2015-2016 Undergraduate Catalog
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Mold Madness NASHVILLE, Tenn
TODAY’S WEATHER Jazz musicians serenadednaded (4) VANDERBILT vs. (13) SIENA Justin Poythress Today, 7:10 p.m. EDT shares his top 10 waysays The Commons llastast night … to pass the time in a For more, see News, pageage 3 Read about Vandy’s matchup with Siena boring class … Mostly Sunny, 70/49 For more, see Sports, page 6 For more, see Opinion, page 4 Extended forecast, page 2 THETHE VOICE OF VANDERBILT SINCE 1888 '3*%": ."3$) tTH YEAR, NO. 28 THE WALL NATIONAL NEWS BRIEF compiled by LAKENDRA SCOTT Gibson Guitar sues retailers THIS WEEK over ‘Guitar Hero’ video game ‘A Time to Heal’ Amnesty International Mold madness NASHVILLE, Tenn. — Gibson Guitar Corp. is selling flags on the Freshmen in Kissam Quad — like many of their predecessors — is suing Wal-Mart Stores Inc. and five other Wall from 11 a.m. to 2 major retailers that sell the Activision “Guitar p.m. in order to raise fight with issues of mold and mildew. Hero” game, claiming it violates a patent held awareness for the by the Nashville-based company. rape epidemic in the by ARYEH HILLMAN senior director of housing facilities, Kramka, feel there are principally A federal lawsuit filed Monday claims Wal-Mart, Democratic Republic Contributing Reporter operation and management. three reasons for the mold growth in Target Corp., Kmart, Amazon.com, GameStop of the Congo in their “When the weather changes, when Kissam Quad. Corp. and Toys R Us should stop selling the campaign “A Time Kissam and mold. About 600 it gets colder outside, windows, And one of those is adherence to game, The Associated Press reported. -
Archived 2011/2012 Undergraduate Catalog
Catalog 2011/2012 Archived Undergraduate Vanderbilt University Undergraduate Catalog Calendar 2011/2012 FALL SEMESTER 2011 Deadline to pay fall charges / Wednesday 17 August Orientation begins for new students / Saturday 20 August Classes begin / Wednesday 24 August Registration ends / Tuesday 30 August, 11:59 p.m. Family Weekend / Friday 16 September–Sunday 18 September Fall break / Thursday 6 October–Friday 7 October Homecoming and related activities / Monday 17 October–Saturday 22 October Thanksgiving holidays / Saturday 19 November–Sunday 27 November Classes end / Thursday 8 December Reading days and examinations / Friday 9 December–Saturday 17 December Fall semester ends / Saturday 17 December SPRING SEMESTER 2012 Deadline to pay spring charges / Thursday 5 January Classes begin / Monday 9 January Registration ends / Sunday 15 January, 11:59 p.m. Spring holidays / Saturday 3 March–Sunday 11 March Classes end / Monday 23 April Reading days and examinations / Tuesday 24 April–Thursday 3 May Commencement / Friday 11 May MAYMESTER 2012 Classes begin / Monday 7 May Classes end; examinations / Friday 1 June Catalog SUMMER SESSION 2012 Classes begin in Arts and Science, Blair, and Engineering2011/2012 / Tuesday 5 June Module I begins in Peabody / Monday 11 June Examinations for first-half courses / Friday 6 July Second-half courses begin / Tuesday 10 July Examinations for second-half and full-term summer courses / Friday 10 August Archived Undergraduate Undergraduate Catalog College of Arts and Science Blair School of Music School of Engineering -
Givens Playbills
