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Ko Nz Erte Zeugha Us 2016 Z U Bitte mit € 0,45 freimachen E G H AUS E R Z T E K ON Stadt Neuss Der Bürgermeister Kulturamt Oberstraße 17 Neuss 41460 2 201 7 0 1 6 / www.zeughauskonzerte.de Name, Vorname Straße OrtPLZ, Telefon E-Mail ZEUGHAUSKONZERTE DER STADT NEUSS 2016/2017 Verbind liche Bestellung, Zutreffendes bitte ankreuzen PRO- Hiermit bestelle ich (Anzahl) Abonnements für die Zeughauskonzerte (10 Konzerte) Platzgruppe 1 | 281,00 € 1 Schüler | 30,00 € 2 GRAMM 0 Platzgruppe 2 | 235,00 € 2er-Clique | 48,00 € 16/ Platzgruppe 3 | 182,00 € 3er-Clique | 60,00 € 2 0 er-Clique | 20,00 € p.P. 1 7 Hiermit bestelle ich (Anzahl) Kombi-Abonnements für die Zeughauskonzerte und die Konzerte der 2016/ 2017 Deutschen Kammerakademie Neuss am Rhein Platzgruppe 1 | 439,00 € Platzgruppe 3 | 354,00 € Platzgruppe 2 | 422,00 € Platzgruppe 4 | 276,00 € PLATZWUNSCH Parkett Balkon Reihe Platz Zusätzlich zum Abonnement bestelle ich Einzelkarten (10% ermäßigt) für folgende Konzerte: Anzahl Datum Platzgruppe Anzahl Datum Platzgruppe Zeughaus Neuss Anzahl Datum Platzgruppe Anzahl Datum Platzgruppe Die Anmeldefrist für Abonnements und zusätzliche Einzelkarten ist der 05.08.2016. Die Abonnements verlängern sich auto- matisch für die folgende Saison, wenn sie nicht rechtzeitig gekündigt werden. 30 % Ermäßigung (bitte Nachweis beifügen) Teilnahme am Lastschriftverfahren (Unterlagen werden Ihnen übersendet) Zeughaus Markt 42–44 41460 Neuss Datum, Unterschrift ZEUGHAUSKONZERTE NEUSS PROGRAMM 2016/2017 Veranstalter Stadt Neuss – Der Bür ger meister Kulturamt / Oberstraße 17 / 41460 Neuss www.zeughauskonzerte.de 04/05 INTRO Liebe Besucherinnen und Besucher der Zeughauskonzerte! Die Frage, warum Musik an unsere Seele rührt, stellt sich Wie Sie wissen, brauchen wir neue Abonnenten und Besu- seit der Antike, und die Antworten unserer größten Geister cher, um auch in Zukunft den Bestand der traditionsreichen fallen allesamt höchst unterschiedlich aus. Erklärungsver- Konzertreihe sichern zu können. Es gibt so viele erstklassige suche, das auszusprechen, was letztlich unaussprechlich junge Musikerinnen und Musiker, sorgen Sie bitte mit dafür, ist: der glückhafte Augenblick der Erschütterung durch dass ihnen auch in Zukunft das Publikum nicht ausgeht. Musik, in dem der Hörende blitzartig seiner eigenen End- Erzählen Sie Verwandten, Freunden und Nachbarn von Ihren lichkeit inne wird. Voraussetzung für dieses Erlebnis ist der schönsten Konzerterlebnissen, die auch andere sich nicht ablenkungsfreie, reine und klare Vortrag, zwangsläufig in entgehen lassen sollten. Unser Angebot „Abonnenten werben höchster Qualität. Diese wollen wir auch in der nächsten Abonnenten“ gilt nach wie vor, machen Sie bitte Gebrauch Saison für Sie garantieren. Wiederum ist das Engagement davon . von Musikerinnen und Musikern der ersten Reihe gelungen, die die insgesamt 10 Abonnementkonzerte gestalten werden. Uns allen wünsche ich einen schönen Sommer und ein Das Format des im letzten Jahr begonnenen „besonderen Wiedersehen im September zur Eröffnung der nächsten Abends“ wird fortgesetzt mit dem spannenden Programm Saison . „Between Worlds“, das Avi Avital für Mandoline, Akkordeon und Schlagzeug erarbeitet