Great Fire of London Commemoration Event
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Brass Bands of the World a Historical Directory
Brass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................ -
Note on Contributors
Note on Contributors Note on Contributors Sofia Apospori is currently a PhD candidate at Royal Holloway, University of London. Her research, which is supervised by Professor Helen Nicholson and advised by Dr. Colette Conroy, explores theatre for people with visual impairments. More specifically, it engages with the theoretical, aesthetic and ethical challenges that are implicated by the re-evaluation of performance space in reference to visual and non-visual perception respectively. Over the last two years, Sofia has been a visiting tutor in the Department of Drama and Theatre Studies, teaching Writing and Performance and Staging Histories. She holds a BA in Drama and Theatre Studies and an MA in Theatre (Applied Drama), both of which were awarded by Royal Holloway, University of London. Beatriz Cantinho is presently developing practice based research work as a PhD student in Dance/Philsophy at the Edinburgh College of Art. Her work focuses mainly on the mechanisms of image perception within aesthetics and performance art. The academic research as been presented at Edinburgh University, Chelsea College of Art, Cambridge University and the University of Surrey. Beatriz graduated from the Superior School of Dance at Instituto Politécnico de Lisboa. She took an intensive training course in Noh Theatre at the Kyoto Art Centre. She has completed a professional internship in the theatre company Royal de Luxe. Artistically for the past few years she has been developing work as a choreographer in projects such as Parde2, Scch…Um Ensaio Sobre o Silêncio, and Peça Veloz Corpo Volátil. She has also been involved in collaborative projects with artists from different disciplines with work that has been presented in Portugal, France, the UK, Germany, and Austria. -
A Case Study of the 2008 European Capital of Culture, Liverpool
Article The Cultural Legacy of a Major Event: A Case Study of the 2008 European Capital of Culture, Liverpool Yi-De Liu Graduate Institute of European Cultures and Tourism, National Taiwan Normal University, Taipei 106, Taiwan; [email protected] Received: 23 June 2019; Accepted: 26 July 2019; Published: 26 July 2019 Abstract: Cultural legacy is a relatively neglected theme in event and sustainability studies, compared to economic or physical legacies with solid evidence. This article focuses on the experience of Liverpool as the 2008 European Capital of Culture. An evaluation ten years on can provide the basis for research on the long-term cultural legacy of a major event, as well as how to achieve sustainability through legacy planning. Five dimensions of cultural legacy are explored, including: Cultural agency and strategies, cultural network, cultural provision, cultural engagement, and cultural image. The results of the study show that the spill-over effect of culture can be achieved through thorough legacy planning. The most important lesson learned from Liverpool is to integrate the event into the city’s long-term and culture-led development, which yields a healthy and productive cultural climate. Keywords: event sustainability; cultural legacy; legacy planning; European Capital of Culture; Liverpool 1. Introduction In view of the economic, social and cultural impacts, more and more cities are competing to host major events. However, due to the short-lived and one-off nature, the event itself may not be sustainable. The sustainability of major events, or their legacy or long-term impact, has been the focus of discussion in recent years. -
Studies in International Performance Published in Association with The
Studies in International Performance Published in association with the International Federation of Theatre Research General Editors: Janelle Reinelt and Brian Singleton Culture and performance cross borders constantly, and not just the borders that define nations. In this new series, scholars of performance produce interactions between and among nations and cultures as well as genres, identities and imaginations. Inter-national in the largest sense, the books collected in the Studies in International Performance series display a range of historical, theoretical and critical approaches to the pan- oply of performances that make up the global surround. The series embraces ‘Culture’ which is institutional as well as improvised, underground or alternate, and treats ‘Performance’ as either intercultural or transnational as well as intracultural within nations. Titles include: Khalid Amine and Marvin Carlson THE THEATRES OF MOROCCO, ALGERIA AND TUNISIA Performance Traditions of the Maghreb Patrick Anderson and Jisha Menon (editors) VIOLENCE