The Perfectionist Constellation: How Perfectionists Describe, Understand, Experience and Imagine Relationships

Total Page:16

File Type:pdf, Size:1020Kb

The Perfectionist Constellation: How Perfectionists Describe, Understand, Experience and Imagine Relationships The Perfectionist Constellation: How Perfectionists Describe, Understand, Experience and Imagine Relationships Alice Georgina Marsh Wordcount: 34,508 (including all quotes and in text referencing) A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Professional Doctorate in Counselling Psychology Faculty of Health and Life Sciences, University of the West of England, Bristol - May 2018 0 1. Contents 1. Contents .................................................................................................................................................... 1 2. Acknowledgements .............................................................................................................................. 3 3. Abstract ..................................................................................................................................................... 4 4. Introduction ............................................................................................................................................ 6 5. Literature Review.................................................................................................................................. 8 a) Definition and Effects of Perfectionism ............................................... ………….8 b) Interpersonal Effects of Perfectionism ............................................................. 10 c) Mental Illness and Perfectionism ........................................................................ 12 d) Suicidality and Perfectionism ............................................................................... 14 e) Early Experience of Perfectionists ...................................................................... 16 Psychotherapeutic Models and Theories applied to Perfectionism ............... 17 f) Cognitive Behavioural Model ................................................................................ 18 Fig. 1 - Cognitive Model of Perfectionism……………………………………….……18 g) Psychoanalytic Theory ............................................................................................ 19 Fig. 2 - Triangle of Conflict and Triangle of Persons…………………………….21 h) Trauma Theory ........................................................................................................... 23 i) Attachment Theory ................................................................................................... 24 j) Attachment and Perfectionism ............................................................................. 26 k) Cognitive Analytic Therapy ................................................................................... 27 l) Schema Therapy ......................................................................................................... 29 m) Therapy with Perfectionists .................................................................................. 31 n) Missing Perfectionist Voices .................................................................................. 37 6. Rationale ................................................................................................................................................. 39 7. Aim ............................................................................................................................................................ 42 8. Methodology.......................................................................................................................................... 43 a) Research Philosophy ................................................................................................ 43 b) Reflexive Statement .................................................................................................. 44 c) Methodological Considerations ........................................................................... 47 Fig. 3 - Data Analysis Spiral……………………………………………………………….. 49 d) Research Design and Strategy .............................................................................. 50 e) Research Ethics .......................................................................................................... 50 f) Interviewee Recruitment ....................................................................................... 50 g) Interviewee Demographics .................................................................................... 51 h) Data Collection ............................................................................................................ 52 i) The Interviews ............................................................................................................ 52 j) Data Analysis ............................................................................................................... 55 9. Analysis and Discussion .................................................................................................................... 58 Fig. 4 -Table of Results – Coded examples within each subtheme………….59 i. Challenging relationship experiences from the past ........................................ 66 1 a) Parents in conflict with one another…………………………………………………66 b) Difficult to understand parent………………………………………………….………70 c.) Difficult to please parent…………………………………………………………………73 d) Difficult to reach parent…………………………………………………….…………….76 e) Traumatic events in relationship………………………………………….………....79 ii. Feeling unpleasant sensations and emotions in the past and present…...….81 a) Feeling disappointed, misunderstood and not listened to by others….82 b) Feeling angry, hurt, sad and vulnerable because of others………….