Press Release: 14Th January 2016
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Artichoke Was Founded in 2006 with Its Now Legendary Presentation Of
JOB INFORMATION | Trustee Leadership Programme: Young Trustee Contract Type: Part time, voluntary London 1666 David Best in collaboration with Artichoke 4 September 2016 1. Artichoke’s Background Artichoke was founded in 2006 with its now legendary presentation of Royal de Luxe's The Sultan's Elephant, which brought London to a standstill as audiences were transfixed by the surprise arrival of a giant puppet and a time- travelling elephant. The production brought joy to hundreds of thousands of people as they explored the capital, turned into a playground, magically liberated from its day-to-day traffic clogged restrictions. The production challenged the political arts establishment to rethink its largely venue-based approach to large cultural events and demonstrated the potential for the temporary transformation of the public realm through the creation of a moment of extraordinary art. Over the last 13 years Artichoke has produced a total of 21 ground-breaking productions ranging from One & Other, Antony Gormley's 2400-hour living 1 Artichoke Trust Registered in England Company registration 5429030 Registered Charity No. 1112716 portrait on the Fourth Plinth in Trafalgar Square; Peace Camp, a lyrical set of installations created by Deborah Warner and Fiona Shaw for the London 2012 Festival, to the Lumiere Festivals produced in Durham, Derry-Londonderry and London. Lumiere has become a core feature of the cultural landscape and has sent the benchmark for outdoor city-wide winter arts events. “What was it that made Londoners leave their homes and tourists their hotels during the city’s coldest four nights in years and, as many spontaneously did, lie face up on the freezing tarmac of Oxford Circus? Light is one answer. -
Spectacles of Light, Fire, and Fog: Artichoke and the Art of the Ephemeral
Spectacles of Light, Fire, and Fog: Artichoke and the Art of the Ephemeral Francisco LaRubia-Prado Georgetown University, Washington, DC, USA What does Christ’s crucifixion have in common with George Floyd’s video-recorded murder, Donald Trump’s reality TV-like Presidency, popular festivals like Mardi Gras, and the advertising and news media images that flood our daily existence? The answer is that all of the above have been considered “spectacles” by critics in various fields; and, in fact, they share key features when regarded as a “spectacle.” Furthermore, all have had — or can have — a significant impact at the individual, local, national, and/or global levels. 1 Historically, spectacle emerges as an as the sectarian conflict in Northern Ireland, inevitable phenomenon in any society, and is unemployment, violence, and gender crucial to promote a sense of identity and inequality— through stunning spectacles that community. It also provides education and place art at their core. Later in this essay, I will entertainment, and is used to enforce the law and examine some of these events. maintain the social order. Leading up to the present day, spectacle becomes even more The field of “Festival studies” has central to culture due to the increasing frequently analyzed how spectacle has the power importance of the mass media. Yet, spectacle to engage citizens in their communities while rejects any a priori ethical alignment; namely, it countering social isolation.3 In the belief that it can possess a bright or a dark character. Because would -
Destination London the Expansion of the Visitor Economy
DESTINATION LONDON THE EXPANSION OF THE VISITOR ECONOMY EDITED BY ANDREW SMITH and ANNE GRAHAM Destination London: The Expansion of the Visitor Economy Edited by Andrew Smith and Anne Graham University of Westminster Press www.uwestminsterpress.co.uk Published by University of Westminster Press 115 New Cavendish Street London W1W 6UW www.uwestminsterpress.co.uk Text © the editors and several contributors 2019 First published 2019 Cover and back cover image: Diana Jarvis; Front cover image: Tristan Luker Print and digital versions typeset by Siliconchips Services Ltd. ISBN (Paperback): 978-1-912656-26-4 ISBN (PDF): 978-1-912656-27-1 ISBN (EPUB): 978-1-912656-28-8 ISBN (Kindle): 978-1-912656-29-5 DOI: https://doi.org/10.16997/book35 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This license allows for copying and distributing the work, provid ing author attribution is clearly stated, that you are not using the material for commercial purposes, and that modified versions are not distributed. The full text of this book has been peer-reviewed to ensure high academic standards. For full review policies, see: http://www.uwestminsterpress.co.uk/ site/publish. Suggested citation: Smith, A. and Graham, A. (eds.) 2019. Destination London: The Expansion of the Visitor Economy. London: University of Westminster Press. DOI: https://doi.org/10.16997/book35 License: CC-BY-NC-ND 4.0 To read the free, open access version of this book online, visit https://doi.org/10.16997/ book35 or scan this QR code with your mobile device: Contents Acknowledgements vii 1. -
