i newsletter Volume8,Number3 Fall 1983 nominations for eAA board of directors The 1983 Nominating Committee has submitted its initial slate of ALANM.FERN twelve nominees to serve on the CAA Board of Directors from 1984 to National Portrait Gallery, 1988. Of these, six will be selected by the Committee as its final slate Smithsonian Institution and formally proposed for election at the Annual Members Business Meeting to be held at the Sheraton Centre in Toronto, Canada, on BA Univ Chicago, 1954; MA 1954, PhD 1960, February 23, 1984. To assist the Committee in making its final selec­ Univ Chicago. POSITIONS: instructor, Inst of tion, aU individual members are invited to cast their votes on the Design, Chicago, 1952; asstin art, 1953, asst in­ preferential ballot, structor, asst prof of humanities, 1953-61, The The preferential ballot is in the fonn of a prepaid business reply College, Univ Chicago; teacher adult classes, card which is being mailed separately, Please return it promptly; Art Inst Chicago, 1955-58; asst to full curator ballots must be postmarked no later than 15 November. A listing of of fine prints, asst to full chief, Prints and the current members of the Board of Directors is on page 3. Photographs Div, 1961-76, director, research dept, 1976-78, director for special collections, 1978-82, Library of Congress; director Na­ CYNTHIA CARLSON tional Portrait Gallery, 1982-. PUBLICATIONS: A Note on the Eragny Philadelphia College of Art Press, 1975; Word and Image, 1969; Leonard Baskin, 1970; co­ authored Art Nouveau, 1960 and Revolutionary Soviet Film Posters, BFA School of Art Inst of Chicago, 1965; MFA 1974; contributed chapters to several books; numerous articles and Pratt Inst, 1967. POSITIONS: currently professor, reviews. AWARDS: Fulbright Fellowship, 1954-55; Chevalier, Ordre de Philadelphia Col1 of Art, 1967 - and co-chair la Couronne (Belgium), 1980; honorary member, American Inst of 1979-81; adjunct instructor, Fordham Univ, Architects, 1983. EXHIBITIONS ORGANIZED: The Architect and the Lincoln Ctr, 197I; instructor, Univ Colorado, University, Univ. Chicago, 1961; Viewpoints, Library of Congress, 1972-73. EXHIBITIONS: : solo Pam Adler Gall, 1962, with others; American Prints Today, U. S. Information Agen­ N.Y.C.; Pratt Inst; Milwaukee Art Mus; Hud­ cy, 1965; Leonard Baskin, Natl Collection of Fine Arts, 1970; Con­ son River Mus; Al1en Memorial Art Mus, Ober- ~ temporary Photographs from Sweden, Library of Congress, 1976; lin ColI; Herron Art Gall, Univ Indiana; others; numerous group ex­ others, PROFESSIONAL ACTIVITIES: TV series, The Influence of Print hibitions. COLLECTIONS: Guggenheim Mus; Philadelphia Mus Art; and Picture, Chicago, 1960; president, Washington chapter AlGA, Richmond Mus Fine Art; Pennsylvania Academy of the Fine Arts; 1968-69; president, Print Council of America, 1969-71; juror 12 na­ Albright-Knox Mus; umv and corporate coIlections. PROFESSIONAL tional and regional exhibitions; numerous lectures on history and cri­ ACTIVITIES: numerous lectures and workshops; panel member, Col­ ticism of printmaking, illustration, typography, and photography at orado Women in the Arts Exhibition, 1979; Ohio Foundation on the National Gallery of Art, Metropolitan Museum of Art, others; served Arts, NEA Challenge Grants, 1982; NEA Forums and Panels Grants, as panel member for museum program, visual arts program of NEA; N.J. State Council on Arts, 1983. CAA ACTIVITIES: annual meeting represented Library of Congress at Federal Council on Arts; served on panelist, 1982. boards of Swann Foundation and Paul Strand Foundation, CAA AC­ TIVITIES: book review editor. ArtJournal, 1967-71; art history sessions MARY BETH EDELSON general chair, 1979 annual meeting, Washington, D.C, New York City THALIA GOUMA-PETERSON BA School of Art Inst of Chicago; MA, NYU. The College of Wooster POSITIONS: numerous artist-in-residence and visiting artist appointments, incl San Jose State BA in art 1954, MA art history 1957, Mills CoIl; Univ, Iowa Univ, Univ Manitoba, Art Inst Chi­ PhD, Univ Wisconsin, 1963. POSITIONS: lec­ cago, Pratt Inst, Univ Minnesota, others. EXHI­ turer, 1959-68, instructor, 1960-61, Oberlin BITIONS: solo P. S. #1, N.Y,C.; Carnegie-Mellon Coll; asst to full prof, Coll of Wooster, 1968-. Inst; A.I.R. Gall, N.Y, C.; Albright-Knox PUBLICATIONS: ed" Miriam Schapiro: A Retro­ Gall; Franklin Furnace, N,Y.C,; N.A.M,E. spective, 1953-1980, 1980; ed and designer, Gall, Chicago; Herron Mus Gall; Corcoran Gall of Art; others; Sculpture Outdoors, 1983; numerous articles numerous group exhibitions, PUBLICATIONS: Seven Cycles: Public on Byzantine and modern art in Allen Memori­ Rituals, 1980; "See for Yourself: Feminist Spirituality in Holistic Art," al Art Museum Bullet£n, Art Bulletin, Storia dell'Arte, Dumbarton