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Merleau-Ponty in Contemporary Perspective Phaenomenologica
MERLEAU-PONTY IN CONTEMPORARY PERSPECTIVE PHAENOMENOLOGICA COLLECTION FONDEE PAR H.L. VAN BREDA ET PUBLIEE SOUS LE PATRONAGE DES CENTRES D'ARCHIVES-HUSSERL 129 MERLEAU-PONTY IN CONTEMPORARY PERSPECTIVE Edited by PATRICK BURKE and JAN VAN DER VEKEN Comite de redaction de la collection: President: S. IJsseling (Leuven) Membres: W. Marx (Freiburg i. Br.), J.N. Mohanty (Philadelphia), P. Ricreur (Paris), E. Straker (KOln), J. Taminiaux (Louvain-Ia-Neuve), Secretaire: J. Taminiaux MERLEAU-PONTY IN CONTEMPORARY PERSPECTIVES Edited by PATRICK BURKE and lAN VAN DER VEKEN ..... SPRlNGER-SCIENCE+BUSINESS" MEDIA, B.V. Library of Congress Cataloging-in-Publication Data Merleau-Ponty in contemporary perspective! edited by Patrick Burke and Jan Van der Veken. p. cm. -- IPhaenomenologica ; v. 129) Papers presented at the internatIonal sympasium on Merleau-Ponty. held in Nov. 1991 by the Institute of Philosophy and the Husserl Archives at the Kathol ieke Universiteit te Leuven. rncludes bibl iographical references and index. ISBN 978·94·010-4768·5 ISBN 978·94·011·1751·7 (eBook) DOI 10.1007/978·94·011·1751·7 1. Merleau-Ponty. Maurice. 1908-1961--Congresses. r. Burke. Patrick. II. Veken. Jan van der. III. Series, Phaenomenologica 129. B2430.M3764M4695 1993 194--dc20 92-38343 ISBN 978-94-010-4768-5 printed an acid-free paper AII Rights Reserved © 1993 Springer Science+Business Media Oordrecht Originally published by Kluwer Academic Publishers in 1993 Softcover reprint ofthe hardcover lst edition 1993 No part of the material protected by this copyright notice may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without written permission from the copyright owner. -
In Memoriam: Mario Perniola
revista landa Vol. 6 N° 2 (2018) In memoriam: Mario Perniola Juan Manuel Terenzi1 367 Mario Perniola foi filósofo, escritor e professor universitário. De 1966 a 1969 esteve vinculado à Internacional Situacionista, movimento de vanguarda fundado por Guy Debord e que se ocupava com causas políticas e sociais. Iniciou sua trajetória como docente em 1970, lecionando na Universidade de Salerno, e a partir de 1983 transferiu-se para a Universidade de Roma “Tor Vergata”. Sua produção intelectual centrou-se no campo da estética, na teoria da arte e na arte contemporânea, com várias obras publicadas ao longo de sua vida. Faleceu em Roma, no dia 9 de janeiro de 2018 aos 76 anos de idade. Seu nascimento ocorre no norte da Itália, na cidade de Asti, e em 1965 licencia-se no curso de Filosofia na Universidade de Turim sob a supervisão de Luigi Pareyson, nome conhecido na América Latina, principalmente na Argentina, pois lecionou em Mendoza na Universidad Nacional de Cuyo, tendo dirigido o Instituto de Filosofia dessa universidade de 1948 a 19502. Além da proximidade com Pareyson, Perniola teve a oportunidade de conhecer outros importantes nomes dentro do campo da filosofia e da literatura, como Gianni Vattimo e Umberto Eco. Porém, o desejo de se alimentar de diversas fontes culturais para expandir seu potencial intelectual fez com que Perniola viajasse pelo mundo, tendo sido professor convidado em vários países: Canadá, Estados Unidos, França, Japão, e inclusive no Brasil. 1 Doutorando CNPq/UFSC, membro do Núcleo Onetti e orientando da professora Dra. Liliana Reales. 2 Para mais informações sobre a passagem de Luigi Pareyson por Mendoza: http://bdigital.uncu. -
Radical Philosophy Review
RPR Volume 10 • Number 1 • 2007 Radical Philosophy Review Journal of the Radical Philosophy Association Radical Philosophy Review (ISSN 1388-4441) is published biannually by the Radical Philosophy Association (RPA) in cooperation with the Philosophy Radical Philosophy Review Documentation Center. An individual subscription to this peer-reviewed journal includes membership in the RPA. More information about the Association is available online at www.radicalphilosophy.org. Volume 10 • Number 1 • 2007 • Subscription rates are $69 for Institutions and $42 for Individuals. Please add $8 shipping to all addresses outside the U.S. • Single/back issues are available to Institutions for $35 and to Individuals for $21. • VISA, MasterCard, and Discover