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Irish Gothic Fiction
THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. -
English Literature, History, Children's Books And
LONDON 13 DECEMBER 2016 DECEMBER 13 LONDON HISTORY, CHILDREN’S CHILDREN’S HISTORY, ENGLISH LITERATURE, ENGLISH LITERATURE, BOOKS AND BOOKS ILLUSTRATIONS LONDON ENGLISH LITERATURE, HISTORY, CHILDREN’S BOOKS AND ILLUSTRATIONS 13 DECEMBER 2016 L16408 ENGLISH LITERATURE, HISTORY, CHILDREN’S BOOKS AND ILLUSTRATIONS FRONT COVER LOT 67 (DETAIL) BACK COVER LOT 317 THIS PAGE LOT 30 (DETAIL) ENGLISH LITERATURE, HISTORY, CHILDREN’S BOOKS AND ILLUSTRATIONS AUCTION IN LONDON 13 DECEMBER 2016 SALE L16408 SESSION ONE: 10 AM SESSION TWO: 2.30 PM EXHIBITION Friday 9 December 9 am-4.30 pm Saturday 10 December 12 noon-5 pm Sunday 11 December 12 noon-5 pm Monday 12 December 9 am-7 pm 34-35 New Bond Street London, W1A 2AA +44 (0)20 7293 5000 sothebys.com THIS PAGE LOT 101 (DETAIL) SPECIALISTS AND AUCTION ENQUIRIES For further information on lots in this auction please contact any of the specialists listed below. SALE NUMBER SALE ADMINISTRATOR L16408 “BABBITTY” Lukas Baumann [email protected] BIDS DEPARTMENT +44 (0)20 7293 5287 +44 (0)20 7293 5283 fax +44 (0)20 7293 5904 fax +44 (0)20 7293 6255 [email protected] POST SALE SERVICES Kristy Robinson Telephone bid requests should Post Sale Manager Peter Selley Dr. Philip W. Errington be received 24 hours prior FOR PAYMENT, DELIVERY Specialist Specialist to the sale. This service is AND COLLECTION +44 (0)20 7293 5295 +44 (0)20 7293 5302 offered for lots with a low estimate +44 (0)20 7293 5220 [email protected] [email protected] of £2,000 and above. -
Male Novel Reading of the 1790S, Gothic Literature, and Northanger
Male Novel t Reading of the 1790s, :L Gothic Literature, i and Northanger Abbey ALBERT C. SEARS Albert C. Sears is a doctoral candidate in English at Lehigh University. His dissertation investigates the Victorian sensation novel in the literary marketplace. Bookseller records from Timothy Stevens of Cirencester, Gloucestershire, and Thomas Hookham and James Carpenter of London offer new insights into the fiction reading habits of men dur- ing the 1790s.1 Indeed, the Stevens records suggest that Henry Tilney’s emphatic statement in Northanger Abbey (written 1798) that men “‘read nearly as many [novels] as women’” (107) may not be entirely fictional.2 What is more, male patrons of Stevens’s bookshop and library seem to have particularly enjoyed the Gothic as did Tilney, who states: “The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid. I have read all Mrs. Radcliffe’s works, and most of them with great pleasure. The Mysteries of Udolpho, when I had once begun it, I could not lay down again;—I remember finishing it in two days—my hair standing on end the whole time.” (106) However, while Austen’s depiction of male novel reading may be accurate for Gloucestershire, the Hookham records yield little evi- dence that the majority of men in fashionable London enjoyed novels as much as Tilney. 106 PERSUASIONS No. 21 The Stevens records, which extend from 1780 to 1806, do show that men borrowed and bought more fiction than women during the last decade of the eighteenth century. During the 1790s, the shop had approximately seventy male patrons (includ- ing book clubs) who borrowed and/or purchased fiction. -
Books, Maps and Photographs
BOOKS, MAPS AND PHOTOGRAPHS Tuesday 25 November 2014 Oxford BOOKS, MAPS AND PHOTOGRAPHS | Oxford | Tuesday 25 November 2014 | Tuesday | Oxford 21832 BOOKS, MAPS AND PHOTOGRAPHS Tuesday 25 November 2014 at 11.00 Oxford BONHAMS Live online bidding is CUstomER SErvICES Important INFormatION Banbury Road available for this sale Monday to Friday 8.30 to 18.00 The United States Shipton on Cherwell Please email bids@bonhams. +44 (0) 20 7447 7447 Government has banned the Kidlington com with ‘live bidding’ in the import of ivory into the USA. Oxford OX5 1JH subject line 48 hours before the Please see page 2 for bidder Lots containing ivory are bonhams.com auction to register for this information including after-sale indicated by the symbol Ф service collection and shipment printed beside the lot number VIEWING in this catalogue. Saturday 22 November 09.00 to Please note we only accept SHIPPING AND COLLECTIONS 12.00 telephone bids for lots with a Oxford Monday 24 November 09.00 to low estimate of £500 or Georgina Roberts 16.30 higher. Tuesday 25 November limited +44 (0) 1865 853 647 [email protected] viewing 09.00 to 10.30 EnQUIRIES Oxford BIDS London John Walwyn-Jones +44 (0) 20 7447 7448 Jennifer Ebrey Georgina Roberts +44 (0) 20 7447 7401 fax +44 (0) 20 7393 3841 Sian Wainwright To bid via the internet please [email protected] +44 (0) 1865 853 646 visit bonhams.com +44 (0) 1865 853 647 Please see back of catalogue +44 (0) 1865 853 648 Please note that bids should be for important notice to +44 (0) 1865 372 722 fax submitted no later than 24 hours bidders prior to the sale. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title "Furbish'd Remnants": Theatrical Adaptation and the Orient, 1660-1815 Permalink https://escholarship.org/uc/item/0998z0zz Author Del Balzo, Angelina Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Angelina Marie Del Balzo 2019 Ó Copyright by Angelina Marie Del Balzo 2019 ABSTRACT OF THE DISSERTATION “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 by Angelina Marie Del Balzo Doctor of Philosophy in English University of California, Los Angeles, 2019 Professor Felicity A. Nussbaum, Chair Furbish’d Remnants argues that eighteenth-century theatrical adaptations set in the Orient destabilize categories of difference, introducing Oriental characters as subjects of sympathy while at the same time defamiliarizing the people and space of London. Applying contemporary theories of emotion, I contend that in eighteenth-century theater, the actor and the character become distinct subjects for the affective transfer of sympathy, increasing the emotional potential of performance beyond the narrative onstage. Adaptation as a form heightens this alienation effect, by drawing attention to narrative’s properties as an artistic construction. A paradox at the heart of eighteenth-century theater is that while the term “adaptation” did not have a specific literary or theatrical definition until near the end of the period, in practice adaptations and translations proliferated on the English stage. -
An Examination of the Theories and Methodologies of John Walker (1732- 1807) with Emphasis Upon Gesturing
This dissertation has been 64—7006 microfilmed exactly as received DODEZ, M. Leon, 1934- AN EXAMINATION OF THE THEORIES AND METHODOLOGIES OF JOHN WALKER (1732- 1807) WITH EMPHASIS UPON GESTURING. The Ohio State University, Ph.D., 1963 Speech—Theater University Microfilms, Inc., Ann Arbor, Michigan AN EXAMINATION OP THE THEORIES AND METHODOLOGIES OP JOHN WALKER (1732-1807) WITH EMPHASIS UPON GESTURING DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By M. Leon Dodez, B.Sc., M.A ****** The Ohio State University 1963 Approved by Department of Speech ACKNOWLEDGMENT I wish to express my gratitude to Dr. George Lewis for his assistance In helping to shape my background, to Dr. Franklin Knower for guiding me to focus, and to Dr. Keith Brooks, my adviser, for his cooperation, patience, encouragement, leadership, and friendship. All three have given much valued time, encouragement and knowledge. ii CONTENTS Page ACKNOWLEDGMENTS ................... 1 Chapter I. INTRODUCTION............................... 1 II, BIOGRAPHY................................... 9 III. THE PUBLICATIONS OP JOHN WALKE R............. 27 IV. JOHN WALKER, ORTHOEPIST AND LEXIGRAPHER .... 43 V. NATURALISM AND MECHANICALISM............... 59 VI. THEORY AND METHODOLOGY..................... 80 VII^ POSTURE AND P A S S I O N S ......................... 110 VIII. APPLICATION AND PROJECTIONS OP JOHN WALKER'S THEORIES AND METHODOLOGIES......... 142 The Growth of Elocution......................143 L a n g u a g e ................................... 148 P u r p o s e s ................................... 150 H u m o r ....................................... 154 The Disciplines of Oral Reading and Public Speaking ......................... 156 Historical Analysis ....................... 159 The Pa u s e .................................. -
Ann Radcliffe, Mary Ann Radcliffe and the Minerva Author Joellen• Delucia