PERFORMED Local Roots and Global Routes of Conflict Elaine Aston and Sue-Ellen Case STAGING INTERNATIONAL FEMINISMS Matthew Isaac Cohen PERFORMING OTHERNESS Java and Bali on International Stages, 1905–1952 Susan Leigh Foster (editor) WORLDING DANCE Helen Gilbert and Jacqueline Lo PERFORMANCE AND COSMOPOLITICS Cross-Cultural Transactions in Australasia Helena Grehan PERFORMANCE, ETHICS AND SPECTATORSHIP IN A GLOBAL AGE Susan C. Haedicke CONTEMPORARY STREET ARTS IN EUROPE Aesthetics and Politics James Harding and Cindy Rosenthal (editors) THE RISE OF PERFORMANCE STUDIES Rethinking Richard Schechner’s Broad Spectrum Silvija Jestrovic and Yana Meerzon (editors) PERFORMANCE, EXILE AND ‘AMERICA’ Silvija Jestrovic PERFORMANCE, SPACE, UTOPIA Ola Johansson COMMUNITY THEATRE AND AIDS Ketu Katrak CONTEMPORARY INDIAN DANCE New Creative Choreography in India and the Diaspora Sonja Arsham Kuftinec THEATRE, FACILITATION, AND NATION FORMATION IN THE BALKANS AND MIDDLE EAST Daphne P. -
Artichoke Was Founded in 2006 with Its Now Legendary Presentation Of
JOB INFORMATION | Trustee Leadership Programme: Young Trustee Contract Type: Part time, voluntary London 1666 David Best in collaboration with Artichoke 4 September 2016 1. Artichoke’s Background Artichoke was founded in 2006 with its now legendary presentation of Royal de Luxe's The Sultan's Elephant, which brought London to a standstill as audiences were transfixed by the surprise arrival of a giant puppet and a time- travelling elephant. The production brought joy to hundreds of thousands of people as they explored the capital, turned into a playground, magically liberated from its day-to-day traffic clogged restrictions. The production challenged the political arts establishment to rethink its largely venue-based approach to large cultural events and demonstrated the potential for the temporary transformation of the public realm through the creation of a moment of extraordinary art. Over the last 13 years Artichoke has produced a total of 21 ground-breaking productions ranging from One & Other, Antony Gormley's 2400-hour living 1 Artichoke Trust Registered in England Company registration 5429030 Registered Charity No. 1112716 portrait on the Fourth Plinth in Trafalgar Square; Peace Camp, a lyrical set of installations created by Deborah Warner and Fiona Shaw for the London 2012 Festival, to the Lumiere Festivals produced in Durham, Derry-Londonderry and London. Lumiere has become a core feature of the cultural landscape and has sent the benchmark for outdoor city-wide winter arts events. “What was it that made Londoners leave their homes and tourists their hotels during the city’s coldest four nights in years and, as many spontaneously did, lie face up on the freezing tarmac of Oxford Circus? Light is one answer. -
Spectacles of Light, Fire, and Fog: Artichoke and the Art of the Ephemeral
Spectacles of Light, Fire, and Fog: Artichoke and the Art of the Ephemeral Francisco LaRubia-Prado Georgetown University, Washington, DC, USA What does Christ’s crucifixion have in common with George Floyd’s video-recorded murder, Donald Trump’s reality TV-like Presidency, popular festivals like Mardi Gras, and the advertising and news media images that flood our daily existence? The answer is that all of the above have been considered “spectacles” by critics in various fields; and, in fact, they share key features when regarded as a “spectacle.” Furthermore, all have had — or can have — a significant impact at the individual, local, national, and/or global levels. 1 Historically, spectacle emerges as an as the sectarian conflict in Northern Ireland, inevitable phenomenon in any society, and is unemployment, violence, and gender crucial to promote a sense of identity and inequality— through stunning spectacles that community. It also provides education and place art at their core. Later in this essay, I will entertainment, and is used to enforce the law and examine some of these events. maintain the social order. Leading up to the present day, spectacle becomes even more The field of “Festival studies” has central to culture due to the increasing frequently analyzed how spectacle has the power importance of the mass media. Yet, spectacle to engage citizens in their communities while rejects any a priori ethical alignment; namely, it countering social isolation.3 In the belief that it can possess a bright or a dark character. Because would -
PRESS Releaseана16th AUGUST St Paul's Cathedral, Tate Modern
