i newsletter Volume8,Number3 Fall 1983 nominations for eAA board of directors
The 1983 Nominating Committee has submitted its initial slate of ALANM.FERN twelve nominees to serve on the CAA Board of Directors from 1984 to National Portrait Gallery, 1988. Of these, six will be selected by the Committee as its final slate Smithsonian Institution and formally proposed for election at the Annual Members Business Meeting to be held at the Sheraton Centre in Toronto, Canada, on BA Univ Chicago, 1954; MA 1954, PhD 1960, February 23, 1984. To assist the Committee in making its final selec Univ Chicago. POSITIONS: instructor, Inst of tion, aU individual members are invited to cast their votes on the Design, Chicago, 1952; asstin art, 1953, asst in preferential ballot, structor, asst prof of humanities, 1953-61, The The preferential ballot is in the fonn of a prepaid business reply College, Univ Chicago; teacher adult classes, card which is being mailed separately, Please return it promptly; Art Inst Chicago, 1955-58; asst to full curator ballots must be postmarked no later than 15 November. A listing of of fine prints, asst to full chief, Prints and the current members of the Board of Directors is on page 3. Photographs Div, 1961-76, director, research dept, 1976-78, director for special collections, 1978-82, Library of Congress; director Na CYNTHIA CARLSON tional Portrait Gallery, 1982-. PUBLICATIONS: A Note on the Eragny Philadelphia College of Art Press, 1975; Word and Image, 1969; Leonard Baskin, 1970; co authored Art Nouveau, 1960 and Revolutionary Soviet Film Posters, BFA School of Art Inst of Chicago, 1965; MFA 1974; contributed chapters to several books; numerous articles and Pratt Inst, 1967. POSITIONS: currently professor, reviews. AWARDS: Fulbright Fellowship, 1954-55; Chevalier, Ordre de Philadelphia Col1 of Art, 1967 - and co-chair la Couronne (Belgium), 1980; honorary member, American Inst of 1979-81; adjunct instructor, Fordham Univ, Architects, 1983. EXHIBITIONS ORGANIZED: The Architect and the Lincoln Ctr, 197I; instructor, Univ Colorado, University, Univ. Chicago, 1961; Viewpoints, Library of Congress, 1972-73. EXHIBITIONS: : solo Pam Adler Gall, 1962, with others; American Prints Today, U. S. Information Agen N.Y.C.; Pratt Inst; Milwaukee Art Mus; Hud cy, 1965; Leonard Baskin, Natl Collection of Fine Arts, 1970; Con son River Mus; Al1en Memorial Art Mus, Ober- ~ temporary Photographs from Sweden, Library of Congress, 1976; lin ColI; Herron Art Gall, Univ Indiana; others; numerous group ex others, PROFESSIONAL ACTIVITIES: TV series, The Influence of Print hibitions. COLLECTIONS: Guggenheim Mus; Philadelphia Mus Art; and Picture, Chicago, 1960; president, Washington chapter AlGA, Richmond Mus Fine Art; Pennsylvania Academy of the Fine Arts; 1968-69; president, Print Council of America, 1969-71; juror 12 na Albright-Knox Mus; umv and corporate coIlections. PROFESSIONAL tional and regional exhibitions; numerous lectures on history and cri ACTIVITIES: numerous lectures and workshops; panel member, Col ticism of printmaking, illustration, typography, and photography at orado Women in the Arts Exhibition, 1979; Ohio Foundation on the National Gallery of Art, Metropolitan Museum of Art, others; served Arts, NEA Challenge Grants, 1982; NEA Forums and Panels Grants, as panel member for museum program, visual arts program of NEA; N.J. State Council on Arts, 1983. CAA ACTIVITIES: annual meeting represented Library of Congress at Federal Council on Arts; served on panelist, 1982. boards of Swann Foundation and Paul Strand Foundation, CAA AC TIVITIES: book review editor. ArtJournal, 1967-71; art history sessions MARY BETH EDELSON general chair, 1979 annual meeting, Washington, D.C, New York City THALIA GOUMA-PETERSON BA School of Art Inst of Chicago; MA, NYU. The College of Wooster POSITIONS: numerous artist-in-residence and visiting artist appointments, incl San Jose State BA in art 1954, MA art history 1957, Mills CoIl; Univ, Iowa Univ, Univ Manitoba, Art Inst Chi PhD, Univ Wisconsin, 1963. POSITIONS: lec cago, Pratt Inst, Univ Minnesota, others. EXHI turer, 1959-68, instructor, 1960-61, Oberlin BITIONS: solo P. S. #1, N.Y,C.; Carnegie-Mellon Coll; asst to full prof, Coll of Wooster, 1968-. Inst; A.I.R. Gall, N.Y, C.; Albright-Knox PUBLICATIONS: ed" Miriam Schapiro: A Retro Gall; Franklin Furnace, N,Y.C,; N.A.M,E. spective, 1953-1980, 1980; ed and designer, Gall, Chicago; Herron Mus Gall; Corcoran Gall of Art; others; Sculpture Outdoors, 1983; numerous articles numerous group exhibitions, PUBLICATIONS: Seven Cycles: Public on Byzantine and modern art in Allen Memori Rituals, 1980; "See for Yourself: Feminist Spirituality in Holistic Art," al Art Museum Bullet£n, Art Bulletin, Storia dell'Arte, Dumbarton in C. Spretnak, The Politics of Women's Spiritualz'ty. contributions to Oaks Papers, Dialogue, WCA Honor Awards Catalogues, Women's Dialog, Heresies, High Performance, others, PROFESSIONAL ACTIVI Studies Quarterly, others. Honor Awards Catalogue of WCA, 1981 TIES: numerous lectures and workshops; participant CAA/WCA and 1982; wrote, edited and designed Sculpture Outdoors, meeting 1980, New Orleans. Catalogue, 1983. AWARDS: Ohio Arts Council grant to organize sym posium, Women in Art Today, 1979-80; NEA grant to edit and publish catalog of retrospective exhibition of Miriam Schapiro, 1980; REMINDER; The Preferential Ballot is being mailed separately, Ohio Arts Council Grant to organize symposium and installations on Please retain information on nominees until you receive it. Continued on p. 2, col. 1 Inominations for CAA board of directors
Sculpture Outdoors. PROFESSIONAL ACTIVITIES: presented papers and The james A. de Rothschild Collect£on at Wadderdon Manor: II inominations for CAA board of directors chaired sessions at national and international conferences on Byzan lum£nated Manuscr£pts, 1977; co-author Medieval and Renaissance tine art and on women artists; member purchase committee of Allen Manuscn'pts at Yale: A Select~on, 1978; Passton Iconography In PATRICIA ROSE Patnhng, G. Kubler ed, 1967; The Architect: Chapterst"ntheHistory Art Museum, 1965-; member National Committee for Byzantine Northern European Art of the Late M£ddle Ages and Early Renais The Florida State University of the Profession, S. Kostofed, 1977; articles and reviews in Art Studies. 1977 -; member WCA National Advisory Board 1978-; sance, 1979; Hans Baldung G-rien (The Illustrated Bartsch, V. 12), Bulletin, journal of the Sodety of Architectural Historz"ans, Modem chair Nominating Comm, WCA, 1979; chair National Honor 1981; co-author, Hans Baldung Grz'en: Pn"nts and Drawt"ngs (exh. BA 1950, MA (comparative literature) 1955, History Review, Art journal, others. AWARDS: Fulbright Fellowship, Awards Selection Corom, WCA, 1980-82; chair organizing corom, cat.), 1981; others; numerous articles and reviews. AWARDS: Presi Florida State Univ; MA (history of art) Oberlin 1966-67; Kress Fellowships, 1966 and 1967; American Philosophical 6th Annual Byzantine Studies Conference, 1980; national vice presi dent's Fellowship, Columbia Univ, 1965-66; Kress Fellowship, CoIl, 1962; PhD Columbia Univ, 1973. POSI Soc Summer Grant, 1967 and 1978-79; Henry Merritt Wriston Grant dent, WCA, 1982-84. CAA ACTIVITIES: Co-chair, Open Sessions (art 1966-67; University Research Fellowship, 1967-70; Chancellor's TIONS: asst curator, Oberlin CoIl Mus, 1956-63; for improvement of courses in history of architecture, 1977-78; lost history), 1984 annual meeting, Toronto. Award for Excellence in Teaching, S. U.N. Y., 1973-74; C.R.B. Ad instructor, Stanford Univ, 1963-66; curator of Advanced Study, Princeton, member and fellow 1977-78; CAA Ar vanced Fellowship, Belgian-Amer Educational Fdn for Study in prints, Stanford UnivMus, 1963-66; instructor, thur Kingsley Porter Prize for best article in the Art Bullei£n by a JOEL ISAACSON Belgium, 1974-75; 1975-75; Mellon Fellowship, 1979-80. PROFF.'; Barnard Univ, 1967-68; instructor, summer beginning scholar, 1975. PROFESSIONAL ACTIVITIES: general editor and The University of Michigan SIONAL ACTIVITIES: numerous university lectures and conference 1968, lecturer, winter 1971-spring 1972, Stan advisor, Guide to Architecture at Brown Unt"versity, 1975; Brown papers; editorial board member of Arts Neerlandt"ca: Studt"es tn the ford Univ; asst to assoc prof1972-, assoc chair to full chair, 1979-, Univ trustee, Univ Film Study Ctr, 1974-75; co-chair, SAH annual BA in design Brooklyn ColI, 1952; Slade School History of Art of the Low Countries and of Mediaevalia; associate Florida State Univ. PUBLICATIONS: Index to vols. X-XX, Allen meeting session, 1978; presented papers and lectures at numerous Fine Arts, Dniv Coll, London, 1954-55: MA editor, California Studies in the History ofArt. CAAACTlVITIES: papers Memor£al Art Museum Bullet£n, 1963; Wolf Huber Studies: Aspects symposia and meetings. CAA ACTIVITIES; presented papers at annual Oberlin Coll, 1957; PhD, Univ California, at annual meetings 1971, 1972, 1981; book review editor, The Art of Renaissance Thought and Practice in Danube School Painting meetings, 1970 and 1979; member Nominating Committee, 1982. Berkeley, 1967. POSITIONS: visitor, Univ Califor Bulletin, 1980-83; Millard Meiss Publication Fund Committee, (Garland Dissertation Series), 1977; several articles. AWARDS: Dan nia, Davis, 1962; Mills L:ollege, 1963; Univ member 1983-87, chair 1983-85. forth Teacher Grant, 1966-67; Kress fellow, 1970-71; President's CURRENT BOARD OF DIRECTORS Teaching Award, Florida State Univ, 1981. California, Berkeley, summer 1972; instructor PRESIDENT: Lucy Freeman Sandler, New York University JAMES McGARRELL to full prof, 1964-, chair, 1982-, Univ VICE PRESIDENT: John R. Martin, Princeton University Washington University JAMES L. SEAWRIGHT JR. Michigan. PUBUCATIONS: Manet and Spain, SECRETARY: Paul Arnold, Oberlin College Princeton University 1969; Monet: LeDejeuner sur l'herbe, 1972; Claude Monet. Observa TREASURER: Richard Ravenscroft, Philadelphia National Bank BA 1953, Indiana Univ; MA 1955, Univ Cali tion and Reflection, 1978; The Crisis of Impressionism, 1878-1882, COUNSEL: Gilbert S. Edelson, Rosenman Colin Freund Lewis & Cohen 1980; articles and reviews in Art Bulletin, ArtJorum, Art Quarterly, fornia, Los Angeles. POsrnONS: visiting artist, BA (English) Univ Mississippi, 1957; 'studied Reed Coli, 1956-59; prof, Indiana Univ, with Jose de Creeft, Art Student's League, Arts Magazine, Burlington Magazine, others. EXHIBITIONS ORGA TO SERVE UNTIL 1984: Alessandra Comini, Southern Methodist Uni 1959-80; prof, Washington Univ, 1981-. EX NYC, 1961-62. POSITIONS: teacher of sculpture NIZED: Manet and Spain, Pr.ints and Drawings, 1969; The Crisu of versity; Wanda Corn, Stanford University; David C. Driskell, Univer HIBITIONS: Allan Frumkin Gall; Venice Bien and electronic media, School Visual Arts, Impresszonism, 1979-80, both Univ Michigan Museum of Art. sity of Maryland; Ilene H. Forsyth, University of Michigan; Lee Anne nale; Dokumenta III, Kassel, Germany; Tate NYC, 1967-69; teacher, Douglass Coli, Rutgers AWARDS: Univ Michigan, Grad School Research Grants, 1968, 1970, Miller, The Cooper Union; Gabriel Weisberg, National Endowment Gall, London; Carnegie Inst International; Univ, 1969; artist-in-residence, visiting artist, 1975, 1978. CAA ACTIVITIES: presented paper, 1973 annual meeting; for the Humanities. art history session chair, 1984 annual meeting, Toronto. Chicago Art Inst, Amert"cans; five Whitney visiting lecturer to lecturer in sculpture, Mus Surveys; others. COLLECTIONS: Mus Modern Art, N.Y.C; Penn 1969-, and acting director to director, visual TO SERVE UNTIL 1985: Pamela Askew, Vassar College; .Frederick J. sylvania Acad; Whitney Mus; Hirshhorn Mus; Hamburg Art Mus, arts program, 1974- Princeton Univ. EXHIBITIONS: solo Princeton MARTHA KINGSBURY Cummings, The Detroit Institute of Arts; Wolf Kahn, Hunter Col Ger; Centre Pompidou; other public museums and numerous univ Univ Art Mus; Stable Gall, NYC; others; nUmerous group shows. COL University of Washington lege, C.U.N.Y.; Howardena Pindell, S.U.N.Y., Stony Brook; Angel