This Is a Test

Total Page:16

File Type:pdf, Size:1020Kb

This Is a Test ‘CANCEL CHRISTMAS’ Cast Bios JUDD NELSON (Kris/Santa) – Judd Nelson is best known for being a member of the "Brat Pack" in the mid-1980s, and for his roles as John Bender in “The Breakfast Club,” Alec Newbary in “St. Elmo's Fire” and Jack Richmond in “Suddenly Susan.” Nelson was born and raised in Portland, Maine, the first of three children to Merle Nelson, the retired five-term State Representative. After graduating from St. Paul’s School in Concord, New Hampshire, Nelson attended Haverford/Bryn Mawr Colleges, in Pennsylvania where he studied philosophy. He also began acting in college theatrical productions, and performing in summer stock. Ultimately, Judd decided to leave college, his sophomore year, for NYC to study under the legendary acting teacher Stella Adler. After two years with Ms. Adler at her conservatory, Nelson made his motion-picture debut in the film “Fandango,” co-starring alongside a young Kevin Costner. Nelson has been working in film, television and theatre ever since, appearing in the television show “CSI: Crime Scene Investigation” as a friend of a murder victim and “Eleventh Hour” as a psychologist researching soldiers returning from Iraq who suffer from Posttraumatic stress disorder (PTSD). Nelson plays the host in “The Real Fear Factor,” a spoof on “Fear Factor,” in “National Lampoon's TV: The Movie.” In 2009, Nelson appeared in the sequel “The Boondock Saints II: All Saints Day.” More recently, he portrayed Father Charley Lock on “Brookwood Sleazebags,” a pilot he did for HBO. Nelson also reprised his role of Rodimus Prime from the 1986 “Transformers” movie for the newest “Transformers” television series, “Transformers Animated.” Nelson appeared at the 2010 Academy Awards to pay tribute to late film director John Hughes along with other cast members of Hughes' films. ### JUSTIN LANDRY (Randal) - Canadian-born comic actor Justin Landry burst onto the scene in 1999 when he was named Best New Comic at Yuk Yuk's Comedy Club, and soon afterwards he wrote, directed and starred in "The Justin Landry Show" an independent project that won him attention in Toronto and Los Angeles and became a college campus cult hit. Growing up the son of (mostly intentionally) funny parents and a funny, dramatic sister (ditto), and involved in theatre and performance in his small-town community of Oshawa, Ontario, Landry found immediate success as a professional actor, appearing in a number of national television commercials airing both in Canada and the United States. He also landed a hosting job on the nationally-televised quiz show "SmartAsk!" which aired on the CBC and landed a deal with MTV in Los Angeles. In recent years, Landry has won over numerous fans by starring in a (more) HALLMARK CHANNEL/’CANCEL CHRISTMAS’ – Cast Bios – Page 2 number of award-winning and internationally-recognized commercials. He earned a "Best Actor in a Commercial" award in 2008 for his work in a campaign for Diet 7Up. He regularly lends his voice to numerous TV and radio commercials, as well as a number of animated series. "Cancel Christmas" marks Landry's first leading role in a film and he was thrilled to work with Judd Nelson and such a talented cast of young and veteran performers. Landry currently lives in Toronto with his wife and daughter. ### SANTE SCALETTA (Farley Morgan) - Sante Scaletta was born April 23, 1995 in Ottawa, Ontario where he resides with his identical twin brother Dominic, younger sister Bianca and his parents. His father of Italian heritage is a sales executive and small business owner. Scaletta’s mother is a teacher and sales