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Jennifer Ricchiazzi, Csa
JENNIFER RICCHIAZZI, CSA www.jenniferricchiazzi.com Selected Film & Television Credits FUTRA DAYS (Pre-Production/Currently Casting) Producer: Ryan David, Orian Williams, David Zonshine. Director/Writer: Ryan David. SHOOTING HEROIN (Post-Production) Producer: Mark Joseph. Director/Writer: Spencer Folmar. Starring: Alan Powell, Cathy Moriarty, Sherilyn Fenn, Nicholas Turturro THE UNSPOKEN (Pre-Production) Winterland Pictures. Producers: Lionel Hicks, Rebecca Tranter. Director/Writer: Andrew Hunt FIGHTING CHANCE (Pre-Production) Producers: Scott Rosenfelt, Ron Winston. Director: Mikael Salomon FALL OF EDEN (Pre-Production) Producer: Mark G Mathis. Director: Susan Dynner. Attached: Dylan McDermott, Brianna Hildebrand. BLINDED BY ED (Pre-Production) Producer: Kristy Lash. Director/Writer: Chris Fetchko. Attached: Katrina Bowden. REAGAN (Pre-Production) Independent. Producer: Mark Joseph; Executive Producer: Dawn Krantz. Director: John G. Avildsen. Attached: Jon Voight and Dennis Quaid. HAUNTING OF THE MARY CELESTE Vertical Entertainment. Producers: Norman Dreyfuss, Brian Dreyfuss, Justin Ambrosino. Writer: David Ross; Executive Producers: Eric Brodeur, Jerome Oliver. Director: Shana Betz. Starring: Emily Swallow. SOLVE Mobile Series. Vertical Networks; Snapchat. THE STOLEN Independent/Cork Films Ltd. Producer/Writer: Emily Corcoran; Executive Producer: Julia Palau. Director/Co-Writer: Niall Johnson. Starring: Alice Eve, Jack Davenport. THE CLAPPER (Tribeca Film Festival 2017) Independent. Producer: Robin Schorr. Director: Dito Montiel. Starring: -
John Hughes' Family Films and Seriality
Article Title ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Author Details: Dr Holly Chard [email protected] Biography: Holly Chard is Lecturer in Contemporary Screen Media at the University of Brighton. Her research focuses on the U.S. media industries in the 1980s and 1990s. Her recent and forthcoming publications include: a chapter on Macaulay Culkin’s career as a child star, a monograph focusing on the work of John Hughes and a co- authored journal article on Hulk Hogan’s family films. Acknowledgements: The author would like to thank Frank Krutnik and Kathleen Loock for their invaluable feedback on this article and Daniel Chard for assistance with proofreading. 1 ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Keywords: seriality, Hollywood, comedy, family film Abstract: This article explores serial production strategies and textual seriality in Hollywood cinema during the late 1980s and early 1990s. Focusing on John Hughes’ ‘high concept’ family comedies, it examines how Hughes exploited the commercial opportunities offered by serial approaches to both production and film narrative. First, I consider why Hughes’ production set-up enabled him to standardize his movies and respond quickly to audience demand. My analysis then explores how the Home Alone films (1990-1997), Dennis the Menace (1993) and Baby’s Day Out (1994) balanced demands for textual repetition and novelty. Article: Described by the New York Times as ‘the most prolific independent filmmaker in Hollywood history’, John Hughes created and oversaw a vast number of movies in the 1980s and 1990s.1 In a period of roughly fourteen years, from the release of National Lampoon’s Vacation (Ramis, 1983) to the release of Home Alone 3 (Gosnell, 1997), Hughes received screenwriting credits on twenty-seven screenplays, of which he produced eighteen, directed eight and executive produced two. -
January 2020