collections. AWARDS: National Inst Arts & Letters Grant, 1963; Gug LECTIONS: Mus Modern Art, NYC; Whitney Mus; Guggenheim Mus; ica Rudenstine, Princeton N.J.; Wallace J. Tomasini, University of genheim Fellowship, 1964; NEA Teaching Award, 1966; member ot~ers. AWARDS: Theodoran Award (medal and exhibition) Guggen BA Univ Chicago, 1962; MA 1963, PhD 1969 Iowa. Harvard Univ. POSITIONS: instructor, Reed Col correspondent, French Acad des Beaux-Arts. PROFESSIONAL ACTI heim Mus, 1969; Graham Fdn Advanced Studies in Fine Arts Fellow VITIES: governor, Skowhegan School; past member, National Board of ship, 1970-71; NEA Works of Living Artists, Commission for New lege, 1963-64; teaching fellow, Harvard Univ, TO SERVE UNTIL 1986: Phyllis Pray Bober, Bryn Mawr College; Oleg Advisors, Tamarind Inst. CAAACTIVITlES: member, board of directors Jersey State Mus 1974, NEA Special Projects Research Grant for 1964-66; asst prof, Reed CoIl, summer 1966; Grabar, Harvard University; Isabelle Hyman, New York University; 1969-72 and member of executive comm; chair, Distinguished computer-assisted composition of Lighting effects, 1976; NEA Inter visiting asst prof, Univ Chicago, 1973; asst prof Christiane L. Joost-Gaugier, New Mexico State University; Franz Teaching of Art Award'Comm, 1981; panelist at 3 annual meetings; arts grant for new work, 1982. to full prof, Univ Was~ington, 1968-. PUBU Schulze, Lake Forest College; Barbara Zucker, University of Ver chair, "More Is More: Towards and Art of Eloquence," 1982 annual CATIONS: "The Femme Fatale and Her Sisters," mont. in Woman as Sex Object, Hess and Nochlin, meeting, N.Y.C. CATHERINE WILKINSON ZERNER Brown University eds, 1972; articles and reviews in Art Quarterly, American Artist, TO SERVE UNTIL 1987: William Bailey, Yale University School of Art; Gazette des Beaux Arts, Drawings, Art Bulletin, others. AWARDS: DEWEY F. MOSBY James Cahill, University of California, Berkeley; Nancy Graves, New Woodrow Wilson Fellowship, 1962-63;· ACLS Fellow 1975·76; The Picker Art Gallery, BA Univ Oregon, 1961; MA Smith ColI, 1963; PhD Yale Univ, 1969. POSITIONS: actinginstruc York City; Eleanor S. Greenhill, University of Texas, Austin; Henry Smithsonian Postdoctoral Fellowship 1975 (declined); NEH Inter Colgate University A. Millon, Center for Advanced Study in the Visual Arts, National tor, Yale Univ, 1968-69; visiting asst prof to disciplinary Faculty Seminar, 1977. PROFESSIONAL ACTIVITIES: chair, Gallery of Art; A. Richard Turner, New York University. II Seattle Art Commission's Art in Public Places Committee, 1973-74; BS Lamar Univ, 1963; MA Univ California, assoc prof, 1970-, art history dir, dir grad advisory council member, Archives of American Art, 1978-; advi· Los Angeles, 1969; PhD Harvard Univ, 1974. studies 1979-, Brown Univ; visiting asst prof, Stanford Univ, Spring 1976. PUBLICATIONS: The NOMINATIONS for the Board of Directors for 1985 may be sory board member, Dunlap Society, 1978-; Natl Exam Committee, POSITIONS: asst prof, S. U.N. Y. Buffalo, addressed to: 1984 Nominating Committee, c/o CAA, 149 Advanced Placement Exam in Art History. CAA ACTIVITIES: papers at Tavera Hospital in Todedo (Garland Disserta 1973-74; visiting asst prof, Harvard Univ Sum Madison Avenue, New York, N.Y. 10016. annual meetings, 1969, 1972; Nominating Committee, 1979; chair, mer School, 1974; curator, European Art, tion Series), 1969; contributions to The Art of Open Sessions, 1981 annual meeting, San Francisco; Distinguished Detroit Inst Arts, 1974-81; director, Picker Art Teaching of Art History Award Committee, 1982. Gallery, 1981-. PUBLICATIONS: Alexandre Gabriel Decamps 1803-1860, 1977; Ct"nco Siglos de Obras Maestras preservation news JAMES MARROW de la Pintura en Colecdones Norteamericanas Cendz"das en Prestamo Summer Fare University of California, Berkeley a Costa Rz'ca, 1978; The Ft"gure in 19th Century French Pazntzng; A Loan Exhibition from The Detroit Institute of Arts, 1979; numerous The International Council of Museums the United Kingdom Institute for Conserva conservation. This is a particularly useful (ICOM) held its 13th general conference in document for. those who counsel undergradu BA Univ Minnesota, 1963; MA 1966, PhD articles, including one in Art the Ape of Nature: Studies t"n Honor of tion considered problems in the museum en ates and graduate students and a must for art 1975, Columbia Univ. POSITIONS: visiting assoc H. W. janson, 1981. EXHIBITIONS ARRANGED: French Paz"nt£ng London from 24 July to 1 August. It was a vironment, museum lighting, innocent but department and art library bulletin boards. prof, S.U.N.Y. Binghamton, Fall 1972; visiting 1774-1830: The Age ofRevolution, 1975; The Second Emptre: Art~"n heady affair, held in the Barbican Conference dangerous materials, museum storage, trav For your copy, send a stamped, self-addresSed assoc prof, Univ Chicago, Winter I Spring France Under Napoleon III, 1979; several others. EXHIBITIONS Center, where anything seemed possible. At eling exhibitions, teaching preservation, con envelope to the National Institute for Conser 1973; instructor to assoc prof, S.O.N.Y. ORGANIZED: Gods, Sat"nts, and Heroes: Dutch Painting t"n the Age of the end of the conference, several resolutions servation, and restoration, and educating the were passed, including one that calls for the vation, A & I 225, Smithsonian Institution, Binghamton, 1970-76, and co-director, Ctr for Rembrandt, 1981. AWARDS: Chevalier, Ordre des Arts et des Lettres, public on matters bearing on conservation. return of cultural property to its country of Washington, D.C. 20560. Medieval and Renaissance Studies, 1975-76; 1979; Silver Medal of Merit, Order of Constantz"nt"ano di S. Georgt"o, Opportunities in Conservation origin - this supporting a Greek government assoc prof, Yale Univ, 1976-80; assoc prof to 1981. PROFESSIONAL ACTIVITIES: panelist for ACLS, NEA, NEH, and The National Institute for Conservation has demand for the return of the Elgin Marbles. European Update full prof, Univ California, Berkeley, 1980 -. PUBLICATIONS: co-author I New York State Council on the Arts. produced a pamphlet on the professional and The University of London's Institute of Ar Papers at an all-day meeting organized by the educational requirements and opportunities chaeology Department of Archaeological 2 CAA newsletter Committee for Conservation of ICOM and open to those considering entering the field of Contznued on p. 5, col. 2 Fall 1988 8 conferences and symposia 1985 annual meeting: call for session proposals
Thomas Cole: His Art and His Milieu Abstraction and Rationality in Automatic Processing of Art History Data The 1985 annual meeting will be held in Los A symposium sponsored by Trinity College in Romanesque Art and Documents Angeles; The Biltmore will be the head association with the Connecticut Historical The theme of the Arthur Kingsley Porter The Second International Conference to be quarters hotel. The dates for sessions are Society and the Wadsworth Atheneum, Hart Centenary Symposium to b'e held at the Fogg held September 24-27, 1984, in Pisa, Italy, Thursday, February 14 through Saturday, ford, Conn., to be held November 18-19. The Art Museum and at the American Academy has undergone a change of format. In collab February 16. Those wishing to propose topics recent discovery in Trinity College's Watkin of Arts and Sciences, Cambridge, October oration with the J. Paul Getty Trust, the for sessions for the 1985 annual meeting son Library of a series of letters between Cole 27-29. Panels and participants: Arthur Scuola Normale Superiore in Pisa has re-or should submit them to the appropriate chair and his patron, Daniel Wadsworth, is the Kingsley Porter as Scholar and Collector: N. ganized the conference to concentrate on the by November 30, 1983. basis for this event. Participants include 1. Nercessian, Harvard Univ.; N. Stratford, issues crucial to developing a standard for the Proposals should be submitted in the form Bard McNulty, English Dept., Trinity CoIl.; British Mus.; T. Lyman, Emory Univ.; C.E. sharing of information in the history of art. of a letter to the appropriate chair describing John Wilmerding, National GalL of Art; Armi, Univ. North Carolina, Chapel Hill; To be emphasized: thesauri and lexicons; the subject of the session and explaining any Theodore E. Stebbins, Jr., Museum Fine Romanesque Schematization and PZ"cture iconography; bibliography; biography; cata special or timely significance it may have for Arts, Boston; Barbara Novak, Barnard ColI. Construction: K. Clausberg, Hamburg; H.R. logues; integrated information systems; and your particular field and/ or for the discipline and Columbia Univ.; Howard S, Merritt, Broderick III, Lehman ColI.;]. Phelps, Rad scholarly applications of the computer to the in general. Other factors, such as special emeritus, Univ. Rochester; Ellwood C, Parry cliffe CoIl.; J. -C. Bonne, Ecole Hautes Etudes history of art. All abstracts, which must be plans you may have for the session's format or III, Univ. Arizona; William H. Gerdts, Sciences Sociaies, Paris; Models, Sources and received by 31 December, will be included in organization, should also be mentioned Ex C.U.N.Y.; and David C. Huntington, Univ. Instz'tutional Parameters ofRomanesque Art: an international census of projects applying planatory or supportive materials may be ap Michigan. In conjunction with the sympo 1. Forsyth, Univ. Michigan; C.B. McClan the computer to the history of art. For pended. It is useful to include a curriculum sium, the Wadsworth Atheneum will exhibit don, Yale Univ.; A.C. Quintavalle, Insto. abstract format and additional information vitae, preferred mailing address, and both of selections from its collection of nineteenth Storia dell'Arte, Parma; C. V. Bornstein, write to Marilyn Schmitt, The J. Paul Getty fice and home telephone numbers. century American paintings, including its Univ. Mich.; The Thematz'c Coordinates of Trust, 1875 Century Park East, Suite 2300, To summarize briefly our procedures: (1) received his B.A. from Tulane University and received an A. B. in art history from Princeton noted Cole works. In addition, The Connec the Abstract Image: H. Bredkamp, Univ. Los Angeles, CA 90067 or to Laura Corti, Anyone may submit a proposal for an art his his M.A. and Ph.D. from the Institute of Fine University in 1952; an M.F.A. in painting ticut Historical Society will publish the full Hamburg; B. Stock, Pontifical Inst., Toron Scuola Normale Superiore, Piazza dei Cava tory or a studio session. (2) Program chairs Arts, N.Y.U. He was assistant curator of from the University of Chicago in 1957; and Cole-Wadsworth correspondence, edited and to; O.K. Werckmeister, U.C.L.A.; L. Seidel, lieri 7, 56100 Pisa, Italy. make their selection from among those pro medieval art at the Metropolitan Museum of an M.A. in decorative arts from the Universi annotated by J. Bard McNulty. For informa Univ. Chicago; and Discussz'on: M. Schapiro, posals purely on the basis of merit, with the Art from 1970 to 1972, then taught for one ty of California, Berkeley, 1961. Mter teach tion contact: Trinity ColI., (203) 527-3151, Columbia Univ.; R. Benson, U.C.L.A.; W. sole proviso that if essentially the same pro year at Queens College before joining the ing English in Japan for four years, he taught ext. 212; Connecticut Historical Soc., (203) Cahn, Yale Univ. Registration fee is $10, $5 posal is received from two or more individuals faculty of ManhattanviUe College in Pur art at Carthage College in Illinois from 1957 236-5621, ext. 4; or Wadsworth Atheneum, students. For additional information: N. Van Gogh Symposium in different parts of the country, preference chase, New York (1973-81); while there he to 1959 and was chair of the ceramics depart (203) 278-2670, ext. 361. Nercessian, Dept. Fine Arts, Harvard Univ., Tentatively planned for January 28, 1984 at will be given to the individual from the region also taught in an' adjunct capacity at The ment at San Francisco Art Institute from 1961 Cambridge, Mass. 02138. Carleton College, pending funding. Partici in which the meeting will be