PRESS RELEASE 16TH AUGUST St Paul’s Cathedral, Tate Modern and the National Theatre join lineup of landmark locations and events for London’s Burning Artichoke’s contemporary art and ideas festival marking 350th anniversary of Great Fire of th th London 30 August 4 September 2016 Three more London landmarks, a live digital broadcast presented by Lauren Laverne and a talks programme inspired by major themes across the festival have been announced as part of LONDON’S BURNING, Artichoke’s contemporary art and ideas festival marking the 350th anniversary of the Great Fire of London. The series of spectacular art events, which are all free to the public, will take place in key th th sites across the City, Southbank and Bankside from 30 August 4 September 2016, marking this momentous event in London’s history and addressing its contemporary resonance with themes including displacement, disaster and the resilience of the urban metropolis. Artist Martin Firrell presents Fires of London, two new commissions either side of the River Thames. Fires Ancient will light up the south and east sides of the dome of St Paul’s Cathedral with a fiery projection echoing both the catastrophic impact of the Great Fire of London on the Cathedral itself and the birth of the building designed by Christopher Wren that emerged, phoenixlike from the ashes. The projection will be visible from across the river and with a unique view from the terrace of One New Change. (Supported by Cheapside Business Alliance, RSA Insurance and Land Securities) On the other side of the river, Firrell’s Fires Modern will be projected onto the flytower of the National Theatre’s (NT’s) iconic Grade II listed building. -
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0000000000000000000000000000 000000.00W M0( 4'' .................111111111111 .............1111111111 0 0 o 041111%.* I I www.americanradiohistory.com TOP Cartridge TV ifape FCC Extends Radiation Cartridges Limits Discussion Time (Based on Best Selling LP's) By MILDRED HALL Eke Last Week Week Title, Artist, Label (Dgllcater) (a-Tr. B Cassette Nos.) WASHINGTON-More requests for extension of because some of the home video tuners will utilize time to comment on the government's rulemaking on unused TV channels, and CATV people fear conflict 1 1 THERE'S A RIOT GOIN' ON cartridge tv radiation limits may bring another two- with their own increasing channel capacities, from 12 Sly & the Family Stone, Epic (EA 30986; ET 30986) month delay in comment deadline. Also, the Federal to 20 and more. 2 2 LED ZEPPELIN Communications Commission is considering a spin- Cable TV says the situation is "further complicated Atlantic (Ampex M87208; MS57208) off of the radiated -signal CTV devices for separate by the fact that there is a direct connection to the 3 8 MUSIC consideration. subscriber's TV set from the cable system to other Carole King, Ode (MM) (8T 77013; CS 77013) In response to a request by Dell-Star Corp., which subscribers." Any interference factor would be mul- 4 4 TEASER & THE FIRECAT roposes a "wireless" or "radiated signal" type system, tiplied over a whole network of CATV homes wired Cat Stevens, ABM (8T 4313; CS 4313) the FCC granted an extension to Dec. 17 for com- to a master antenna. was 5 5 AT CARNEGIE HALL ments, and to Dec. -
Destination London the Expansion of the Visitor Economy
DESTINATION LONDON THE EXPANSION OF THE VISITOR ECONOMY EDITED BY ANDREW SMITH and ANNE GRAHAM Destination London: The Expansion of the Visitor Economy Edited by Andrew Smith and Anne Graham University of Westminster Press www.uwestminsterpress.co.uk Published by University of Westminster Press 115 New Cavendish Street London W1W 6UW www.uwestminsterpress.co.uk Text © the editors and several contributors 2019 First published 2019 Cover and back cover image: Diana Jarvis; Front cover image: Tristan Luker Print and digital versions typeset by Siliconchips Services Ltd. ISBN (Paperback): 978-1-912656-26-4 ISBN (PDF): 978-1-912656-27-1 ISBN (EPUB): 978-1-912656-28-8 ISBN (Kindle): 978-1-912656-29-5 DOI: https://doi.org/10.16997/book35 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This license allows for copying and distributing the work, provid ing author attribution is clearly stated, that you are not using the material for commercial purposes, and that modified versions are not distributed. The full text of this book has been peer-reviewed to ensure high academic standards. For full review policies, see: http://www.uwestminsterpress.co.uk/ site/publish. Suggested citation: Smith, A. and Graham, A. (eds.) 2019. Destination London: The Expansion of the Visitor Economy. London: University of Westminster Press. DOI: https://doi.org/10.16997/book35 License: CC-BY-NC-ND 4.0 To read the free, open access version of this book online, visit https://doi.org/10.16997/ book35 or scan this QR code with your mobile device: Contents Acknowledgements vii 1. -
Official Parking Partners for Lumiere Light Festival London 2018
