The Weavers Reunion at Carnegie Hall, Part 2 Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

The Weavers Reunion at Carnegie Hall, Part 2 Mp3, Flac, Wma The Weavers Reunion At Carnegie Hall, Part 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Reunion At Carnegie Hall, Part 2 Country: US Released: 1965 Style: Folk MP3 version RAR size: 1650 mb FLAC version RAR size: 1610 mb WMA version RAR size: 1940 mb Rating: 4.1 Votes: 525 Other Formats: AU MPC AAC APE MIDI WMA VQF Tracklist A1 Hine Ma Tov 1:55 A2 Frozen Logger 2:20 A3 Brazos River 2:45 A4 Sinner Man 2:15 A5 Kisses Sweeter Than Wine 3:10 A6 I'm Standing Outside Of Your Shelter 1:15 A7 Rock Island Line 2:30 A8 My Fisherman, My Ladie-O 2:50 A9 Roll One, Columbia 3:00 B1 Get Up, Get Out 2:13 B2 Yerakina 2:42 B3 Miner's Life 3:52 B4 Fyvio 3:15 B5 Greenland Whale Fisheries 2:30 B6 A La Volette 2:25 B7 Old Smoky 2:30 B8 Fight On 2:50 Credits Featuring [Vocals, Instruments] – Bernie Krause, Erik Darling, Frank Hamilton , Fred Hellerman, Lee Hays, Pete Seeger, Ronnie Gilbert Notes Recorded 1963 on location at Carnegie Hall at two historic concerts celebrating the 15th anniversary of the Weavers. Other versions Category Artist Title (Format) Label Category Country Year Reunion At Carnegie VSD 79161, The Vanguard, VSD 79161, Hall Part 2 (LP, US 1986 VSD-79161 Weavers Vanguard VSD-79161 Album, RE) Reunion At Carnegie VSD 79161, The Vanguard, VSD 79161, Hall Part 2 (LP, US 1965 VSD-79161 Weavers Vanguard VSD-79161 Album, Fir) Reunion At Carnegie The VSD 79161 Hall, Part 2 (LP, Vanguard VSD 79161 US Unknown Weavers Album) Reunion At Carnegie The AVRS 9202 Hall Part 2 (LP, Amadeo AVRS 9202 Austria Unknown Weavers Album) Reunion At Carnegie The tfl 6054 Hall, Part 2 (LP, Fontana tfl 6054 UK 1965 Weavers Album, Mono) Related Music albums to Reunion At Carnegie Hall, Part 2 by The Weavers The Weavers - Songs Of The USA Chicago - Chicago At Carnegie Hall (Volumes I, II, III And IV) The Weavers - at Carnegie Hall The Weavers And Terry Gilkyson - Across The Wide Missouri / On Top Of Old Smoky Chicago - Carnegie Hall box set Pete Seeger - We Shall Overcome Louis Armstrong - Louis Armstrong Live At Carnegie Hall Norman Rose, Pete Seeger, The Weavers - Train To The Zoo The Weavers - The Weavers At Carnegie Hall Liza Minnelli - At Carnegie Hall.
