DOCSLIB.ORG

Rsa Proud Sponsors of “Fires Ancient” St Paul's Cathedral Projected Artwork

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rsa Proud Sponsors of “Fires Ancient” St Paul's Cathedral Projected Artwork 1101 For immediate release 30 August 2016 RSA PROUD SPONSORS OF “FIRES ANCIENT” ST PAUL’S CATHEDRAL PROJECTED ARTWORK THE City of London will once again be engulfed in flames some 350 years after the Great Fire of London, when the dome of St Paul’s Cathedral lights up with a fiery projection to mark the historic anniversary. RSA, the first UK insurer to be created after the Great Fire of London, is sponsoring “Fires Ancient”, a dramatic exhibition of contemporary art which will project a fiery blaze across the landmark building. Artist, Martin Firrell, has created the fiery extravaganza, running from the 1st September – 4th September, to depict the impact of the Great Fire of London on the Cathedral itself and the birth of the building, designed by Christopher Wren that emerged. The projection will be visible from across the river with a unique close-up view from the public Roof Terrace at One New Change. Part of Great Fire 350 project produced by Artichoke, the “London’s Burning” festival is a contemporary arts festival marking the anniversary of one of the capital’s greatest disasters. A series of spectacular art events, all free to the public, will take place in key sites across the City, Southbank and Bankside from 30th August - 4th September 2016, marking this momentous event in London’s history. Rachel Cotton, Real Estate Director, RSA, said: “We are proud to sponsor the “Fires Ancient” projected artwork onto St Paul’s Cathedral. This festival is particularly important as it reflects our 310 year history and our ties with the City of London. Rising from the ashes, the original Sun Insurance company was created in 1706 to help the people of London get back on their feet. Hundreds of years later and following quite of bit of change, we might now be known as RSA, but we’re still making things better for our customers.” Sarah Coop, Development Director, Artichoke, said "RSA was one of the first sponsors to come on board, marking the link with the past and their role in the present. We really value their support for Fires Ancient, Martin Firrell's projection onto the dome of St Paul's Cathedral, which remembers how the city rose phoenix- like from the ashes". For more information visit: www.rsagroup.com. -ENDS- 1 Enquiries: Deepa Bose 020 7337 5710 [email protected] About RSA: With a 300 year heritage, RSA is a multinational quoted insurance group. Focusing on general insurance, RSA’s core markets are the UK & Ireland, Scandinavia and Canada, with the capability to write insurance business across the globe. RSA’s core businesses have around 13,500 employees with net written premiums of £5.7bn in 2015. About Artichoke Producers of extraordinary live events, Artichoke is one of the country’s leading creative companies and is a registered charity, funded by Arts Council England. At Artichoke we use art to undermine the mundane and disrupt the everyday, and create a new kind of world that we’d all like to live in. Our previous projects include Royal de Luxe’s The Sultan’s Elephant, which brought an estimated one million people onto the streets of London in 2006; La Machine’s 50 foot high mechanical spider for Liverpool’s Capital of Culture celebrations in 2008; Antony Gormley’s One & Other 100day long invasion of the Fourth Plinth in Trafalgar Square in London in 2009; and Deborah Warner’s commission for the London 2012 Festival, Peace Camp, a nationwide celebration of landscape and poetry, which took place across eight separate sites around the UK; and Temple by David Best in Derry~Londonderry, attended by more than 60,000 people. Artichoke creates and produces Lumiere, the UK’s largest light festival, which has been staged in the medieval English city of Durham every two years since 2009; and in Derry~Londonderry in Northern Ireland as part of the celebrations for City of Culture 2013. In January 2016, the company staged the first Lumiere London, supported by the Mayor of London, attracting estimated audiences of over 1 million over four nights. www.artichoke.uk.com 2 .