representative with a keen interest in the Arts. Scaletta is being raised in a Catholic environment and has benefited from an elementary school that valued the Arts which led him to the key role in the musical The Passion of Christ playing Jesus Christ. His twin brother played opposite him in the role of Judas. This was Scaletta’s true foray into drama at the tender age of 12 and he has not looked back. Scaletta performed this play at six Ottawa elementary schools and for the Ottawa Catholic School Board. The production was also documented and featured by the Ottawa Citizen. Scaletta was accepted into the Drama program of the esteemed Canterbury High School of Performing Arts. His recent work includes the feature film “My Family’s Secret,” an Xbox commercial with the Jonas Brothers, a NIKE “Force Fate” commercial (with his twin brother by his side) featuring Jerome Iginla promoting the 2010 Vancouver Olympics, and a Coke print ad also for the Olympics. Scaletta is passionate about his family, his faith, sports (in particular hockey and golf) and his desire to be the best actor he can on film and the stage. ### CONNOR PRICE (Steve Rojack) – Connor Price’s big break came with his portrayal of Jay Braddock in the Ron Howard feature film “Cinderella Man” starring Russell Crowe as Jim Braddock and Renee Zellweger as his wife Mae. Most recently, he appeared in the CBS television pilot “Back” alongside Skeet Ulrich and completed filming of the Nickelodeon’s television pilot “Summer Camp” and the Discovery Kids anthology “The Haunting Hour.” Stephen King fans will recognize Price for his role of J.J. Bannerman, in the last season of “Dead Zone” for USA Network opposite Anthony Michael Hall, for which he won a Young Artists Award for Best Performance in a TV Series by a young actor. Other recent credits include the feature (more) HALLMARK CHANNEL/’CANCEL CHRISTMAS’ – Cast Bios – Page 3 film “The Wheeler Boys,” “Good Luck Chuck” as a young Dane Cook and the screen adaptation of “The Stone Angel” starring Ellen Burnstyn as well as the co-starring role of Stefan in “Roxy and the Horrific Halloween” for Nickelodeon. Price also appeared in the feature films “Republic of Love,” “Fancy Dancing,’ starring Jason Priestley and Dave Thomas and “Men with Brooms,” an Alliance Atlantis/Serendipity production starring and directed by Paul Gross with Leslie Nielson and Molly Parker. Other television highlights include the MOW’s “Booky’s Crush” (CBC), “Stuart McLean’s Xmas Pageant” (CBC), “Sins of the Father,” a Robert Dornhelm production starring Richard Jenkins and Tom Sizemore, and “Crossed Over,” a CBS/Alliance Atlantis production, playing opposite Diane Keaton as her son. --HALLMARK CHANNEL-- .
Recommended publications
  • Jennifer Ricchiazzi, Csa
    JENNIFER RICCHIAZZI, CSA www.jenniferricchiazzi.com Selected Film & Television Credits FUTRA DAYS (Pre-Production/Currently Casting) Producer: Ryan David, Orian Williams, David Zonshine. Director/Writer: Ryan David. SHOOTING HEROIN (Post-Production) Producer: Mark Joseph. Director/Writer: Spencer Folmar. Starring: Alan Powell, Cathy Moriarty, Sherilyn Fenn, Nicholas Turturro THE UNSPOKEN (Pre-Production) Winterland Pictures. Producers: Lionel Hicks, Rebecca Tranter. Director/Writer: Andrew Hunt FIGHTING CHANCE (Pre-Production) Producers: Scott Rosenfelt, Ron Winston. Director: Mikael Salomon FALL OF EDEN (Pre-Production) Producer: Mark G Mathis. Director: Susan Dynner. Attached: Dylan McDermott, Brianna Hildebrand. BLINDED BY ED (Pre-Production) Producer: Kristy Lash. Director/Writer: Chris Fetchko. Attached: Katrina Bowden. REAGAN (Pre-Production) Independent. Producer: Mark Joseph; Executive