The Simpsons: an Uncensored, Unauthorized History Pdf, Epub, Ebook
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Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
A Linguistic Analysis of Postmodern Comedy by Barbara Ann Karman
Postmodern Power Plays: A linguistic Analysis of Postmodern Comedy by Barbara Ann Karman Submitted in partial Fulfillment of the Requirements for the Degree of Master ofArts in the English Program Youngstown State University August, 1998 Postmodern Power Plays: A Linguistic Analysis of Postmodern Comedy Barbara Ann Karman I hereby release this thesis to the public. I understand this thesis will be housed at the Circulation Desk of the University library and will be available for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: ~ Ii q;;. ~~QL<~ Student Date Approvals: Thesis Advisor Date LC~L L}~lGl ~~b~ L~{S-.-..;;;;~ 0 --c' __(s+-II CommitteiMember 0 Date iii Abstract Postmodern Power Plays: A Linguistic Analysis of Postmodern Comedy The goal of this thesis is to first acquaint readers with the literature on humor that will be useful in analyzing postmodern comedy from a linguistic perspective. As a genre-specific theoretical tool for viewers-- and readers-- of television texts, this thesis provides a means to an end: a way to "fine tune" our perception and understanding ofpostmodern comedy, and more importantly, provide concrete means to analyze the structure and implicit messages of one of its primary modes of expression--the prime time television situation comedy. Two case studies will consider the linguistic and textual construction of The Simpsons and Home Improvement and show how each sitcom relies on a postmodern power play between competing interests to engage the audience, subvert, and yet also subtly reinforce some ofour traditional notions ofgender and family relations in a patriarchal society. -
The Id, the Ego and the Superego of the Simpsons
Hugvísindasvið The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson January 2013 University of Iceland School of Humanities Department of English The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson Kt.: 090285-2119 Supervisor: Anna Heiða Pálsdóttir January 2013 Abstract The purpose of this essay is to explore three main characters from the popular television series The Simpsons in regards to Sigmund Freud‟s theories in psychoanalytical analysis. This exploration is done because of great interest by the author and the lack of psychoanalytical analysis found connected to The Simpsons television show. The main aim is to show that these three characters, Homer Simpson, Marge Simpson and Ned Flanders, represent Freud‟s three parts of the psyche, the id, the ego and the superego, respectively. Other Freudian terms and ideas are also discussed. Those include: the reality principle, the pleasure principle, anxiety, repression and aggression. For this analysis English translations of Sigmund Freud‟s original texts and other written sources, including psychology textbooks, and a selection of The Simpsons episodes, are used. The character study is split into three chapters, one for each character. The first chapter, which is about Homer Simpson and his controlling id, his oral character, the Oedipus complex and his relationship with his parents, is the longest due to the subchapter on the relationship between him and Marge, the id and the ego. The second chapter is on Marge Simpson, her phobia, anxiety, aggression and repression. In the third and last chapter, Ned Flanders and his superego is studied, mainly through the religious aspect of the character. -
Los Simpson Versus Trump
LOS SIMPSON VERSUS TRUMP Graciela Martínez-Zalce Sánchez* Para GAH, quien no conocía a los Simpson y cree conocer a Trump And that is how I became a Democrat HOMERO J. SIMPSON El corto titulado “Donald Trump’s first 100 days in office”,1 publicado el 26 de abril de 2017 como parte de la temporada 28 de Los Simpson en el canal Animation Fox en Youtube, cierra con un negro sarcasmo.2 En una serie, en la que por casi tres décadas se han utilizado los matices y las sutilezas indis- pensables para que los episodios, escritos con gran inteligencia por presti- giosos grupos de guionistas irreverentes,3 tengan como característica sobresaliente tres figuras retóricas, la parodia, la ironía y, sobre todo, la sátira, * Directora e investigadora del Centro de Investigaciones sobre América del Norte de la Universidad Nacional Autónoma de México, <[email protected]>. 1 En este artículo utilizaré los títulos de los capítulos y los nombres que se le han dado a los per- sonajes en español en el doblaje para México (donde la serie comenzó a transmitirse en el canal 13 de Imevisión en marzo de 1991, los martes a las 20:30 horas), pero, en su mayoría, las citas textuales de los diálogos se harán en el original en inglés debido a que el doblaje tropicaliza las alusiones y, por tratarse aquí de los partidos y los políticos estadunidenses, es importante que se conserven. En el caso específico de este corto, puesto que no fue exhibido fuera de Estados Unidos y Canadá, y como la wiki en español aún está consignando la temporada 27, el título del mismo se anota en inglés. -