in C. Spretnak, The Politics of Women's Spiritualz'ty. contributions to Oaks Papers, Dialogue, WCA Honor Awards Catalogues, Women's Dialog, Heresies, High Performance, others, PROFESSIONAL ACTIVI­ Studies Quarterly, others. Honor Awards Catalogue of WCA, 1981 TIES: numerous lectures and workshops; participant CAA/WCA and 1982; wrote, edited and designed Sculpture Outdoors, meeting 1980, New Orleans. Catalogue, 1983. AWARDS: Ohio Arts Council grant to organize sym­ posium, Women in Art Today, 1979-80; NEA grant to edit and publish catalog of retrospective exhibition of Miriam Schapiro, 1980; REMINDER; The Preferential Ballot is being mailed separately, Ohio Arts Council Grant to organize symposium and installations on Please retain information on nominees until you receive it. Continued on p. 2, col. 1 Inominations for CAA board of directors Sculpture Outdoors. PROFESSIONAL ACTIVITIES: presented papers and The james A. de Rothschild Collect£on at Wadderdon Manor: II­ inominations for CAA board of directors chaired sessions at national and international conferences on Byzan­ lum£nated Manuscr£pts, 1977; co-author Medieval and Renaissance tine art and on women artists; member purchase committee of Allen Manuscn'pts at Yale: A Select~on, 1978; Passton Iconography In PATRICIA ROSE Patnhng, G. Kubler ed, 1967; The Architect: Chapterst"ntheHistory Art Museum, 1965-; member National Committee for Byzantine Northern European Art of the Late M£ddle Ages and Early Renais­ The Florida State University of the Profession, S. Kostofed, 1977; articles and reviews in Art Studies. 1977 -; member WCA National Advisory Board 1978-; sance, 1979; Hans Baldung G-rien (The Illustrated Bartsch, V. 12), Bulletin, journal of the Sodety of Architectural Historz"ans, Modem chair Nominating Comm, WCA, 1979; chair National Honor 1981; co-author, Hans Baldung Grz'en: Pn"nts and Drawt"ngs (exh. BA 1950, MA (comparative literature) 1955, History Review, Art journal, others. AWARDS: Fulbright Fellowship, Awards Selection Corom, WCA, 1980-82; chair organizing corom, cat.), 1981; others; numerous articles and reviews. AWARDS: Presi­ Florida State Univ; MA (history of art) Oberlin 1966-67; Kress Fellowships, 1966 and 1967; American Philosophical 6th Annual Byzantine Studies Conference, 1980; national vice presi­ dent's Fellowship, Columbia Univ, 1965-66; Kress Fellowship, CoIl, 1962; PhD Columbia Univ, 1973. POSI­ Soc Summer Grant, 1967 and 1978-79; Henry Merritt Wriston Grant dent, WCA, 1982-84. CAA ACTIVITIES: Co-chair, Open Sessions (art 1966-67; University Research Fellowship, 1967-70; Chancellor's TIONS: asst curator, Oberlin CoIl Mus, 1956-63; for improvement of courses in history of architecture, 1977-78; lost history), 1984 annual meeting, Toronto. Award for Excellence in Teaching, S. U.N. Y., 1973-74; C.R.B. Ad­ instructor, Stanford Univ, 1963-66; curator of Advanced Study, Princeton, member and fellow 1977-78; CAA Ar­ vanced Fellowship, Belgian-Amer Educational Fdn for Study in prints, Stanford UnivMus, 1963-66; instructor, thur Kingsley Porter Prize for best article in the Art Bullei£n by a JOEL ISAACSON Belgium, 1974-75; 1975-75; Mellon Fellowship, 1979-80. PROFF.';­ Barnard Univ, 1967-68; instructor, summer beginning scholar, 1975. PROFESSIONAL ACTIVITIES: general editor and The University of Michigan SIONAL ACTIVITIES: numerous university lectures and conference 1968, lecturer, winter 1971-spring 1972, Stan­ advisor, Guide to Architecture at Brown Unt"versity, 1975; Brown papers; editorial board member of Arts Neerlandt"ca: Studt"es tn the ford Univ; asst to assoc prof1972-, assoc chair to full chair, 1979-, Univ trustee, Univ Film Study Ctr, 1974-75; co-chair, SAH annual BA in design Brooklyn ColI, 1952; Slade School History of Art of the Low Countries and of Mediaevalia; associate Florida State Univ. PUBLICATIONS: Index to vols. X-XX, Allen meeting session, 1978; presented papers and lectures at numerous Fine Arts, Dniv Coll, London, 1954-55: MA editor, California Studies in the History ofArt. CAAACTlVITIES: papers Memor£al Art Museum Bullet£n, 1963; Wolf Huber Studies: Aspects symposia and meetings. CAA ACTIVITIES; presented papers at annual Oberlin Coll, 1957; PhD, Univ California, at annual meetings 1971, 1972, 1981; book review editor, The Art of Renaissance Thought and Practice in Danube School Painting meetings, 1970 and 1979; member Nominating Committee, 1982. Berkeley, 1967. POSITIONS: visitor, Univ Califor­ Bulletin, 1980-83; Millard Meiss Publication Fund Committee, (Garland Dissertation Series), 1977; several articles. AWARDS: Dan­ nia, Davis, 1962; Mills L:ollege, 1963; Univ member 1983-87, chair 1983-85. forth Teacher Grant, 1966-67; Kress fellow, 1970-71; President's CURRENT BOARD OF DIRECTORS Teaching Award, Florida