Recommended publications
  • “WOODY” GUTHRIE July 14, 1912 – October 3, 1967 American Singer-Songwriter and Folk Musician
    2012 FESTIVAL Celebrating labour & the arts www.mayworks.org For further information contact the Workers Organizing Resource Centre 947-2220 KEEPING MANITOBA D GOING AN GROWING From Churchill to Emerson, over 32,000 MGEU members are there every day to keep our province going and growing. The MGEU is pleased to support MayWorks 2012. www.mgeu.ca Table of ConTenTs 2012 Mayworks CalendaR OF events ......................................................................................................... 3 2012 Mayworks sChedule OF events ......................................................................................................... 4 FeatuRe: woody guthRie ............................................................................................................................. 8 aCKnoWledgMenTs MAyWorkS BoArd 2012 Design: Public Service Alliance of Canada Doowah Design Inc. executive American Income Life Front cover art: Glenn Michalchuk, President; Manitoba Nurses Union Derek Black, Vice-President; Mike Ricardo Levins Morales Welfley, Secretary; Ken Kalturnyk, www.rlmarts.com Canadian Union of Public Employees Local 500 Financial Secretary Printing: Members Transcontinental Spot Graphics Canadian Union of Public Stan Rossowski; Mitch Podolak; Employees Local 3909 Hugo Torres-Cereceda; Rubin MAyWorkS PuBLIcITy MayWorks would also like to thank Kantorovich; Brian Campbell; the following for their ongoing Catherine Stearns Natanielle Felicitas support MAyWorkS ProgrAMME MAyWorkS FundErS (as oF The Workers Organizing Resource APrIL
    [Show full text]
  • The Weavers Reunion at Carnegie Hall - 1963 Mp3, Flac, Wma
    The Weavers Reunion At Carnegie Hall - 1963 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Reunion At Carnegie Hall - 1963 Country: US Released: 2012 Style: Folk MP3 version RAR size: 1954 mb FLAC version RAR size: 1631 mb WMA version RAR size: 1306 mb Rating: 4.9 Votes: 844 Other Formats: MP1 XM WAV DXD AA DMF MMF Tracklist Hide Credits When The Saints Go Marching In A1 2:15 Written By, Adapted By – Fred Hellerman, Lee Hays, Pete Seeger, Ronnie Gilbert The Banks Of Marble A2 3:03 Written-By, Composed By – Les Rice Woke Up This Morning A3 2:48 Written-By, Adapted By – Bob Zellner Ramblin' Boy A4 4:15 Written-By, Composed By – Tom Paxton Poor Liza A5 2:41 Written-By, Adapted By – Tom Seven Train Time A6 5:00 Written-By, Composed By – Erik Darling Wimoweh A7 1:40 Written By, Adapted By – Fred Hellerman, Lee Hays, Pete Seeger, Ronnie Gilbert San Francisco Bay Blues B1 4:03 Written-By, Composed By – Jesse Fuller Guantanamera B2 Arranged By – Hector Angulo, Pete SeegerComposed By – TraditionalWritten-By – José 4:23 Marti* If I Had A Hammer B3 2:04 Written-By, Composed By – Lee Hays, Pete Seeger Come Away, Melinda B4 2:24 Written By, Composed By – Fred HellermanWritten-By, Composed By – Frank Minkoff Study War No More B5 2:34 Written By, Adapted By – Frank Hamilton , Fred Hellerman, Lee Hays, Ronnie Gilbert Goodnight Irene B6 3:58 Written-By, Composed By – Huddie Ledbetter, John A. Lomax 'Round The World B7 5:02 Written By, Adapted By – Bernard Krause*, Lee Hays, Pete Seeger, Ronnie Gilbert Companies, etc.
    [Show full text]
  • Max Neuhaus, R. Murray Schafer, and the Challenges of Noise
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 MAX NEUHAUS, R. MURRAY SCHAFER, AND THE CHALLENGES OF NOISE Megan Elizabeth Murph University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2018.233 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Murph, Megan Elizabeth, "MAX NEUHAUS, R. MURRAY SCHAFER, AND THE CHALLENGES OF NOISE" (2018). Theses and Dissertations--Music. 118. https://uknowledge.uky.edu/music_etds/118 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • Walt Whitman, John Muir, and the Song of the Cosmos Jason Balserait Rollins College, [email protected]
    Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Spring 2014 The niU versal Roar: Walt Whitman, John Muir, and the Song of the Cosmos Jason Balserait Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the American Studies Commons Recommended Citation Balserait, Jason, "The nivU ersal Roar: Walt Whitman, John Muir, and the Song of the Cosmos" (2014). Master of Liberal Studies Theses. 54. http://scholarship.rollins.edu/mls/54 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. The Universal Roar: Walt Whitman, John Muir, and the Song of the Cosmos A Project Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies by Jason A. Balserait May, 2014 Mentor: Dr. Steve Phelan Reader: Dr. Joseph V. Siry Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida Acknowledgements There are a number of people who I would like to thank for making this dream possible. Steve Phelan, thank you for setting me on this path of self-discovery. Your infectious love for wild things and Whitman has changed my life. Joe Siry, thank you for support and invaluable guidance throughout this entire process. Melissa, my wife, thank you for your endless love and understanding. I cannot forget my two furry children, Willis and Aida Mae.