The Simpsons: a Case Study in the Limitations of Television As a Medium for Presenting Political and Social Satire
The Simpsons: A Case Study in the Limitations of Television as a Medium for Presenting Political and Social Satire [image removed to comply with copyright] Michael E. Gordon Senior History Thesis First Reader: Professor Bethel Saler Second Reader: Dean Gregory Kannerstein April 19, 2004 1 Acknowledgments I would like to take this time to thank Professor Bethel Saler for giving me this opportunity to research and analyze a subject matter that I care for deeply. Your guidance and structure has pushed me to produce something that has made me extremely proud. Also, the “Academic Heavyweights” in Jones 24: Robert Schiff ’04, Jonathan Debrich ’05, Manny Ferreira ’05, and Gray Vargas-Regan ’05 for living with me for an entire year—this speaks volumes for all of you! For my favorite redhead, Rachel Moston ’04 for always giving me her time to brainstorm and vent at this agonizing and yet rewarding process. I am extremely grateful to Professor Alexander Kitroeff, Professor James Krippner, Professor Bill Hohenstein, and Professor Dan Gillis for supporting me throughout my matriculation and helping me grow as an individual and as a scholar. The camaraderie and friendship I have received from the Haverford College Baseball team is something that I will take with me for the rest of my life and I would like to take this time to thank Dave Beccaria, Kevin Morgan, Ed Molush—and Dan Crowley ’91 for taking a chance on a kid who just loves to play the game of baseball. To my cousin, Scott Weinstein, who through his kindness has given me the opportunity to work in television. -
The Last Detective Alive, 2010, John Swartzwelder, 0982273622, 9780982273623, Kennydale Books, 2010
The Last Detective Alive, 2010, John Swartzwelder, 0982273622, 9780982273623, Kennydale Books, 2010 DOWNLOAD http://bit.ly/1BXvHI4 http://goo.gl/Rjg7B http://en.wikipedia.org/w/index.php?search=The+Last+Detective+Alive DOWNLOAD http://wp.me/2Cktm http://www.2shared.com/document/oQFDXNaP/The-Last-Detective-Alive.html http://bit.ly/1qKUFL1 Jingle Belle's Cool Yule , , 2002, Juvenile Fiction, 120 pages. Presents a collection of stories about Santa's daughter, Jingle Belle.. Batman Under the hood, Judd Winick, 2005, Comics & Graphic Novels, 176 pages. Batman confronts various foes while the Red Hood tears apart Gotham's underworld and plans revenge on the man who killed him.. The Simpsons An Uncensored, Unauthorized History, John Ortved, Oct 12, 2010, Performing Arts, 352 pages. A behind-the-scenes history of the popular animated series traces its rise from an animated short on "The Tracy Ullman Show" to a mainstream institution, while exposing alleged. Cold Streak , Lewis Aleman, Nov 1, 2007, Fiction, 272 pages. When her family is murdered, Laura's dark journey of revenge takes off. Will her own lust for vengeance consume all that is left of her?. The Time Machine Did It , John Swartzwelder, 2004, Humorous stories, 138 pages. Principles of CMOS VLSI design a systems perspective, Neil H. E. Weste, Kamran Eshraghian, 1985, Computers, 531 pages. Los Angeles , Helen Stortini, Tanya Lloyd Kyi, 2005, Photography, 96 pages. The North America Series captures outstanding views, landscapes, cityscapes and picturesque communities from the every region of the continent and feature 70 photographs by. Mission-critical Microsoft Exchange 2003 Designing and Building Reliable Exchange Servers, Jerry Cochran, 2004, Computers, 409 pages. -
Where'd You Go, Bernadette (2012)