Givens Collection Playbills/Programs Box 1 Abbott, George: The Pajama Game. Lunt-Fontanne Theatre. 1974. Aiken, G.L.: Uncle Tom’s Cabin. The Alvin Theatre, New York. 1933. Ailey, Alvin: The Alvin Ailey American Dance Theatre. Souvenir Book Publishers Inc., New York. Anderson, Maxwell: Lost in the Stars. The Playwrights’ Company, New York. 19450. Baker, Josephine. Josephine Baker and Her International Revue. Baldwin, James: • The Amen Corner. Los Angeles. 1964 • The Amen Corner. Ethel Barrymore Theatre. 1965. • Blues for Mister Charlie. Anta Theatre, New York. 1964. Ballets Africains. New York. Belafonte, Harry. Belafonte at the Palace. A Belafonte Enterprises, Inc. Production. 1959. The Biggest Show of ’51. Souvenir program with signatures. Blake, Eubie: Eubie! Ambassador Theatre, New York. 1979. Broadway Answers Selma. Majestic Theatre, New York. Brown, William F.: The Wiz. Majestic Theatre, New York. 1974. Bullins, Ed • The Electronic Nigger and Others. The American Palace Theatre, New York. 1968. • House Party (2 copies). The American Palace Theatre, New York. 1973. Café Society Downtown. New York. Carnegie Hall (Charlie Parker Memorial Concert). New York. 1955. D’Usseau, Arnaud & Gow, James: Deep are the Roots. The Fulton Theatre, New York. 1946. Davis, Ossie • Purlie Victorious. The Longacre Theatre. 1962. • Purlie. 1970. Duberman, Martin B.: In White America. Sheridan Square Playhouse, New York. Dunham, Katherine • The Playbill for the Martin Beck Theatre. Cabin in the Sky. New York. 1940. • Program for Katherine Dunham and her company in a tropical revue. Martin Beck Theatre, New York. 1943. • S. Hurok presents Katherine Dunham and her Company in Tropical Revue with Bobby Capo Dowdy Quartet. -
Elizabeth A. Schor Collection, 1909-1995, Undated
Archives & Special Collections UA1983.25, UA1995.20 Elizabeth A. Schor Collection Dates: 1909-1995, Undated Creator: Schor, Elizabeth Extent: 15 linear feet Level of description: Folder Processor & date: Matthew Norgard, June 2017 Administration Information Restrictions: None Copyright: Consult archivist for information Citation: Loyola University Chicago. Archives & Special Collections. Elizabeth A. Schor Collection, 1909-1995, Undated. Box #, Folder #. Provenance: The collection was donated by Elizabeth A. Schor in 1983 and 1995. Separations: None See Also: Melville Steinfels, Martin J. Svaglic, PhD, papers, Carrigan Collection, McEnany collection, Autograph Collection, Kunis Collection, Stagebill Collection, Geary Collection, Anderson Collection, Biographical Sketch Elizabeth A. Schor was a staff member at the Cudahy Library at Loyola University Chicago before retiring. Scope and Content The Elizabeth A. Schor Collection consists of 15 linear feet spanning the years 1909- 1995 and includes playbills, catalogues, newspapers, pamphlets, and an advertisement for a ticket office, art shows, and films. Playbills are from theatres from around the world but the majority of the collection comes from Chicago and New York. Other playbills are from Venice, London, Mexico City and Canada. Languages found in the collection include English, Spanish, and Italian. Series are arranged alphabetically by city and venue. The performances are then arranged within the venues chronologically and finally alphabetically if a venue hosted multiple productions within a given year. Series Series 1: Chicago and Illinois 1909-1995, Undated. Boxes 1-13 This series contains playbills and a theatre guide from musicals, plays and symphony performances from Chicago and other cities in Illinois. Cities include Evanston, Peoria, Lake Forest, Arlington Heights, and Lincolnshire. -
King Oliver, Jelly Roll, and Satchmo 14 3 Bix, Austin High, and Chicago Style 31 4 Pops and Smack 41
THE JAZZ AGE This page intentionally left blank ARNOLD SHAW THE JAZZ AGE Popular Music in the 1920's Oxford University Press New York Oxford OXFORD UNIVERSITY PRESS Oxford New York Toronto Delhi Bombay Calcutta Madras Karachi Petaling Jaya Singapore Hong Kong Tokyo Nairobi Dar es Salaam Cape Town Melbourne Auckland and associated companies in Berlin Ibadan Copyright © 1987 by Ghita Milgrom Shaw First published in 1987 by Oxford University Press, Inc., 200 Madison Avenue, New York, New York 10016 First issued as an Oxford University Press paperback, 1989 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press, Inc. Library of Congress Cataloging-in-Publication Data Shaw, Arnold. The Jazz Age. Bibliography: p. Includes index. 