Load more

Recommended publications
  • Artichoke Was Founded in 2006 with Its Now Legendary Presentation Of
    JOB INFORMATION | Trustee Leadership Programme: Young Trustee Contract Type: Part time, voluntary London 1666 David Best in collaboration with Artichoke 4 September 2016 1. Artichoke’s Background Artichoke was founded in 2006 with its now legendary presentation of Royal de Luxe's The Sultan's Elephant, which brought London to a standstill as audiences were transfixed by the surprise arrival of a giant puppet and a time- travelling elephant. The production brought joy to hundreds of thousands of people as they explored the capital, turned into a playground, magically liberated from its day-to-day traffic clogged restrictions. The production challenged the political arts establishment to rethink its largely venue-based approach to large cultural events and demonstrated the potential for the temporary transformation of the public realm through the creation of a moment of extraordinary art. Over the last 13 years Artichoke has produced a total of 21 ground-breaking productions ranging from One & Other, Antony Gormley's 2400-hour living 1 Artichoke Trust Registered in England Company registration 5429030 Registered Charity No. 1112716 portrait on the Fourth Plinth in Trafalgar Square; Peace Camp, a lyrical set of installations created by Deborah Warner and Fiona Shaw for the London 2012 Festival, to the Lumiere Festivals produced in Durham, Derry-Londonderry and London. Lumiere has become a core feature of the cultural landscape and has sent the benchmark for outdoor city-wide winter arts events. “What was it that made Londoners leave their homes and tourists their hotels during the city’s coldest four nights in years and, as many spontaneously did, lie face up on the freezing tarmac of Oxford Circus? Light is one answer.
    [Show full text]
  • Spectacles of Light, Fire, and Fog: Artichoke and the Art of the Ephemeral
    Spectacles of Light, Fire, and Fog: Artichoke and the Art of the Ephemeral Francisco LaRubia-Prado Georgetown University, Washington, DC, USA What does Christ’s crucifixion have in common with George Floyd’s video-recorded murder, Donald Trump’s reality TV-like Presidency, popular festivals like Mardi Gras, and the advertising and news media images that flood our daily existence? The answer is that all of the above have been considered “spectacles” by critics in various fields; and, in fact, they share key features when regarded as a “spectacle.” Furthermore, all have had — or can have — a significant impact at the individual, local, national, and/or global levels. 1 Historically, spectacle emerges as an as the sectarian conflict in Northern Ireland, inevitable phenomenon in any society, and is unemployment, violence, and gender crucial to promote a sense of identity and inequality— through stunning spectacles that community. It also provides education and place art at their core. Later in this essay, I will entertainment, and is used to enforce the law and examine some of these events. maintain the social order. Leading up to the present day, spectacle becomes even more The field of “Festival studies” has central to culture due to the increasing frequently analyzed how spectacle has the power importance of the mass media. Yet, spectacle to engage citizens in their communities while rejects any a priori ethical alignment; namely, it countering social isolation.3 In the belief that it can possess a bright or a dark character. Because would
    [Show full text]
  • Beyond Cosmopolitanism: the Nation, Citizenship and Convivial Culture
    JNU/WARWICK Inaugural Conference Nadine Holdsworth, University of Warwick Title: Beyond Cosmopolitanism: The Nation, Citizenship and Convivial Culture As we proceed through the twenty-first century, it would seem that conceptions of cosmopolitanism have become a primary part of cultural and political discourse. A fact epitomised by Barack Obama’s inaugural speech in 2009 when he declared, We are a nation of Christians and Muslims, Jews and Hindus - and non-believers. We are shaped by every language and culture, drawn from every end of this Earth; and because we have tasted the bitter swill of civil war and segregation, and emerged from that dark chapter stronger and more united, we cannot help but believe that the old hatreds shall someday pass; that the lines of tribe shall soon dissolve; that as the world grows smaller, our common humanity shall reveal itself. As this quote demonstrates, at the heart of cosmopolitanism’s popularity is the sense that it acknowledges cultural, religious, national difference whilst recognising that simultaneously there is a layer of shared moral imperatives that unite people throughout the world. So, cosmopolitanism invites us to think of citizens of the world, of global citizens and ‘common humanity’ alongside identities more locally specific to geographical placement or individual subjectivities. Cosmopolitanism under threat However, there are some theorists who argue that cosmopolitanism has become a contested term hijacked by what the British sociologist and political theorist, Paul Gilroy calls a ‘brand of ethical imperialism’ in After Empire: Melancholia or Convivial Culture? (2004, p.69). He argues that attempts to form a coalition of willing national states to fight for the universal human rights associated with the spread of liberal democracy and capitalism smacks of neo-imperialism.