cards accepted. Editors’ Introduction Membership & Subscriptions Eduardo Mendieta & Jeffrey Paris ——— iii All correspondence regarding subscriptions, renewals, memberships, and address changes should be addressed to: Philosophy Documentation Center Articles P.O. Box 7147, Charlottesville, Virginia 22906-7147 Tel. 800-444-2419 (US & Canada); 434-220-3300 • Living Labor in Marx ——— 1 Fax: 434-220-3301; E-mail: [email protected]; Mario Sáenz Web: www.pdcnet.org • Feminist Dialectics and ——— 33 Marxist Theory Radical Philosophy Review accepts unsolicited articles of no more than 10,000 Kathryn Russell words, review essays of no more than 5,000 words, and book reviews of no more than 2,000 words. Authors interested in writing review essays and book reviews are • Listening to Zapatismo: ——— 55 encouraged to contact the Managing Editor for copies of recently published books. A Reflection on Spiritual DeRacination Editorial & Submissions Patricia Huntington All editorial correspondence should be addressed to: Jeffrey Paris Reviews Managing Editor, RPR Department of Philosophy • Reclaiming Identity, by ——— 79 University of San Francisco Paula M. -
Addio a Mario Perniola, Il Ricordo Di Gianni Vattimo: 'Una Voce Estremamente Significativa Della Filosofia Italiana'
Utopía y Praxis Latinoamericana ISSN: 1315-5216 ISSN: 2477-9555 [email protected] Universidad del Zulia Venezuela Addio a Mario Perniola, il ricordo di Gianni Vattimo: 'Una voce estremamente significativa della filosofia italiana' Addio a Mario Perniola, il ricordo di Gianni Vattimo: 'Una voce estremamente significativa della filosofia italiana' Utopía y Praxis Latinoamericana, vol. 23, núm. Esp.3, 2018 Universidad del Zulia, Venezuela Disponible en: https://www.redalyc.org/articulo.oa?id=27957771021 Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial-CompartirIgual 3.0 Internacional. PDF generado a partir de XML-JATS4R por Redalyc Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto . Addio a Mario Perniola, il ricordo di Gianni Vattimo: 'Una voce estremamente significativa del... In Memoriam Addio a Mario Perniola, il ricordo di Gianni Vattimo: 'Una voce estremamente significativa della filosofia italiana' Redalyc: https://www.redalyc.org/articulo.oa? id=27957771021 Addio a Mario Perniola, il ricordo di Gianni Vattimo: 'Una voce estremamente significativa della filosofia italiana' "Ho letto recentemente che il nostro pensiero era in contrapposizione, ma non è così". A dirlo è Gianni Vattimo a proposito di Mario Perniola, filosofo scomparso prematuramente oggi, 9 gennaio 2018 (era nato ad Asti nel 1941 ndr), che l'amico e collega torinese vuole ricordare. Sono stati, insieme a Umberto Eco, i tre allievi più legati a Luigi Pareyson, i più brillanti e dotati dell'Università di Torino. Perniola - secondo Vattimo - ha rappresentato "una voce estremamente significativa e suggestiva della filosofia italiana degli ultimi decenni, forse il solo intellettuale italiano capace di misurarsi con le tematiche filosofiche e socio culturali sviluppate negli stessi anni nella cultura francese, a cui è stato sempre prevalentemente legato". -
Book of Abstracts
International Association of Aesthetics Interim Conference: European Avant-Garde – A Hundred Years Later Organized by the Slovenian Society of Aesthetics Online (Ljubljana), 17–18 June, 2021 Book of Abstracts European Avant-Garde – A Hundred Years Later (June 2021) Table of Contents Introduction ........................................................................................................................................ 3 Sascha Bru: The Three Avant-Garde Traditions ................................................................................. 4 Polona Tratnik: Tactical Media: The Fourth Wave of 20th Century European Avant-Garde .............. 5 Tomaž Toporišič: Trieste, Ljubljana, Zagreb, Belgrade: Historical Avant-garde and the Conceptual Crisis of Europe ................................................................................................................................. 6 Artem Radeev: “Communist deciphering of reality” in Russian Avant-Garde: A Case of Dziga Vertov .. 7 Darko Štrajn: Weimar Cinema and other German Avant-Gardes ....................................................... 8 Ernest Ženko: An Exercise in Categorization: Avant-Garde Cinema of the 1920s ............................. 9 Zoltán Somhegyi: Avant-Garde Anatomy. Dissection and Re-composition of Art and its History in the Oeuvre of Milorad Krstic ................................................................................................................. 10 Mojca Puncer: The Avant-Garde Politics of Time: The Case of Postgravity Art ............................. -