Jan 05, 2018 08:50 GMT Official parking partners for Lumiere Light Festival London 2018 Lumiere London 2018 is set to be bigger, brighter and bolder, as the light festival returns for the second time with a spectacular show! Teaming up with Artichoke, the charity behind the project, to ensure that the event is accessible to all, Q-Park are the official parking partners for this incredible event. The Lumiere festival has invited international and local artists to create light works on buildings and public spaces each year, transforming cities across the UK since 2009, when the first Lumiere event was held in Durham. More than 40 UK and international artists will take part in transforming the city into a fantastic nocturnal art exhibition. Free to visit and taking place north and south of the River Thames, the UK’s largest light festival reaches right across the capital. In 2016, the event brought over one million visitors to the city over just four days. There will be installations in six Lumiere London 2018 locations: King’s Cross, Fitzrovia, the West End, Mayfair, Westminster & Victoria, and South Bank & Waterloo. You can get 15% off parking in London city centre locations with Q-Park. To make use of this discount, simply pre-book at any of the car parks listed here and use the code LUMIERE15 to receive the discount. John Denton, Head of Sales and Marketing at Q-Park UK, said, “It is fantastic to be part of such a well-known event in London and we are pleased to support Artichoke in this project. -
Artistic File L'enfant
L’ENFANT ©Christophe Loiseau [Animated materials, immersives installations] [Stage form, creation November 2018] [In situ form, creation February 2019] ©Christophe Loiseau L’Enfant (The Child) plunges us physically and substantially into the mystery at the heart of La mort de Tintagiles (The Death of Tintagiles), STATEMENT OF a play written by Maurice Maeterlinck in the late 19th century. Still very much engulfed in his immateriality, the «infant», from the Latin Infans, INTENT meaning «not having the faculty of speech», sits between worlds. He makes no distinction between the real and the imaginary, life and FOR death, and knows that the real is «merely one of the most transient ALL AGES aspects of infinite reality» as according to Artaud. OVER 14 The unexpected return of the infant, Tintagiles, to the devastated island strikes both joy and fear into the heart of his sister, Ygraine. Ygraine Duration 1h lives a life of subjection to an omnipresent yet invisible Queen, a figure who is preceded by a sense of imminent danger. Ygraine resolves to confront the dull and distant rumble (the dull and distant menace?) that destroys everything in its wake and threatens the child. In an act of rebellion, she upsets the established order, breaks down boundaries and enters that space impenetrable to the living, wherein she glimpses the infinite world of the shadow realm. « He is asleep in the other room. He was a little pale, he did not seem A funereal ode of cosmic proportions, the play is tantamount to well. The journey had tired him—he an act of regeneration, where the dynamic balance of existence is was a long time on the sea. -
Beyond Cosmopolitanism: the Nation, Citizenship and Convivial Culture
JNU/WARWICK Inaugural Conference Nadine Holdsworth, University of Warwick Title: Beyond Cosmopolitanism: The Nation, Citizenship and Convivial Culture As we proceed through the twenty-first century, it would seem that conceptions of cosmopolitanism have become a primary part of cultural and political discourse. A fact epitomised by Barack Obama’s inaugural speech in 2009 when he declared, We are a nation of Christians and Muslims, Jews and Hindus - and non-believers. We are shaped by every language and culture, drawn from every end of this Earth; and because we have tasted the bitter swill of civil war and segregation, and emerged from that dark chapter stronger and more united, we cannot help but believe that the old hatreds shall someday pass; that the lines of tribe shall soon dissolve; that as the world grows smaller, our common humanity shall reveal itself. As this quote demonstrates, at the heart of cosmopolitanism’s popularity is the sense that it acknowledges cultural, religious, national difference whilst recognising that simultaneously there is a layer of shared moral imperatives that unite people throughout the world. So, cosmopolitanism invites us to think of citizens of the world, of global citizens and ‘common humanity’ alongside identities more locally specific to geographical placement or individual subjectivities. Cosmopolitanism under threat However, there are some theorists who argue that cosmopolitanism has become a contested term hijacked by what the British sociologist and political theorist, Paul Gilroy calls a ‘brand of ethical imperialism’ in After Empire: Melancholia or Convivial Culture? (2004, p.69). He argues that attempts to form a coalition of willing national states to fight for the universal human rights associated with the spread of liberal democracy and capitalism smacks of neo-imperialism.