    [Show full text]
  • Fourth Plinth: Contemporary Monument Contemporary 5 Dec 2012— 20 Jan 2013 Fourth Plinth: Contemporary Monument Contemporary
    5 Dec 2012— 20 Jan 2013 Fourth Plinth: Contemporary Monument 5 Dec 2012— 20 Jan 2013 Fourth Plinth: Contemporary Monument Foreword The Mayor of London's Fourth Plinth has always been a space for experimentation in contemporary art. It is therefore extremely fitting for this exciting exhibition to be opening at the Institute of Contemporary Arts, London – an institution with a like-minded vision that continues to champion radical and pioneering art. This innovative and thought-provoking programme has generated worldwide appeal. It has provided both the impetus and a platform for some of London’s most iconic artworks and has brought out the art critic in everyone – even our taxi drivers. Bringing together all twenty-one proposals for the first time, and exhibiting them in close proximity to Trafalgar Square, this exhibition presents an opportunity to see behind the scenes, not only of the Fourth Plinth but, more broadly, of the processes behind commissioning contemporary art. It has been a truly fascinating experience to view all the maquettes side-by-side in one space, to reflect on thirteen years’ worth of work and ideas, and to think of all the changes that have occurred over this period: changes in artistic practice, the city’s government, the growing heat of public debate surrounding national identity and how we are represented through the objects chosen to adorn our public spaces. The triumph of the Fourth Plinth is that it ignites discussion among those who would not usually find themselves considering the finer points of contemporary art. We very much hope this exhibition will continue to stimulate debate and we encourage you to tell us what you think at: www.london.gov.uk/fourthplinth Justine Simons Head of Culture for the Mayor of London Gregor Muir Executive Director, ICA 2 3 5 Dec 2012— 20 Jan 2013 Fourth Plinth: Contemporary Monument One Thing Leads To Another… Michaela Crimmin Trafalgar Square holds interesting tensions.
    [Show full text]
  • Aesthetics and Politics of Street Arts Interventions
    Notes Preface: Into the Street 1. Sue Harris (2004) in her article, ‘“Dancing in the Streets”: The Aurillac Festival of Street Theatre’ demonstrates the same thrill although in somewhat more measured tones of academic discourse. These ‘astonished reactions’ are dis- cussed in more detail in the Introduction as forms of ‘shock’. 2. ‘Street arts’ and ‘street theatre’ are contested terms. Many artists who work with some form of live performance in public spaces do not come from theatre backgrounds, but rather from music, film, dance, painting, sculpture, architec- ture, or installation art and reject the labels of ‘street theatre’ and ‘street arts’ for their creative work. Charlotte Granger lists several terms: ‘arts de la rue, théâtre de rue, théâtre itinérant, arts forains, théâtre in situ, arts urbains, animation, divertissement cultures urbains, arts dans l’espace public, arts publics, spectacles en plain air’ and claims that the range of terms signifies a range of forms and thus thwarts any common definition (Freydefont and Granger, 2008: 27). For many years in France, there was discussion over whether to call the work théâtre de rue, théâtre de la rue, or even théâtre dans la rue: a distinction hard to translate with the same connotations, but one that prioritizes essential characteristics over location. In this book, I will rely on the terms street arts, street theatre, and performance in public spaces, using them interchangeably. 3. HorsLesMurs was created in 1993 by the Minister of Culture as a resource to document and disseminate information, both scholarly and practical, about street theatre and circus. 4. I have limited my study to performance interventions that have occurred some- where in Europe even though a few of the artists are based elsewhere.
