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Japanese Language and Literature Journal of the American Association of Teachers of Japanese jll.pitt.edu | Vol. 54 | Number 2 | October 2020 | https//:doi.org/10.5195/jll.2020.96 ISSN 1536-7827 (print) 2326-4586 (online) Embodiment and Its Violence in Kawakami Mieko’s Chichi to ran: Menstruation, Beauty Ideals, and Mothering Juliana Buriticá Alzate Introduction Kawakami Mieko’s (川上未映子 b.1976) Chichi to ran (乳と卵 Breasts and eggs, 2007/2008) received the 138th Akutagawa Prize in 2008, which marked the start of her growing presence within the Japanese literary scene.1 The novella explores female subjectivity and embodiment through the relationship of three women characters from Osaka: Midoriko, Makiko, and Natsuko. Set in the 2000s in Japan, the plot develops around breast augmentation surgery, and it tackles the role of a single, working mother, body changes, and body image. Kawakami’s oeuvre has caught the attention of social and literary critics and scholars, such as Matsumoto Kazuya, Fuse Kaoru, Kurumisawa Ken, Abe Auestad Reiko, Fujita Hiroshi, Yoshio Hitomi, and Gitte Marianne Hansen, to name a few, and the number is already rising as her works become increasingly available in translation.2 I join these discussions by reading Kawakami’s work via concepts in feminist critique, particularly in relation to embodiment and its violence. This article examines how Kawakami problematizes agency vis-à-vis cultural and economic mechanisms that enact violence on the female body, and fix gender roles in a male-dominated, neoliberal society through an analysis of the portrayal of menstruation, reproduction, beauty ideals, and mothering from a feminist perspective.
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