1. Music, Popular (Songs, etc.)—United States—History and criticism. 2. Jazz music—United States. 3. Musical revue, comedy, etc.— United States. 4. United States—History—1919-1933. I. Title. ML3477.S475 1987 780'.42'0973 86-33234 ISBN 0-19-503891-6 ISBN 0-19-506082-2 (pbk.) Lyrics from "Night and Day" by Cole Porter © 1921 Warner Bros. Inc. (Renewed). All Rights Reserved. Used by permission. "I've Come to Wive it Wealthily in Padua" by Cole Porter, Copyright © 1948 by Cole Porter. Copyright Renewed & Assigned to John F. Wharton, as Trustee of the Cole Porter Musical & Literary Property Trusts. Chappell & Co., Inc., owner of publication and allied rights throughout the world. -
Dramatic Mirror, November 7, 1891, P. 8. 2. Helen Ten Broeck, “Rida Young—Dramatist and Garden Expert,” Theatre (April 1917): 202
NOTES INTRODUCTION 1. Ali Baba, “Mirror Interview: XXI—Martha Morton,” Dramatic Mirror, November 7, 1891, p. 8. 2. Helen Ten Broeck, “Rida Young—Dramatist and Garden Expert,” Theatre (April 1917): 202. 3. See Progressive Era at http://www.wikipedia.com. 4. Rachel Crothers (1878–1958), considered America’s first modern feminist playwright for her social comedies and woman-centered themes, is the only woman usually included within the “canon” of playwrights during the Progressive Era. Her production in 1906 of The Three of Us marked the beginning of a thirty-year career as a professional playwright and director in American theater. Her plays were well-constructed and dealt with pertinent issues of the time, such as the unfairness of the double standard and women’s conflicts between career and motherhood; her plays are still revived today. Unlike the other women in this study who are essentially “unknown,” Crothers has been extensively written about in dissertations and journals and, therefore, is not included in this study. For a recent arti- cle on Crothers, see Brenda Murphy, “Feminism and the Marketplace: The Career of Rachel Crothers,” in The Cambridge Companion to American Women Playwrights, ed. Brenda Murphy (New York: Cambridge University Press, 1999), 82–97. 5. About fifty-one women dramatists achieved two or more productions in New York between 1890 and 1920. Portions of this chapter are from Sherry Engle, “An ‘Irruption of Women Dramatists’: The Rise of America’s Woman Playwright, 1890–1920,” New England Theatre Journal 12 (2001): 27–50. 6. A prime example is Morton’s The Movers (1907), which despite being a box office failure, was defended by several prominent critics. -
Looking Back on What Bilotta Built
TODAY’S WEATHER Women’s AndrewA Solomon complains Derby Days continues basketball about the low ranking to spread zeal through continues to VanderbiltVa women got on the sororities on campus … For more, see News, pagee 3 dominate … hohottest student bodies list … IsolatedIso T-Storms, 62/45 For more, see Sports, page 6 For more, see Opinion, page 4 Extended forecast, page 2 THETHE VOICE OF VANDERBILT SINCE 1888 '3*%": ."3$) tTH YEAR, NO. 31 THE WALL NATIONAL NEWS BRIEF compiled by SARA GAST Looking back on what Security lapse exposes TODAY Free Speech Friday Facebook photos “We are Vanderbilt” continues on Rand SAN FRANCISCO — A security lapse made it Terrace from noon Bilotta built possible for unwelcome strangers to peruse to 1 p.m. where personal photos posted on Facebook Inc.’s students can stand up popular online hangout, circumventing a and speak out with Senior and former Vanderbilt recent upgrade to the Web site’s privacy students, faculty and controls. staff. Students are Student Government President The Associated Press verified the loophole encouraged to wear Cara Bilotta reflects on her year after receiving a tip from a Byron Ng, a “We are Vanderbilt” Vancouver, Canada, computer technician. T-shirts. as VSG’s first leader. Ng began looking for security weaknesses last week after Facebook unveiled more ways for 67 million members to restrict access to their TODAY personal profiles. Lambda Drag Show But the added protections weren’t enough to prevent Ng from pulling up the most recent The 13th annual pictures posted by Facebook members and Vanderbilt Lambda their friends, even if the privacy settings were Association Drag set to restrict the audience to a select few. -