    [Show full text]
  • ARTICHOKE ADMINISTRATION ASSISTANT Salary: £18,564 Per Annum Contract Type: 12 Months, Fixed Term
    JOB INFORMATION | ARTICHOKE ADMINISTRATION ASSISTANT Salary: £18,564 per annum Contract Type: 12 months, Fixed term London 1666 David Best in collaboration with Artichoke 4 September 2016 1. Artichoke Background Artichoke was founded ten years ago with its now legendary presentation of Royal de Luxe's The Sultan's Elephant, which brought London to a standstill as audiences were transfixed by the surprise arrival of a giant puppet and a time-travelling elephant. The production brought joy to hundreds of thousands of people as they explored the capital, turned into a playground, magically liberated from its day-to-day traffic clogged restrictions. The production challenged the political arts establishment to rethink its largely venue-based approach to large cultural events and demonstrated the potential for the temporary transformation of the public realm through the creation of a moment of extraordinary art. Over the last 10 years Artichoke has produced a total of 14 ground-breaking productions ranging from One & Other, Antony Gormley's 2400-hour living portrait on the Fourth Plinth in Trafalgar Square; Peace Camp, a lyrical set of installations created by Deborah Warner and Fiona Shaw for the London 2012 Festival, to the Lumiere Festivals produced in Durham, Artichoke Trust Registered in England Company registration 5429030 Registered Charity No. 1112716 ARTICHOKE ADMINISTRATION ASSISTANT - JOB DESCRIPTION Derry-Londonderry and London. Lumiere has become a core feature of the cultural landscape and has sent the benchmark for outdoor city-wide winter arts events. “What was it that made Londoners leave their homes and tourists their hotels during the city’s coldest four nights in years and, as many spontaneously did, lie face up on the freezing tarmac of Oxford Circus? Light is one answer.
    [Show full text]
  • COMMUNICATIONS ASSISTANT Salary
    JOB INFORMATION | COMMUNICATIONS ASSISTANT Salary: £19,565 - £22,000 gross per annum (dependent on experience) Contract Type: 18 months fixed term with opportunity to extend the contract Photo: PROCESSIONS 2018 London, an Artichoke Project Commissioned by 14-18 NOW. Photo by Amelia Allen 1 Artichoke Trust Registered in England Company registration 5429030 Registered Charity No. 1112716 ARTICHOKE COMMUNICATIONS ASSISTANT- JOB DESCRIPTION 1. Artichoke Background Artichoke was founded in 2005 with its now legendary presentation of Royal de Luxe's The Sultan's Elephant, which brought London to a standstill as audiences were transfixed by the surprise arrival of a giant puppet and a time-travelling elephant. The production brought joy to hundreds of thousands of people as they explored the capital, turned into a playground, magically liberated from its day-to-day traffic clogged restrictions. The production challenged the political arts establishment to rethink its largely venue-based approach to large cultural events and demonstrated the potential for the temporary transformation of the public realm through the creation of a moment of extraordinary art. Over the last 15 years Artichoke has produced a total of 23 ground-breaking productions ranging from PROCESSIONS, a living portrait of women in the 21st Century celebrated across the UK; One & Other, Antony Gormley's 2400-hour living portrait on the Fourth Plinth in Trafalgar Square; Peace Camp, a lyrical set of installations created by Deborah Warner and Fiona Shaw for the London 2012 Festival, to the Lumiere Festivals produced in Durham, Derry-Londonderry and London. Lumiere has become a core feature of the cultural landscape and has sent the benchmark for outdoor city-wide winter arts events.