Official Parking Partners for Lumiere Light Festival London 2018
Jan 05, 2018 08:50 GMT Official parking partners for Lumiere Light Festival London 2018 Lumiere London 2018 is set to be bigger, brighter and bolder, as the light festival returns for the second time with a spectacular show! Teaming up with Artichoke, the charity behind the project, to ensure that the event is accessible to all, Q-Park are the official parking partners for this incredible event. The Lumiere festival has invited international and local artists to create light works on buildings and public spaces each year, transforming cities across the UK since 2009, when the first Lumiere event was held in Durham. More than 40 UK and international artists will take part in transforming the city into a fantastic nocturnal art exhibition. Free to visit and taking place north and south of the River Thames, the UK’s largest light festival reaches right across the capital. In 2016, the event brought over one million visitors to the city over just four days. There will be installations in six Lumiere London 2018 locations: King’s Cross, Fitzrovia, the West End, Mayfair, Westminster & Victoria, and South Bank & Waterloo. You can get 15% off parking in London city centre locations with Q-Park. To make use of this discount, simply pre-book at any of the car parks listed here and use the code LUMIERE15 to receive the discount. John Denton, Head of Sales and Marketing at Q-Park UK, said, “It is fantastic to be part of such a well-known event in London and we are pleased to support Artichoke in this project. -
Beyond Cosmopolitanism: the Nation, Citizenship and Convivial Culture
JNU/WARWICK Inaugural Conference Nadine Holdsworth, University of Warwick Title: Beyond Cosmopolitanism: The Nation, Citizenship and Convivial Culture As we proceed through the twenty-first century, it would seem that conceptions of cosmopolitanism have become a primary part of cultural and political discourse. A fact epitomised by Barack Obama’s inaugural speech in 2009 when he declared, We are a nation of Christians and Muslims, Jews and Hindus - and non-believers. We are shaped by every language and culture, drawn from every end of this Earth; and because we have tasted the bitter swill of civil war and segregation, and emerged from that dark chapter stronger and more united, we cannot help but believe that the old hatreds shall someday pass; that the lines of tribe shall soon dissolve; that as the world grows smaller, our common humanity shall reveal itself. As this quote demonstrates, at the heart of cosmopolitanism’s popularity is the sense that it acknowledges cultural, religious, national difference whilst recognising that simultaneously there is a layer of shared moral imperatives that unite people throughout the world. So, cosmopolitanism invites us to think of citizens of the world, of global citizens and ‘common humanity’ alongside identities more locally specific to geographical placement or individual subjectivities. Cosmopolitanism under threat However, there are some theorists who argue that cosmopolitanism has become a contested term hijacked by what the British sociologist and political theorist, Paul Gilroy calls a ‘brand of ethical imperialism’ in After Empire: Melancholia or Convivial Culture? (2004, p.69). He argues that attempts to form a coalition of willing national states to fight for the universal human rights associated with the spread of liberal democracy and capitalism smacks of neo-imperialism. -
Fourth Plinth: Contemporary Monument Contemporary 5 Dec 2012— 20 Jan 2013 Fourth Plinth: Contemporary Monument Contemporary
5 Dec 2012— 20 Jan 2013 Fourth Plinth: Contemporary Monument 5 Dec 2012— 20 Jan 2013 Fourth Plinth: Contemporary Monument Foreword The Mayor of London's Fourth Plinth has always been a space for experimentation in contemporary art. It is therefore extremely fitting for this exciting exhibition to be opening at the Institute of Contemporary Arts, London – an institution with a like-minded vision that continues to champion radical and pioneering art. This innovative and thought-provoking programme has generated worldwide appeal. It has provided both the impetus and a platform for some of London’s most iconic artworks and has brought out the art critic in everyone – even our taxi drivers. Bringing together all twenty-one proposals for the first time, and exhibiting them in close proximity to Trafalgar Square, this exhibition presents an opportunity to see behind the scenes, not only of the Fourth Plinth but, more broadly, of the processes behind commissioning contemporary art. It has been a truly fascinating experience to view all the maquettes side-by-side in one space, to reflect on thirteen years’ worth of work and ideas, and to think of all the changes that have occurred over this period: changes in artistic practice, the city’s government, the growing heat of public debate surrounding national identity and how we are represented through the objects chosen to adorn our public spaces. The triumph of the Fourth Plinth is that it ignites discussion among those who would not usually find themselves considering the finer points of contemporary art. We very much hope this exhibition will continue to stimulate debate and we encourage you to tell us what you think at: www.london.gov.uk/fourthplinth Justine Simons Head of Culture for the Mayor of London Gregor Muir Executive Director, ICA 2 3 5 Dec 2012— 20 Jan 2013 Fourth Plinth: Contemporary Monument One Thing Leads To Another… Michaela Crimmin Trafalgar Square holds interesting tensions. -