…….83 c) Feelings of anxiety and fear for and of others…………………………………..85 d) Feelings of distress and being in crisis……………………………………………..90 iii. Ongoing habits impacting on relationships ......................................................... 96 a) Expecting disappointment and feeling suspicious of others……………...96 b) Exasperating others through striving………………………………………………98 c) Avoiding others…………………………………………………………………………….104 d) Evaluating, comparing and criticising the self and others......…………...107 Fig. 5 Interaction of Themes and Relationship Outcomes………………………114 Fig 6. Life context mediates relationship experience and response………..120 10. Conclusions ......................................................................................................................................... 133 11. References ........................................................................................................................................... 142 12. Appendices .......................................................................................................................................... 165 Appendix 1 – Journal Article………………………………………………………………165 Appendix 2 – 15-point Criteria for Good Thematic Analysis…………………188 Appendix 3 – Ethical Approval……………………………………………………………190 Appendix 4 – Interview Schedule………………………………………………………..192 Appendix 5 – Local Look Participant Recruitment Advert……………...….....194 Appendix 6 – Participant Recruitment Website Screenshots…….…………..195 Appendix 7 – Facebook & LinkedIn Messages……………………………………...198 Appendix 8 - Participant Consent Form…………………….…………………………199 Appendix 9 - Participant Personal Information Form………………………...…200 Appendix 10 – Participant Research Project Information Sheet………….…201 Appendix 11 – Further Information about Perfectionism……………………...205 Appendix 12 – Examples of the Coding Process……………………………..……..206 2 2. Acknowledgements I would like to thank my research supervisors Zoe Thomas, Nigel Williams and Andrea Halewood; practice supervisors Jenifer Elton-Wilson, Katherine Christie, Jan Robertson and Phil Johnston-Smith; my friends Sandy Cotter, Liz Martins, Anne Suddick, Charlotte Browne, Charlotte Lloyd-Perry, Emily Dawson, Katie Fathers, Mandy Savin, Monica Zuluaga, Morgan Lloyd-Malcolm, Paul Knight, Penny Ricketts and Rachael Browne. Thank you to my twelve interviewees for their bravery and honesty. The experience was humbling and I am indebted to them for their time and the trust they put in me. This thesis is dedicated to Roger and Jennifer Marsh for their support and encouragement and to the bright memory of Lucy Coombs. 3 3. Abstract In this qualitative Counselling Psychology study, I interviewed twelve self-identified perfectionists to explore how they describe, understand, experience and imagine relationships. Nine female and three male interviewees aged between 33 and 67 were recruited through a purpose-built website, social media, press advertising and word-of- mouth. The interviews were qualitative, semi-structured and relational. The interview transcripts were inductively analysed from a critical realist perspective using Braun and Clarke’s guide for thematic analysis (Braun & Clarke 2013). The study sought to give voice to perfectionist relationship experience and illuminate the possible impacts of this for relating and relationships (including therapeutic relationships). The analysis produced three main themes: i. Challenging relationship experiences from the past, ii. Feeling unpleasant sensations and emotions in the past and present and iii. Ongoing habits impacting on relationships. This study considers the interviewees relational experiences in depth and how well available theory applies to, or accounts for these experiences. It also identifies areas of their experience that current theory does not account for. It recommends pragmatic, limited and
Recommended publications
  • DAVID WILLIAMSON Is Australia's Best Known and Most Widely
    DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo.
    [Show full text]
  • Helen Christinson Caroline Craig Kate Jenkinson Katrina Milosevic Jacki
    A A Helen Christinson CastKatrina Milosevic The Bride Bridesmaid Helen graduated from QUT’s Acting program in 2004. While at QUT A graduate of NIDA, Katrina has appeared in JULIUS CAESAR and she was fortunate enough to work with such directors as Michael ANToNY & CLEoPATRA for the Bell Shakespeare Co, MACBETH and Gow, Jennifer Flowers, Karen Crone and Sean Mee on shows in- FAT PIG for the STC, WoYZECK for the MTC, THE MAIDS for 20/20 cluding Live Acts on Stage, The Winter’s Tale, Roberto Zucco andThe Theatre, ALIvE AT WILLIAMSToWN PIER for Griffin Theatre and the Rocky Horror Picture Show. Ensemble’s premier production of David Williamson’s oPERAToR. After graduating from QUT Helen played the dual role of Ellen and Sarmitte in LaBoite’s The Drowning Bride, directed by Michael Her television credits include BIG SKY, THE GAMES, BLUE HEELERS Futcher. Helen has also worked at QTC, again under the direction and regular role, Sophie Novak in STINGERS for which she received of Michael Gow, playing Amanda in Private Lives, a co- production a 2004 Logie Award Nomination, and as victoria in the telemovie with STCSA, and the seductive widow- next- door, Fanny Wilton in Little oberon. Ibsen’s John Gabriel Borkman. She has also delved into her darker side playing Lena in the Stablemates’ production of Marius von Mayenberg’s The Cold Child, directed by Anthony Skuse. Helen’s film credits include Rapid Fear, Endurance Island, The Underdog’s Tale and Harrisville. She has also appeared in the short film The Pitch. Helen was thrilled last year to be cast in MTC’s The 39 Steps under the direction of Maria Aitken.