    [Show full text]
  • JOB INFORMATION | ARTICHOKE PRODUCTION COORDINATOR Salary: £24,000-£26,000 Per Annum Contract Type: Permanent
    JOB INFORMATION | ARTICHOKE PRODUCTION COORDINATOR Salary: £24,000-£26,000 per annum Contract Type: Permanent London 1666 David Best in collaboration with Artichoke 4 September 2016 1. Artichoke Background Artichoke was founded in 2006 with its now legendary presentation of Royal de Luxe's The Sultan's Elephant, which brought London to a standstill as audiences were transfixed by the surprise arrival of a giant puppet and a time-travelling elephant. The production brought joy to hundreds of thousands of people as they explored the capital, turned into a playground, magically liberated from its day-to-day traffic clogged restrictions. The production challenged the political arts establishment to rethink its largely venue-based approach to large cultural events and demonstrated the potential for the temporary transformation of the public realm through the creation of a moment of extraordinary art. Over the last 12 years Artichoke has produced a total of 16 ground-breaking productions ranging from One & Other, Antony Gormley's 2400-hour living portrait on the Fourth Plinth in Trafalgar Square; Peace Camp, a lyrical set of installations created by Deborah Warner and Fiona Shaw for the London 2012 Festival, to the Lumiere Festivals produced in Durham, Artichoke Trust Registered in England Company registration 5429030 Registered Charity No. 1112716 ARTICHOKE PRODUCTION COORDINATOR - JOB DESCRIPTION Derry-Londonderry and London. Lumiere has become a core feature of the cultural landscape and has sent the benchmark for outdoor city-wide winter arts events. “What was it that made Londoners leave their homes and tourists their hotels during the city’s coldest four nights in years and, as many spontaneously did, lie face up on the freezing tarmac of Oxford Circus? Light is one answer.
    [Show full text]
  • Great Fire of London Commemoration Event
    Great Fire of London Commemoration Event Proposal for Feasibility Study Photo: Hilden and Diaz, City on Fire Proposal July 2014 Artichoke Trust Ltd Toynbee Studios 28 Commercial Street London E1 6AB Company Registration 5429030 Charity No 1112716 VAT 884 2682 85 ARTICHOKE July 2014 Great Fire of London, City of London - Proposal 2 Contents Pages 1. Brief 4 2. Approach & Experience 4 3. Methodology 6 Appendices A: Biographies 10 B: Relevant Work 12 C: Artichoke Event Statistics 20 D: Client List 21 E: References 22 F: Statutory Information 23 G: Tasks, Timetable and Fees 24 ARTICHOKE August 14 Great Fire of London, City of London - Proposal 3 1. Brief The City of London wishes to commemorate the 350th anniversary of The Great Fire of London, with a spectacular public event. Its aim in commissioning a high profile contemporary cultural event is to commemorate the Great Fire and its lasting impact on the architecture and infrastructure of the City of London, whilst simultaneously encouraging residents and visitors to explore and view the City in a new light. Artichoke has been invited to present its ideas for the creation of a large-scale public event, exclusive to the City that will take place over a weekend in September 2016. The event will: • Animate the public spaces of the City of London with a dazzling programme of artworks from leading national and international artists responding to the events of 1666 that shaped the City as we know it. • Bring together businesses, and the immediate and strategically important neighbouring communities in Hackney, Islington and Tower Hamlets to the east of the City in preparation for the event.
    [Show full text]
  • 1 JOB INFORMATION | Trustee Leadership
    JOB INFORMATION | Trustee Leadership Programme: Young Trustee Contract Type: Part time, voluntary London 1666 David Best in collaboration with Artichoke 4 September 2016 1. Artichoke’s Background Artichoke was founded ten years ago with its now legendary presentation of Royal de Luxe's The Sultan's Elephant, which brought London to a standstill as audiences were transfixed by the surprise arrival of a giant puppet and a time- travelling elephant. The production brought joy to hundreds of thousands of people as they explored the capital, turned into a playground, magically liberated from its day-to-day traffic clogged restrictions. The production challenged the political arts establishment to rethink its largely venue-based approach to large cultural events and demonstrated the potential for the temporary transformation of the public realm through the creation of a moment of extraordinary art. Over the last 10 years Artichoke has produced a total of 14 ground-breaking productions ranging from One & Other, Antony Gormley's 2400-hour living portrait on the Fourth Plinth in Trafalgar Square; Peace Camp, a lyrical set of installations created by Deborah Warner and Fiona Shaw for the London 2012 Festival, to the 1 Artichoke Trust Registered in England ARTICHOKE SENIOR DEVELOPMENT Company registration 5429030 Registered Charity No. 1112716 ARTICHOKE YOUNG TRUSTEE - JOB DESCRIPTION Lumiere Festivals produced in Durham, Derry-Londonderry and London. Lumiere has become a core feature of the cultural landscape and has sent the benchmark for outdoor city-wide winter arts events. “What was it that made Londoners leave their homes and tourists their hotels during the city’s coldest four nights in years and, as many spontaneously did, lie face up on the freezing tarmac of Oxford Circus? Light is one answer.