held. (3) In addi Cooper Union in New York City. Stahl joined to 1965 before coming to Berkeley as professor Italian Baroque Art pants include Albert Boime, Vojtech Jirat tion to selecting sessions among the unsoli the Berkeley faculty in 1981. His research and of art in 1965. From 1977 to 1981 he was A symposium sponsored by the Department Wasiutynski, Aaron Sheon, and Carol Zemel. cited proposals, program chairs may attempt publications are principally in the field of director of the Visual Arts Program of the N a of Art History, University of Wisconsin-Mil For information: Lauren Soth, Art and Art to balance and shape the program by inviting Gothic art; at present, he is completing a tional Endowment for the Arts. Melchert was waukee, to be held April 13-14, 1984. The Patriarchs, Prophets and Demons: Major History, CC, Northfield, Minn. 55057. specific individuals to chair general or special monograph on the Psalter of St. Louis and is the recipient of Woodrow Wilson, Louis conference will be complemented by an exhi Victorians and Major Victorian Issues sessions. Program chairs ordinarily consider a continuing work on another, the Old Testa Comfort Tiffany, and NEA fellowships and is bition of paintings, drawings, and prints, in This will be the topic of the 1984 meeting of number of factors, including which topics or ment Picture Bible (M.638) in the Morgan an honorary fellow of the National Confer cluding works by Carracci, Fetti, and Marat the Midwest Victorian Studies Association in periods were not covered in recent CAA an Library. He is a member of the Board of ence of Educators in the Ceramic Arts. Ad tao Papers are invited dealing with any aspect Ann Arbor, Michigan, April 12-14. The As French Decorative Arts nual meetings. As above, all other things Directors of the International Center of dress for proposals: Art Department, Univer of Italian Baroque pictorial culture. Submit sociation welcomes proposals treating either The Fashion Institute of Technology, in asso being equal, preference is given to artists/ Medieval Art. Address for proposals: Depart sity of California, Berkeley, 238 Kroeber Hall, abstracts to Barry Wind, Dept. Art History, persons or issues traditionally considered ciation with Christie's, will sponsor a day-long scholars from the region in which the meeting ment of History of Art, University of Califor Berkeley, Calif. 94720. (415) 642-6342 or UW-M, Milwaukee, Wis. 53201. Deadline: "major" or lesser figures or issues that are can symposium on Et'ghteenth-Century French will be held, but beyond that there is no geo nia, Berkeley, 405 Doe Library, Berkeley, 642-2582. 15 February. didates for upward reassessment. Eight-to Decoratz've Arts: New Direct£ons in Museum graphic, institutional, or other consideration. Calif. 94720. (415) 642-7418 or 642-5510. ten-page papers or two-page abstracts should Collectz'ng on November 19. Speakers will in Art history sessions will be chaired by Har Studio sessions will be chaired by James REMINDER: Proposals for sessions for clude Lynn E. Springer Roberts, Henry Haw vey Stahl, associate professor of art history at Melchert, chair of the art department at the the 1985 annual meeting in Los Angeles must Renaissance Conference be sent to Frederick Kirchhoff, Dept. English ley, Kathryn B. Hiesinger, and Gillian Wil the University of California, Berkeley. Stahl University of California, Berkeley. Melchert be received by November 30, 1983. II The 33rd Annual South-Central Renaissance and Linguistics, Indiana University-Purdue son. Concluding remarks will be made by Conference will be held at Northwestern State University, Fort Wayne, Ind. 46805. Dead line: 15 November. Perry T. Rathbone. For further information: University of Louisiana in Natchitoches, conservation in Rome and in the member and Consolidants, Paris, France. For in Richard Martin, Executive Director, Shirley Ipreservation news April 12-14, 1984. Papers are invited from all countries requesting such information. The for: IIC 6 Buckingham St., London, Goodman Resource Center. FIT, 227 West 27 disciplines and on aU matters Renaissance. Continued from p. 3 four principal courses are: (1) Architectural WC2N 6BA, England. Street, N.Y.C. 10001, (212) 760-7970. Submissions should be sent to Michael Hall, Conservation and Materials Science has in Conservation, (2) Conservation of Mural 6- 9 November: The Preservation of Iron Fac Dept. English, Centenary College, Shreve In Search of Excellence augurated a summer program for one week Paintings and Related Architectural Sur tories and Monuments, ICCROM, port, La. 71104. All persons reading papers The theme of The Art Museum Association of courses in July. This year the topic was, Mak faces, (3) Scientific Principals of Conserva Rome, Italy. must be members of SCRC. Deadline: 1 America's annual conference to be held National Preservation Conference £ng Replt'cas of Museum Objects, Mould£ng, tion, and (4) Conservation in Museums. All December. November 2-5 at the Sheraton Palace Hotel The thirty-seventh annual meeting sponsored Cast£ng and Finishing. The fee for the course courses normally begin in January. Conservation Bibliography in San Francisco. Panelists and speakers com by the National Trust for Historic Preserva was £120, or dose to $200, not indudingfood An excellent bibliography devoted to the con The Fantastic in the Arts prise art critic Robert Hughes; Mary Wal tion will be held October 26-30 in San An or lodging. Participation is limited to 20 peo Forthcoming Conferences servation and restoration of artistic and cul For the session Figure and Text of the Fifth shok, Univ. California, San Diego; James tonio. Program sessions are organized around ple. For information about future courses: 1983: tural property was published by the Soci della International Conference on the Fantastic in Demetrion, Des Moines Art Center; Van eight major topics: education and communi Anne Wilson, Conservation Summer School, 27-29 October: First International Confer Coop. Expolibro Firenze in conjunction with the Arts to be held at Florida Atlantic Univer Deren Coke, San Francisco Mus. Modern Art; cations, fund raising, historic districts and Institute of Archaeology, 31-34 Gordon ence on Non-Destructive Testing in the an exhibition held in Florence in 1982 enti sity, Boca Raton, March 22-25,1984, papers Robert Flynn Johnson, Fine Arts Museums of neighborhoods, historic sight management, Square, London. Conservation of Works of Art, IC tled Metodo e scienza: operatz'vita e rz'cerca sui of approximately 25 minutes are invited that San Francisco; Patterson Sims, Whitney Mus. law and policy issues, small town America, CROM, Rome, Italy. restauro. If you send $6 to either Libreria explore visionary images in the pictorial arts American Art; George W. Neubert, Sheldon organization development and real estate ICCROM (The International Center for the 6 December: Symposium on Masonry, Bal Marzocco, via Martelli 22 or Libreria Seeber, with particular reference to the written word. Memorial Art Gall., Univ. Nebraska. Robert development. For complete conference and Study of the Preservation and the Restoration Harbour, Fla. For info: John Conway, via Tomabuoni 70, Florence, it should cover Send papers or abstracts by 1 February to H. Waterman Jr., coauthor of In Search of registration information: NPC, NTHP, 1785 of Cultural Property, 13 via di S Michele, Santee Cement Co., Holly Hill, SC the bibliography and postage. Amy Golahny, Dept. of Art, Chatham Col Excellence: Lessons from America's Best Run Massachusetts Avenue, N.W., Washington, 00153 Rome) continues to offer courses, tech 29059. Annabelle Simon Cahn II lege, Woodland Road, Pittsburgh, Pa. Companz'es, upon which the conference D.C. 20036. nical assistance, conferences, symposia, 1984: Public Information Officer 15232. theme is based, is the keynote speaker. Continued on p. 12, col. 2 training, and publications in many aspects of 2-7 September: IIC Congress on Adhesives CAA Committee for the Preservation of Art
4 CAA newsletter Fall 1983 5 announcements people and programs
Rome Prize Fellowships Southeast Asia Research Grants Project on Scottish Enlightenment Fellowship competitions allow American citi Scholars are invited to submit proposals for The Institute for Advanced Studies in the Material for t"nclusion in People and Pro William H. Wilson, curator of collections at zens to live and work independently at the research in a Southeast Asian nation during Humanities, University of Edinburgh, is grams should be sent to College Art Associa the Ringling Museum of Art died in April. American Academy in Rome. In the School the period Jpne 1984-June 1985. The grants mounting a major inter-disciplinary project tion, 149 Madison Avenue, N, Y. C. 10016. Prior to joining the Ringling staff in 1977 as of Fine Arts: one-year fellowships: painting, will be for a minimum of three months to a devoted to all aspects of the intellectual and Deadlt"ne for next issue: I December. curator of European art, Wilson (Ph.D., Har sculpture, musical composition, architecture maximum of ten months, averaging from artistic life in Scotland during the period of vard University) had been on the faculty of and landscape architecture; six-month fel $30,000 to $35,000 for the ten-month period, roughly 1750-1800, which will take place IN MEMORIAM the University of Connecticut art depart lowships (seven years professional experience with proportional reduction for shorter pe March 2-September 30, 1986. Fifty Visiting ment. The Ringling Museum of Art Board of required) include: NEA Fellowships in Design riods. Actual grant tenns will depend on Fellows (Stipendiary and Honorary) will be Trustees has established a memorial fund to Arts (architecture; landscape architecture; prevailing local conditions. For this first-year elected to take part in the project, for periods acquire a work of art in his name. urban planning; interior, industrial, graphic, pilot program, only projects involving re of one to six months; learned societies will sets and fashion design); and the Graham search in a single country will be considered. hold their meetings in Edinburgh during the ACADEME Foundation Fellowship in Architecture. In Inquiries and application requests: East Asia project, and a number of professional and the School of Classical Studies: one-year pre Staff, Mrs. Mary W. Ernst, Area Chief, Coun civic bodies will organize lectures and exhibi Carl F. Barnes, Jr. has been appointed direc doctoral Fellowships in Classical Studies, cil for International Exchange of Scholars, 11 tions associated with the project. For further tor of the newly created Center for the Arts at post-classical humanistic studies and history Dupont Circle, N.W., Washington, D.C. details write to David Daiches and Peter Oakland University in Rochester, Michigan. of art; two-year pre-doctoral Kress Fellow 20036. (202) 833-4979. Application deadline: Jones, Directors, IPSE, 17 Buccleuch Place, The center will coordinate all the academic ships in History of Art (with participating 1 November. Edinburgh EH8 9LN. performing and visual arts of the university university), and Classical Art and Archae and will serve as liaison between these and the ology; one-year post-doctoral Mellon Fellow Metropolitan Museum of Art Fellowships resident professional companies of the Mea Stanford External Faculty Fellowships ship in Classics, Art History and Renaissance Fellowships offered by the Metropolitan dow Brook Theatre and Summer Music The Stanford Humanities Center offers resi or Medieval Studies (assistant professorship or Museum of Art for 1984-85 cover all aspects Festival. associate professorship in previous two years and periods of art history and are available to dence fellowships primarily intended to en able fellows to pursue their own research and required); and one-year post-doctoral NEH practicing artists and museum professionals Peter Solmssen has been named president of Fellowship in Classical Studies, Post-Classical (including conservators) as_well as to art his writing; however, recipients are expected to devote about one-sixth of their time to teach the Philadelphia College of Art. A former Humanistic Studies, Art History and Modern torical scholars and graduate students. The Life photographer, lawyer, and senior foreign ing or in some other way contribute to intel Richard E. Spear, Oberlin College Italian Studies. Note field of interest on ap key to most of the fellowships is that use of the service officer, he was the State Department's lectuallife at Stanford. Full details and appli plication request: Fellowships Coordinator, Met's collection be significantly involved. The Advisor on the Arts for eight years. Most Richard E. Spear, director of the Allen Art cation materials: Morton Sosna, Associate American Academy in Rome, 41 East 65 list of available fellowships is too long to sum recently, Solmssen (Harvard Univ. and Univ. Museum at Oberlin College since 1972, re Director, SHC, Mariposa House, Stanford Street, N.Y.C. 10021. Application Deadline: marize here, but copies may be obtained Pennsylvania Law School) has been president signed that position in order to return to fu11- University, Stanford, Calif. 