R OMANTICT EXTUALITIES LITERATURE AND PRINT CULTURE, 1780–1840 • ISSN 1748-0116 ◆ ISSUE 23 ◆ SUMMER 2020 ◆ SPECIAL ISSUE : THE MINERVA PRESS AND THE LITERARY MARKETPLACE ◆ www.romtext.org.uk ◆ CARDIFF UNIVERSITY PRESS ◆ 2 romantic textualities 23 Romantic Textualities: Literature and Print Culture, 1780–1840, 23 (Summer 2020) Available online at <www.romtext.org.uk/>; archive of record at <https://publications.cardiffuniversitypress.org/index.php/RomText>. Journal DOI: 10.18573/issn.1748-0116 ◆ Issue DOI: 10.18573/romtext.i23 Romantic Textualities is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. Unless otherwise noted, the material contained in this journal is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (cc by-nc-nd) Interna- tional License. See https://creativecommons.org/licenses/by-nc-nd/4.0/ for more information. Origi- nal copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. C b n d Romantic Textualities is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. Find out more about the press at cardiffuniversitypress.org. Editors: Anthony Mandal, -
Cata 208 Text.Indd
Jarndyce Antiquarian Booksellers 46, Great Russell Street Telephone: 020 7631 4220 (opp. British Museum) Fax: 020 7631 1882 Bloomsbury, Email: [email protected] London www.jarndyce.co.uk WC1B 3PA VAT.No.: GB 524 0890 57 CATALOGUE CCVIII SPRING 2014 THE ROMANTICS: PART II. D-R De Quincey, Hunt, Keats, Lamb, Rogers, &c. Catalogue: Joshua Clayton Production: Ed Lake & Carol Murphy All items are London-published and in at least good condition, unless otherwise stated. Prices are nett. Items on this catalogue marked with a dagger (†) incur VAT (20%) to customers within the EU. A charge for postage and insurance will be added to the invoice total. We accept payment by VISA or MASTERCARD. If payment is made by US cheque, please add $25.00 towards the costs of conversion. Email address for this catalogue is [email protected]. JARNDYCE CATALOGUES CURRENTLY AVAILABLE, price £5.00 each include: The Romantics: Part I. A-C; Books from the Library of Geoffrey & Kathleen Tillotson; The Shop Catalogue; Books & Pamphlets 1576-1827; Catalogues 205 & 200: Jarndyce Miscellanies; Dickens & His Circle; The Dickens Catalogue; The Library of a Dickensian; Street Literature: III Songsters, Reference Sources, Lottery Tickets & ‘Puffs’; Social Science, Part I: Politics & Philosophy; Part II: Economics & Social History; The Social History of London; Women II-IV: Women Writers A-Z. JARNDYCE CATALOGUES IN PREPARATION include: The Romantics: Part III. S-Z; 18th & 19th Century Books & Pamphlets; Conduct & Education. PLEASE REMEMBER: If you have books to sell, please get in touch with Brian Lake at Jarndyce. Valuations for insurance or probate can be undertaken anywhere, by arrangement. -
Reading Between the Minds: Intersubjectivity and The
READING BETWEEN THE MINDS: INTERSUBJECTIVITY AND THE EMERGENCE OF MODERNISM FROM ROBERT BROWNING TO HENRY JAMES by Jennie Hann A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland May 2017 © 2017 Jennie Hann All Rights Reserved DEDICATION For my parents, Alan and Mary Kay Hann And in memory of Shaughnessy ii Is the creature too imperfect, say? Would you mend it And so end it? Since not all addition perfects aye! Or is it of its kind, perhaps, Just perfection— Whence, rejection Of a grace not to its mind, perhaps? Shall we burn up, tread that face at once Into tinder, And so hinder Sparks from kindling all the place at once? —Robert Browning, “A Pretty Woman” (1855) Really, universally, relations stop nowhere, and the exquisite problem of the artist is eternally but to draw, by a geometry of his own, the circle within which they shall happily appear to do so. He is in the perpetual predicament that the continuity of things is the whole matter, for him, of comedy and tragedy; that this continuity is never, by the space of an instant or an inch, broken, and that, to do anything at all, he has at once intensely to consult and to ignore it. All of which will perhaps pass but for a supersubtle way of pointing the plain moral that a young embroiderer of the canvas of life soon began to work in terror, fairly, of the vast expanse of that surface, of the boundless number of its distinct perforations . -
A Previously Unremarked Circulating Library