The Theatre Magazine; an Analysis of Its Treatment of Selected Aspects of American Theatre
This dissertation has been 63-3305 microfilmed exactly as received MEERSMAN, Roger Leon, 1931- THE THEATRE MAGAZINE; AN ANALYSIS OF ITS TREATMENT OF SELECTED ASPECTS OF AMERICAN THEATRE. University of Illinois, Ph.D., 1962 Speech-Theater University Microfilms, Inc.. Ann Arbor. Michigan aa*" *i Copyright by ROGER LEON MEERSMAN 1963 _ < -.-• J-1'.-. v» •>; I, THE THEATRE MAGAZINE: AN ANALYSIS OF ITS TREATMENT OF SELECTED ASPECTS OF AMERICAN THEATRE BY ROGER LEON MEERSMAN B.A., St. Ambrose College, 1952 M.A. , University of Illinois, 1959 THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Speech in the Graduate College of the University of Illinois, 1962 Urbana, Illinois UNIVERSITY OF ILLINOIS THE GRADUATE COLLEGE September 20, 1962 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION Ttv Roger Leon Meersman FNTTTT.PX> The Theatre Magazine: An Analysis of Its Treatment of Selected Aspects of American Theatre BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE rw Doctor of Philosophy ./$<j^Y±4S~K Afc^r-Jfr (A<Vf>r In Charge of Thesis yrt rfnSSL•o-g^ . Head of Department Recommendation concurred inf Cw .MluJ^H, ^ya M< Committee ( WgJrAHJ- V'/]/eA}tx.rA on UP, ^A^k Final Examination! fl. ^L^^fcc^A f Required for doctor's degree but not for master's DS17 iii ACKNOWLEDGMENTS I sincerely wish to thank the members of my committee, Professors Karl Wallace, Wesley Swanson, Joseph Scott, Charles Shattuck and Marvin Herrick for establishing high standards of scholarship and for giving me valuable advice in the courses I took from them. -
Gee Headed Five Major U.S. Universities
vanderbilt students using email ★ SEE lifestyle PAGE 10 The Vanderbilt Huslter VOLUME 115, NUMBER 16 THE VOICE OF VANDERBILT ★ THE STUDENT CROSSWORD OF VANDERBILT UNIVERSITY SINCE 1888 TUESDAY, MARCH 11, 2003 TODAY’S FORECAST 40°AM 57°PM 42°tonight Partly Cloudy Chance of rain 20 percent ★ ★ ★ GEE DEAD Heart attack cuts short Death of beloved EXTENDED life of husband, father Chancellor rocks VU FORECAST By EVAN MAYER By MEREDITH BURGER Wednesday Light rain. The heart attack that cut short the life of E. News of the tragic death of Chancellor E. Gordon High in the lower 50s. Gordon Gee was completely unexpected, say Gee first reached students late Monday night, where Low in the lower 40s. University officials and wife Constance. Constance the sad message was passed mostly by email and Chance of rain 60 percent. delivered a prepared statement at a press confer- phone calls. Many students have expressed great ence held today saying, "Up until the end, he was sadness at the loss of the Chancellor they loved. the picture of health. Vibrant and full of zeal." Gee, who since 2000 has been Chancellor of Thursday The death was a shock to the entire University Partly cloudy. Vanderbilt, died suddenly at his home yesterday at community, who since learning of the Chancellor's High in the lower 60s. the age of 59. It is thought that he suffered a heart death late Monday night have been sharing stories Low in the lower 40s. attack shortly after returning home at 8pm last of the beloved Chancellor. Chance of rain 30 percent. -
The Magazine of Vanderbilt University's College of Arts And