    [Show full text]
  • The Great Animal Orchestra
    a n d 1 Produced in association with the BBC National Orchestra of Wales. The BBC National Richard Blackford & Bernie Krause Orchestra of Wales word mark and logo is a trademarks of the British Broadcasting Corporation and used under licence. BBC logo © BBC 2014. The Great Animal Orchestra Symphony for Orchestra and Wild Soundscapes Mixed on Bowers and Wilkins (B&W) speakers at Hoddinott Hall, Cardiff Soundscapes: Bernie Krause, Martyn Stewart, Curt Olsen, Louis Sarno and Ted Parker III Spectrogram: David Monacchi & Cover Graphics: Dawn Fidrick, Kat Krause Saint-Saëns, Carnival of the Animals SOUNDSCAPES by Bernie Krause used in The Great Animal Orchestra: Gibbons, Movement I In a new orchestration by Richard Blackford Camp Leakey, Borneo, Indonesia GPS: 2°45'51.29"S/111°56'16.45"E 22/03/91 04:55 Thunder, Movement I Corkscrew Swamp, Naples, FL, USA GPS: 26°21'11.96"N/81°36'27.06"W 9/05/99 14:22 Insects, Movement I BBC National Orchestra of Wales Ketambe, Sumatra, Indonesia GPS: 3°32'44.81"N/97°45'09.26"E 8/03/91 14:06 Leader Lesley Hatfield Humpback Whale, Movement I Maui, HI, USA GPS: 20°40'33.53"N/156°26'33.48"W 26/02/79 AM Pacific Tree Frogs, Movement II Martyn Brabbins, conductor Sonoma County, Glen Ellen CA, USA GSP: 38°22'28.15"N/122°31'34.41"W 17/04/10 20:06 Wolves, Movement III Haliburton Forest, ONT, Canada GPS: 45°13'25.41"N/78°35'25.31"W 24/03/07 07:10 Recorded at Hoddinott Hall, Cardiff on 14 & 21 July 2014 Screaming Piha, Movement IV Producers : Adrian Farmer & Richard Blackford KM 41 L-1, Brazil GPS: 2°24'23.72"S/60°07'48.27"W 7/02/90 17:00 Recording engineer : Huw Thomas Mixing engineer : James Collins The Great Animal Orchestra Symphony and Carnival of the Animals are published by Studio engineers : Cath McGhee and Mike Mallen Nimbus Music Publishing.
    [Show full text]
  • The Great Animal Orchestra: Finding the Origins of Music in the Worlds Wild Places Pdf, Epub, Ebook
    THE GREAT ANIMAL ORCHESTRA: FINDING THE ORIGINS OF MUSIC IN THE WORLDS WILD PLACES PDF, EPUB, EBOOK Bernie Krause | 288 pages | 06 Jun 2013 | Profile Books Ltd | 9781781250013 | English | London, United Kingdom The Great Animal Orchestra: Finding the Origins of Music in the Worlds Wild Places PDF Book Nov 22, Tara rated it it was amazing. Most sound recordists focus on recording individual species and the study of intact soundscapes is under resourced. Gallagher, M. Sort order. Log In Sign Up. Dec 26, Laura rated it really liked it Shelves: nonfiction , conservation , animals. This is the same neighbor with the air compressor that boots up too often in the course of a day. To see what your friends thought of this book, please sign up. It was in some ways very moving. I found it captivating, like a piece of music. Krause records soundscapes of forests and meadows before and after more subtle environmental degradation and compares the richness of each spectrograph, a graphic representation of the sounds he captures. It lasts much longer too, still audible on my recording well after two minutes of its initial appearance. More critically, he examines and demonstrates to us the wondrous acoustic communication mechanisms throughout the natural world and their practical, very real impact on a functional planet. He described an experiment done that connects stress to traffic and other 'city-type' noises. Animals - General. The very soundscapes Krause seeks out are by their nature richer and more varied than Roxborough at dusk. Really well written, shows how disconnected we are from the natural world through multiple ideas regarding how soundscapes work and connects us.