94305. Applica 15 November. from: Secretary of the Grant Committee, of Arts International, a private operating time teaching at Oberlin and assume the col MMA, Fifth Avenue and 82 Street, N.Y.C. tion deadline: 15 December. Jason Seley foundation dedicated to increasing interna lege's first endowed chair in art history as Mil Bunting Fellowships for Women 10028. Application deadline for most fellow tional exchanges in the fme and performing dred C. Jay Professor of Art History. Current This program supports women who wish to ships beginning in fall 1984 is 15 December; Dumbarton Oaks Fellowships Sculptor Jason Seley died inJune after a long arts and the U.S. Deputy Ambassador-at ly, he ison leave in WashingtonD.C. where he pursue independent study in academic or for fellowships in conservation, the deadline is Fellowships are offered in Byzantine studies illness at the age of64. At the time ofllis death Large for Cultural Affairs. will simultaneously be Distinguished Visiting professional fields or in the arts. Appoint 15 January. (including related aspects of late Roman, he was dean of the Cornell University College Professor at George Washington University ments are full time for the year July I-June 30 early Christian, western medieval, Slavic and of Architecture, Art and Planning, a post he From the University of Southern California, and a senior fellow at the Center for Ad and require residence in the Boston area. Fel Minorities Fellowship Program Near Eastern studies), Pre-Columbian stud had held since 1980. Seley had been professor School of Fine Arts, come the following facul vanced Study in the Visual Arts, NGA. lows are expected to present their work-in The Committee on Institutional Cooper ies, and the history of landscape architecture. of sculpture at Cornell since 1968, serving as ty notes: Keith Crown retired after thirty-six Also returning to full-time research and progress in Public colloquia. Annual stipend ation's fellowship program is designed to in As a rule between ten and twelve fellowships chairman of the department of art from 1968 years of teaching. He was named professor teaching is medievalist Madeline Harrison $15,250. Office or studio space, auditing crease the representation of minority groups are offered in Byzantine studies and two or to 1973. He also taught at New York Universi emeritus, and plans are underway to pur Caviness, who has stepped down after seven privileges, and access to libraries and other among Ph.D. recipients. At least ten four three in each of the other fields. For a descrip ty from 1965 to 1967 and at Hofstra University chase one of his recent paintings for the per years chairing the department of fine arts at resources of Radcliffe College- and Harvard year fellowships with annual stipends of tion of research awards and application pro from 1953 to 1965. A graduate of Cornell, he manent collection of the University Art Gal Tufts University, Widely known for her pub University also provided. Applicants should $6,500 plus tuition will be awarded for cedures: The Assistant Director, DO, 170332 studied with Ossip Zadkine at the Arts Stu leries. Richard E. Vinogradjoins the faculty lication on the stained glass of Canterbury have received their doctorates at least two 1984 -85 to minority group members seeking a Street, N.W., Washington, D.C. 20007. Ap dents League from 1943 to 1945. Seley's fre as assistant professor of art history. Vinograd Cathedral and a founder of the Census of years prior to the date of appointment; doctorate in a humanistic discipline at any of plication deadline: 15 November. quently humorous sculptures were fashioned (Ph.D., U.C.-Berkeley) was formerly with Stained Glass Windows in America in 1980, academic applicants without doctorates but the eleven participating midwestern universi from used chromium-plated steel and auto Columbia University; he is an expert in four Caviness has now assumed the vice presidency with equivalent professional experience will ties. For complete infonnation: CIC MFP, mobile bumpers. In January 1983 he gave teenth-century Chinese landscape painting. National Humanities Center Fellowships of the International Center of Medieval Art. be considered. Inquiries and application Kirkwood Hall Ill, Indiana University, Cornell the sculpture Herakles t"n Ithaka I, an Lynn Robert Matteson has been promoted Approximately forty fellowships, for both Margaret Henderson Floyd succeeds Cavi forms: Bunting Institute, Radcliffe College, Bloomington. Ind. 47405. (812) 335-0822. interpretation in automobile bumpers of the to rank of associate professor with tenure. younger (three to ten years beyond doctorate) ness. With the department since 1977, Floyd, 10 Garden Street, Cambridge, Mass. 02138. Outside Indiana call toll free (800) 457-4422. Farnese Hercules. Gerald Purdy was awarded the Eleanor Et and senior scholars. Emphasis is interdisci whose field is architectural history and Amer (617) 495-8212. Application deadline: 15 January. tinger, Inc. Purchase Prize at the Ninth Mini plinary, including not only humanities but ican art, is a past president of the New En Katherine Harper Mead, director of the ature Prints Exhibition. He has also been in also sciences and the professions. Special gland Chapter of SAR. Elvehjem Museum of Art at the University of vited to submit work to the World Print Mellon Postdocs at Penn CASVA Visiting Senior Fellowships funding for research on Commerce and Cul Wisconsin-Madison since 1981, died in an Council in San Francisco. Jud Fine received a For scholars who will have held the Ph.D. for Visiting senior fellowships are awarded by the ture (topic description available on request). At the invitation of the Nancy Musee des automobile accident in July. She was 54 years $20,000 commission earlier this year from the not fewer than three and not more than eight Center for Advanced Study in the Visual Arts, For application materials: NHC, 7 Alexander Beaux-Arts, Clive F. Getty is spending a year old. Mead came to the Elvehjem from the California Arts Council to construct a perma years by September 30, 1984. Special consid National Gallery of Art, for a maximum of Drive, Research Triangle Park, N.C, 27709. working on that museum's collection of more Santa Barbara Museum of Art, where she had nent sculpture in Exposition Park. Eunice eration will be given to research proposals sixty days to candidates who possess a Ph.D. Application deadline: 10 December. than 1,400 drawings by J.J, Grandville in that are interdisciplinary or do not fit into or a record of professional accomplishment at been curator of collections from 1975 - 80. She Howe received a grant from the Newberry preparation for an exhibition in May 1984 normal acaderp.ic programs and to candi the time of application. The fellowships re had also taught art history at both Smith Col Library Center for Renaissance Studies to at and an accompanying catalogue. Getty will dates who have not previously used the re quire residence at the Center. Application ACLS Program Booklet lege and the University of California, River tend the 1983 Summer Institute in the Archi also prepare a segment of the museum's sources of UP. Annual stipend: $17,500. For deadlines: March 21, 1984 for the period Sep Aids to Indt"vidual Scholars, the booklet de side. Born in Paris, Mead came to the United val Sciences. Joyce Kohl is completing a con Grandville drawings for a two-volume publi further information and applications: Paul F. tember 19, 1984-February 28,1985; Septem scribing all fellowship and grant competitions States in 1939. She received her B,A. and crete sculpture to be mounted outside the Sun cation in the Louvre's Inventaire des dessins Watson, Chainnan, Humanities Coordinat ber 21, 1984 for the period March 1, 1985- to be held in 1983-84 by the American Coun M.A. in French Literature from Bryn Mawr Valley Art Center in Idaho. Kenneth Ham des musees de provt"nce. For the fall semester, ing Committee, 16 College HallICO, UP, August 31, 1985. Further infonuation and cil of Learned Societies, is now available. College and Yale University respectively and ma joined the Princeton Expedition to Miami University, where he normally teaches, Philadelphia, PA 19104. Application dead application fonus: CASVA, NGA, Washing ACLS, 228 East 45 Street, N.Y.C. 10017. an M.A. in art history from Smith College. Marion, Greece, for its first season of field has appointed Getty Visiting Scholar at its line: 1 December. ton. D.C. 20565. Continued on p. 12, col. 3 She also did graduate work towards a Ph.D. at work. He is the pottery specialist and a per European Center in Luxembourg. Indiana University. manent member of the Marion expedition. Continued on p. 8, col. 1 6 CAA newsletter Fall 1983 7 1
{people and programs lpeople and programs
gallery administrator. In 1955 he became the At the Helen Foresman Spencer Museum of The Newark Museum named Gary A. Rey Rene Paul Barilleaux (M,F.A., Pratt Inst.) The School of Visual Arts, New York City, curator of Hirshhorn's collection, building it Art of The University of Kansas, Douglas nolds as curator of painting and sculpture. has been appointed by The Museum of Hol will institute a two-year M,F.A, program in into a major respository for modem painting Tilghman, assistant director for administra Reynolds (M.A., C,U.N. Y.) had been curator ography, N. y, C., as its first curator of collec painting, printmaking, sculpture, video, and and sculpture. tion since 1976, has been named acting direc of New York University's Grey Art Gallery tions and exhibitions. Before joining the staff photography in the falL Chairing the pro tor, Current acting director and curator of since 1977 and prior to that had been with the of The Museum of Holography in 1982, Baril gram will be David Shirey, writer and critic Brooklyn Musewn from 1972 to 1977, leaux had been associated with the Cooper for The New York Tz'mes. For further infor Also in Washington, William E. Wool£en prints and drawings Elizabeth Broun will be mation: MFA Program, SVA, 209 East 23rd den, director of the Smithsonian's Archives of on leave during 1983 -84 to do research at the Hewitt Museum. Street. N.Y.C. 10010. (212) 679·7350. ext. American Art, retired in June, Under twenty National Museum of American Art. Jan Mary E. Braun is the new registrar at the University of Chicago's David and Alfred 225. 