January 2020 6:10 PM ET/3:10 PM PT 3:30 PM ET/12:30 PM PT 3:05 PM ET/12:05 PM PT 5:10 PM CT/4:10 PM MT 2:30 PM CT/1:30 PM MT 2:05 PM CT/1:05 PM MT The Trailer Show Three Wishes Leaves of Grass 6:50 PM ET/3:50 PM PT 5:30 PM ET/2:30 PM PT 4:55 PM ET/1:55 PM PT 5:50 PM CT/4:50 PM MT 4:30 PM CT/3:30 PM MT 3:55 PM CT/2:55 PM MT The Karate Kid Feast of Love The Burning Bed 9:00 PM ET/6:00 PM PT 7:20 PM ET/4:20 PM PT 6:45 PM ET/3:45 PM PT 8:00 PM CT/7:00 PM MT 6:20 PM CT/5:20 PM MT 5:45 PM CT/4:45 PM MT The Karate Kid: Part II Half Past Dead Rain Man WEDNESDAY, JANUARY 1 10:55 PM ET/7:55 PM PT 9:00 PM ET/6:00 PM PT 9:00 PM ET/6:00 PM PT 12:30 AM ET/9:30 PM PT 9:55 PM CT/8:55 PM MT 8:00 PM CT/7:00 PM MT 8:00 PM CT/7:00 PM MT 11:30 PM CT/10:30 PM MT Airplane II: The Sequel The Karate Kid III Convoy The Professional 10:55 PM ET/7:55 PM PT 10:55 PM ET/7:55 PM PT 2:00 AM ET/11:00 PM PT 9:55 PM CT/8:55 PM MT 9:55 PM CT/8:55 PM MT 1:00 AM CT/12:00 AM MT THURSDAY, JANUARY 2 12:50 AM ET/9:50 PM PT Assassination Primal Fear The Tuxedo 11:50 PM CT/10:50 PM MT 3:40 AM ET/12:40 AM PT 2:40 AM CT/1:40 AM MT Colors FRIDAY, JANUARY 3 SATURDAY, JANUARY 4 2:55 AM ET/11:55 PM PT 12:25 AM ET/9:25 PM PT 1:10 AM ET/10:10 PM PT Showgirls 1:55 AM CT/12:55 AM MT 11:25 PM CT/10:25 PM MT 12:10 AM CT/11:10 PM MT 6:00 AM ET/3:00 AM PT 5:00 AM CT/4:00 AM MT Assassination Half Past Dead The Professional 4:25 AM ET/1:25 AM PT 2:05 AM ET/11:05 PM PT 3:05 AM ET/12:05 AM PT The Doors: Mr. -
The Breakfast Club Movie Script in PDF Format
Scripts.com The Breakfast Club By John Hughes Page 1/75 BLANK SCREEN: Against Black, TITLE CARD: "...and these children that you spit on, as they try to change their worlds are immune to your consultations. They're quite aware of what they're going through... - David Bowie" The Blank Screen and Title Card SHATTER to reveal... 1. EXT. SHERMER HIGH SCHOOL - DAY During Brian's monologue, we see various views of things inside the school including Bender's locker. BRIAN (VO) Saturday...March 24, 1984. Shermer High School, Shermer, Illinois. 60062. Dear Mr. Vernon...we accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was that we did wrong, what we did was wrong. But we think you're crazy to make us write this essay telling you who we think we are, what do you care? You see us as you want to see us...in the simplest terms and the most convenient definitions. You see us as a brain, an athelete, a basket case, a princess and a criminal. Correct? That's the way we saw each other at seven o'clock this morning. We were brainwashed... CUT TO: 2. INT. CLAIRE'S CAR - DAY We see CLAIRE and her FATHER sitting in their car in the parking lot. Claire is the prom queen and is clearly a snob. CLAIRE I can't believe you can't get me out of this...I mean it's so absurd I have to be here on a Saturday! It's not like I'm a defective or anything.. -
Feature Films Serving As Exclusive Product Placement Supervising Executive/Agency
FEATURE FILMS SERVING AS EXCLUSIVE PRODUCT PLACEMENT SUPERVISING EXECUTIVE/AGENCY ❑ Ad Astra---Brad Pitt, Tommy Lee Jones, Donald Sutherland---New Regency---20th Century Fox ❑ Captive State---John Goodman, Vera Farmiga---Amblin Partners, Universal Studios ❑ The Circle---Tom Hanks, Emma Watson ❑ The Neon Demon---Keanu Reeves, Elle Fanning ❑ The Wake---Bruce Willis, Sir Ben Kingsley ❑ John Wick---Keanu Reeves ❑ Black & White---Kevin Costner, Octavia Spencer ❑ Danny Collins---Al Pacino, Jennifer Garner, Annette Bening ❑ Oldboy---Josh Brolin, Samuel L. Jackson, Elizabeth Olsen--- Spike Lee Director ❑ Don Jon’s Addiction---Scarlett Johansson, Julianne Moore, Joseph Gordon Levitt ❑ Carrie---Chloe Grace Moretz, Julianne Moore---M-G-M---Sony Screen Gems ❑ Parental Guidance---Billy Crystal, Bette Midler, Marisa Tomei---Fox ❑ Mavericks---Gerard Butler---Walden Media---Fox ❑ Won’t Back Down---Walden