    [Show full text]
  • Biographical Information
    BIOGRAPHICAL INFORMATION ADAMS, Glenda (1940- ) b Sydney, moved to New York to write and study 1964; 2 vols short fiction, 2 novels including Hottest Night of the Century (1979) and Dancing on Coral (1986); Miles Franklin Award 1988. ADAMSON, Robert (1943- ) spent several periods of youth in gaols; 8 vols poetry; leading figure in 'New Australian Poetry' movement, editor New Poetry in early 1970s. ANDERSON, Ethel (1883-1958) b England, educated Sydney, lived in India; 2 vols poetry, 2 essay collections, 3 vols short fiction, including At Parramatta (1956). ANDERSON, Jessica (1925- ) 5 novels, including Tirra Lirra by the River (1978), 2 vols short fiction, including Stories from the Warm Zone and Sydney Stories (1987); Miles Franklin Award 1978, 1980, NSW Premier's Award 1980. AsTLEY, Thea (1925- ) teacher, novelist, writer of short fiction, editor; 10 novels, including A Kindness Cup (1974), 2 vols short fiction, including It's Raining in Mango (1987); 3 times winner Miles Franklin Award, Steele Rudd Award 1988. ATKINSON, Caroline (1834-72) first Australian-born woman novelist; 2 novels, including Gertrude the Emigrant (1857). BAIL, Murray (1941- ) 1 vol. short fiction, 2 novels, Homesickness (1980) and Holden's Performance (1987); National Book Council Award, Age Book of the Year Award 1980, Victorian Premier's Award 1988. BANDLER, Faith (1918- ) b Murwillumbah, father a Vanuatuan; 2 semi­ autobiographical novels, Wacvie (1977) and Welou My Brother (1984); strongly identified with struggle for Aboriginal rights. BAYNTON, Barbara (1857-1929) b Scone, NSW; 1 vol. short fiction, Bush Studies (1902), 1 novel; after 1904 alternated residence between Australia and England.
    [Show full text]
  • The Unexpected Feminist
    & THE UNEXPECTED FEMINIST by VAN BADHAM A response to: The Removalists by David Williamson Copyright Details First published in 2014 by Currency Press Pty Ltd, PO Box 2287, Strawberry Hills, NSW, 2012, Australia [email protected] www.currency.com.au ‘The Unexpected Feminist’ © Van Badham, 2014 Copying for EduCational purposEs The Australian Copyright Act 1968 (Act) allows a maximum of one chapter or 10% of this book, whichever is the greater, to be copied by any educational institution for its educational purposes provided that that educational institution (or the body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act. For details of the CAL licence for educational institutions contact CAL, Level 15, 233 Castlereagh Street, Sydney, NSW, 2000; tel: within Australia 1800 066 844 toll free; outside Australia +61 2 9394 7600; fax: +61 2 9394 7601; email: [email protected] Copying for othEr purposEs Except as permitted under the Act, for example a fair dealing for the purposes of study, research, criticism or review, no part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without prior written permission. All enquiries should be made to the publisher at the address above. ePub ISBN: 9781921429002 mobi ISBN: 9781921429019 Series Editor: Toby Leon Cover design: Miranda Costa Publication of this title was assisted by the Copyright Agency Limited’s Cultural Fund. Author’s Biography VAN BADHAM is an internationally acclaimed, award-winning playwright, critic, novelist and screenwriter. Her plays have been performed across Australia, the UK, the USA, Germany, Austria, Switzerland, Slovenia and Iceland.