226. years of his guidance, the Archives, founded Howard will be acting curator of prints and In West Palm Beach, the Norton Gallery of Smart Gallery. Braun, who succeeds Rolf twenty-nine years ago in Detroit, has assem drawings in Broun's absence, and Marla Art has named Richard Frank as curator of Achilles, served as registrar at the Art Insti Recent gifts and matching funds at The bled 400,000 photographs and more than ten Prather is the curator of painting and education. Frank (M,F.A., Tyler Sch. Art, tute of Chicago for the past three years, University of Texas at Austin have endowed million primary· source documents. sculpture, Temple Univ.) has taught studio art at severaJ several programs in the fine arts. The M.K. schools, including Temple University and Sally R. Freitag has joined the staff of the Hage Centennial Visiting Professorship in CAA board member Gabriel P. Weisberg Augusta College, Most recently he was assis The National Gallery of Art announced sev· Worcester Art Museum as registrar, Until Fine Arts will be for distinguished art has been appointed assistant director of the tant to the chief curator of art at The Oak eral senior staff appointments, Victor C.B. recently Freitag was the associate registrar at historians or museum professionals to National Endowment for the Humanities' land Museum, Covey, who came to NGA in 1972 after program for Humanities Projects in Art the National Gallery of Art, where she had enhance art history studies pertaining to the twenty-four years with the Baltimore Muse Museums and Historical Organizations. worked since 1973. exhibition and collection program of UT's um of Art, has been named chief conservator NEW PROGRAMS/FACILITIES Archer M, Huntington Art Gallery, The emeritus and senior conservator for special The J. Paul Getty Museum's Guest Schol Alfred A. and Ellen V. King Centennial Lec assignments in anticipation of his retirement ars/Conservators for 1983-84 are: Christina S.U.N.Y. at Stony Brook will offer a new tureship will support guest lectures by promi. next year. Ross Merrill replaces Covey as Aschengreen, Museo degli Argenti, Palazzo program leading to the M.A. Degree in Art nent printmakers, The Barbara Duncan Cen chief of conservation, Merrill had been head Pitti; Sarah Medlam, Bowes Mus" Barnard Criticism beginning in the fall 1984. The pro tennial Lectureship will allow scholars to pre of the conservation department of the Cleve Castle; Ellis Waterhouse, Oxford; Antoine gram will have an integrated curriculwn in sent seminars, lectures, and symposia on con land Museum of Art from 1974 to 1981, when Schnapper, Sorbonne; Hugh Brigstocke, art history, criticism, and theory and nonnal temporary Latin American art, he joined the NGA staff. Nicolai Cikovsky, Nati. GaIL Scotland; Arnauld Brejon de ly will require between one and two years of Jr. leaves the academic world to become cur Stanley S. Madeja, Northern Illinois Lavergnee, Musee du Louvre; Mina Greg full-time study. For applications for the initial Among twenty institutions to receive grants University ator of American art. Cikovsky (Ph.D., Har ori, Univ, Florence; Christopher White, entering class: James Rubin, Director of from the newly established Luce Fund for vard Univ.) previously had been professor and Mellon Centre for Studies in British Art; Graduate Studies, Dept. of Art. SUNY, Stony Scholarship in American Art were The Jewelry craftsman and filmmaker Stanley S. chair of the department of .art at the Univer Phillip Pouncey, Fitzwilliam Museum Brook. N.Y. 11794. Detroit Institute of Arts and The New Madeja is the new dean of the College of sity of New Mexico, chair of the art depart (retired); Peter Lasko, Courtauld Inst.; Museum, each receiving $60,000. DIA will Visual and Performing Arts at Northern Illi ment of Pomona College, as well as director of Olivier Michel, Centre Rech. Sci., Paris; use its grant in support of the first three Harvard University's new art museum, cur nois University. Madeja, who taught at NIU the Art Galleries of both Pomona and Vassar Gino Corti, Villa I Tatti; Alain Pasquier, planned volumes on the museum's perma rently under construction, will be named the for a year in the 19608 succeeds Robert W. Colleges. Susannah J. Fabing (M,A., Har Musee du Louvre; Klaus Parlasca, Univ, nent collection of American paintings. The Arthur M. Sackler Museum in honor of its Buggert, who is retiring after nineteen years vard Univ.) leaves the Fogg Art Museum, Erlangen; Janos Gyorgy Szilagyi, Mus. Fine New Museum grant will fund a volumeofcrit· principal benefactor, Designed by James on the faculty, the last thirteen as dean. Dur where she held several positions since 1971, Arts, Budapest; A.D. Trendall, La Trobe ical essays on art drawn from journals, maga Stirling of London, the new museum will pro ing the past year, Madeja has been a distin most recently as deputy director, to join NGA Univ., Australia; Christiane Andersson, Co zines, and museum catalogues devoted to vide facilities for scholarly and technical stud guished visiting professor at Arizona State as chief of curatorial records, lumbia Univ,; Eunice Williams, Fogg Art contemporary art and ideas. ies and art historical teaching ip addition to University, Tempe. For the previous thirteen Museum; E. van de Wetering, Central Re housing Harvard's collections of Ancient, years, he was associated with CEMREL, Inc. search Lab., Amsterdam; Pierre Ramond, The Metropolitan Museum of Art has re Also at NGA, four scholars have been named Oriental and Islamic art. a St. Louis-based non-profit educational to the Board of Advisors of the Center for Ad Paris; David Hawkins, West Sussex; Paolo ceived funds to endow two curatorial chairs: research and development corporation. vanced Study in the Visual Arts: Dore Ash Cadorin, Basel Museum; Gianluigi Cola John K. Howat has been appointed the Law ton, Cooper Union School of Art and Archi lucci, Rome; Hubert von Sonnenberg, The College of Architecture, Georgia Insti rence A. Fleischman Chairman of the De Graphic designer Phil Risbeck, Colorado tecture; James Cahill, University of Cali Doerner-Inst., Munich; Pinin Brambilla tute of Technology, has a new program lead partments of American Art and Douglas State University, so impressed the Russians fornia, Berkeley; Alfred Frazer, Columbia Barcillon, Milan; Andreas Burmester, Joseph Martin. National Gallery of Canada ing to the Ph.D. degree in architecture and Newton has been appointed Evelyn A.J. Hall with the silver medal for posters he entered in University; and Craig H. Smyth, Harvard Doerner-Inst.; Ernst-Ludwig Richter, Inst. planning. Program offerings project initial and John A. Friede Chairman of Primative the 10th Biennale of Graphic Design, Brno, acceptance of doctoral candidates in the Center for Italian Renaissance Studies, Villa I Techn. der Malerei, Stuttgart. There have been changes at the hehn in sev Art. Czechoslovakia, that they invited him to have Tatti. eral museums across the country and across areas of history, theory, and criticism; be his own exhibition in Moscow this August. As havior studies; and planning. Students with The Wadsworth Atheneum has appointed the border. At the Minnesota Museum of Art, The J. Paul Getty Trust has announced the a guest of the Union of Soviet Artists, he spent masters degrees are invited to address inqui initiation of a two-year project that will At the Albright-Knox Art Gallery in Buffalo, John W. Teahan head librarian, to succeed M.J. Czarniecki III, a specialist in the three weeks visiting art schools, museums, ries to John Templar, Director, Ph.D. Pro research the conceptual framework for an in chief curator Douglas G. Schultz (M,A., Elizabeth G. Hoke who retired after serving history of photography, has been appointed and galleries in various cities. gum. CA. GIT. Atlanta. Ga. 30332. ternational infonnation component to their Univ, California, Berkeley), has been named 19 years. Teahan (M.L,S" Southern Conn. director. Czarniecki had been with the Mis State Univ.) will also serve as adjunct curator sissippi Museum of Art since 1976 and had proposed Conservation Institute. The project Jane Milley, dean of the School of Fine Arts, acting director until a new director is selected of American prints. been its director since 1978. He succeeds The Princeton University Art Museum has will be directed by Gerald Hoepfner, execu California State University, Long Beach has to succeed Robert T. Buck, who left to become director of the Brooklyn Museum, Dean Swanson, who resigned after three received a pledge of $1 million from Peter B. tive director of the Williamstown Regional been elected president of the California Art Conservation Laboratory, and will be Susan Krane, fonnerly associate curator, has Sidney M. Goldstein(Ph.D., Univ. Missouri years as director, Ross C. Anderson (M,A., Lewis of Cleveland, Ohio, to support a new Council of Fine Arts Deans. housedattheWRACL. II been promoted to the position of curator. Columbia) leaves his post as chief curator at Harvard Univ.), fonnerly chief curator at the gallery for its growing collection of modem and contemporary art. Cheryl A. Brutvan, who joined the staff as The Coming Museum of Glass to join The Everson Museum of Art, joins the Montgom MUSEUMS assistant curator at the beginning of the year, Saint Louis Art Museum as assistant director. ery Museum of Fine Arts. In Canada, Joseph DATEBOOK: 1 November deadline The University of New Orleans is offering a has been named assistant curator in charge of Martin (Ph.D., Univ. Paris), who has been at ACLS travel grant applications (Con the National Gallery in Ottawa since 1970, new degree program leading to a Master of Abram Lerner, founding director of the prints and drawings. Georgette Hasiotis, Harold Nelson (M,A., Univ. Delaware, ferences March-June) '" 10 Novem Arts in Arts Administration. The two-year Smithsonian's Hirshhorn Museum and Sculp fonnerly an editor with Alfred A, Knopf, is Newark), formerly chief registrar at the most recently as acting director, has been ap ber deadline submission of positions program culminates in a one-semester intern ture Garden, will retire next May, ten years the new editor of publications. Leaving the Solomon R. Guggenheim Museum, has been pointed director. Teri J. Edestein (Ph,D" for November 28 listing , .. 15 Novem after the Museum's opening. Lerner, now 70, Albright-Knox is Charlotte Kotik, curator, appointed director of the touring exhibitions Univ. Pennsylvania) is the new director of the ship at an arts organization. Assistantships ber deadline preferential ballot, , . 30 has been director since 1967, a year after it who had joined the staff in 1970 as an intern, program for the Art Museum Association of Mount Holyoke College Art Museum. She are available. For more infonnation: Mona November deadline session proposals was established by Joseph H. Hirshhorn's gift shortly after arriving from Prague. She was America. He replaces Jerry M. Daviee, who leaves the Yale Center for British Art where Brooks, Coordinator, Arts Administration, for 1985 annual meeting .. ' 1 Decem to the nation of 6,000 works of art. Lerner curatorial researcher from 1971 to 1977 and now assumes the directorship of the AMA's she had been assistant director for academic College of Liberal Arts, UNO, Lake Front, ber deadline winter newsletter. began his career in 1935 as a painter and has held several curatorial positions, planning and development department. programs since 1979. New Orleans, La. 70148,
8 CAA newsletter Fall 1983 9 Iplacement: 1982·83 annual review placement: 1982·83 annual review