PHILOSOPHY DEPARTMENT Pittsburgh, PA 15282
DEPARTMENT OF PHILOSOPHY DUQUESNE UNIVERSITY 600 FORBES AVENUE PHILOSOPHY DEPARTMENT PITTSBURGH, PA 15282 RETURN SERVICE REQUESTED 3 0 3 DUQUESNE GRADUATE PHILOSOPHY NEWS Spring 2013 • Volume 6, Issue 1 DEPARTMENT NEWS The Department is thrilled to announce the Dr. Schwebel’s publications include a chapter entitled “Monad hiring of Tom Eyers as Assistant Professor and Time: Reading Leibniz with Heidegger and Benjamin,” to PROOF Tuesday / April 30 / 2013 12:17 PM within the Philosophy Department. Dr. Eyers be included in the forthcoming book “Sparks Will Fly”: Martin received his Ph.D. from Kingston University Heidegger and Walter Benjamin, edited by Andrew Benjamin and in London and recently completed a Post- Dimitris Vardoulakis. Doctorate Fellowship at Washington University in St. Louis. Dr. Eyers specializes in contemporary French The department congratulates George Yancy on philosophy, psychoanalysis (particularly Lacan), and Marxism. his promotion to full Professor! Dr. Yancy has Dr. Eyers will start teaching classes in the fall, including a published prolifically since his hiring in 2007. course on Contemporary Philosophy as well as offering Basic He is the author of Look, A White!: Philosophical Philosophical Questions courses. Dr. Eyers’ published works Essays in Whiteness and Black Bodies, White include his books, Lacan and the Concept of the Real and the Gazes: The Continuing Significance of Race as upcoming Post-Rationalism: Psychoanalysis, Epistemology, and well as his recently released edited books: Race Marxism in Post-War France (May 2013). and Pedagogy: Scholars of Color Reflect on Exploring Race in Predominantly White Classrooms (2013), Pursuing Trayvon Martin: The department is also excited to announce Historical Contexts and Contemporary Manifestations of Racial NEWS FROM ALUMNI the hiring of Paula Schwebel as a visiting Dynamics (2012), Christology and Whiteness: What Would Jesus Assistant Professor within the philosophy Do? (2012), and Reframing the Practice of Philosophy: Bodies of department. -
Feminism & Philosophy Vol.2 No.2
APA Newsletters Volume 02, Number 2 Spring 2003 NEWSLETTER ON PHILOSOPHY AND FEMINISM FROM THE EDITOR, JOAN CALLAHAN FROM THE COMMITTEE ON THE STATUS OF WOMEN, NANCY TUANA REPORT FROM THE CHAIR, NANCY TUANA ARTICLES HENRIETTE DAHAN-KALEV “On the Logic of Feminism and the Implications of African-American Feminist Thought for Israeli Mizrakhi Feminism” BROOK J. SADLER “Women in Philosophy” DATA PREPARED BY BROOK J. SADLER “Appendix for ‘Women in Philosophy’” SYMPOSIUM—FEMINISM AS A MEETING PLACE: ANALYTICAL AND CONTINENTAL TRADITIONS ANITA M. SUPERSON, GUEST EDITOR “Introduction: Feminism as a Meeting Place” CYNTHIA WILLETT “Rethinking Autonomy in an Age of Interdependence: Freedom in Analytic, Postmodern, and Pragmatist Feminisms” GEORGIA WARNKE “Hermaneutics or Postmodernism?” © 2002 by The American Philosophical Association ISSN: 1067-9464 LOUISE M. ANTONY “Fantasies for Empowerment and Entitlement: Analytic Philosophy and Feminism” ANN E. CUDD “Revising Philosophy through the Wide-Angle Lens of Feminism” ANITA M. SUPERSON “Liberating the Self from Oppression: A Commentary on Multiple Feminist Perspectives” ANNOUNCEMENTS NOTES ON CONTRIBUTORS APA NEWSLETTER ON Feminism and Philosophy Anita M. Superson, Guest Editor Spring 2003 Volume 02, Number 2 the varied philosophical views presented by authors of ROM THE DITOR Newsletter articles necessarily reflects the views of any or all F E of the members of the Committee on the Status of Women, including the editor(s) of the Newsletter, nor does the committee advocate any particular type of feminist philosophy. Joan Callahan We advocate only that serious philosophical attention be given to issues of gender and that claims of gender bias in philosophy The current issue of the Newsletter includes two articles and receive full and fair consideration. -