Where'd You Go, Bernadette (2012) By Maria Semple (Winner, 2013 Alex Award) Discussion questions taken from LitLovers 1. Where’d You Go, Bernadette is told from the point of view of a daughter trying to find her missing mother. Why do you think the author chose to tell the story from Bee’s perspective? What light does it shed on the bond between Bernadette and Bee? 2. What are your thoughts on Bernadette’s character? Has she become unhinged or has she always been a little crazy? What, if anything, do you think sent her over the edge? Have you ever had a moment in your own life that utterly changed you, or made you call into question your own sanity? 3. When Bernadette relocates from Los Angeles to Seattle, she must cope with being a transplant in a new city. Have you ever moved, or even stayed put but switched jobs, and had to adjust to an entirely different culture? What was it like? 4. The idea of going to Antarctica becomes too much for an already frazzled Bernadette to bear, but the trip itself, surprisingly, turns out to be exactly what she needs to get back on track. How do other characters in the novel experience their own breakthroughs? Which character is most transformed? 5. How are Audrey Griffin and Bernadette Fox more alike than they realize? 6. Bernadette often behaves as if she is an outsider. Do you think she is? If so, do you think her feelings of being an outsider are self-imposed, or is she truly different from the other members of her community? Do you ever feel like an outsider? 7. -
WRITER's DIGEST I February 2017 Says
Much Ad'oh About Nothing For 28 seasons, "The Simpsons" has celebrated authors and their work through cameos and callouts. Showrunner AI Jean reflects on the animated classic's literary legacy. BY DON VAUGHAN ew television series have mined our cultural zeit- geist as thoroughly as "The F Simpsons" Throughout 28 seasons, the yellow-hued citizens of Springfield have held a fun house mirror up to almost every aspect of popular culture-with a special fond- ness for literature. Since the show's debut in December 1989, a veritable "who's who" of literary greats have voiced animated versions of themselves, including Stephen King, Amy Tan, Tom Wolfe, Michael Chabon, Jonathan Franzen, Tom Clancy, Alan Moore, Harlan Ellison and the reclu- sive Thomas Pynchon. The show has also taken humor- ous pokes at magazines (a grocery store rack features such periodicals Pee's "The Raven:' starring Homer hesitate to bring their love oflitera- as Sponge and Vacuum, Bear Baiter as the poem's troubled narrator ture to work at "The Simpsons" Many Magazine and Danger Liker), book- and Bart as its titular antagonist. A of Ieans colleagues, in fact, have gone stores (Books! Books! And Additional Season 6 installment parodied the on to find publishing success outside Books! sells the works of Iames Ray Bradbury short story "A Sound of the show. John Swartzwelder, who Michener for $1.99 a pound), and of Thunder:' with a malfunctioning wrote many popular episodes, such the publishing industry (Homer puts toaster sending Homer back to the age as "Homer The Great:' has published together a crew that includes Neil of the dinosaurs. -
This Is Not a Library! This Is Not a Kwik-E-Mart! the Satire of Libraries, Librarians and Reference Desk Air-Hockey Tables
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications, UNL Libraries Libraries at University of Nebraska-Lincoln 2019 This Is Not a Library! This Is Not a Kwik-E-Mart! The Satire of Libraries, Librarians and Reference Desk Air-Hockey Tables Casey D. Hoeve University of Nebraska–Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/libraryscience Part of the Library and Information Science Commons Hoeve, Casey D., "This Is Not a Library! This Is Not a Kwik-E-Mart! The Satire of Libraries, Librarians and Reference Desk Air-Hockey Tables" (2019). Faculty Publications, UNL Libraries. 406. https://digitalcommons.unl.edu/libraryscience/406 This Article is brought to you for free and open access by the Libraries at University of Nebraska-Lincoln at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications, UNL Libraries by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. digitalcommons.unl.edu This Is Not a Library! This Is Not a Kwik-E-Mart! The Satire of Libraries, Librarians and Reference Desk Air-Hockey Tables Casey D. Hoeve Introduction Librarians are obsessed with stereotypes. Sometimes even so much so that, according to Gretchen Keer and Andrew Carlos, the fixation has become a stereotype within itself (63). The complexity of the library places the profession in a constant state of transition. Maintaining traditional organization systems while addressing new information trends distorts our image to the outside observer and leaves us vul- nerable to mislabeling and stereotypes. Perhaps our greatest fear in recognizing stereotypes is not that we appear invariable but that the public does not fully understand what services we can provide. -
BA Ritgerð Dagmar Jóhannsdóttir Leiðbeinandi: Magnús Sveinn