Producer: Dawn Krantz. Director: John G. Avildsen. Attached: Jon Voight and Dennis Quaid. HAUNTING OF THE MARY CELESTE Vertical Entertainment. Producers: Norman Dreyfuss, Brian Dreyfuss, Justin Ambrosino. Writer: David Ross; Executive Producers: Eric Brodeur, Jerome Oliver. Director: Shana Betz. Starring: Emily Swallow. SOLVE Mobile Series. Vertical Networks; Snapchat. THE STOLEN Independent/Cork Films Ltd. Producer/Writer: Emily Corcoran; Executive Producer: Julia Palau. Director/Co-Writer: Niall Johnson. Starring: Alice Eve, Jack Davenport. THE CLAPPER (Tribeca Film Festival 2017) Independent. Producer: Robin Schorr. Director: Dito Montiel. Starring:
    [Show full text]
  • January 2020
    January 2020 6:10 PM ET/3:10 PM PT 3:30 PM ET/12:30 PM PT 3:05 PM ET/12:05 PM PT 5:10 PM CT/4:10 PM MT 2:30 PM CT/1:30 PM MT 2:05 PM CT/1:05 PM MT The Trailer Show Three Wishes Leaves of Grass 6:50 PM ET/3:50 PM PT 5:30 PM ET/2:30 PM PT 4:55 PM ET/1:55 PM PT 5:50 PM CT/4:50 PM MT 4:30 PM CT/3:30 PM MT 3:55 PM CT/2:55 PM MT The Karate Kid Feast of Love The Burning Bed 9:00 PM ET/6:00 PM PT 7:20 PM ET/4:20 PM PT 6:45 PM ET/3:45 PM PT 8:00 PM CT/7:00 PM MT 6:20 PM CT/5:20 PM MT 5:45 PM CT/4:45 PM MT The Karate Kid: Part II Half Past Dead Rain Man WEDNESDAY, JANUARY 1 10:55 PM ET/7:55 PM PT 9:00 PM ET/6:00 PM PT 9:00 PM ET/6:00 PM PT 12:30 AM ET/9:30 PM PT 9:55 PM CT/8:55 PM MT 8:00 PM CT/7:00 PM MT 8:00 PM CT/7:00 PM MT 11:30 PM CT/10:30 PM MT Airplane II: The Sequel The Karate Kid III Convoy The Professional 10:55 PM ET/7:55 PM PT 10:55 PM ET/7:55 PM PT 2:00 AM ET/11:00 PM PT 9:55 PM CT/8:55 PM MT 9:55 PM CT/8:55 PM MT 1:00 AM CT/12:00 AM MT THURSDAY, JANUARY 2 12:50 AM ET/9:50 PM PT Assassination Primal Fear The Tuxedo 11:50 PM CT/10:50 PM MT 3:40 AM ET/12:40 AM PT 2:40 AM CT/1:40 AM MT Colors FRIDAY, JANUARY 3 SATURDAY, JANUARY 4 2:55 AM ET/11:55 PM PT 12:25 AM ET/9:25 PM PT 1:10 AM ET/10:10 PM PT Showgirls 1:55 AM CT/12:55 AM MT 11:25 PM CT/10:25 PM MT 12:10 AM CT/11:10 PM MT 6:00 AM ET/3:00 AM PT 5:00 AM CT/4:00 AM MT Assassination Half Past Dead The Professional 4:25 AM ET/1:25 AM PT 2:05 AM ET/11:05 PM PT 3:05 AM ET/12:05 AM PT The Doors: Mr.
    [Show full text]
  • Feature Films Serving As Exclusive Product Placement Supervising Executive/Agency
    FEATURE FILMS SERVING AS EXCLUSIVE PRODUCT PLACEMENT SUPERVISING EXECUTIVE/AGENCY ❑ Ad Astra---Brad Pitt, Tommy Lee Jones, Donald Sutherland---New Regency---20th Century Fox ❑ Captive State---John Goodman, Vera Farmiga---Amblin Partners, Universal Studios ❑ The Circle---Tom Hanks, Emma Watson ❑ The Neon Demon---Keanu Reeves, Elle Fanning ❑ The Wake---Bruce Willis, Sir Ben Kingsley ❑ John Wick---Keanu Reeves ❑ Black & White---Kevin Costner, Octavia Spencer ❑ Danny Collins---Al Pacino, Jennifer Garner, Annette Bening ❑ Oldboy---Josh Brolin, Samuel L. Jackson, Elizabeth Olsen--- Spike Lee Director ❑ Don Jon’s Addiction---Scarlett Johansson, Julianne Moore, Joseph Gordon Levitt ❑ Carrie---Chloe Grace Moretz, Julianne Moore---M-G-M---Sony Screen Gems ❑ Parental Guidance---Billy Crystal, Bette Midler, Marisa Tomei---Fox ❑ Mavericks---Gerard Butler---Walden Media---Fox ❑ Won’t Back Down---Walden Media---Fox ❑ Looper---Bruce Willis---Emily Blunt---Joseph Gordon---Levitt---Sony ❑ Spy Kids 4---Jessica Alba---Robert Rodriguez Director ❑ 30 Minutes or Less---Ben Stiller Producer---Jesse Eisenberg---Sony Pictures ❑ Scream 4---Wes Craven---Courtney Cox, David Arquette, Neve Campbell--- Weinstein Co ❑ The Hungry Rabbit Jumps---Nicolas Cage, January Jones, Guy Pearce ❑ The Details---Tobey Maguire, Laura Linney, Elizabeth Banks, Dennis Haysbert ❑ Law Abiding Citizen---Jamie Foxx, Gerard Butler ❑ Terminator Salvation: The Future Begins---Christian Bale---Directed By McG--- Warner Bros./Sony ❑ Seven Pounds---Will Smith, Rosario Dawson---Sony Release ❑ Soul
