Schedule of Exhibitions and Events
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Parking Who Was J 60P NAMES WARREN Gary Cooper
Metro, is still working on the same tator state that she was going to thing cute.” He takes me into the day,* had to dye her brown hair is his six- contract she signed when she was marry Lew Ayres when she gets her television room, and there yellow. Because, Director George wife. Seems to year-old daughter Jerilyn dining Mickey Rooney’s freedom from Ronald Reagan. She Seaton reasoned, "They wouldn't me she rates something new in alone, while at the same time she Hollywood: that’s because have a brunette daughter.” the way of remuneration. says quite interesting, watches a grueling boxing match on Back in Film is from Business, Draft May Take Nancy Guild, now recovered from she hasn’t yet had a date with Lew. the radio. Charles Grapewin retiring Hughes, making pictures when he finishes her session with Orson Welles in John Garfield is doing a Bing Gregory Peck gets Robyt Siod- Kay Thompson’s into two his present film, "Sand,” after 52 “Cagliostro,” goes pictures for his Franchot Tone. mak to direct him in "Great Sinner.” Minus Brilliance of Crosby pal, years in the business. And they Schary Williams Bros. —the Clifton Webb “Belvedere Goes That's a break for them both. He in a bit role in Fran- used to the movies were a By Jay Carmody to College,” and “Bastille” for Wal- appears Celeste Holm and Dan Dailey are say pre- carious ferocious whose last Hollywood Sheilah Graham ter Wanger. chot's picture, “Jigsaw.” both so their Coleen profession! Howard Hughes, the independent By blond, daughter North American Richard under (Released by sensation was production of the stupid, bad-taste "The Outlaw," has Burt Lancaster, thwarted in his Conte, suspension Nina Foch is the only star to beat Townsend, in "Chicken Every Sun- Newspaper Alliance.) at 20thtFox for refusing to work in come up with another that has the movie capital talking. -
Black Soldiers in Liberal Hollywood
Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film. -
T7lb Ilh W=1~ IA F I
L;L 7 T7lb Ilh W=1~ IA F I NEWSPAPER OF THE UNDERGRADUATES_ OF THE MASSACHUSETTS INSTITUTE__ OF TECHNOLOGY .V0L. LXXX No. 18I8 CAMBRIDGE, MASSACHUSETTS, FRIDAY, APRIL 29, 1960 $ Cents Dorm tories and Fraternitzes s Drs. Wiesner, Luris of MIT Elected To !iPlan Full and Festive Weekerads National Academy of Sciences; Total Now 36 The apex of the Tech social season will come on May 6 and 7 with the IFC Two of MIT's most distinguished faculty members have just been elected to membership in the National Acad- and Dormitory Weekends. All Tech students are invited by Henry McCCarl, Co- emy of Sciences, the highest honor in American science. `Chairman of the Dorm Weekend, and Bob Dulsky, Chairman of the IF(C Week- The new members are Dr. Jerome B. Wiesner, dilrector of thle Research Laboratory of Electronics, and Dr. Sal- ,end to bring their dates and have "an especially good time." vador E. Luris, international authority on viruses and genetics. Dorm Weekend begins on Friday night, May 6, with cocktail paarties in With their election, MIT now has a total of 36 faculty and corporation member s who are members of the Nation- Talbot Lounge in East Campus. A semi formal dance will highlight the eve- al Academy. ning in The Parker House, spirited by music from the lively Jerry Daviss Combo. Dr. Wiesner received his doctoral degree in 1950 flrom the Univelrsity of Michigan, where he assisted in devel- Saturday afternoon, students and their dates are invited to attend a Beach oping modern electronic techniques for speech correction. -
Watanabe Conducts Symphony Orchestra
THE PRESS Sunday, August 4, ftof Page A-8 Steel Hour Stars Stock Market Analysis Today Based*upon the A. B. Gu- of a group of settlers heading An analysis of the stock therie, Jr's novel, KHJ-TV for the Blackfoot Indian coun market, entitled "Up and Up proudly presents the "Big try via keelboats. It Goes," will be presented Henny Youngman Sky," on its Theater Nine pre "The Big Sky" points up ivhen "Open End" screens to sentation of Sunday, August by the day, August 6, 0:30- p.m., 6th starting at 7:30 p.m. the hardships endured they strove to find Channel Eleven. The big outdoor western, settlers as Portrait of Joining host - moderator set during the 1830's. stars a new and better home in the David Susskinci at the round Kirk Douglas, Dewey Martin vast unsettled and unexplored table will be: Gerald Loeb, and Elizabeth Threa'tt. section of the a Skidding senior partner, E. F. Hutton northwest It tells 1hn rioitmant slorv Fnilod States. and Co. Robert Bleibert. editor, Comic Slated Barrons Weekly. E. B. Burr, "The Golden Thirty," a executive vice president, One caring portrait of a comedian William Street Fund. whose career is on the skids, Luttrell Maclin, partner, will star Henny Youngman, Paine, Webber, Jackson and on the U. S. Steel Hour, Wed Curtis. nesday, August 9, at 10 p.m., Marvin Carton, executive PDT, via channel 2. Also star associate, Alien and Co. Lu- ring Keir Dullea and Nancy cien Hooper, investments Kovack, the teleplay, to be analyst and director of re seen "live," was written by search, W. -
HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927 -
Cecil B. Demille's Greatest Authenticity Lapse?