Merleau-Ponty's Aesthetic Interworld: from Primordial Percipience to Wild
Penultimate version. Please cite the published version in Philosophy Today, DOI: 10.5840/philtoday20181024231 Merleau-Ponty’s Aesthetic Interworld: From Primordial Percipience to Wild Logos ‘…each brushstroke must satisfy an infinite number of conditions’ (Cézanne’s Doubt:65-66, Le Doute de Cézanne:28). Abstract: The overall aim of this paper is to defend the value of the arts as uniquely instructive regarding philosophical questions. Specifically, I aim to achieve two things: firstly, to show that through the phenomenological challenge to dualist and monist ontologies the key debate in aesthetics regarding subjective response and objective judgment is reconfigured and resolved. I argue that Merleau-Ponty’s analyses complement and complete Kant’s project. Secondly, I propose that through his phenomenological interrogations of the creative process the broader issue of the viability of his relational non-dualist ontology is defended against accusations that it has not gone beyond dualism or that it has collapsed into a monism. Key words: Merleau-Ponty; ontology; aesthetics; intertwining; Kant; expression; Cézanne Since Plato’s infamous ‘banishment’ of the mimetic poets from his ideal city-state, the expressive arts have had a chequered history in philosophy, at times elevated to the divine and at other times treated with disdain for their purported inability to offer truth and with suspicion for their seductive charms. Neither of these extreme stances is finally defensible. There is both a mystery in the arresting power of great art and an opacity in the creative 1 process that defy ready explanations. The overall aim of this paper is to defend the value of the arts as uniquely instructive regarding philosophical questions. -
Art and Its Shadow
ART AND ITS SHADOW MARIO PERNIOLA Translated by Massimo Verdicchio Foreword by Hugh J. Silverman CONTINUUM The Tower Building, 11 York Road, London SE1 7NX 15 East 26th Street, New York, NY 10010 www.continuumbooks.com This English translation first published in 2004 English translation & Continuum 2004 Foreword & Hugh J. Silverman 2004 First published in Italian as L’arte e la sua ombra & 2000 Giulio Einaudi s.p.a. Torino Mario Perniola has asserted his right under the Copyright, Design and Patents Act 1988 to be identified as the author of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN 0–8264–6242–1 (HB) 0–8264–6243–X (PB) Typeset by Aarontype Limited, Easton, Bristol Printed and bound in Great Britain by The Cromwell Press, Trowbridge, Wiltshire Contents Foreword: Perniola’s Postmodern Shadows vii Introduction xv 1 Idiocy and Splendour in Current Art 3 1 The ‘shock’ of the Real 3 2 Idiocy of Today’s Realism 5 3 Splendour of Today’s Realism 10 2 Feeling the Difference 14 1 Aesthetics and Difference 14 2 Bliss and Text 16 3 The ‘Epoche´’ and the Neuter 17 4 Two Versions of the ‘Sex Appeal’ of the Inorganic 20 5 Psychotic Realism 21 6 Toward the Extremely Beautiful 24 3 Warhol and -
Perception and Painting in Merleau-Ponty's Thought
PERCEPTION AND Painting in Merleau-Ponty’s THOUGHT Perception and Painting in Merleau-Ponty’s Thought Carolyne Quinn Paris III, Université de Sorbonne-Nouvelle/University College Dublin Abstract Maintaining that “the perceived world is the always presupposed foundation of all rationality, all value and all existence” (1964/1964: 13), Maurice Merleau- Ponty sought to develop a descriptive philosophy of perception, our kinaesthetic, prescientific, lived-bodily experience and cognition of the world—the unification of our affective, motor and sensory capacities. For Merleau-Ponty, ‘perception’ is an expressive and creative instance intimately linked with artistic practice, and although he wrote about all kinds of art, painting was the art form he considered in most depth. This paper seeks to elaborate upon the links between perception and painting in his thought, examining his three main essays on the topic of painting. We begin with the descriptive phenomenology of “Cézanne’s Doubt” under the influence of Edmund Husserl (1945), to structuralism in “Indirect Language and the Voices of Silence” (1952), and finally to his formulation of an original ontology in “Eye and Mind” (1961). Keywords: Perception; painting; Merleau-Ponty; art; phenomenology In the lexicon of Maurice Merleau-Ponty, ‘perception’ has an idiosyncratic meaning and drawing attention to and describing the role of this notion in human experience may be said to be one of the main aims and contributions of his phenomenology to philosophy today. Arguing perception to be an expressive -