    [Show full text]
  • Fordham Movie Misses Premiere Peterson New Res-Life Director
    Non-Profit Org. I U.S. Postage PAID Bronx, New York Permit No. 7608 Mr, Manners - see centerfold Fordham Movie Misses Premiere by Pele Itirlc twenty hindsight saw that we wouldn't make The Poe Papers, otherwise known as The it. But, we were excited and determined that it Fordham Movie, was not ready for screening would be finished on time," she said. at the time of its scheduled premiere Friday- The movie was scheduled to be shown at evening due to editing problems, according to 8:45 p.m., following a parade of the stars, an DrewGagner, FC '88, master of ceremonies. opening address by Gagner, a salutation by While over 300 students, parents, faculty members, administrators, and trustees waited in the McGinley Center Ballroom for the arri- '' We should have made val of the film, Director Sue Borden, resident director of New Hall was down at Columbia the decision to University putting the finishing touches on the picture. Production and editing delays ensued, postpone it Wednesday and as a result, the showing was postponed until Tuesday night. or Thursday. Twenty- "It became a nice, elegant affair that turned into a sham, a mockery. In a million twenty hindsight saw years, we could have never imagined this," 9 Gagnersaid. that we wouldn t make hours. I had been editing all week, alone, with the phone call at 9:30 p.m. to bring the un- According to Tom Ellett, FC'86, execu- it" a lack of facilities," Borden said. "Friday finished film up to Rose Hill, she attempted to tive producer, a total of $2640 was spent on — Susan Borden afternoon we had to redub a scene with Father make one more cut, which she said normally the premiere, with $1250 going toward renting O'Hare.
    [Show full text]
  • Australian Cinema Umbrella Australian Cinema
    20152017 UMBRELLAUMBRELLA CATALOGUECATALOGUE AUSTRALIAN CINEMA UMBRELLA AUSTRALIAN CINEMA DVD DVD DCP DVD BD THE ADVENTURES OF BARRY MCKENZIE ANGEL BABY AUTOLUMINESCENT Reviled by the critics! This year marks the 20th Anniversary of this Containing a selection of rare footage and moving interviews Adored by fair-dinkum Aussies! landmark Australian Drama. with Rowland S. Howard, Nick Cave, Wim Wenders, Mick Harvey, Lydia Lunch, Henry Rollins, Thurston Moore, In this fan-bloody-tastic classic, directed by Bruce Beresford Winner of 7 AFI Awards, including Best Film, Best Director, Best Actor and Best Actress. Bobby Gillespie, and Adalita, AUTOLUMINESCENT traces (his first feature) Australia’s favourite wild colonial boy, the life of Roland S. Howard, as words and images etch Barry McKenzie (Barry Crocker), journeys to the old country Written and directed by Michael Rymer (Hannibal) and light into what has always been ‘the mysterious dark’. accompanied by his Aunt Edna Everage (Barry Humphries) starring Jacqueline McKenzie (Romper Stomper), John to take a Captain Cook and further his cultural and intellectual Lynch (In the Name of the Father) and Colin Friels (Malcolm), “ IF YOU MAKE SOMETHING THAT IS SO MAGICAL, SO UNIQUE education. this multi-award winning drama tells a tragic tale of love YOU WILL PAY THE PRICE... IT’S THE DEVIL’S BARGAIN.” between two people with schizophrenia as they struggle with LYDIA LUNCH life without medication. “ HEARTBREAKINGLY GOOD AND FILLED WITH A DESPERATE INTENSITY.” JANET MASLIN, THE NEW YORK TIMES FOR ALL ENQUIRIES REGARDING UMBRELLA’S THEATRICAL CATALOGUE umbrellaent.films @Umbrella_Films PLEASE CONTACT ACHALA DATAR – [email protected] | 03 9020 5134 AUSTRALIAN CINEMA BP SUPER SHOW DVD LOUIS ARMSTRONG One of the greatest musical talents of all time, Louis ‘Satchmo’ Armstrong raised his trumpet and delivered a sensational concert for the BP Supershow, recorded at Australia’s Television City (GTV 9 Studios) in 1964.
    [Show full text]
  • Food Codes in Australian Drama
    A Consuming Interest: Food Codes In Australian Drama by Gaye Poole A thesis submitted in fulfilment of the requirements for the Degree of Master of Arts (Honours) School of Theatre and Film Studies University of New South Wales. August 1993 TABLE OF CONTENTS Abstract Acknowledgements i i List of illustrations iii Introduction 1-22 Chapter One: Background: food in drama. 23-43 Chapter Two: Australian plays based on a meal 44-77 Chapter Three: Food as currency for power and site of family politics in Australian drama. 7 8-1 04 Chapter Four: Food rituals in Australian drama: nostalgia, 'social' rituals and death 105-144 Chapter Five: Women and food: eating/not eating and women eaten. 145-194 Chapter Six: Conclusion 195-202 Appendix A: Sweets and Drinks on stage 203-224 Appendix B: Practicalities of food on stage 225-230 Bibliography 231-250 i ABSTRACT In the context of current critical attention to food in related disciplines, this thesis sets out to explore food codes in Australian drama. Chapter One gives a brief background to contemporary Australian food uses in drama and in so doing identifies some of the continuities, discontinuities and sh"ifts in the ways in which food has been incorporated into drama. Chapter Two focuses on plays whose entire proceedings or key scene take the form of a meal. It is observed that food on stage as a gathering and shaping element takes one of several forms: a communal event; the turning point of the play, or the interrupted meal. Chapter Three argues that food bestows power on its controllers.