Cecil B. DeMille’s Greatest Authenticity Lapse? By Anton Karl Kozlovic Spring 2003 Issue of KINEMA THE PLAINSMAN (1937): CECIL B. DeMILLE’S GREATEST AUTHENTICITY LAPSE? Cecil B. Demille was a seminal founder of Hollywood whose films were frequently denigrated by critics for lacking historical verisimilitude. For example, Pauline Kael claimed that DeMille had ”falsified history more than anybody else” (Reed 1971: 367). Others argued that he never let ”historical fact stand in the way of a good yarn” (Hogg 1998: 39) and that ”historical authenticity usually took second place to delirious spectacle” (Andrew 1989: 74). Indeed, most ”film historians regard De Mille with disdain” (Bowers 1982: 689)and tended to turn away in embarrassment because ”De Mille had pretensions of being a historian” (Thomas 1975: 266). Even Cecil’s niece Agnes de Mille (1990: 185) diplomatically referred to his approach as ”liberal.” Dates, sequences, geography, and character bent to his needs.” Likewise, James Card (1994: 215) claimed that: ”DeMille was famous for using historical fact only when it suited his purposes. When history didn’t make a good scene, he threw it out.” This DeMillean fact-of-life was also verified by gossip columnist Louella Parsons (1961: 58) who observed that DeMille ”spent thousands of dollars to research his films to give them authenticity. Then he would disregard all the research for the sake of a scene or a shot that appealed to him as better movie-making.” As Charles Hopkins (1980: 357, 360) succinctly put it: ”De Mille did not hesitate -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
The Globe Players in Balboa Park Darlene Gould Davies
The Globe Players in Balboa Park Darlene Gould Davies I acted in the first play at the Old Globe as a permanent theater in 1937 (after the closing of the Exposition of 1935-36). I was an actor in 1937-38, but I was also a stage manager, helped with sets and props—I lived at the theatre! Then when the Globe’s director was called up by the Navy, I was chosen to be producing director—a job which I did, basically, for the next 65 years…(though my title changed). Craig Noel in 20051 Seventy-five years have passed since the 1935 California Pacific International Exposition in Balboa Park and the first appearance of the Globe Players in the newly built Old Globe Theatre.3 The Globe Players moved to San Diego from Chicago where they had performed edited versions of Shakespeare’s plays in an Elizabethan- themed “Merrie England” exhibit at the 1933-34 A Century of Progress Interna- tional Exposition in Chicago. Word of their popularity reached San Diegans who were busily planning an exposition to open the next year. According to theatre critic Welton Jones, “the operators of the 1935 California Pacific International Exposition in San Diego lured them to Balboa Park hoping to duplicate their success.”4 Abbreviated Shakespeare productions fit nicely with a great array of attrac- tions in Balboa Park. The purpose of the The Globe Players performed edited versions of Shakespeare’s plays at the 1935 California Pacific exposition was purely commercial--to International Exposition in Balboa Park. This market San Diego to the world as a tour- postcard, signed by Rhys Williams, was collected as ist attraction and a place to do business. -
The Rocky Road to OZ Wicked Witch’S Fiery Exit
Saturday, April 9, 2011; 2 & 8 pm only E.Y Harburg tune “Over the Rainbow” (which was almost cut from the picture) became Garland’s theme and a song that has attained cult status. Casting was not the only problem. The script was labored over by 16 writers, 13 of whom went uncredited including cast members Jack Haley and Bert Lahr, poet Ogden Nash, and screenwriter Herman J. Mankiewicz, who authored Citizen Kane (1941). The picture went through five directors (Norman Taurog, Mervyn LeRoy, George Cukor, Richard Thorpe and Victor Fleming), a ton of extras and they almost fried Margaret Hamilton in the effects created for the The Rocky Road to OZ Wicked Witch’s fiery exit. the time The Wizard of Oz premiered at Sid Grauman’s Chinese Theater on a summer night Yet despite the difficulties, and the initial lackluster box By in 1939, it had been staged successfully as a office,The Wizard of Oz was Oscar®-nominated for Best Broadway musical and three silent film versions had already Picture, Color Cinematography, Interior Decoration, and been released. L. Frank Baum, creator of the Oz franchise did Special Effects and won awards for Best Song (“Over the his own production in 1914 and the 1925 version directed Rainbow”) and Original Score. It also placed tenth on the by silent film comedian Larry Semon featured Oliver ‘Babe’ list of the Greatest American Films of All Time. “There’s no Hardy as the Tin Woodman. Samuel Goldwyn, who had question that Steven Spielberg, George Lucas, Peter Jackson, acquired the film rights in 1933, sold them to M-G-M for almost any influential contemporary filmmaker you could $75,000 and the adventure began. -
The World's Largest and Most Extraordinary Collection