Media---Fox ❑ Looper---Bruce Willis---Emily Blunt---Joseph Gordon---Levitt---Sony ❑ Spy Kids 4---Jessica Alba---Robert Rodriguez Director ❑ 30 Minutes or Less---Ben Stiller Producer---Jesse Eisenberg---Sony Pictures ❑ Scream 4---Wes Craven---Courtney Cox, David Arquette, Neve Campbell--- Weinstein Co ❑ The Hungry Rabbit Jumps---Nicolas Cage, January Jones, Guy Pearce ❑ The Details---Tobey Maguire, Laura Linney, Elizabeth Banks, Dennis Haysbert ❑ Law Abiding Citizen---Jamie Foxx, Gerard Butler ❑ Terminator Salvation: The Future Begins---Christian Bale---Directed By McG--- Warner Bros./Sony ❑ Seven Pounds---Will Smith, Rosario Dawson---Sony Release ❑ Soul -
FILMART Flyer
NEW! NEW! NEW! NEW! From the Producer of NEW! THE WALKING DEAD IN PRODUCTION IN PRODUCTION FILMART Attending: March 23th - 25th Scott Veltri | [email protected] h RESULTS - SCREENING IN MARKET! (Drama) Directed by ANDREW BULJALSKI (Computer Chess) Starring GUY PEARCE (Memento), COBIE SMULDERS (How I met your Mother), KEVIN CORRIGAN (The Depart- ed), GIOVANNI RIBISI (Saving Private Ryan), ANTHONY MICHAEL HALL (The Dead Zone), BROOKLYN DECKER (Just Go With It) Recently divorced, newly rich, and utterly miserable, Danny (Kevin Corrigan) struggles to find a balance between money and happiness. Danny’s well-funded boredom is interrupted by a momentous trip to the local gym, where he meets self-styled guru/owner Trevor (Guy Pearce) and abrasive yet irresistable trainer Kat (Cobie Smulders). Soon their three lives become intertwined, both professionally and personally. THE WRECKING CREW - SCREENING IN MARKET! (Documentary) Directed by DANNY TEDESCO Featuring interviews with Brian Wilson, Cher, Nancy Sinatra, Glen Campbell What the Funk Brothers did for Motown…The Wrecking Crew did, only bigger, for the West Coast Sound. Six years in a row in the 1960’s and early 1970’s, the Grammy for “Record of the Year” went to Wrecking Crew recordings. The Wrecking Crew tells the story of the unsung musicians that provided the back- beat, the bottom and the swinging melody that drove many of the number one hits of the 1960’s. TANGERINE (Comedy / Drama) Directed by SEAN BAKER (Starlet) Starring KITANA KIKI RODRIGUEZ, MYA TAYLOR, KARREN KARAGULIAN, MICKEY O’HAGAN, ALLA TUMANIAN, JAMES RANSONE It’s Christmas Eve in Tinseltown and Sin-Dee is back on the block. -
CFP: Gender in the Golden 80S (Film & History Conference 6/1/14; 10/29/14)
H-Film CFP: Gender in the Golden 80s (Film & History conference 6/1/14; 10/29/14) Discussion published by Laura M. D'Amore on Monday, April 14, 2014 The 1980s is its own “golden age” of film when considering the idea/ls of gender contained within its borders. The era indulged representations of high-testosterone masculinity (such as Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis) and vulnerable femininity (such as Molly Ringwald and Ally Sheedy). And, while films of the decade were also capable of imagining men who were strong and sensitive (like Eric Stoltz in Some Kind of Wonderful, Rob Lowe in About Last Night, and Judd Nelson in The Breakfast Club), there were far fewer roles for women that broke from stereotypically feminized characterizations (like Linda Hamilton inTerminator , Lea Thompson in Back to the Future, and Demi Moore in St. Elmo’s Fire). What can an examination of gender roles in the films of the 1980s tell us about a decade that was fraught with a crisis of identity, simultaneously proud and insecure The( Outsiders, Dirty Dancing, Less Than Zero), strong and vulnerable (War Games, Red Dawn) real and imagined (Robocop, Predator)? How might we interrogate gender in American films of the 1980s, in order to better understand the ironies and anxieties contained within them? Possible paper topics include, but are not limited to the following topics as embodied in 1980s films: Representations of masculinity and femininity in film and television Character/izations that disrupt gender norms The relationship between gender and culture, i.e. politics, economy, the Cold War, post- industrialization Gendered tensions between characters, actors, filmmakers, etc. -