Old Dominion University ODU Digital Commons English Faculty Publications English 1995 A Previously Unremarked Circulating Library: John Roson and the Role of Circulating-Library Proprietors as Publishers in Eighteenth-Century Britain Edward Jacobs Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/english_fac_pubs Part of the Cultural History Commons, and the Literature in English, British Isles Commons Repository Citation Jacobs, Edward, "A Previously Unremarked Circulating Library: John Roson and the Role of Circulating-Library Proprietors as Publishers in Eighteenth-Century Britain" (1995). English Faculty Publications. 24. https://digitalcommons.odu.edu/english_fac_pubs/24 Original Publication Citation Jacobs, E. (1995). A previously unremarked circulating library: John Roson and the role of circulating-library proprietors as publishers in eighteenth-century Britain. Papers of the Bibliographical Society of America, 89(1), 61-71. This Article is brought to you for free and open access by the English at ODU Digital Commons. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. Bibliographical Society of America A Previously Unremarked Circulating Library: John Roson and the Role of Circulating- Library Proprietors as Publishers in Eighteenth-Century Britain Authors(s): Edward Jacobs Source: The Papers of the Bibliographical Society of America, Vol. 89, No. 1 (MARCH 1995), pp. 61-71 Published by: The University of Chicago Press on behalf of the Bibliographical Society of America Stable URL: http://www.jstor.org/stable/24304635 Accessed: 25-03-2016 18:12 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/24304635?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. -
Research Guide for Archival Sources of Smock Alley Theatre, Dublin
Research Guide for Archival Sources of Smock Alley theatre, Dublin. October 2009 This research guide is intended to provide an accessible insight into the historical, theatrical and archival legacy of Smock Alley theatre, Dublin. It is designed as an aid for all readers and researchers who have an interest in theatre history and particularly those wishing to immerse themselves in the considerable theatrical legacy of Smock Alley theatre and it’s array of actors, actresses, directors, designers, its many scandals and stories, of what was and is a unique theatrical venue in the fulcrum of Dublin’s cultural heart. Founded in 1662 by John Ogilby, Smock Alley theatre and stage was home to many of the most famous and talented actors, writers and directors ever to work and produce in Ireland, England, Scotland and Wales, throughout the seventeenth and eighteenth century. Celebrated players included Peg Woffington, David Garrick, Colley Cibber, Spranger Barry and George Ann Bellamy. Renowned managers and designers such as John Ogilby, Thomas Sheridan, Louis De Val and Joseph Ashbury would help cement the place of Smock Alley theatre as a venue of immense theatrical quality where more than just a play was produced and performed but more of a captivating, wild and entertaining spectacle. The original playbills from seventeenth century productions at Smock Alley detail many and varied interval acts that often took place as often as between every act would feature singing, dancing, farce, tumbling, juggling and all manner of entertainment for the large public audience. Smock Alley was celebrated for its musical and operatic productions as well as its purely dramatic performances. -
Die Wörterbücher Von Johannes Ebers Studien Zur Frühen Englisch-Deutschen Lexikografie
Die Wörterbücher von Johannes Ebers Studien zur frühen englisch-deutschen Lexikografie Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät I der Julius-Maximilians-Universität Würzburg Vorgelegt von Derek Lewis aus Exeter Würzburg 2013 Erstgutachter: Professor Dr. Werner Wegstein Zweitgutachter: Professor Dr. Norbert Wolf Tag des Kolloquiums: 31.1.2011 DANK Mein Dank gilt allen, die zum Zustandekommen dieser Arbeit beigetragen haben. Insbesondere danke ich - Prof. Dr. Werner Wegstein von der Universität Würzburg für seine Anregung zu diesem Projekt und für seine kompetente Beratung und Betreuung, - meiner Frau für ihre Geduld und für ihre moralische und praktische Unterstützung, - den Kollegen der Bibliothek in Exeter (Devon and Exeter Institution Library), die mir die Originalexemplare der Wörterbücher von Johannes Ebers zur Verfügung gestellt haben. Inhalt Kapitel 1: Einleitung zur Entwicklung der deutsch-englischen Lexikografie .... 9 1.1 Die Anfänge der deutsch-englischen Lexikografie ............................ 9 1.2 Mehrsprachige Wörterbücher 1500 - ca. 1600 ............................... 10 1.3 Zweisprachige Wörterbücher 1550 - 1700 ...................................... 13 1.4 Entwicklungen im 18. Jahrhundert .................................................. 15 1.4.1 Der politische Hintergrund .............................................................. 15 1.4.2 Der Kulturtransfer zwischen England und Deutschland .................. 17 1.4.3 Übersetzungen als Träger des Kulturtransfers ..............................