Aesthetics and Politics of Street Arts Interventions
Notes Preface: Into the Street 1. Sue Harris (2004) in her article, ‘“Dancing in the Streets”: The Aurillac Festival of Street Theatre’ demonstrates the same thrill although in somewhat more measured tones of academic discourse. These ‘astonished reactions’ are dis- cussed in more detail in the Introduction as forms of ‘shock’. 2. ‘Street arts’ and ‘street theatre’ are contested terms. Many artists who work with some form of live performance in public spaces do not come from theatre backgrounds, but rather from music, film, dance, painting, sculpture, architec- ture, or installation art and reject the labels of ‘street theatre’ and ‘street arts’ for their creative work. Charlotte Granger lists several terms: ‘arts de la rue, théâtre de rue, théâtre itinérant, arts forains, théâtre in situ, arts urbains, animation, divertissement cultures urbains, arts dans l’espace public, arts publics, spectacles en plain air’ and claims that the range of terms signifies a range of forms and thus thwarts any common definition (Freydefont and Granger, 2008: 27). For many years in France, there was discussion over whether to call the work théâtre de rue, théâtre de la rue, or even théâtre dans la rue: a distinction hard to translate with the same connotations, but one that prioritizes essential characteristics over location. In this book, I will rely on the terms street arts, street theatre, and performance in public spaces, using them interchangeably. 3. HorsLesMurs was created in 1993 by the Minister of Culture as a resource to document and disseminate information, both scholarly and practical, about street theatre and circus. 4. I have limited my study to performance interventions that have occurred some- where in Europe even though a few of the artists are based elsewhere. -
ARTICHOKE ADMINISTRATION ASSISTANT Salary: £18,564 Per Annum Contract Type: 12 Months, Fixed Term
JOB INFORMATION | ARTICHOKE ADMINISTRATION ASSISTANT Salary: £18,564 per annum Contract Type: 12 months, Fixed term London 1666 David Best in collaboration with Artichoke 4 September 2016 1. Artichoke Background Artichoke was founded ten years ago with its now legendary presentation of Royal de Luxe's The Sultan's Elephant, which brought London to a standstill as audiences were transfixed by the surprise arrival of a giant puppet and a time-travelling elephant. The production brought joy to hundreds of thousands of people as they explored the capital, turned into a playground, magically liberated from its day-to-day traffic clogged restrictions. The production challenged the political arts establishment to rethink its largely venue-based approach to large cultural events and demonstrated the potential for the temporary transformation of the public realm through the creation of a moment of extraordinary art. Over the last 10 years Artichoke has produced a total of 14 ground-breaking productions ranging from One & Other, Antony Gormley's 2400-hour living portrait on the Fourth Plinth in Trafalgar Square; Peace Camp, a lyrical set of installations created by Deborah Warner and Fiona Shaw for the London 2012 Festival, to the Lumiere Festivals produced in Durham, Artichoke Trust Registered in England Company registration 5429030 Registered Charity No. 1112716 ARTICHOKE ADMINISTRATION ASSISTANT - JOB DESCRIPTION Derry-Londonderry and London. Lumiere has become a core feature of the cultural landscape and has sent the benchmark for outdoor city-wide winter arts events. “What was it that made Londoners leave their homes and tourists their hotels during the city’s coldest four nights in years and, as many spontaneously did, lie face up on the freezing tarmac of Oxford Circus? Light is one answer. -
SneakPreviewOfLumiereLondon
PRESS RELEASE: Under embargo until 12.00, Tuesday 5th December 2017 Sneak preview of Lumiere London, 18th - 21st January 2018 Impulse by Lateral Office & CS Design. Photo: Ulysse Lemerise The Mayor of London, Sadiq Khan, has hailed the upcoming Lumiere London as one of the most spectacular free events to ever take place in the capital, as producers Artichoke reveal ten of the artworks coming to London for the UK’s largest light festival. The newly-revealed works include: ● Interactive illuminated singing see-saws in South Molton Street in Mayfair ● An immersive work that imagines a world under water at King’s Cross ● A meditation on time from the Industrial Revolution to the present day projected onto the iconic Hotel Café Royal building on Regent Street ● Flamingos flying through Chinatown London ● A triptych of animated self-portraits in Leake Street ● Matisse-inspired animation dancing across the facade of the Royal Academy of Arts on Piccadilly 1 The Mayor of London, Sadiq Khan, said: “The incredible line-up -