For Immediate Release: THE WORLD’S LARGEST AND MOST EXTRAORDINARY COLLECTION OF SIGNED HOLLYWOOD PHOTOGRAPHS WILL BE OFFERED AT JULIEN’S AUCTIONS IN LOS ANGELES ON SEPTEMBER 23, 2016 Harold Lloyd’s Rogues Gallery of Exclusive Hollywood Autographed Photographs Los Angeles, California – (September 15, 2016) – Julien’s Auctions, the world-record breaking auction house to the stars, will present one of the world’s most extraordinary collections of autographed Hollywood photographs — Harold Lloyd’s Rogues Gallery — on Friday, September 23, 2016 in Los Angeles. The collection features nearly 200 rare, signed photographs from Hollywood’s Golden Era. The auction will take place at the highly-anticipated Icons & Idols: Hollywood auction event that weekend at Julien’s Auction Gallery in Los Angeles. The Rogues Gallery Autograph Collection is the most extensive and unique autograph collection amassed by the silent film star Harold Lloyd and is comprised of the most significant figures of Hollywood’s “Golden Age.” This one-of-a-kind collection is a time capsule of Hollywood, Americana and the politics of the day. “The King of Daredevil Comedy,” Harold Lloyd is best remembered today as the young man dangling desperately from a clock tower in the 1923 classic, “Safety Last.” At the height of his career, Lloyd was one of the most popular and highest-paid stars of his time. He made more films than his contemporaries Charlie Chaplin and Buster Keaton combined. With hits like his 1922 film “Grandma’s Boy,” Lloyd became a strong force in bringing about the advent of the “feature-length” film. Harold Lloyd’s acting career rose to prominence during the silent film era and spanned 34 years of active filmmaking, over 200 comedies and one 1928 Academy Award nomination. -
Daily Eastern News: October 24, 1946 Eastern Illinois University
Eastern Illinois University The Keep October 1946 10-24-1946 Daily Eastern News: October 24, 1946 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1946_oct Recommended Citation Eastern Illinois University, "Daily Eastern News: October 24, 1946" (1946). October. 2. http://thekeep.eiu.edu/den_1946_oct/2 This Book is brought to you for free and open access by the 1946 at The Keep. It has been accepted for inclusion in October by an authorized administrator of The Keep. For more information, please contact [email protected]. Eastern Teachers news 11Tell the Truth and Don1t Be Alraid11 VOL. XXXII-NO. 5 EASTE&N ILLINOIS STATE TEACHERS OOLLEGE--Oll.ARLESTON THURSDAY, OCTOBEIR 24, 1946 "t. L's G. L's AR� BACK" FOR HOM�COMING Tommy Tucker's Band Royal Court Ives Presents Her Majesty Plays for Coronation OLIMAXING EASTERN'S thirty- Miss Martha Tym second Homecoming will be the Recital Tonight crowning of Miss Martha Jean Tym as Queen at the Coronation Dance THE PUBLIC appearance of Burl played by Tommy Tucker on Satur Ives on the evening of Thursday, day night, October 26. The coron October 24, and Saturday, October ation, under the sponsorship of the 26, has been confirmed by a tele News and directed by Miss Winnie gram received from him by the East I:avis Neely, will begin at 9:00. ern State Club. Children of veteran students in col lege will serve as flower boys and The Elas"ern state club is acting girls. Betty Carmichael, business as sponsor for this affair and Ives manager of the News, and Don will giV'e his fee to the school to Griffin, advertising manager, will purchase a record collection of folk announce the event from the stage music. -
Copyrighted Material
c01.qxd 12/18/06 1:10 PM Page 5 1 Out of the Ashes of Despair The difference [between a director and an auteur] is that a director who is working for a living simply does the job, which may not be akin to his philosophy, but it is not inconsistent to have the same man being both. The word is “hunger.” If you are hungry and nobody will buy your orig- inal idea, you might get lucky, direct a Kellogg’s cornflakes commercial and take home a few boxes. —Mel Brooks, 1971 n the early 1970s, Mel Brooks had reason to find himself in an ironic I position as far as his career was concerned. He had already won Acad- emy Awards and Emmys, and had hit radio commercials and three suc- cessful comedy albums (such as The 2000 Year Old Man). He was a veteran of the writing teams for two of the most cherished series of Amer- ican television’s golden age: Your Show of Shows and Caesar’s Hour. Brooks’s recent association with the highly successful sitcom Get Smart had enhanced his visibility with the public and given him additional industry credibility.COPYRIGHTED Although his movie TheMATERIAL Twelve Chairs (1970) had failed to make any tangible impact at the box office, The Producers (1968) was well on its way to becoming a cult favorite. Yet Brooks was now unable to get any new show business projects off the ground and into production. How many times, he must have won- dered, did he have to crash through the establishment’s barriers before he gained solid acceptance from his peers and the public? How long could he continue to subject himself to the ordeal of starting over—yet again? 5 c01.qxd 12/18/06 1:10 PM Page 6 6 IT’S GOOD TO BE THE KING For a time, Mel wanted to produce a film version of She Stoops to Conquer.