Film Resources Uplifting, Positive Reinforcing Films Remember the Titans
Film Resources Uplifting, positive reinforcing films Remember the Titans (2000) The true story of a newly appointed African-American coach and his high school team on their first season as a racially integrated unit. – IMDB Directed By: Boaz Yakin Starring: Denzel Washington, Will Patton IMDB Link: http://www.IMDb.com/title/tt0210945/?ref_=fn_al_tt_1 http://www.youtube.com/watch?v=nPhu9XsRl4M Soul Surfer (2011) Teenage surfer Bethany Hamilton overcomes the odds and her own fears of returning to the water after losing her left arm in a shark attack. – IMDB Directed By: Sean McNamara Starring: AnnaSophia Robb, Dennis Quaid IMDB Link: http://www.IMDb.com/title/tt1596346/ http://www.youtube.com/watch?v=MWeOjBCi3c4 The Help (2011) An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis. – IMDB Directed By: Tate Taylor Starring: Emma Stone, Viola Davis IMDB Link: http://www.IMDb.com/title/tt1454029/?ref_=nv_sr_1 http://www.youtube.com/watch?v=WbuKgzgeUIU Dove Evolution (2006) (YouTube) A video about the impacts on how media today can affect the way people think of body image and looks. Director: Unknown Starring: Unknown (TV Commercial) http://www.youtube.com/watch?v=iYhCn0jf46U Cyberbully (2011) Teen girl Taylor Hillridge gets a laptop for her birthday and signs up on a social networking site. – IMDB Directed By: Charles Binamé Starring: Emily Osment, Kay Panabaker IMDB Link: http://www.IMDb.com/title/tt1930315/?ref_=nv_sr_1 http://www.youtube.com/watch?v=fk_YSO0py7s Forrest Gump (1994) Forrest Gump, while not intelligent, has accidentally been present at many historic moments, but his true love, Jenny Curran, eludes him. -
275. – Part One
275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing. -
6769 Shary & Smith.Indd
ReFocus: The Films of John Hughes 66769_Shary769_Shary & SSmith.inddmith.indd i 110/03/210/03/21 111:501:50 AAMM ReFocus: The American Directors Series Series Editors: Robert Singer, Frances Smith, and Gary D. Rhodes Editorial Board: Kelly Basilio, Donna Campbell, Claire Perkins, Christopher Sharrett, and Yannis Tzioumakis ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of neglected American directors, from the once-famous to the ignored, in direct relationship to American culture—its myths, values, and historical precepts. The series ignores no director who created a historical space—either in or out of the studio system—beginning from the origins of American cinema and up to the present. These directors produced film titles that appear in university film history and genre courses across international boundaries, and their work is often seen on television or available to download or purchase, but each suffers from a form of “canon envy”; directors such as these, among other important figures in the general history of American cinema, are underrepresent ed in the critical dialogue, yet each has created American narratives, works of film art, that warrant attention. ReFocus brings these American film directors to a new audience of scholars and general readers of both American and Film Studies. Titles in the series include: ReFocus: The Films of Preston Sturges Edited by Jeff Jaeckle and Sarah Kozloff ReFocus: The Films of Delmer Daves Edited by Matthew Carter and Andrew Nelson ReFocus: The Films of Amy Heckerling Edited by Frances Smith and Timothy Shary ReFocus: The Films of Budd Boetticher Edited by Gary D. -