hat – spannend genug für den Mit den besten Wünschen für eine gute Zeit Westdeutschen Rundfunk, der dieses Konzert als WDR- Kammerkonzert ausstrahlen wird. R. W. Eine weitere Kooperation ergab sich für das erste Konzert der Saison mit dem Belcea Quartet aus London: es wird im Rahmen der Muziekbiennale Niederrhein in Zusammen- arbeit mit den Konzerten der Paterskirche Kempen organi- siert. Darüber hinaus erwarten wir Streichersolisten wie Nicolas Altstaedt, Andrej Bielow, Adrian Brendel und Carolin Widmann sowie die Pianisten Kit Armstrong, Alexander Lonquich , Joseph Moog und Matan Porat. In großer und gemischter Bläser-Streicher-Besetzung wird das her vor ra gen- de Ensemble Oxalys Werke des französischen Symbolismus präsentieren, und als Weihnachtskonzert gibt es Tafelmusik europäischer Höfe von Versailles bis Wien zu bestaunen. Programmübersicht 06/07 ZEUGHAUSKONZERTE NEUSS PROGRAMM 2016/2017 Montag, 19. September 2016, 20 Uhr Donnerstag, 19. Januar 2017, 20 Uhr Belcea Quartet Der besondere Abend Between Worlds Dienstag, 4. Oktober 2016, 20 Uhr Avi Avital, Mandoline Nicolas Altstaedt, Violoncello Itamar Doari, Perkussion Jonathan Cohen, Cembalo Ksenija Sidorova, Akkordeon Freitag, 28. Oktober 2016, 20 Uhr Dienstag, 31. Januar 2017, 20 Uhr Ensemble Oxalys Alexandre Tharaud, Klavier Christianne Stotijn, Mezzo-Sopran Freitag, 17. Februar 2017, 20 Uhr Donnerstag, 17. November 2016, 20 Uhr Quatuor Hermès Joseph Moog, Klavier Matan Porat, Klavier Montag, 5. Dezember 2016, 20 Uhr Dienstag, 7. März 2017, 20 Uhr Elbipolis Barockorchester Hamburg Carolin Widman, Violine Alexander Lonquich, Klavier Freitag, 31. März 2017, 20 Uhr Trio Armstrong Bielow Brendel KONZERTEINFÜHRUNG Wer bereits vor dem Konzert eine Einführung in den Abend hören möchte, kann dies weiterhin jeweils 45 Minuten vor Konzertbeginn im oberen Foyer haben – zuverlässig, kompe- tent und verständlich mit Dr. Matthias Corvin. Montag, 19. September 2016 08/09 BELCEA QUARTET Das in London ansässige Belcea Quartet, eines der besten Corina Belcea, Violine Europas, eröffnet die Zeughauskonzertsaison im Rahmen Axel Schacher, Violine der deutsch-niederländischen Muziekbiennale, die in diesem Krzysztof Chorzelski, Viola Jahr unter dem beziehungsreichen Titel „MORGEN“ steht. Antoine Lederlin, Violoncello Das Programm reflektiert diese Idee, überwinden doch Schubert und Brahms in ihrem Quartettschaffen die zu ihrer 20 Uhr Konzerteinführung 19.15 Uhr durch Dr. Matthias Corvin Zeit jeweils gültigen Regeln und weisen so auf die Musik von morgen hin. Schostakowitschs erschütterndes, den Opfern des Faschismus gewidmetes 8. Streichquartett lässt ein Morgen Franz Schubert (1797–1828) nach der Katastrophe, einen Neuanfang, erhoffen. Streichquartett Nr. 10 Es-Dur op. 125 /1 D 87 Dmitri Schostakowitsch (1906–1975) In Kooperation mit der Stadt Kempen im Rahmen Streichquartett Nr. 8 c-Moll op. 110 der Muziekbiennale Niederrhein 2016 Johannes Brahms (1833–1897) Streichquartett Nr. 2 a-Moll op. 51 Foto: Ronald Knapp Foto: GESTERN UND MORGEN Dienstag, 4. Oktober 2016 10/11 NICOLAS ALTSTAEDT, VIOLONCELLO JONATHAN COHEN, CEMBALO Marco Borggreve Foto: 20 Uhr Konzerteinführung 19.15 Uhr durch Dr. Matthias Corvin Carl Philipp Emanuel Bach (1714–1788) Gambensonate