    [Show full text]
  • FILMART Flyer
    NEW! NEW! NEW! NEW! From the Producer of NEW! THE WALKING DEAD IN PRODUCTION IN PRODUCTION FILMART Attending: March 23th - 25th Scott Veltri | [email protected] h RESULTS - SCREENING IN MARKET! (Drama) Directed by ANDREW BULJALSKI (Computer Chess) Starring GUY PEARCE (Memento), COBIE SMULDERS (How I met your Mother), KEVIN CORRIGAN (The Depart- ed), GIOVANNI RIBISI (Saving Private Ryan), ANTHONY MICHAEL HALL (The Dead Zone), BROOKLYN DECKER (Just Go With It) Recently divorced, newly rich, and utterly miserable, Danny (Kevin Corrigan) struggles to find a balance between money and happiness. Danny’s well-funded boredom is interrupted by a momentous trip to the local gym, where he meets self-styled guru/owner Trevor (Guy Pearce) and abrasive yet irresistable trainer Kat (Cobie Smulders). Soon their three lives become intertwined, both professionally and personally. THE WRECKING CREW - SCREENING IN MARKET! (Documentary) Directed by DANNY TEDESCO Featuring interviews with Brian Wilson, Cher, Nancy Sinatra, Glen Campbell What the Funk Brothers did for Motown…The Wrecking Crew did, only bigger, for the West Coast Sound. Six years in a row in the 1960’s and early 1970’s, the Grammy for “Record of the Year” went to Wrecking Crew recordings. The Wrecking Crew tells the story of the unsung musicians that provided the back- beat, the bottom and the swinging melody that drove many of the number one hits of the 1960’s. TANGERINE (Comedy / Drama) Directed by SEAN BAKER (Starlet) Starring KITANA KIKI RODRIGUEZ, MYA TAYLOR, KARREN KARAGULIAN, MICKEY O’HAGAN, ALLA TUMANIAN, JAMES RANSONE It’s Christmas Eve in Tinseltown and Sin-Dee is back on the block.
    [Show full text]
  • CFP: Gender in the Golden 80S (Film & History Conference 6/1/14; 10/29/14)
    H-Film CFP: Gender in the Golden 80s (Film & History conference 6/1/14; 10/29/14) Discussion published by Laura M. D'Amore on Monday, April 14, 2014 The 1980s is its own “golden age” of film when considering the idea/ls of gender contained within its borders. The era indulged representations of high-testosterone masculinity (such as Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis) and vulnerable femininity (such as Molly Ringwald and Ally Sheedy). And, while films of the decade were also capable of imagining men who were strong and sensitive (like Eric Stoltz in Some Kind of Wonderful, Rob Lowe in About Last Night, and Judd Nelson in The Breakfast Club), there were far fewer roles for women that broke from stereotypically feminized characterizations (like Linda Hamilton inTerminator , Lea Thompson in Back to the Future, and Demi Moore in St. Elmo’s Fire). What can an examination of gender roles in the films of the 1980s tell us about a decade that was fraught with a crisis of identity, simultaneously proud and insecure The( Outsiders, Dirty Dancing, Less Than Zero), strong and vulnerable (War Games, Red Dawn) real and imagined (Robocop, Predator)? How might we interrogate gender in American films of the 1980s, in order to better understand the ironies and anxieties contained within them? Possible paper topics include, but are not limited to the following topics as embodied in 1980s films: Representations of masculinity and femininity in film and television Character/izations that disrupt gender norms The relationship between gender and culture, i.e. politics, economy, the Cold War, post- industrialization Gendered tensions between characters, actors, filmmakers, etc.
