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THE BEAT IS the LAW PULP: the BEAT IS the LAW FICHA TÉCNICA FICHA TÉCNICA the Beat Is the Law

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THE BEAT IS the LAW PULP: the BEAT IS the LAW FICHA TÉCNICA FICHA TÉCNICA the Beat Is the Law Primavera Musical Primavera Musical Colaboradores: Colaboradores: PULP: THE BEAT IS THE LAW PULP: THE BEAT IS THE LAW FICHA TÉCNICA FICHA TÉCNICA The Beat is the Law. Fanfare for the Common People. Reino Unido, 2011. Cor, 91 min. The Beat is the Law. Fanfare for the Common People. Reino Unido, 2011. Cor, 91 min. Xénero: Documental musical | Dirección e montaxe: Eve Wood | Guión: Richard Wood Xénero: Documental musical | Dirección e montaxe: Eve Wood | Guión: Richard Wood | Produción: Eve Wood, Richard Wood (Sheffield Vision) | Fotografía: Richard Heap | | Produción: Eve Wood, Richard Wood (Sheffield Vision) | Fotografía: Richard Heap | Participantes: Jarvis Cocker, Nick Banks, Richard Hawley, Rob Gordon Participantes: Jarvis Cocker, Nick Banks, Richard Hawley, Rob Gordon SINOPSE Nick Banks: O desemprego da Gran Breta- SINOPSE Nick Banks: O desemprego da Gran Breta- a ña de Thatcher foi un gran apoio das artes. a ña de Thatcher foi un gran apoio das artes. Festival de Glastonbury de 1995. Os Stone Festival de Glastonbury de 1995. Os Stone Nick Bax: só oíramos música de baile, non Nick Bax: só oíramos música de baile, non Roses caen do cartel e Rod Stewart non es- Roses caen do cartel e Rod Stewart non es- nos interesaba nada con guitarras. nos interesaba nada con guitarras. tá dispoñible. Substitutos de última hora, tá dispoñible. Substitutos de última hora, Pulp toma o escenario para facer fronte a Martin Bedford: Thatcher deulle a unha Pulp toma o escenario para facer fronte a Martin Bedford: Thatcher deulle a unha 80.000 persoas. Ofrecen un concerto consi- chea de xente algo contra o que loitar. 80.000 persoas. Ofrecen un concerto consi- chea de xente algo contra o que loitar. derado como un dos mellores da historia Mark Brydon: pagounos en anfetaminas e derado como un dos mellores da historia Mark Brydon: pagounos en anfetaminas e do festival culminando co himno desa épo- logo tiñamos que conducir de volta a casa. do festival culminando co himno desa épo- logo tiñamos que conducir de volta a casa. ca, Common People, e catapúltanse á van- ca, Common People, e catapúltanse á van- garda do movemento Britpop, un logro que Jarvis Cocker: para estar nun grupo nos 80 garda do movemento Britpop, un logro que Jarvis Cocker: para estar nun grupo nos 80 tiñas que tatuarte “perdedor” na cabeza. tiñas que tatuarte “perdedor” na cabeza. 10 anos atrás parecía un soño imposible. 10 anos atrás parecía un soño imposible. Eles son o punto de partida e eixo deste Jake Harries: Construír o estudo en reali- Eles son o punto de partida e eixo deste Jake Harries: Construír o estudo en reali- documental pero, máis aló de Pulp, The dade significaba encargarse de pedir o ce- documental pero, máis aló de Pulp, The dade significaba encargarse de pedir o ce- Beat is The Law é en realidade un docu- mento, os ladrillos e a madeira. Beat is The Law é en realidade un docu- mento, os ladrillos e a madeira. mental sobre unha época nun lugar deter- Richard Hawley: que puta diferencia ía mental sobre unha época nun lugar deter- Richard Hawley: que puta diferencia ía minado: Sheffield. Unha cidade que, du- marcar eu cunha guitarra. minado: Sheffield. Unha cidade que, du- marcar eu cunha guitarra. rante un tempo, foi un auténtico motor rante un tempo, foi un auténtico motor musical consecuencia dunha época, unha Sim Lister: non nos decatamos de que es- musical consecuencia dunha época, unha Sim Lister: non nos decatamos de que es- tabamos nunha enorme maquinaria que es- tabamos nunha enorme maquinaria que es- economía e unha maneira de facer política economía e unha maneira de facer política moi concretos. Tristemente similar aos no- peraba que fixésemos unha chea de cartos. moi concretos. Tristemente similar aos no- peraba que fixésemos unha chea de cartos. sos días. Polo menos eles tiveron un ciclo Nort: os ruídos rebotaban na habitación e sos días. Polo menos eles tiveron un ciclo Nort: os ruídos rebotaban na habitación e musical fantástico. había visuais por todas partes. musical fantástico. había visuais por todas partes. DJ Winston: Daquela a xente estaba pre- DJ Winston: Daquela a xente estaba pre- TESTEMUÑOS DOS ENTREVISTADOS disposta a oír calquera cousa musicalmente TESTEMUÑOS DOS ENTREVISTADOS disposta a oír calquera cousa musicalmente Ian Anderson: ninguén se sentou e dixo futurista. Ian Anderson: ninguén se sentou e dixo futurista. “ben, teño unha idea para un estudo de Ron Wright: os anos 80 consistiron en des- “ben, teño unha idea para un estudo de Ron Wright: os anos 80 consistiron en des- gravación, velaquí un plan de negocios”. truír as comunidades. gravación, velaquí un plan de negocios”. truír as comunidades. Sesións: Xoves 16, 20:30h no Torgal (gratis) · Martes 28, 20:30h na Biblioteca (2 €) Sesións: Xoves 16, 20:30h no Torgal (gratis) · Martes 28, 20:30h na Biblioteca (2 €).
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