    [Show full text]
  • JOB INFORMATION | ARTICHOKE ADMINISTRATION ASSISTANT Salary: £18,564 Per Annum Contract Type: 12 Months, Fixed Term
    JOB INFORMATION | ARTICHOKE ADMINISTRATION ASSISTANT Salary: £18,564 per annum Contract Type: 12 months, Fixed term London 1666 David Best in collaboration with Artichoke 4 September 2016 1. Artichoke Background Artichoke was founded ten years ago with its now legendary presentation of Royal de Luxe's The Sultan's Elephant, which brought London to a standstill as audiences were transfixed by the surprise arrival of a giant puppet and a time-travelling elephant. The production brought joy to hundreds of thousands of people as they explored the capital, turned into a playground, magically liberated from its day-to-day traffic clogged restrictions. The production challenged the political arts establishment to rethink its largely venue-based approach to large cultural events and demonstrated the potential for the temporary transformation of the public realm through the creation of a moment of extraordinary art. Over the last 10 years Artichoke has produced a total of 14 ground-breaking productions ranging from One & Other, Antony Gormley's 2400-hour living portrait on the Fourth Plinth in Trafalgar Square; Peace Camp, a lyrical set of installations created by Deborah Warner and Fiona Shaw for the London 2012 Festival, to the Lumiere Festivals produced in Durham, Artichoke Trust Registered in England Company registration 5429030 Registered Charity No. 1112716 ARTICHOKE ADMINISTRATION ASSISTANT - JOB DESCRIPTION Derry-Londonderry and London. Lumiere has become a core feature of the cultural landscape and has sent the benchmark for outdoor city-wide winter arts events. “What was it that made Londoners leave their homes and tourists their hotels during the city’s coldest four nights in years and, as many spontaneously did, lie face up on the freezing tarmac of Oxford Circus? Light is one answer.
    [Show full text]
  • Artichoke to Mark 350Th Anniversary of Great Fire of London with Contemporary Festival of Arts and Ideas
    Artichoke to mark 350th anniversary of Great Fire of London with contemporary festival of arts and ideas th th London’s Burning: 30 August - 4 September Resurgence, resilience and the evolution of the City of London are some of the key themes explored in LONDON’S BURNING, a series of spectacular events produced by Artichoke to mark the 350th anniversary of the Great Fire of London and its aftermath, taking place 30th August-4th September 2016. LONDON’S BURNING will bring the Square Mile and beyond to life with a series of art installations, performances and talks that will give a unique Artichoke perspective on a significant moment in the country’s history. The programme takes in landmark locations across the city and includes; an underwater performance-artwork at Broadgate; a domino-like sculpture that snakes through the city’s streets tracing the multiple paths of the fire; and a spectacular riverside finale. Audiences are invited to rediscover the City of London and adjacent areas, its past and its future. LONDON’S BURNING offers an opportunity to contemplate the lasting impact the Fire had on the architecture, outlook and infrastructure of the City including some of its most iconic buildings and landmarks. For the last ten years, Artichoke has made work in the public realm that seeks to transform people’s lives and change the world through the creation of extraordinary moments. Helen Marriage, Director of Artichoke said: “The 350th anniversary of the Great Fire of London gives us a rare and wonderful opportunity to work on a historic event, the impact of which was felt far beyond the City of London, throughout the UK and beyond.
    [Show full text]