    [Show full text]
  • 275. – Part One
    275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • 6769 Shary & Smith.Indd
    ReFocus: The Films of John Hughes 66769_Shary769_Shary & SSmith.inddmith.indd i 110/03/210/03/21 111:501:50 AAMM ReFocus: The American Directors Series Series Editors: Robert Singer, Frances Smith, and Gary D. Rhodes Editorial Board: Kelly Basilio, Donna Campbell, Claire Perkins, Christopher Sharrett, and Yannis Tzioumakis ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of neglected American directors, from the once-famous to the ignored, in direct relationship to American culture—its myths, values, and historical precepts. The series ignores no director who created a historical space—either in or out of the studio system—beginning from the origins of American cinema and up to the present. These directors produced film titles that appear in university film history and genre courses across international boundaries, and their work is often seen on television or available to download or purchase, but each suffers from a form of “canon envy”; directors such as these, among other important figures in the general history of American cinema, are underrepresent ed in the critical dialogue, yet each has created American narratives, works of film art, that warrant attention. ReFocus brings these American film directors to a new audience of scholars and general readers of both American and Film Studies. Titles in the series include: ReFocus: The Films of Preston Sturges Edited by Jeff Jaeckle and Sarah Kozloff ReFocus: The Films of Delmer Daves Edited by Matthew Carter and Andrew Nelson ReFocus: The Films of Amy Heckerling Edited by Frances Smith and Timothy Shary ReFocus: The Films of Budd Boetticher Edited by Gary D.
    [Show full text]
  • CFP: Gender in the Golden 80S (Film & History Conference 6
    H-Amstdy CFP: Gender in the Golden 80s (Film & History conference 6/1/14; 10/29/14) Discussion published by Laura M. D'Amore on Monday, April 14, 2014 The 1980s is its own “golden age” of film when considering the idea/ls of gender contained within its borders. The era indulged representations of high-testosterone masculinity (such as Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis) and vulnerable femininity (such as Molly Ringwald and Ally Sheedy). And, while films of the decade were also capable of imagining men who were strong and sensitive (like Eric Stoltz in Some Kind of Wonderful, Rob Lowe in About Last Night, and Judd Nelson in The Breakfast Club), there were far fewer roles for women that broke from stereotypically feminized characterizations (like Linda Hamilton inTerminator , Lea Thompson in Back to the Future, and Demi Moore in St. Elmo’s Fire). What can an examination of gender roles in the films of the 1980s tell us about a decade that was fraught with a crisis of identity, simultaneously proud and insecure The( Outsiders, Dirty Dancing, Less Than Zero), strong and vulnerable (War Games, Red Dawn) real and imagined (Robocop, Predator)? How might we interrogate gender in American films of the 1980s, in order to better understand the ironies and anxieties contained within them? Possible paper topics include, but are not limited to the following topics as embodied in 1980s films: Representations of masculinity and femininity in film and television Character/izations that disrupt gender norms The relationship between gender and culture, i.e. politics, economy, the Cold War, post- industrialization Gendered tensions between characters, actors, filmmakers, etc.