    [Show full text]
  • Acoustic Ecology by Jonah Raskin
    Here’s (and Ears) to the Bay Area Soundscape: A Journey Into the World of Acoustic Ecology By Jonah Raskin Sharon Perry and her husband Dan Dugan inhabit a converted warehouse with double walls to keep out the racket from a neighborhood wedged between Interstate 280 and Highway 101. Today, on the pavement outside their living and workspace, I don’t hear a bird chirp or tweet , but inside it’s another world. Perry and Dugan have a vast digital library of bird songs they’ve recorded across Northern California. At any time of day or night they can press a button and transform their stark urban environment into a rich auditory habitat. Right now they’re higher than kites. They’ve just returned from an expedition to a marsh in the Sierra Nevada where they taped cranes, ibises, pelicans, and snipes. Perry and Dugan didn’t spy a single snipe—a bird that perches invisibly among reeds— but they heard them. “The snipe makes an amazing winnowing sound,” Dugan tells me. “It came out of nowhere. We heard a snipe solo and then a whole orchestra of birds.” Dugan pressed a button and turned up the volume; instantly, I felt transported to a wild marsh. Tried and true members of the Nature Sounds Society, Perry and Dugan are near the very heart of the fast-growing field of “acoustic ecology” which studies the relationships between sounds, species, and geographical spaces. Acoustic ecologists listen to the “geophony” – the rumblings and grumblings of the earth itself including wind and rain – and the “biophony” – the cries and whispers made by living creatures, from whales and wolves to crickets and birds.
    [Show full text]
  • American Folk Music and the Radical Left Sarah C
    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 12-2015 If I Had a Hammer: American Folk Music and the Radical Left Sarah C. Kerley East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Cultural History Commons, Social History Commons, and the United States History Commons Recommended Citation Kerley, Sarah C., "If I Had a Hammer: American Folk Music and the Radical Left" (2015). Electronic Theses and Dissertations. Paper 2614. https://dc.etsu.edu/etd/2614 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. If I Had a Hammer: American Folk Music and the Radical Left —————————————— A thesis presented to the faculty of the Department of History East Tennessee State University in partial fulfillment of the requirements for the degree Masters of Arts in History —————————————— by Sarah Caitlin Kerley December 2015 —————————————— Dr. Elwood Watson, Chair Dr. Daryl A. Carter Dr. Dinah Mayo-Bobee Keywords: Folk Music, Communism, Radical Left ABSTRACT If I Had a Hammer: American Folk Music and the Radical Left by Sarah Caitlin Kerley Folk music is one of the most popular forms of music today; artists such as Mumford and Sons and the Carolina Chocolate Drops are giving new life to an age-old music.
    [Show full text]
  • VANGÚARD Joy in Itself." Bit Embarrassing
    phoned in his interjections during Cavara- ing. What Callas offers is a special strength Choir of St. John's College. Cambridge; dossi's aria). The Angelotti and Sciarrone and a special character-and these call for a Academy of St. Martin -in -the -Fields, George are adequate, the Spoletta passable, and the special evaluation. G. J. Guest cond. ARGO ZRG 5444 $5.98, RG shepherd weak. Prétre works well with the 444° $5.98. singers, and his tempos are always sensible RECORDING OF SPECIAL MERIT Performance: First-class and free of eccentricities. His way with the Recording: Atmospheric score bespeaks authority, and the opera Os PURCELL: Musk for the Chapel Stereo Quality: Fine comes to exciting life under his direction. Royal. The) that go down to the sea in And yet it somehow falls short of the abso- ships (Z. 57): Jihuta. gram multi sent Henry Purcell, in addition to holding other lute rightness of pacing. timing, and expres- hostes mei (Z. 135): Aly beloved spake (Z. positions, was an organist of the Chapel sion that De Sabata achieved. It must be 28): 0 sing unto the Lard a new song Royal and composed a considerable number said too that the Italian maestro had a more (Z. 44): Lord, hour lung tilt thou be angry of anthems for the Sunday services there. responsive orchestra at his command. (Z. 25): ll"hu bath believed our report (Z. The form of these pieces, which consist of In sum, this is an imperfect but thrilling 64). Roger Parker (treble); Charles Brett instrumental introductions, vocal solos, and performance that will once again bring to (countertenor); Robert Tear and Wilfred choruses.