associate professor; 10 full professor or chair. -, Location. Of artist openings, 33% were' greater percentage of men than women and a Despite reports of recovery in other sectors of ; 1177; in 1980·81, 1023; in 1981·82, 942; in As usual, salary is specified so seldom (or in so located tn the Northeast~ or Mid-Atlantic ~ greater percentage of art historians than art the economy, placement statistics this year 1982-83, 785. This year's loss from the high >C1JR.RICULUMVIl'AEpQ~S; .... broad a range) that we do not even attempt to States (39% last year); 10% in the Southeast ists are employed full time. For artists, both are the grimmest we have ever seen. Last year, number of positions listed in 1979-80, then, is deal with it. (17% last year); 31 % in the Midwest (22% , male and female, there were no really signifi we hit new lows in several areas; this year we 392, or 33 percent. That said, it is with some ivenrii~~e ra~ca!, than ,~lie:dro~ 'in' ,th~'~~,:"::': last year) and 25% in the West (24% last" cant shifts from last year. Among art histor have had an additional drop of147 positions. what less than bubbling enthusiasm that we IltlIQber ,0£ p()sition~, ,pub~~,ed':-'is,',tlie::: ,," Qualifications. Almost all openings re year). For art historians, the breakdown is ians, full-time employment for males is down The loss is across-the-board: a drop of 16 per undertake a more detailed analysis of the ~,rop" in the ~um~ber :0£ op~n~' tlia~' quire the tenninal degree, or its equivalent, 43% in the Northeast or Mid-Atlantic states significantly; in a large me:asure this drop has cent for both artists (a loss of 77 positions) and : available data: :"corhe_upj~'be~een ?l~b~,c~tio~ of t~~,,::'\> or all-but-dissertation. Fifty-one percent of (45% last year), 17% in the Southeast (same been offset by part-time employment, and art historians (a loss of 36 positions). The rest' :-' \r?~~O~' U$ti~glI. ill re~p:~n~' ~(:)'w~ic~_: : the artist openings and 39% of the openings as last year), 17% in the Central states (14% . unemployment for male art historians is. in of the loss is in the "others" category. POSITIONS ,;, ;:,w-e seJ:ld,~unlie,cQrricul~ ~t~~,fo~ ,-" - for art historians list experience as a specific last year), and 23% in the West (25% last fact, down by one percentage point from last It follows, naturally, that the ratio of the ,', ef" ,,!iti~lifie?_ c~~di4~test" ,:[im,e >~a( requirement, however the nature of that ex year). year. Among female art historians there has number of applicants for each available posi Areas of specialization. Ever since we ~h~nn.w·budget .litres~oWdU!l""'··. perience is seldom spelled-out and it is gener also been a significant drop in full-time em tion is the worst ever, and that can be seen on started keeping these records, approximately ·pe.ctedIy.get approval orwhenappli•...•. ally unclear whether experience as a graduate APPLICANTS ployment; this drop has not been offset by an the chart below. Those ratios would be even 30% of the positions listed for artists and ap _~,~~~,,~?,U1dpick ~~ ~~,09!i~,'~~O,p~,s~~~ "::,:,, teaching assistant would suffice. increase in part-time employment, therefore more depressing, were it not for the fact that, proximately 40 % of the positions listed for art ~Ial :,~ffers._ '~ej~~tin,g_~!p:~:-':1)~,Jli~",'~~Y~":,:,,,: Forty-eight percent of studio applicants are , there is a significant increase in unemploy as anticipated, thenumberofapplicants, too, historians have fallen within the category of <:\>~id~~:,,\,~I1~ ,w:¢,',,~,OUl~,;,b~ _iJ:!Il~date~'})r:' Track and Term. ,Forty percent of the female (50% last year); 65% of art historian ment for female art historians (from 21 % last went down in the year following a New York "unspecified" or "broad." This year's listings \ _",tfqlle~~s,>::f~i',{;~ttkul~>vi,ta,f! ro,r~~,'" - openings for artists (49% last year) and 51 % applicants are female (67% last year). There year to 29% this year). annual meeting. (The number of applicants hew fairly closely to that line for artists: 32% ':"','P~f:ticu~arlt, during,,:,:t-lf,~,,::~u,~nni:e5:" of the openings for art historians (52% last were 49 minority-group applicants, up slight As always, recent graduates cOIppnse the is down 13 percent from last year, when we of the positions are so listed. Art historian list ';<;i~onths., ,Last5~~,
Iplacement: 1982·83 annual review lannouncements professional publications C.I.N.O.A. Art History Award EMPLOYMENT STATUS OF APPLICANTS A $5,000 publication subvention is offered by Books listed in this column should be should know- but also includes detailed series of workshops and other forums, muse WITH EARNED TERMINAL DEGREES the international confederation of art dealers ordered directly from the publishers. chapters on the various types of panels and um personnel and faculty met to develop and MALE FEMALE for a thesis of university level or of comparable structural systems suitable for temporary ex implement the integreation of museum facil ARTISTS 1981 1982 1983 1981 1982 1983 importance on the history of the art of one of Contracts and Copyright: A Handbook for hibitions. While artists can be reasonably sure ities and resources into the undergraduate Employed Full-Time 54% 51% 50% 48% 38% 40% its thirteen member nations. For further Visual Artists, by Laurence Singer. An intro that museums and art galleries will hang or liberal arts courses. Each of the participants Employed Part-Time 30% 31% 32% 42% 41% 38% information: Gerald G. Stiebel, 32 East 57 ductory manual on gallery contracts, with a show their works with care, they cannot contributes an essay describing the applica Unemployed 16% 18% 17% 10% 21% 22% Street, N.Y.C. 10022. Submission deadline: short section on commercial leases and the always count on the same professionalism tion of the Project to their individual courses, 15 November. copyright law as it affects the visual artist. 33 from commercially sponsored art shows. Fa as well as student response. 213 pp. Publica ART HISTORIANS miliarity with good temporary art exhibition tion Secretary, Museum of Natural History, Employed Full-Time 71% 76% 70% 44% 54% 45% pp. D.C. Slide Registry of Artists, 418 7th St., N.W., W.,hington, D.C. 20004. $3.00 (plus standards is the first step towards being able University of Kansas, Lawrence, Kans. Employed Part-Time 14% 8% 14% 29% 25% 26%· Ucross Foundation Residency Program to demand them. 172 pp. Smithsonian Insti 66045. $5.00. 21% 29% $.55 postage); $2.75 for ten or more copies. Unemployed 14% 16% 15% 27%. For artists and scholars. Residency sessions tution Traveling Exhibition Service, A. & I. are from January through May and from Bldg., Rm. 2170, 900 Jefferson Dr. S.W., Careers in the Arts: A Resource Guide. Of Taxation of the Visual and Performing Ar September through December; residencies Washington, D.C. 20560. $17.50 (U.S. post use to undergraduate, graduates, and begin tut: An Insight Into Federal Income Tax. Male/Female Ratios. There seems to have $18,000. There were 44 placements at the may run from two weeks to four months. A age and handling - $2, foreign - $4). ning professionals, this publication includes Discussion of common problem areas for ar been some closing of the gender gap in apply rank. of assistant professor, salaries ranging complete etching facility is included. No fees listings of national arts associations, guilds, tists, including allowed deductions and ing for positions. (As you may recall, in the from $17,780 to $27,000. The median salary are charged to residents and no services or Museums, Humanities, and Educated Eyes, etc. which can offer infonnation and as specific methods to lower income tax. Exam past we have consistently noted a discrepancy was $20,000, up $1,500 from last year. Six products are expected from them. Applica edited by Marilyn Stokstad et a1. This book is sistance; internships, apprenticeships, and ples and completed sample forms illustrate of ca. 15 points between the percentage of placements were at the associate professor tions should include a work sample and proj the culmination of a University of Kansas, courses; and books and pamphlets on arts car the text. 90 pp. Volunteer Lawyers and Ac women in the relevant population pool and level; one at $11,000, the others ranging from ect idea. For further infonnation: Heather Lawrence project initiated in 1978, which eers. 56 pp. Center for Arts Information, 625 countants for the Arts, 1540 Sui Ross, Hou the percentage of actual applications from Burgess, Residency Program, UF, Ucross then developed into a two-year NEH Region $23,976 to $30,000. Three placements were Broadway, N. Y.C. 10012. $6.75. ston, Tex. 77006. $3.50. women.) This year, women constituted 46% unranked, at $18,000, $18,552, and $39,924, Route, Box 19, Clearmont, WY 82835. Ap al Institute: Museums and HumanisUc Edu of the studio applicant pool and accounted respectively. Across disciplines and across plication for fall session, 1984: 1 March. cation. The ultimate aim was to raise stu Women Artists: A Resource and Research for 40% of the actual applications; last year, ranks, there were eleven teaching positions Good Show I A Practical Guide for Tempo dents' visual awareness and to broaden the Guide, edited by Paula L. Chiarmonte. The when women constituted 50% of the appli filled at salaries of $25,000 or more. Eight of rary Exhibitions, by Lothar P. Witteborg. interpretation of abstract idea through con scope of this infonnation guide encompasses cant pool, they accounted for only 36 % of the those went to males. Charlotte W. Newcombe Fellowships While this book was developed for those in tact with material culture collections (art, both historical and comtemporary women applications. In art history, women consti A graduate fellowship program designed to volved with planning, designing, installing, natural history, anthropology, etc.). Human artists. It features print and non-print for tuted 65% of the applicant pool and account "I got my job through ••• " the CAA, was promote research in ethical or religious and constructing temporary exhibitions, art ities faculty in neighboring schools (including mats as well as organizations. 24 pp. ARLIS/ ed for 54% of the applications; last year the answer for 130 of the 206 teaching posi values, including the way in which those ists also should put it on their list of required two-year institutions, liberal arts colleges, NA, 3775 Bear Creek Circle, Tucson, Ariz. women constituted 67% of the pool and ac tions. A considerable proportion of the other values are reflected in art and related fields. reading. It not only covers advance planning, state universities, and an art institute) were 85715. $3.50 ($4.00 if invoice is requested counted for only 52% of the applications. placements went to people currently on staff, Forty-five fellowships will be awarded for preparation, etc.-all the things the planner invited to participate in the Institute. In a add $1.00 for foreign postage). III In a more orderly and rational universe, an with most of the remainder filled through 1984, each providing $7,500 plus dependency increase in the -percentage of applications personal contacts, recommendations of col allowances. The award does not include tui from women might be expected to yield an in leagues, etc. tion. Applicants must be enrolled in a grad crease in the percentage of women hired; Let's all hope for a happier report next uate school in the United States and must information that, however, was not the case. In studio, year. R.R. W. III have completed all requirements for the doc 43 % of the positions went to women, down torate except the dissertation by January The Brockton Art Museum is conducting a from 51 % last year. In art history, 65% of lconferences and symposia 1984. Deadline for inquiries and application For a biography of American artist Philip owners to contact her with details of title, those hired were women (the same percentage forms: 23 December. Application deadline: 6 study of the American painter and print Evergood, anecdotal material about his life medium, height, provenance, etc. Owner Jariuary 1984. maker Marion Huse (1896-1967). Location from individuals who knew him in New York ship will remain confidential where re as last year, and the same as women's repre Popular Culture Association of works as well as correspondence and remi and Connecticut is sought. Additionally, in quested. Contact Evelyn Silber, Deputy sentation in the population pool). Annual national meeting to be held in Toron niscences relating to the artist's life and career preparation for a retrospective on the artist to Keeper, Binningham Museums and Art Gal to, March 30-April 1, 1984. Those wishing Academic Administration Fellows Rank and Salary. Part-time positions are are sought. Contact Peter Baldaia and Eliza take place in 1985, biographer wishes to hear lery, Chamberlain Square, Binningham B3 general infonnation or who would like to sub The American Council on Education Fellows beth Thomas, Curatorial Assistants, Brock from anyone owning an Evergood painting. 