    [Show full text]
  • Annual Report 2000-2001
    AUSTRALIAN FILM TELEVISION AND RADIO SCHOOL ANNUAL REPORT 2000–2001 AFTRS A N N UAL REPORT 2 0 0 0 / 2 0 0 1 Australian Film Television and Radio School Cnr Epping and Balaclava Roads North Ryde NSW 2113 PO Box 126,North Ryde NSW 1670 Tel +61 (0)2 9805 6611 Fax +61 (0)2 9887 1030 [email protected] http://www.aftrs.edu.au http://www.aftrs.edu.au/school/reports.html State Offices and Representatives Queensland Judith Wright Centre of Contemporary Arts Level 2,Cnr Brunswick and Berwick Streets, PO Box 1480 Fortitude Valley QLD 4006 Tel +61 (0)7 3254 0212 [email protected] Contact:Alex Daw South Australia 3 Butler Drive, Hendon Common Hendon SA 5014 Tel +61 (0)8 8244 0357 Fax +61 (0)8 8244 5608 [email protected] Contact:Ann Walton Tasmania 5 Trumpeter Street Battery Point Tas 7004 Tel + 61 (0)3 6223 8703 Fax + 61 (0)3 6224 6143 [email protected] Contact:Madeline Carr Victoria 1st Floor, 144 Moray Street PO Box 1008,South Melbourne Vic 3205 Tel + 61 (0)3 9690 7111 Fax +61 (0)3 9690 1283 [email protected] Contact:Simon Britton Western Australia 92 Adelaide Street Fremantle WA 6160 Tel +61 (0)8 9335 1055 Fax +61 (0)8 9335 1283 [email protected] Contact:Tom Lubin © Commonwealth of Australia 2001 ISSN 0819-2316 This work is copyright.Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without prior written permission from the Commonwealth available from AusInfo.
    [Show full text]
  • A Case Study of Olympic, World and Commonwealth Sculling Champion Peter Antonie
    A CASE STUDY OF OLYMPIC, WORLD AND COMMONWEALTH SCULLING CHAMPION PETER ANTONIE A THESIS SUBMITTED IN PART FULFILMENT OF THE DEGREE OF MASTER OF ARTS, SPORTS HUMANITIES/MEDIA, DIVISION OF HEALTH, DESIGN AND SCIENCE, UNIVERSITY OF CANBERRA ROBIN POKE AUGUST 2006 ii Abstract This thesis is a biographical case study of Olympic, World and Commonwealth sculling champion Peter Antonie, whose career at the elite or high performance level spanned some 23 years – from 1977 to 2000. The thesis examines the exploits of an oarsman and sculler regarded within his sport as one of Australia’s greatest ever, despite his being considered physically disadvantaged at every phase of his career. Antonie was, most notably, a man of small stature – widely considered a handicap at the level of rowing to which he aspired, and at which he ultimately succeeded. The study also examines what it was, despite those perceived disadvantages, that drove him to excel. The thesis further examines, in thematic form, parallel developments within Australian rowing and sculling in the quarter of a century in which Peter Antonie competed. This was a period during which fundamental changes were seen in Australian sport, notably in the areas of funding and administration, and which saw a transformation from amateur to professional participation at the Olympic, Commonwealth Games and world championships levels. There were also marked changes to high performance rowing as a result of technological advances that produced new types of equipment, and scientific developments that brought new training and selection methodologies. The research was carried out as part of a systematic attempt to examine and investigate Peter Antonie’s reputation, particularly as it compares with his better- known contemporaries, the so-called Oarsome Foursome, and to analyse that reputation in light of the administrative developments in Australian rowing and Australian sport.