    [Show full text]
  • Folk Music 1 Folk Music
    Folk music 1 Folk music Folk music Béla Bartók recording Slovak peasant singers in 1908 Traditions List of folk music traditions Musicians List of folk musicians Instruments Folk instruments Folk music is an English term encompassing both traditional folk music and contemporary folk music. The term originated in the 19th century. Traditional folk music has been defined in several ways: as music transmitted by mouth, as music of the lower classes, and as music with unknown composers. It has been contrasted with commercial and classical styles. This music is also referred to as traditional music and, in US, as "roots music". Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction.[1] This type of folk music also includes fusion genres such as folk rock, electric folk, and others. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two. Traditional folk music Definitions A consistent definition of traditional folk music is elusive. The terms folk music, folk song, and folk dance are comparatively recent expressions. They are extensions of the term folk lore, which was coined
    [Show full text]
  • Arlo Guthrie & the Klezmatics
    CAL PERFORMANCES PRESENTS Arlo Guthrie & Th e Klezmatics Holy Ground: Th e Spiritual Music of Woody Guthrie Tuesday, December 7, 8 pm, 2004 Zellerbach Hall Arlo Guthrie, vocals, guitar Abe Guthrie, multiple instruments Gordon Titcomb, multiple instruments Susan McKeown, guest vocalist Th e Klezmatics Matt Darriau, multiple instruments Lisa Gutkin, fi ddle David Licht, drums Frank London, trumpet Paul Morrissett, bass, tsimbl Lorin Sklamberg, vocals Tonight’s program will be announced from the stage. It will be approximately 1 hour and 50 minutes in length, and will include one intermission. Th is performance has been made possible in part by the Friends of Cal Performances. Cal Performances thanks the William and Flora Hewlett Foundation, Th e Wallace Foundation, and the Zellerbach Family Foundation for their generous support. CAL PERFORMANCES 19 ABOUT THE PROGRAM Holy Ground: The Spiritual Music of Woody them. “Holy Ground” highlights the songs in this Guthrie was drawn from the Woody Guthrie collection that focus on Hanukah. Archives, which contains scores of songs created Woody Guthrie’s favorite word was “union” by Guthrie but never recorded or formally written – in both the political and spiritual sense. He loved down. Among the archives is a recently discovered to delve into the connective tissue that bound collection of songs with Jewish themes ranging different peoples, races, religions and cultures. It from Hanukah and blintzes to the horrors of is in Woody’s spirit of union that “Holy Ground” World War II. Woody’s daughter Nora asked her continues to investigate disparate religious and brother Arlo and The Klezmatics to compose new spiritual worlds, always with his keen insight and music for these rediscovered lyrics and to perform great, good humor.
    [Show full text]
  • MEIEA 2008.Indd
    Journal of the Music & Entertainment Industry Educators Association Volume 8, Number 1 (2008) Bruce Ronkin, Editor Northeastern University Published with Support from Reviews Arthur Bernstein, Naoki Sekine, and Dick Weissman. The Global Music Industry: Three Perspectives. New York: Routledge, 2007. Tad Lathrop. This Business of Global Music Marketing: Global Strat- egies for Maximizing Your Music’s Popularity and Profi ts. New York: Billboard Books, 2007. https://doi.org/10.25101/8.9 The introduction to The Global Music Industry: Three Perspectives points out that many of the books having to do with music on a global scale are “academic books that discuss the relationship between music and politics.” Few titles approach the music industry from a world perspective, and only a handful attempt to parse out the diffi cult relationships that ex- ist between the cultural and political issues in non-Western music and the business of music in those cultures. The challenge, it seems, is to write a book on the global music in- dustry that deals with the micro and the macro; the political, cultural, and geographic; the nuts and bolts of how business is done in every corner of the “known universe” and the vagaries of doing business the way it’s done outside the mainstream “Western” way. It is a daunting task, but luckily not so intimidating that no one is willing to try; two books were released in 2007 that made the attempt. The Global Music Industry: Three Perspectives tries to tackle the whole world and cover the entire global industry (with the exception of Australia…more on that later).
    [Show full text]