3DH, England. not included in these figures: mit papers/presentations in the area of mm Program in Academic Administration identi ton Art Museum, Oak Street, Brockton, Contact: Kendall Taylor, 1841 Columbia and literature should call or write Harris fies and prepares about forty persons each Mass. 02401. For a scholarly study of airplane "nose art" ARTISTS. Of 145 usable reports, 30 placements Road, N.W., Washington, D.C. 20009. Elder, Dept. English, North Adams State Col year who show promise for responsible posi (e.g., pinups, cartoon characters, etc.) from James Earl (1761-1796) will be the subject of were at the rank of instructor, salary range lege, North Adams, Mass. 02147, (413) 664- tions in academic administration. Fellows World War II through Vietnam, I would ap an exhibition and catalog at the National $8,400 to $22,000, median $16,000; and 88 4511. For submission of papers/ presentations serve on their home or a host campus directly The Inst. on the Federal Theatre Project and preciate hearing from individuals involved were at the rank of assistant professor, salary Portrait Gallery, Smithsonian Institution. He in the area of fibn generally, write L. Bena with the president, senior academic officer, or New Deal Culture at George Mason Universi with this art form either as artists or users of range $9,000 to $27,000, median $19,500. lived in England from ca. 1784 until 1794, quist and W. Sullivan, Dept. English, Keene other senior administrator for an academic ty seeks information on oral history inteIViews objects decorated with these motifs. Photo Salary increases are impressive, with the me returned to America and worked in Rhode State College, Keene, NH 03431. Deadline year and attend three five-year seminars that have been completed or are planned with graphs of this artwork on actual aircraft, dian salary for both instructors and assistant Island and Charleston, S.C. where he died in for proposals is 15 November. sponsored by ACE with a Wide -variety of is sues fonner participants (or that should be includ other types of vehicles, buildings, or clothing professors up by $2,000 from last year. Eleven 1796. Infonnation on the whereabouts of por in higher education. Candidates must be ed) in any of the government sponsored arts would be appreciated. Any documents or placements were at the rank of associate pro traits by James Earl or other material relating projects of the depression era, of the WPA, Fifth Medieval Forum nominated by the president of an ACE mem photographs will be promptly returned. fessor, salary range $22,000 to $38,000 (last .to him should be sent to Robert G. Stewart, To be held on the campus of Plymouth State ber institution by 15 November. For addi but also of the Treasury Department, the Randall I. Bond, Art Librarian, 205 Bird year the range was $15,000 to $28,000), and College, April 13-14, 1984. The Medieval tional infonnation: Madeline F. Green, Di Curator, NPG Room 303, SI, Washington, FSA, the RA, the NYA, and the U.S. Film Library, Syracuse University, Syracuse, N.Y. three appointments were made at the rank of D.C. 20560. Studies Council invites proposals for papers or rector, Center for Leadership Development & Service. With support from NEH, the Insti 13210. full professor, with salaries ranging from complete sessions on any medieval subject. In Acad. Administration, One Dupont Circle, For a book on the effect of the Vietnam war tute plans to publish a Directory of these in $30,276 to $38,000. Thirteen placements terviews as well as to accession and transcribe addition, two special sessions are planned for Washington, D.C. 20036, (202) 833-4764. on the visual arts, information is sought from The Miami University Art Museum is plan were un ranked, salary range $9,000 to which paper proposals are sought: King the following areas: general pacifist, Anti some interviews that are currently unavail ning a 1984 exhibition of the works of George $24,432. Alfonso X, "The WiSe," of Castz1e (1252- Vietnam War and counter culture sources, able to scholars. Contact: Roy Rosenzweig or Bottini (French, 1874-1907) now comprising 1284) in commemoration of the 700th anni NEA Programs Booklet military art and propaganda, art therapy, Lorraine Brown, IFTPNDC, Fenwick Libra 60 works. Infonnation on his life and work is ART HISTORIANS. We received 61 usable versary of his death, and any aspect of the Evil The revised Guide to Programs of the Arts fUm _and the perfonning arts, and general ry, GMU, Fairfax, VA 22030. sought, including present locations of his reports for art historian placements. Eight in Medz'eval (Satan, sin, etc.). Abstract dead Endowment, describing NEA programs and popular sources. Any international references work and any correspondence. Please send placements were at the rank of instructor, line is 15 December. For further information: application procedures, is now available. For will be appreciated. Contact joan Seeman For a catalogue of the sculpture and critical relevant information to Edna Carter South with salaries ranging from $12,000 to Manuel Marquez-Sterling, Director, MSC, a copy of the new edition: Office of Public Robinson, 3416A Yoakum Blvd., Houston, study of the work of Jacob Epstein, scheduled ard, MUAM, Patterson Avenue, Oxford, $19,500. Both mean and median were PSC, Plymouth, NH 03264. l1li Affairs, NEA, Washington, D.C. 20506. III Tx.77006. for publication in 1985, author requests Ohio, 45056. II
Fa'll 1983 12 CAA newsletter 13 I
Igrants and awards monograph series editor grants and awards WHITNEY MUSEUM FELLOWS Carol Lewine, Assistant Professor of Art topher Johns. Umv. Delaware: The influence Twenty-six young artists and art historians History .at Queens College, C.U.N.Y., is the ACLS FELLOWSHIP PROGRAMS CoIl.: Toulouse-Lautrec and popular culture in Paris, 1892-1901; Michael E. Shapiro. of the Paleochristian revival on the art have been chosen to enter the Independent new Editor of the eAA Monograph Series. Sixty-nine one-year research fellowships were Duke Univ.: Marble carving and American patronage of Pope Clement XI Albani, 1700- Study Program of the Whitney Museum of She succeeded Shirley Blum, S.U.N.Y., Pur awarded. Among the recipients: John E. 1721; Jennifer Licht, Columbia Umv.:, The American Art this fall. Helena Rubinstein chase on July 1. Bowlt, Umv. Texas, Austin: Russian artists in sculpture, 1825-1876; Susan L. Siegfried, Northwestern Umv.: Art in Paris after the Peace of Amiens: art in France and England Fellows entering the Art History/Museum Lewine received her B.A. from Smith Col Rome during the first half of the 19th cen Revolution, 1795-1815; Toby E.S. Yuen, in 1809; Lawrence W. Nichols, Columbia Studies Program: Geoffrey Batchen, M.A. lege in 1949 and both her M.A. (1960) and tury; Susan P. Casteras, Yale Center for Univ.: The paintings of Hendrick Goltzius, N.Y.C.: The Mantuan period of Giulio cand., Univ. Sydney; JoanneCassullo, M.A. Ph.D. ~197?) fro~ Columbia Umversity. Her British Art and Yale Univ.: The American 1558-1617; Linda Wolk, Univ. Michigan, cand., Southern Methodist Univ.; Scott Gut doctonal dissertation, The Min£atures of the pre-RaphaeliteS and their English heritage; Romano, 1524-1546. Ann Arbor: The paintings of Perino del Vaga terman, B.A., Columbia CoIl.; Carrie Ant~e:p Sedult"us Manuscript: The Early Anne Coffin Hanson, Yale Univ.: Optics (1501-1547). Visiting Senior Fellows for Kahn, B.A., Hartwick CoIl.; Susan Klein C.hrtsttan Mo.dels and Their Transforma and the illusion of space in Western art; June CASVA FELLOWSHIPS Spring-Summer 1983: Sheila ffolliott, B.A., Williams Coll.; Jolie van Leeuwen' tzons, was wntten under the supervision of Hargrove, Cleveland State Univ.: A study of The National Gallery of Art's Center for Ad George Mason Univ. continued her research B.A. Univ. Amsterdam; Ingrid Schaffne;' Meyer Schapiro. She has taught at Queens French monuments to the war dead; Duncan vanced Study in the Visual Arts has awarded on two marble fountains by Montorsoli com B.A., Mount Holyoke CoIl.; William So College since 1971, and is currently chair of T. Kinkead, Duke Univ.: The development several categories of residence fellowships at missioned in mid-sixteenth-century by the field, B.A., Princeton Univ.; Erin Stimmel the Committee on Graduate Studies in Art of the Sevillian School of Painting, the Center during the 1983·84 academic city of Messina; Edith W. Kirsch, Colorado M.A. cand., Syracuse Univ.; Mary Trasko' History. From 1980 to 1982 she was Curator/ 1665-1700; Vivian Paul, Texas A&M Umv.: year. Senior Fellows for the Full Academic CoIl., studied the iconography of the virtues B.A., Indiana Univ. Participants in the com: Director of the Godwin-Ternbach Museum at Year: Anne H. van Buren, Tufts Univ., The Cathedral of Narbonne. in fourteenth-century Bologna focusing on Queens College. plans to write a book on three illustrated, plementary Studio Program: Katherine Al In addition, under the special program of the illustrated manuscript of Bartolomeo dei derdice, video artist, Oberlin College; Albert Lewine is a member of the Board of Direc Fellowships for Recent Ph,D. Recipients, historical manuscripts commissioned by Bartoli's Canzone delle Virtu e delle Scienze; Aniel, filmmaker, San Francisco Art Inst.; tors of the Center for Byzantine and Modem awards were made to Suzanne P. Blier, Co Philip the Good from Jean Wauquelin of Robert W. Scheller, Umv. Amsterdam, con Tony Cokes, video artist, Virginia Common Greek,Studies at Queens College and a mem lumbia Univ.: The cosmological and astro Mons and probably painted in Bruges around tinued work on a series of artides concerned wealth Univ.; Claus Eklundh, painter, Art ber of the Advisory Council of the Depart nomical symbolism of Mrican art and archi 1448; John Conrad Irwin, Emeritus, Vic with symbolism of the French monarchy in Academy, Stockholm; Valerie Ellis, per ment of Art History and Archaeology at Col tecture; David B. Brownlee, Umv. Pennsyl toria and Albert Museum, will continue his the period c. 1370-1530; Maren Elizabeth formance artist, Minnesota Coll. Art and De umbia University. She was co-chair of the vania: The first High Victorians-George inter-disciplinary investigations on the role of Stange, visiting scholar, National Mus. sign; Bruna Esposita, performance artist, Open Sessions at the 1982 CAA annual meet Gilbert Scott, George EdmundStreet, George myth and ritual in form and structure, with Amer. Art, study concerned four projects that Fourth Liceum of Fine Arts, Rome: Barbel ing in New York City, and last year she served Frederick Bodley, and William White; Dana special emphasis on Indian monumental art used documentary photography in support of Gabelmann, painter, Hochschule der Kun as a member of the Charles Rufus Morey Goodgal, Columbia Univ.: The iconography as expressed in the tumulus, temple, cave, specific proposals for social reform. Carol Lewine. Queens College. C.U.N.Y. BookAwardCommittee. III and pillar; Charles S. Rhyne, Reed Coli., ste, Berlin; Thyrza Goodeve, ftlmmaker, of the Ghent Altarpiece: David M. Kowal, New York Univ.; Daniel Josephs, painter, The College of Charleston: The influence of plans to complete the rust two volumes of a Bard College; Julia Kidd, painter, Cali Italian art on Francisco Ribalta and the evo catalogue raisonne of the drawings and paint The Mitchell Prize for the most promising CAA Board member Howardena Pindell lution of the Spanish Baroque; Linda E. ings of John Constable, part of a four-volume SMITHSONIAN/NMAA RESEARCH fornia Inst. Arts; John McCulloch, sculptor, first book in art history was awarded to Keith was th~ recipient of Boston Umversity's 1983 Glasgow School of Art; Anna O'Sullivan, Neagley, Univ. Tennessee. Knoxville: A study he is co-authoring; Richard Spear, FELLOWS Christi~nse? for Gentile da Fabriano (Cor Alumm Award for Distinguished Public Ser perfo~ance artist, ColI. Art and Design, study of the Church of Saint-Madou and Oberlin CoIl., will study seventeenth-century Eleven doctoral and pre-doctoral Smithso nell Umverslty Press). Christiansen is associ vice to the Profession. The award is given on man Fellows will be in residence at the Na Dublin; Steven Pallrand, sculptor, Oberlin Rouennais flamboyant architecture. attitudes towards the "original" work of art ate curator