CFP: Gender in the Golden 80S (Film & History Conference 6
H-Amstdy CFP: Gender in the Golden 80s (Film & History conference 6/1/14; 10/29/14) Discussion published by Laura M. D'Amore on Monday, April 14, 2014 The 1980s is its own “golden age” of film when considering the idea/ls of gender contained within its borders. The era indulged representations of high-testosterone masculinity (such as Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis) and vulnerable femininity (such as Molly Ringwald and Ally Sheedy). And, while films of the decade were also capable of imagining men who were strong and sensitive (like Eric Stoltz in Some Kind of Wonderful, Rob Lowe in About Last Night, and Judd Nelson in The Breakfast Club), there were far fewer roles for women that broke from stereotypically feminized characterizations (like Linda Hamilton inTerminator , Lea Thompson in Back to the Future, and Demi Moore in St. Elmo’s Fire). What can an examination of gender roles in the films of the 1980s tell us about a decade that was fraught with a crisis of identity, simultaneously proud and insecure The( Outsiders, Dirty Dancing, Less Than Zero), strong and vulnerable (War Games, Red Dawn) real and imagined (Robocop, Predator)? How might we interrogate gender in American films of the 1980s, in order to better understand the ironies and anxieties contained within them? Possible paper topics include, but are not limited to the following topics as embodied in 1980s films: Representations of masculinity and femininity in film and television Character/izations that disrupt gender norms The relationship between gender and culture, i.e. politics, economy, the Cold War, post- industrialization Gendered tensions between characters, actors, filmmakers, etc. -
'STRAIGHT from the HEART' Cast Bios TERI POLO
‘STRAIGHT FROM THE HEART’ Cast Bios TERI POLO (Jordan Donovan) – Rising star Teri Polo starred in one of the top-rated theatrical films of 2000 “Meet the Parents,” playing the role of Pamela Byrnes opposite Ben Stiller. Due to the success of the original, Ms. Polo will be back in the sequel “Meet the Fockers,” playing Pamela Byrnes Focker. Other notable films Ms. Polo has recently starred in include “Domestic Disturbance” with John Travolta and “Second String” with Jon Voight. Ms. Polo has had multiple notable guest television appearances throughout the 1990s in hit comedies and dramas, including “Sports Night,” “Frasier,” “Felicity,” “Brimstone,” “Northern Exposure” and “Tales from the Crypt,” to name a few. Theatrical films include “Golden Gate,” “The House of Spirits,” “The Arrival,” “House of Frankenstein 1997,” “Quick,” “Aspen Extreme” and “The Phantom of the Opera.” TV films include Danielle Steele’s “Full Circle,” “The Van Helsing Chronicles,” “A Father for Brittany,” “Texarkana” and “The Marriage Fool.” But it is the sweeping popularity of the comedy “Meet the Parents” that launched Ms. Polo’s career into another strata. Upcoming projects for Ms. Polo in 2003 include “Unsaid” alongside Andy Garcia and “Dissolution” with Aidan Quinn. # # # HALLMARK CHANNEL/ “Straight From The Heart” Cast Bios – Page 2 ANDREW MCCARTHY (Tyler Ross) – A perpetually youthful actor who made his debut in “Class” (1983) and became associated (briefly) with the so-called “Brat Pack” of that decade, Mr. McCarthy’s vehicle to stardom came with the theatrical motion picture “St. Elmo’s Fire,” followed by “Heaven Help Us” (both 1985). Co-starring with Molly Ringwald as the unattainable heartthrob in “Pretty in Pink,” Andrew McCarthy’s popularity went to cult-like status.