, 197 “Ellen Irwin” (1800), 146 Williams, Helen Maria, 77 “Essay, Supplementary to the Williams, Jane, 206 , 208 , 217 Preface” (1815), 36 – 37 , 42 , Wilson, John (“Christopher 43 , 49 North”), 206 An Evening Walk (1793), 38 , 132 Windsor Forest (1713, Alexander h e Excursion (1814), 49 , 51 – 53 , Pope), 28 120 , 226 Wolcott, John (“Peter Pindar”), 102 “Expostulation and Reply” Wolfson, Susan, 263n. 6 (1798), 132 – 137 Woodmansee, Martha, 235n. 22 “A Fragment” (1800), 147 Wordsworth, Dorothy, 122 , 125 , 139 “Hart- Leap Well” (1800), 139 , Wordsworth, Richard, 122 144 Wordsworth, William Home at Grasmere , 203 and authorship, 120 , 121 , 125 , “ h e Idiot Boy” (1798), 130 130 – 132 , 137 , 138 , 139 “ h e Idle Shepherd Boys” and contemporary reception, 37 , (1800), 147 39 – 40 , 122 – 124 , 132 , 139 “Inscription for the Spot where and copyright, 41 – 44 , 45 – 46 , 54 , the Hermitage stood on St. 121 , 122 – 125 , 137 , 138 – 139 , Herbert’s Island, Derwent- 153 – 155 Water” (1800), 148 , 149 correspondence, 16 – 18 , 38 , 42 , “ h e Kitten and the Falling 122 , 124 , 125 , 132 , 152 , Leaves”, 39 257n. 14 “Lines written with a Slate-pencil and Elegiac Sonnets (1789), 89 , 250n. 48 upon a Stone” (1800), 147 and the history of authorship, 36 , “Michael” (1800), 139 , 147 , 235n. 22 150 – 155 and the laureateship, 120 , 181 “Milton! thou should’st be living and literary marketing, 41 , 120 , at this hour” (1807), 48 125 , 132 , 156 , 158 “My heart leaps” (1807), 39 , 40 and literary patronage, 43 , 49 , 51 “ h e Oak and Broom” (1800), 147 and literary reputation, 37 , 43 “Ode” (Intimations Ode, 1807), and literary value, 35 , 42 , 149 , 154 39 , 48 and poetic canons, 12 , 18 , 36 , 37 , “ h e Old Cumberland Beggar” 4 8 – 4 9 , 5 0 (1800), 142 and publishers’ canons, 12 , 17 , Poems (1815), 12 , 19 , 37 – 41 , 3 5 – 3 6 42 , 43 , 46 , 47 – 50 , 120 , 181 , relations with publishers, 45 , 202 123 – 125 , 138 – 139 Poems, in Two Volumes (1807), Works 12 , 39 – 40 , 41 , 43 , 45 , 47 , 158 Advertisement to Lyrical Ballads “Poems on the Naming of Places” (1798), 130 , 138 (1800), 139 , 144 , 147 , 150

307

Index 307 Preface to Lyrical Ballads (1800), “To the Small Celandine” 43 , 119 , 134 , 136 , 148 (1807), 39 Preface to Poems (1815), 39 h e Waggoner (1816), 120 h e Prelude , 52 , 142 , 174 , 194 , “We Are Seven” (1798), 130 203 h e White Doe of Rylstone (1815), “Rural Architecture” (1800), 147 48 , 49 , 50 – 51 , 120 “Ruth” (1800), 142 Workes (1616, Ben Jonson), 20 , Salisbury Plain , 48 2 2 – 2 6 “A slumber did my spirit seal” Works (1717, Alexander Pope), 29 (1800), 147 Works of the English Poets (1779– 81), “ h e Solitary Reaper” (1807), 66 3 2 , 3 5 , 3 6 “Song” (1800), 147 Works of the English Poets (1810, ed. “Sonnet on seeing Miss Helen Chalmers), 17 , 18 , 19 Maria Williams weep at a Tale h e Works of h omas Chatterton (1803, of Distress” (1787), 132 ed. Southey), 186 “Strange i ts of passion” h e Works of William Cowper (1834, (1800), 147 ed. Southey), 195 h anksgiving Ode (1816), h e World , 13 , 92 , 93 , 99 – 100 , 102 , 120 , 181 110 , 111 “ h ere was a Boy” (1800), Wynn, C. W. W., 168 144 – 147 “ h e h orn” (1798), 130 , 142 Yearsley, Anne, 57 “Tintern Abbey” (1798), 119 , 181 “To a Butterl y” (1807), 40 Zimmerman, Sarah, 247n. 17 , 248n. 19 “To Joanna” (1800), 148 Zionkowski, Linda, 34