BA ritgerð Dagmar Jóhannsdóttir Leiðbeinandi: Magnús Sveinn Helgason Simpson fjölskyldan bjargar heiminum! Getur barátta hennar í umhverfismálum haft áhrif út fyrir skjáinn? Háskólinn á Bifröst Vorönn 2014 BA ritgerð Dagmar Jóhannsdóttir Leiðbeinandi: Magnús Sveinn Helgason Simpson fjölskyldan bjargar heiminum! Getur barátta hennar í umhverfismálum haft áhrif út fyrir skjáinn? Háskólinn á Bifröst Vorönn 2014 ÚTDRÁTTUR Markmið þessarar ritgerðar er að skoða hvernig Simpson fjölskyldan tekur á mikilvægum þjóðfélagsmálum sem til umræðu eru á hverjum tíma með sérstakri áherslu á umhverfismálin. Þættirnir um Simpson fjölskylduna eru skrifaðir þannig að þeir taka á þjóðfélagsumræðunni eins og hún birtist á hverjum tíma, aðallega í Bandaríkjum Norður-Ameríku þar sem fjölskyldan býr. Rýnt er sérstaklega í þá sjónvarpsþætti sem taka á aktívisma og hvernig fjölskyldumeðlimir bregðast við þegar taka þarf á mikilvægum málum. Þá verður skoðað hvað skrifað hefur verið um þættina með tilliti til þessara mála og hvað fjölmiðlar segja um þá. Einnig hvort verið geti að þær hugmyndir sem koma þar fram hafi hugsanlega áhrif á almenning þannig að hann tileinki sér hugmyndafræðina sem býr að baki. STAÐFESTING LOKAVERKEFNIS Ritgerð þessi er 12 eininga lokaverkefni til B.A. gráðu við Háskólann á Bifröst. Titill verkefnis: Simpson fjölskyldan bjargar heiminum! Getur barátta hennar í umhverfismálum haft áhrif út fyrir skjáinn? Hefur verið metið samkvæmt reglum og kröfum Háskólans á Bifröst og hlotið lokaeinkunnina:________________ Háskólinn á Bifröst, 2014 Sviðsstjóri félagsvísindasviðs ________________________________ Páll Rafnar Þorsteinsson Leiðbeinandi _________________________________ Magnús Sveinn Helgason FORMÁLI Framtíðin er komin. Það sem ég hélt að myndi aldrei gerast en vonaði þó er á næsta leyti. Í svo mörg ár var ég búin að velta fyrir mér að sækja um nám á Bifröst en þorði ekki. -
Functions of Intermediality in the Simpsons
Functions of Intertextuality and Intermediality in The Simpsons Der Fakultät für Geisteswissenschaften der Universität Duisburg-Essen zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) eingereichte Dissertation von Wanja Matthias Freiherr von der Goltz Datum der Disputation: 05. Juli 2011 Gutachter: Prof. Dr. Josef Raab Prof. Dr. Jens Gurr Table of Contents List of Figures...................................................................................................................... 4 1. Introduction .............................................................................................. 5 1.1 The Simpsons: Postmodern Entertainment across Generations ................ 5 1.2 Research Focus .............................................................................................11 1.3 Choice of Material ..........................................................................................16 1.4 Current State of Research .............................................................................21 2. Text-Text Relations in Television Programs ....................................... 39 2.1 Poststructural Intertextuality: Bakhtin, Kristeva, Barthes, Bloom, Riffaterre .........................................................................................................39 2.2 Forms and Functions of Intertextual References ........................................48 2.3 Intertextuality and Intermediality ..................................................................64 2.4 Television as a -
The Men and Women of Civil War Reenactment A
UNIVERSITY OF CALIFORNIA Los Angeles What They Fight For: The Men and Women of Civil War Reenactment A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Christopher George Bates 2016 What They Fight For: The Men and Women of Civil War Reenactment by Christopher George Bates Doctor of Philosophy in History University of California, Los Angeles, 2016 Professor Joan Waugh, Chair Abstract This study examines the three generations of Civil War reenactors: the veterans, the centennial reenactors, and the modern community. It argues that they are an excellent case study for examining the evolving memory of the Civil War, particularly when considered in the context of five interpretative traditions: the “Lost Cause,” the “Union Cause,” the “Reconciliationist Cause,” the “Emancipationist Cause,” and the “White Supremacist Cause.” At the same time, a careful analysis of the modern community illustrates the myriad ways in which contemporary individuals interact with and utilize the past. - ii - The dissertation of Christopher George Bates is approved. Janice L. Reiff Gary W. Gallagher Joan Waugh, Committee Chair University of California, Los Angeles 2016 - iii - - iv - Table of Contents ______________________________________________________________________________ Introduction ..................................................................................................................................1 1: “Grand Armies of the Republic”: The Veteran Reenactors .....................................................25