COMMUNICATIONS ASSISTANT Salary
JOB INFORMATION | COMMUNICATIONS ASSISTANT Salary: £19,565 - £22,000 gross per annum (dependent on experience) Contract Type: 18 months fixed term with opportunity to extend the contract Photo: PROCESSIONS 2018 London, an Artichoke Project Commissioned by 14-18 NOW. Photo by Amelia Allen 1 Artichoke Trust Registered in England Company registration 5429030 Registered Charity No. 1112716 ARTICHOKE COMMUNICATIONS ASSISTANT- JOB DESCRIPTION 1. Artichoke Background Artichoke was founded in 2005 with its now legendary presentation of Royal de Luxe's The Sultan's Elephant, which brought London to a standstill as audiences were transfixed by the surprise arrival of a giant puppet and a time-travelling elephant. The production brought joy to hundreds of thousands of people as they explored the capital, turned into a playground, magically liberated from its day-to-day traffic clogged restrictions. The production challenged the political arts establishment to rethink its largely venue-based approach to large cultural events and demonstrated the potential for the temporary transformation of the public realm through the creation of a moment of extraordinary art. Over the last 15 years Artichoke has produced a total of 23 ground-breaking productions ranging from PROCESSIONS, a living portrait of women in the 21st Century celebrated across the UK; One & Other, Antony Gormley's 2400-hour living portrait on the Fourth Plinth in Trafalgar Square; Peace Camp, a lyrical set of installations created by Deborah Warner and Fiona Shaw for the London 2012 Festival, to the Lumiere Festivals produced in Durham, Derry-Londonderry and London. Lumiere has become a core feature of the cultural landscape and has sent the benchmark for outdoor city-wide winter arts events. -
MayorWelcomesFirstRevealOfProgrammeHighlightsFor LumiereLondon 18Th
PRESS RELEASE: Embargoed 10:00 AM, Monday 11th September 2017 Mayor welcomes first reveal of programme highlights for Lumiere London 18th - 21st January 2018 The Light of the Spirit, Patrice Warrener, Lumiere London 2016. Photo by Matthew Andrews. ● Westminster Abbey and the National Theatre amongst the first locations revealed for London’s largest arts festival ● More than 40 world-class UK and international artists will illuminate the capital’s public spaces across the four nights, inviting visitors and Londoners alike to discover the city in a new light ● New festival destinations announced in a festival footprint which expands across both north and south of the River Thames for the first time ● Festival working in outer London boroughs to engage communities in the creation of new artworks 1 The Mayor of London Sadiq Khan and arts charity Artichoke, the leading UK producer of art in the public realm, have provided a sneak preview of some of the artists and installations for Lumiere London -
RAFAEL LOZANO-HEMMER B
RAFAEL LOZANO-HEMMER b. 1967, Mexico City, Mexico Lives and works in Montréal and Madrid Rafael Lozano-Hemmer is known for creating large-scale interactive installations in public spaces throughout Europe, Asia, and North America. Using robotics, custom software, projections, internet links, cell phones, sensors, LEDs, cameras, tracking systems, and often employing vanguard technologies, his “Antimonuments” challenge traditional notions of site- specificity, and instead focus on the idea of creating relationship-specific work through connective interfaces. His smaller- scale “Subsculptures” and his work in photography, video, and installation explore themes of surveillance, perception, and deception. Since his emergence in the 1990s, Lozano-Hemmer has mixed the disparate fields of digital media, robotics, medical science, performance art, and lived experience into interactive artworks. His public artworks have been commissioned for the Philadelphia Association for Public Art (2012); La Triennale québécoise, Montreal, Canada (2011); Winter Olympics, Vancouver, Canada (2010); Federation Square, Melbourne, Australia (2010); the 50th Anniversary of the Guggenheim Museum, New York (2009); the memorial for the Tlatelolco Student Massacre, Mexico City (2008); Madison Square Park, New York (2008); Trafalgar Square, London (2008); Québec City’s 400th Anniversary (2008); the Expansion of the European Union, Dublin, Ireland (2004); the opening of the YCAM Center, Yamaguchi, Japan (2003); and the Millennium Celebrations, Mexico City (1999). Featured recently in solo exhibitions at the Hirshhorn Museum and Sculpture Center, Washington D.C.; San Francisco Museum of Modern Art; the Fundación Telefónica, Buenos Aires; and the Museum of Contemporary Art, Sydney; Lozano- Hemmer was the first artist to represent Mexico at its national pavilion at the 52nd Venice Biennale.