    [Show full text]
  • This Is a Test
    ‘A CRUSH ON YOU’ CAST BIOS BRIGID BRANNAGH (Charley Anderson) – Brigid Brannagh is best known for her starring role in the hit Lifetime series “Army Wives,” portraying Pamela Moran, a tough, rebellious former Boston cop. One of nine children, Brannagh was born and raised in San Francisco and has been acting for over 18 years. Brannagh‟s first role was on the Fox comedy series “True Colors.” Additionally, Brannagh had recurring roles on “CSI,” “Kindred: The Embraced,” “Legacy,” “Brooklyn South” and “Angel” among others. Most recently, Brannagh was a series regular on FX‟s critically acclaimed Steven Bochco series “Over There.” Brannagh has also guest starred on many television shows including “Cold Case,” “Without a Trace,” “24,” “ER,” “Star Trek Enterprise,” “Charmed,” “Dharma and Greg,” “Roar,” “Sliders” and “NYPD Blue.” Her feature film credits include the independent film “Life without Dick,” starring Harry Connick Jr. and Sarah Jessica Parker. Brannagh resides in Los Angeles with her husband, a musician. ### SEAN PATRICK FLANERY (Ben Martin) – Born in Lake Charles, Louisiana and raised in Sugar Land, Texas, Flanery attended University of St Thomas in Houston where he took a drama class because of a girl. The girl was a short infatuation, but he found true love in college theater. Flanery has had an extensive acting career, starting with his explosive career making performance as the mesmerizing title character in the feature film "Powder," performing opposite Jeff Goldblum. Since then, Flannery has starred in a number of feature films, such as "The Grass Harp," "Simply Irresistible," "Suicide Kings," the cult hit "The Boondock Saints" and "Body Shots." Flanery has also been quite successful on the small screen.
    [Show full text]
  • WRITER's GUIDE 2004 Season 3
    WRITER’S GUIDE 2004 Season 3 Created for Television by Michael Piller & Shawn Piller Based on characters from the Stephen King novel Copyright © 2004 Lions Gate Television. All rights reserved. No portion of this document may be performed, published, sold or distributed by any means, or quoted or published in any medium, including on any web site, without prior written consent. Disposal of this script copy does not alter any of the restrictions set forth above. WRITER’S GUIDE 2004 Season 3 INTRODUCTION A few to-dos before you come in to pitch. 1. Watch the pilot. 2. Read the book by Stephen King. 3. Watch the episode “Destiny”, our first season cliffhanger. 4. Watch Frank Capra’s Meet John Doe. 5. Watch Martin Scorsese’s The Last Temptation of Christ. Some don’ts: 1. Although Johnny should help someone in most every story, we don’t want this to become “Touched by an Angel”. We must find interesting, unique and fresh ways to tell stories. No preaching please. Find the unexpected twist. 2. Don’t pitch story arcs that run multiple episodes. What we need from you are self-contained stories. 3. We do not want to hear any pitches based on previously seen material -- whether film or television. Those kinds of story ideas occur to everybody -- including The Dead Zone staff. Johnny Smith is a fresh and unusual character, never before seen on television. We want fresh and unusual story concepts that likewise have not been seen on television. If it can be said of an idea "Star Trek did that" -- or "Buffy" or "The X-Files" or "Twilight Zone" -- then that is not an idea you should pitch.
    [Show full text]
  • Bryant Park Summer 2014 Contents
    Things to Do Bryant Park Summer 2014 Contents Special Events 2 Classes 7 33 48 Activities 17 Music 24 Dance and Theater 32 For Kids 36 7 Reading Room 38 Food in the Park 54 Coming This Fall 56 Bryant Park Shop 58 Connect with Us 59 Bryant Park Map 60 All events, programs, and activities are subject to change. Visit bryantpark.org. 30 17 Mon, 16 Mon, 7 Mon, 4 Presented by Bank of America Saturday Night Fever Blazing Saddles The Karate Kid John Travolta became a pop culture JUL Mel Brooks directed and wrote (with Ralph Macchio stars as a Jersey kid who With CityMD, Talenti, and The Wall Street Journal JUN icon as Tony Manero on the dance floor Richard Pryor) this uproarious and AUG is ostracized when he transfers to a high Classic films under the stars on the big screen. Bring a blanket in white polyester, trying to get off the sometimes crude tale featuring some school in Southern California. Taught and sit on the lawn to enjoy great food, friends, plus a classic mean streets of Brooklyn. John Badham of the most outrageous characters in discipline and self-defense by Mr. Miyagi directs and the Bee Gees’ best-selling movies, led by Cleavon Little as the first (Oscar nominated Pat Morita), he goes Warner Brothers cartoon before each film. soundtrack is packed with Disco hits. black sheriff in the Old West and Gene up against his bully in the finale. (1984) (1977) 118 min. (Paramount) R Rated Wilder as the Waco Kid. #6 on AFI’s list 126 min.
    [Show full text]