Society for Phenomenology and Existential Philosophy
Society for Phenomenology and Existential Philosophy Philosophical Thresholds: Crossings of Life and World Marriott Château Champlain, Montreal, Quebec, Canada November 4-6, 2010 Société de Phénoménologie et de Philosophie Existentialiste Seuils philosophiques: Croisements entre vie et monde Marriott Château Champlain, Montréal, Québec, Canada 4-6 novembre, 2010 SOCIETY FOR PHENOMENOLOGY AND EXISTENTIAL PHILOSOPHY Société de Phénoménologie et de Philosophie Existentialiste Executive Co-Directors / Co-directeurs exécutifs Leonard Lawlor, Pennsylvania State University Cynthia Willett, Emory University Executive Committee / Comité exécutif Alia Al-Saji, McGill University Andrew Cutrofello, Loyola University Chicago Leonard Lawlor, Pennsylvania State University Anthony Steinbock, Southern Illinois University, Carbondale Cynthia Willett, Emory University Shannon Lundeen, University of Pennsylvania, Secretary-Treasurer Graduate Assistant / Assistante des cycles supérieurs Cameron O’Mara, Pennsylvania State University Advisory Book Selection Committee / Comité consultatif de sélection des livres Brian Schroeder, Rochester Institute of Technology, Chair Bettina Bergo, Université de Montréal Steven Crowell, Rice University Lisa Guenther, Vanderbilt University Claire Katz, Texas A&M University Shannon Mussett, Utah Valley University Shannon Winnubst, Ohio State University Jason Wirth, Seattle University Advocacy Committee / Comité de représentation Bill Martin, DePaul University, Chair Ellen Feder, American University Robin James, University of -
MERLEAU-PONTY and BARTHES on IMAGE CONSCIOUSNESS: Probing the (Im)Possibility of Meaning
MERLEAU-PONTY AND BARTHES ON IMAGE CONSCIOUSNESS: Probing the (Im)possibility of Meaning NATASHA BEAUDIN PEARSON or bothδιανοια Maurice Merleau-Ponty and Roland Barthes, images are not merely Fobjects in space; they belong to the realm of the metaphysical. Paintings “move” us, according to Merleau-Ponty: their “quality, light, color, depth […] awaken an echo in our bod[y] and […] our body welcomes them.”1 To encounter a painting is to apprehend it through one’s body. We constitute “brute meaning” by drawing upon the “fabric of the world” in which our bodies are inextricably caught.2 Conversely, for Barthes, poignant photographs “wound” us: they contain an “element [the punctum] that rises from the scene, shoots out of it like an arrow, and pierces” us.3 Unlike Merleau-Ponty, Barthes believes that pictures resist meaning-making. They provoke an “internal agitation,” an “animation” in the viewer. Yet this “affect” cannot wholly be reduced or explained.4 Hence, I think the crux of Merleau-Ponty’s and Barthes’ disagreement about the ontology of image consciousness has to do with the possibility of meaning-making (or lack thereof). While Merleau-Ponty believes that a painting can be meaningful and express the essential “indivisible whole[ness]” and “imperious 1 Maurice Merleau-Ponty, “Eye and Mind,” in The Merleau-Ponty Aesthetics Reader, ed. Galen Johnson (Evanston, IL: Northwestern UP, 1993), 125. 2 Ibid., 123. 3 Roland Barthes, Camera Lucida, trans. Richard Howard (New York: Hill and Wang, 1981), 26. 4 Barthes, Camera Lucida, 19-20. 8 Merleau-Ponty and Barthes on Image Consciousness unity” of the world,5 Barthes contends that “since every photograph is contingent (and thereby outside of meaning), photography cannot signify (aim at a generality) except by assuming a mask.”6 In this paper, I outline Barthes’ critique of Merleau- Ponty’s phenomenology of painting—and his phenomenology more generally—and propose how we might explain the two philosophers’ disagreements on the subject.