of European painting at the behalf ofthe 134,000 BU alumni throughout ColI.; Eleanor Porter, photographer, Ken while he holds a half-time appointment at the tional Museum of American Art for the Metropolitan Museum of Art. the world. yon CoIl.; Anne Surprenaut, painter, School Center and a half-time appointment as a Vis 1983.84 year: Elizabeth Broun, Ph.D., of Visual Arts; Michael Tighe, video artist, Judith Berg Sobre, Umv. Texas San Anto iting Distinguished Professor at The George Univ. Kansas: American students of Jean INDIVIDUAL AWARDS ACLS GRANTS-IN-AID Leon Getome; Betsy Fahlman. Ph.D., Univ. School of Visual Arts. nio, has been awarded a postdoc~oral fellow Washington University; Thomas F. Reese, Leo Steinberg received an Award in Litera Ninety-four awards were announced under Delaware: The art of John Ferguson Weir, ship under the auspices of the Supplementary Univ. Texas. Austin, plans to complete a ture from the American Acadetny and Insti this program, which provides travel, inain 1841-1926; Martha Anderson, Ph.D, cand., NEWCOMBE FELLOWSHIPS A~eeme?"t number four of the Treaty of book on the relationship between changes in tute of Arts and Letters. He is the first art tenance, and other funds in support ofindi Univ. Maryland: The indigenous roots of New Perhaps too often overlooked by art historians Fnendship and Cooperation Between the architectural styles, shifts in patronage and historian to be so honored since Henry-Rus vidual research. Among the recipients: Janis York Dada; Nancy Anderson, Ph.D. cand., are the Charlotte W. Newcombe Doctoral United States and Spain. The fellowship will the reorientation of national building priori sell Hitchcock received the award in 1956. C. Bell. Kenyon ColI.: The life and wor"ks'of Univ. Delaware: Albert Bierstadt and the Dissertation Fellowships, which provide a enable her to travel to Madrid during 1983 -84 ties in Spain during the reign of Charles III AAIAL also elected as institute member to complete a study of fourteenth- and fif Fra Matteo Zaccolini; Jonathan Brown, California landscape painters of the 1870s; year of support to advanced doctoral candi N.Y.U.: Velazquez and art at the court of (1759-1788); Elizabeth Kieven, currently a Dmitri Hadzi, department of visual and en teenth-century Spanish painted retables. fellow at the Bibliotheca Hertziana in Rome, Sarah Boehme, Ph.D. cando Bryn Mawr dates whose research focuses on "ethical and Philip IV; Ann B. Brownlee, Univ. Pennsyl vironmental studies, Harvard Univ. will examine the oeuvre of the eighteenth CoIl.: Seth Eastman's illustrations for Henry religious values." Forty-six such fellowships Prudence Harper, Metropolitan Museum of vania: The Attic plack-figure pottery from Schoolcraft's Historical and Statistical Infor were awarded for 1983. Among the recipi The first recipient of the Interpace Fellowship Corinth; Caroline A. Bruzelius, Duke Univ.: century Italian architect Nicola Salvi; V.A. Art, was elected by the American Academy of Kolve,pept. English, Univ. Virginia, will do mation Respectz'ng the History, Conditions ents: Cathy S. Cook, Univ. Chicago: The for t~e Study' of Early American Sculpture is Arts and Sciences as one of seventy-seven new The west facade of Notre-Dame in Paris; Mature Career of Girolamo Romanino: A research on the figure of the God-denying fool and Prospects of the Indian tribes of the SylVIa LahvIs, MA, Oberlin CoIl. The new F~llm~s. The Academy regularly honors art John R. Clarke, Univ. Texas, Austin: Ritual (Psalm 52) in medieval art and literature: United States; Elizabeth Ellis, Ph.D. cand., Study in North Italian Provincialism· and University of Delaware fellowship is designed histonans; among the ca. 2,000 Fellows there and space in Roman architecture; Robert N. John Pinto, Smith ColI., plans to write a Columbia Univ.: Art and taste in Boston, Eloise Q. Keber. Columbia Univ.: The'Illus to encourage research on such early Ameri are currently some fifty art historians, of Essick, Umv. California, Riverside: A cata 1839-1850; Richard Gruber, Ph.D. cand., trations and Texts of the Tonalamatl of the can carvers as William Rush, The Skillins, logue raisonne of William Blake's engravings monograph on the history of the Trevi Foun , whom about thirty are emeriti. tain in Rome; curatorial fellow Arthur K. Univ. Kansas: Thomas Hart Benton: the Codes Telleriano-Remensis. ~amuel McIntire, and anonymous native-ar to the Book of Job; Robert Folkenflik, En teacher and his students; Sara Parrott, Ph.D. tisan-craftsmen. Dian.e Apostolos-Cappadona, George Wheelock Jr. will study the painting tech Washmgton Univ. and Georgetown Univ. glishDept., Univ. California. Irvine: The ar cando George Washington Univ.: Expatriates PUBLICATION AWARDS mques of Jan Venneer and their relationship Laura C. Row, Ph.D. cando Yale Univ. was S.S.C.E., was awarded a residency this sum tist as hero, 1660-1820; John B. Friedman, and professionals: Italian careers of Amer The Photographic Resource Center in Boston to his style. Pre-doctoral Fellows fOT Fall aw~rded The Francis Hiatt Fellowship: en mer at the William Flanagan Memorial Crea English Dept., Univ. Illinois: Yorkshire ican women writers and artists born between present~d its first Reva and David Logan script. decoration, and book making in the 1983: Susan MacMillan Arensberg, Johns abh~g he~ to pursue research on the repro tive Persons Center by the Edward F. Albee Hopkins Univ.: The Padua Bible; Douglas 1810 and 1850; Susan Rather. Ph.D. cand., Grants m suppo~t .ofNew Writing on Photog early 15th century; Judith W. Hurtig, Simp ductive pnnt trade in Colonial New England Foundatio~. She .continued work on her study Crimp, Grad. School & Univ. Center, Univ. Delaware: Paul Manship and archaism raphy. The reCIpIents are James Hugunin, son Coli.: The tomb sculpture of Nicholas at the American Antiquarian Society's library of the relatiOnShIp of myth and rftual in the C.U.N.Y.: The museum's culture: a post in American sculpture, 1900-1930; Eliza Los Angeles: Medt'tation on an Ukranian Stone; Arnold W. Klukas, Oberlin CoIl.: for two to three months. artworks of Isamu Noguchi. . modem perspective; Linda Docherty, Univ. beth Tebow, Ph.D. cand., Univ. Maryland: Easter Egg; Max Kozloff, New York City: The origin, meaning, and function of English Richard Barnhart, Yale Umv., was among Artist Ada Medina, Drake LTmv. received a North Carolina, Chapel Hill: A search for the poetic muse: preoccupation with the !,he PrZ"V£leged; and Maren Stange, Wash Gothic retrochoirs; Marcia Kupfer, East $15,000 award from the Awards in the Visual identity: American art criticism and the con ideal, the mythical and the imagination in mgt~n, D.C.: Documentary Photography in ten. scholars t~ receive a postdoctoral grant for Carolina Umv.: The Romanesque frescoes at American painting; Elizabeth Turner, Soctal Reform: The FSA Project and Its Pred Chmese studies sponsored jointly by ACLS Arts Program administered by the South Vicq; Laura Anne Laidlaw, Hollins CoIl.: cept of the native school, 1876-1893; Kather ine Fraser Fischer, Harvard Umv.: The re Ph.D. cand., Univ. Virginia: American art ?ces~ors. The essays will appear in forthcom and the Social Science Research Council. eastertl CenterforContempory Art, Winston Patterns of First Style Pompeian wall paint building of the Palais deJustice in Paris in the ists in Paris, 1920-1929 (appointment shared mg lSSues of the PRC quarterly, VIEWS: The Ba.rn~art's topic: Northern Sung landscape Salem, N.C. Medina (M.F.A., Univ. Iowa) ings; Mary B. Moore, CUNY, Hunter Coli.: with Hirshhorn Museum and Sculpture Journal of Photography-z'n New England. pamtmg. was one of ten artists selected for the award. II The west frieze of the Siphnian Treasury at nineteenth century; Jeffrey Hamburger, Yale Univ.: The Rothschild Canticles; Chris- Garden). Delphi; Gale B. Murray, The Colorado Fall 1983 15 CAA newsletter 14 --~
shows by artist members classifieds
A listing of solo exh£bitions by artists who are Karen S. Kune. Columbus Museum of Art, The charge for classifz'eds 'is 50~ per word, members of the CAA. Those sending infor Ohio, August 6-September II. Woodcut mz'nz'mum charge 110.00, advance payment ma#onJor listing should include name of art prints. requz'red. Make checks payable to CAA. ist, gallery or museum, city. dates of exhib£ Margo Machida. 55 Mercer Gallery, N.Y.C., lion, and medium. OPEN SCULPTURE COMPETITION September 27-0ctober 15. "Life in the Big City," new paintings. life-size bronze sculpture Benjamin Franklin. Marjorie Apter-McKevitt. Central Hall Art Further details write by November 1: Carol ists, N .Y.C., October 4-0ctober 23. Land Brian McBean. Palos Verdes Art Center, Faill, Franklin & Marshall College, Box 300, scape paintings and drawings. Calif., August 14-September 2, "New Lancaster, PA 17603. Work," large abstract watercolors and terra Gloria DeFilipps Brush. University of Den cotta sculpture. ver, May 9-22. Oakton College, Des Plaines, The fifth annual issue of RUTGERS ART Ill., June. Burlington County College, Pem Mike Mosher, Modern Times Bookstore, San REVIEW will appear in January 1984. berton, N.j., September 15-0ctober 15. Francisco, July 1-31. "Gran Salvadors," Manuscripts from graduate students are Project Arts Center, Cambridge, Mass" De large paintings on paper. Mission Cultural welcomed for consideration and should be cember 5-30. University of Alabama Galle Center, San Francisco, August 2 - 27. Recent addressed to RAR, Art Department, Voor ry, March 1984. All recent hand colored paintings. hees Hall, Rutgers University, New Bruns photographs. wick, N.]. 08903. Subscriptions to the RAR Philip Pearlstein. Brooklyn Museum, N.Y., ($7.00) should be mailed to the same address. Carol A. Cottone. The Grand House Gallery, July 15-September 18. "A Retrospective." San Pedro, CaliL, September IS-October Zigmunds Priede. Friends University Art FLORENCE, ITALY; SHORT-TERM 20. Recent oil and watercolor paintings. Gallery, Wichita, November 1983, Mixed RENTALS. Modern, comfortable furnished Robert L. Cronin. Gloria Luria Gallery, media. apartments; central locations; 2-6 months. Miami, Fla., April. GMB Gallery, Birming Dott. U. Caravadossi, Piazzetta del Bene 1, Theresa Ramey. Seattle Pacific University, ham, Mich., May. Watson-Denagy Gallery, Florence. Telephone: 055-283-701. Informa July 3-23. Paintings Houston, July. Clark Gallery, Lincoln, Mass., tion from Miles Chappell (804) 253-4385. September. Gimpel-Hanover and Andre Em Terence Roberts. Peninsula Fine Arts Cen merich Gallerien, Zurich, October. ter, Hampton, Va., December 1-26. Photo PHILADELPHIA EXHIBITS; 99 galleries graphs, Leila Daw. Timothy Burns Gallery, St. provided detailed information on their pref Louis, Mo., July 24-August 28. "Making Sheba Sharrow. George Mason University, erences and practices for this nationally ac The Invisible Visible." First Street Forum, St. Fairfax, Va., September I-October 14, claimed approach guide. Ph£ladelph£a Gal Louis, Mo., July 24-September 5. "Prehis "Visual Poetry: Works on Paper / mixed lerz'es: Informatt'on for Art'ists is an unpar toric River Channel." (Both documentation media. aIled resource for artists throughout the coun of skywriting.) try. Send $5., Philadelphia Galleries, P.O. Sharon Stockwell. Friends University Art Box 17219, Philadelphia, PA 19105. Mary Heebner. Allrich Gallery, San Fran Gallery, Wichita, March 1984, Mixed media. cisco, September 15-0ctober 22, Recent Sandzen Memorial Gallery, Lindsborg Ks., ROME, ITALY: Bryn Mawr College's Villa collage-paintings. March 1984. Mixed media. Massenzia. Daily and monthly rates. Contact: Jules Heller. University Art Collections, Ari Ruth Weisberg. Jack Rutberg Fine Arts Inc" Porter Aichele, 1013 Wyndon Ave., Bryn zona State Univ., Tempe, November 20- Los Angeles, September 10-October 22. Mawr, PA 19010; (215) 645-5000 or (215) December 22, Monotypes. Paintings, drawings, prints. III 525-7623. 111
G44 newsletter © 1983 College Art Association of America 149 Madison Avenue, New York, N.Y. 10016 Editor: Rose R. Weil Associate Editor: Minerva Navarrete
Fall 1983 ANNUAL PLACEMENT REVIEW; PAGE 10