g-Moll Wq 88 Henri Dutilleux (1916–2013) DES Trois strophes sur le nom de SACHER Johann Sebastian Bach (1685–1750) Sonate für Viola da gamba und Cembalo Nr. 2 D-Dur BWV 1028 CELLOS Benjamin Britten (1913–1976) Suite für Violoncello solo Nr. 3 op. 87 Johann Sebastian Bach Sonate für Viola da gamba und Cembalo Nr. 3 g-Moll BWV 1029 MEISTER Dass Nicolas Altstaedt, Weltreisender in Sachen Cello mit eng gestricktem Kalender, gefragter Kammermusikpartner und viel beschäftigter Leiter des Lockenhaus-Festivals, es dennoch immer wieder schafft, spannende neue Programme zusam- menzustellen, und damit nicht nur in die Metropolen, sondern auch ins Zeughaus zu kommen, verdankt sich seiner robusten Konstitution aus Konzentration und Unbeschwertheit. So finden sich zwischen den Bach’schen Gambensonaten geniale Solostücke von Dutilleux sowie die 3. Solosonate von Benjamin Britten, die endlich einmal in Neuss erklingen wird. Der universell ausgebildete Brite Jonathan Cohen ist Dirigent und ebenfalls Cellist; seine meisterliche Beherrschung des Cembalos wird er in diesem Programm unter Beweis stellen. DES CEMBALOS Foto: Marco Borggreve Foto: Freitag, 28. Oktober 2016 12/13 ENSEMBLE OXALYS Shirly Laub, Violine, Frédéric d’Ursel, Violine, Elisabeth Smalt, Viola, Martijn Vink, Violoncello, Koenraad Hofman, Kontrabass, Nathalie Lefèvre, Klarinette, Foto: Marco Borggreve Foto: Toon Fret, Flöte, Piet van Bockstal, Oboe, N.N., Harmonium, N.N., Perkussion, N.N., Klarinette, Jean-Claude Vanden Eynden, Klavier, Annie Lavoisier, Harfe CHRISTIANNE STOTIJN, MEZZO-SOPRAN 20 Uhr Konzerteinführung 19.15 Uhr durch Dr. Matthias Corvin Claude Debussy (1862–1918) Prélude à l’après-midi d’un faune Maurice Ravel (1875–1937) ZAUBER Trois Poèmes de Stéphane Mallarmé Maurice Ravel Introduction et Allegro Maurice Delage (1879–1961) DES SYMBO- Quatre Poemes hindous Arthur Honegger (1892–1955) Rhapsodie Ernest Chausson (1855–1899) LISMUS Chanson perpetuelle Henri Duparc (1848–1933) Invitation au voyage, Phidylé, Le manoir de Rosemonde (Bearbeitungen von Annelies Van Parys) Welchen Zauber erlesenen Raffinements die Musik des französischen Symbolismus hervorbrachte, lässt sich im Konzert des groß besetzten Ensemble Oxalys aus Brüssel erleben. Die verschlüsselten Welten Wagners, Baudelaires und Mallarmés spiegeln sich in den kostbaren Komposi- tionen dieses Konzerts, in den flirrenden Klängen viel zu selten aufgeführter Musik. Die Stimme Christianne Stotijns moduliert mühelos zwischen Femme fragile und Femme fatale, Solistin zwar, aber immer auch Teil der Klangfarben des Ensembles und des Gesamtkunstwerks. Foto: Marco Borggreve Foto: Donnerstag, 17. November 2016 14/15 JOSEPH MOOG, KLAVIER 20 Uhr Konzerteinführung 19.15 Uhr durch Dr. Matthias Corvin Thommy Mardo Foto: Ferruccio Busoni (1866–1924) Choralvorspiel „Nun komm‘, der Heiden Heiland“ BWV 659 Joseph Haydn (1732–1809) Fantasie C-Dur Hob. XVII Nr. 4 Ludwig van Beethoven (1770–1827) Fünfzehn Variationen mit Finale alla Fuga über ein Originalthema Es-Dur op. 35 Max Reger (1873–1916) Träume am Kamin op. 143 Claude Debussy (1862–1918) L’Isle Joyeuse Der Pianist Joseph Moog bleibt Neuss und dem Zeughaus trotz internationaler
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