artsandS CIENCE The magazine of Vanderbilt University’s College of Arts and Science SPRING 2009 spring2008 artsANDSCIENCE 1 whereAER YOU? DANIEL DUBOIS Answer found on the back cover tableOFN CONTE TS SRN P I G 2009 20 12 6 30 6 Stay, Root and Invest departments Carolyn Dever, the new dean of the College of Arts and Science, A View from Kirkland Hall 2 embraces opportunities and relationships. Arts and Science Notebook 3 Open Book 5 8 2 1 Arts and Science in the World Beyond a Rock and a Frozen Place Five Minutes With… 10 Molly Miller makes Earth science come alive, even in the coldest spot on the planet. Up Close 14 Great Minds 16 0 2 The Convergence of Arts and Science Rigor and Relevance 18 And the Award Goes To 26 When the natural sciences, humanities and social sciences intersect, Forum 28 the road leads to learning, creativity and original thought. First Person 30 Giving 32 artsANDSCIENCE© is published by the College of Arts and Science at Vanderbilt University Back in the Day 34 in cooperation with the Office of Development and Alumni Relations Communications. You In Place 36 may contact the editor by e-mail at [email protected] or by U.S. mail 38 at PMB 407703, 2301 Vanderbilt Place, Nashville, TN 37240-7703. Parting Shot Editorial offices are located in the Loews Vanderbilt Office Complex, 2100 West End Ave., Suite 820, Nashville, TN 37203. Nancy Wise, EDITOR Donna Pritchett, ART DIRECTOR Jenni Ohnstad, DESIGNER Neil Brake, Daniel Dubois, Steve Green, Jenny Mandeville, John Russell, PHOTOGRAPHY Carolyn Dever, DEAN Jonathan S. -
Online Finding
Dramatic Museum -- Ephemera [ca. 1750]-1970. 7 series. Material on Microfilm: 317 Posters filmed on 157 microfiche ( funded by the New York State Program for the Conservation and Preservation of Library Research Materials). Restriction on Use: Readers must use the fiche copies of posters, in draper A fj^f/ on bctlcotg ,o d^r Summary: A collection of prints, photographs, pamphlets, clippings, playbills, and programs dealing with the theater, chiefly American and English, in all its aspects including drama, opera, dance, movies, puppets, and spectacles. The majority of the material documents the 19th century. This collection is divided into seven series: Portrait file; Subject file; Program file; Scrapbook file; Playbill file; Poster file; and Lantern slides file. Finding Aid: List of Program File, Playbills, and Posters. 33 pages. Source: Transferred from Brander Matthews Dramatic Museum, 1971 (numerous cabinet photographs were gifts from Edna Elliot and Alex Waugh from the estate of Dr. James Randolph Miller). Series Descriptions: Portrait File: Prints and photographs of actors, actresses, playwrights, composers, opera stars, movie stars, dancers and other performing artists. The portraits are arranged by name in three groups. 1) Prints and Photographs [60% American; 40% English and others] 2) Cabinet Photographs [75% American; 25 % English and others] 3) Carte de Visite Photographs and Prints [90% American; 10% English and others] (ca. 34,500 items) Finding Aid: Card Catalog of Names And Locations. v Subject File: Clippings, pamphlets, programs, prints, and photographs arranged by name and subject. Included are many prints and photographs of scenes from plays. There are extensive files on Shakespeare and Moliere. -
Phillip Graneto Broadway Theater Collection
Phillip Graneto Broadway Theater Collection NMAH.AC.1486 Franklin A. Robinson, Jr. 2021 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Content Description.......................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Dixey, Henry E., actor, 1885-1937........................................................... 4 Series 2: Varieties Theatre (New Orleans, Louisiana), 1868................................... 5 Series 3: Oversize Motion Picture and Theater Programs and Sheet Music, 1924-1929................................................................................................................