    [Show full text]
  • The Effects of Satire and Farce in the Plays of David Williamson
    i “Sugared Placebos”? The effects of satire and farce in the plays of David Williamson Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Education Faculty of Human Development Victoria University By Elvira Sammut DipTeach(WASTC), BEd(ECU), MEd(ECU), LTCL(Drama) 2008 ii Declaration This Thesis contains no material which has been submitted for examination in any other course or accepted for any degree or diploma in any University. To the best of my knowledge and belief, it contains no material previously published or written by another person, except where due reference is made in the text Signed …………………………………………………………………………… Elvira Sammut. July 2008 iii This Thesis is dedicated to the memory of my Mother, Elena Suarez Gallagher Corbett, whose passion and vision instilled in me her love of reading and her deep belief in education. She travels with me. iv Acknowledgements I would like to express my thanks to Dr. Tarquam McKenna and Dr. Mary Weaven at Victoria University for supervising this thesis. I am very grateful for their generous support, constructive criticism, and many kindnesses. And for the sheer niceness of their manner. This thesis was commenced at Curtin University, Perth, Western Australia. Mention must be made of Dr. Donald Pulford and Dr. Paul Genoni who supervised the drafts of the early chapters. Thank you both. I am grateful to Dr. Felicity Haynes of University of Western Australia for her expertise, help and encouragement in enabling me to complete this project. I am also deeply indebted to Victoria University, Footscray, Victoria, for giving me the opportunity to complete this work.
    [Show full text]
  • David Williamson
    'The Ways We Live Now' David Williamson Australia has always seemed a very crude society, and this play explains better than most why so many Australians of talent chose to live in Britain and America ... If this is Australia, the Aborigines should have won. So opined English-born Clive Barnes in January 1974, reviewing an Off-Broadway production of David Williamson's The Removalists for the New York Times. Barnes had already seen London's Royal Court production (in July-August 1973) of this play which, first performed in Melbourne and Sydney 'alternative' theatres two years before, had quickly won its young writer a national reputation. By the time Barnes reviewed the play, that reputation was becoming international, for at the end of 1973 Williamson had won the London Evening Standard's George Devine Award for Most Promising Playwright. Barnes's assumption that a play, realist (though also absurdist) in mode, mirrored a whole society, or reflected the perceiver's stereotyped impressions of that society, had not been shared by this London counterparts. Although Harold Hobson of the Sunday Times felt that the play was evil, pandering to the audience's worst instincts by offering scenes of violence that (curiously) he thought belonged more in the brothel than on the stage, other London reviewers had been more receptive to this black comedy of machismo run riot, in which two policeman meddle in a domestic dispute and end up bashing the husband to death. Most of them saw the play as a psychological-cum-moral fable with implications extending far beyond the particulars of its Australian setting and the issue of police violence.
    [Show full text]
  • Sugar Babies - the Quintessential Burlesque Show
    MARCHI APRIL, 1987 Vol. II No 2 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust· Sugar Babies - The Quintessential Burlesque Show personality and his own jokes. Not all the companies, however, lived up to the audience's expectations; the comedians were not always brilliant and witty, the girls weren't always beautiful. This pr'oved to be Ralph Allen's inspiration for SUGAR BABIES. "During the course of my research, one question kept recurring. Why not create a quintessen­ tial Burlesque Show out of authentic materials - a show of shows as I have played it so often in the theatre of my mind? After all, in a theatre of the mind, nothing ever disappoints. " After running for seven years in America - both in New York and on tour - the Australian Elizabethan Theatre Trust will mount SUGAR BABIES in Australia, opening in Sydney at Her Majesty's Theatre on October 30. In February it will move to Melbourne and other cities, including Adelaide, Perth and Auckland. The tour is expected to last about 39 weeks. Eddie Bracken, who is coming from the USA to star in the role of 1st comic in SUGAR BABlES, received rave reviews from critics in the USA. "Bracken, with his rolling eyes, rubber face and delightful slow burns, is the consummate performer, " said Jim Arpy in the Quad City Times. Since his debut in 1931 on Broadway, Bracken has appeared in Sugar Babies from the original New York production countless movies and stage shows. Garry McDonald will bring back to life one of SUGAR BABIES, conceived by Harry Rigby, happened to be at the con­ Australia's greatest comics by playing his , Ralph G.
    [Show full text]