The Mysterious Stranger
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A Study of the Victorian and Edwardian Conceptions Of
James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2012 Hidden kisses, walled gardens, and angel-kinder: A Study of the Victorian and Edwardian conceptions of motherhood and childhood in Little Women , The Secret Garden , and Peter Pan Leah Marie Kirkpatrick James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the English Language and Literature Commons Recommended Citation Kirkpatrick, Leah Marie, "Hidden kisses, walled gardens, and angel-kinder: A Study of the Victorian and Edwardian conceptions of motherhood and childhood in Little omeW n, The eS cret Garden, and Peter Pan" (2012). Masters Theses. 253. https://commons.lib.jmu.edu/master201019/253 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Hidden Kisses, Walled Gardens, and Angel-kinder: a Study of the Victorian and Edwardian Conceptions of Motherhood and Childhood in Little Women, The Secret Garden, and Peter Pan Leah M. Kirkpatrick A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts English May 2012 Table of Contents List of Figures………………………………………………………………..…….....iii Abstract…………………………………………………………………………….....iv Introduction…………………………………………………………………………....1 I: The Invention of Childhood and the History of Children’s Literature…………..….3 II: An Angel in the House: the Victorian and Edwardian Wife and Mother………...27 III: Metaphysical Mothers: Mothers in The Secret Garden and Little Women………56 IV. -
Complete Stories by Franz Kafka
The Complete Stories by Franz Kafka Back Cover: "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. The foreword by John Updike was originally published in The New Yorker. -
A Little Woman”
International Review of Literary Studies IRLS 2 (1) June 2020 11 The Resistance of the Invisible Mute: Gender Oppression in Franz Kafka’s “A Little Woman” LAU Chi Sum Garfield 1 International Review of Literary Studies Vol. 2, No. 1; June 2020, pp. 11-21 Published by: MARS Research Forum Abstract In the works of Franz Kafka (1883-1924), it is certain that the notion of women is never as impressive as the monstrosity of his gigantic bug or the mystery of his artist who fasts endlessly.2 Most of notable works written by Kafka seemingly center on male protagonists with a certain degree of uncanniness. As a scholar specialized in women’s studies, Evelyn Torton Beck highlights the minimal presence of women in Kafka’s works. This essay aims to analyze the invisibility and silence of the female protagonist in “A Little Woman” (1923) in relation to the status of women in Kafka’s modernist world. In this story, the existence of the invisible and voiceless woman conflicts between the audible male narrator. The tension between them demonstrates gendered bias. The depiction of the little woman is made solely under a biased male perspective, which demonstrates how women are oppressed by the opposite sex in the patriarchal context. Key words: Franz Kafka, misogynist, oppression, visibility, audibility, feminist criticism I. Introduction: In Franz Kafka’s short story “A Little Woman”, the little woman is an absent character although her vague physical appearance is visibly revealed to the reader. In describing her physical appearance, the male narrator has paid little attention to her unique features, but rather, focused on some stereotypical qualities shared by women under traditional male gaze. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
An Analysis of Feminist Themes in the Work of Louisa May Alcott
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Spring 4-2000 A Woman's Legacy: An Analysis of Feminist Themes in the Work of Louisa May Alcott Jessica Brook Greene University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Greene, Jessica Brook, "A Woman's Legacy: An Analysis of Feminist Themes in the Work of Louisa May Alcott" (2000). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/383 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Appendix D- UNIVERSITY HONORS PROGRAM SENIOR PROJECT - APPROVAL Name: _~l~ 13~~--------------------------------------- College: ~ &_~.u;.;\ __ Department: __~~~ _ 1.l4~~..t If'J:. __ Fa cuI ty Men tor: _D.c..... _ B~a _ ~_____________________________ _ PROJECT TITLE: A _tLUax:ru:n:..$_.L£.e Uf -,-_A_/Jn~~__ 61lCUJ _~rt=.- _~-i.4tJ _ · ~iAJ..a£L.bE__ ~CD_ m~AJ~ _________________ _ I have reviewed this completed senior honors thesis with this student and certify that it is a project commensurate with honors level undergraduate research in this field. Signed: ___~_~_-=- __~ _____________ I Facultv \Ientor 0--l_:-t L Y 2..- 0 0 Q Date: _L~1I~ ______ L ______ - Comments (Optional): 27 A Woman's Legacy: An Analysis of Feminist Themes in the Work of Louisa May Alcott Senior Honors Thesis by Jessica Greene Director: Dr. -
The Complete Stories by Franz Kafka
Franz Kafka: The Complete Stories by Franz Kafka Ebook Franz Kafka: The Complete Stories currently available for review only, if you need complete ebook Franz Kafka: The Complete Stories please fill out registration form to access in our databases Download here >> Paperback: 488 pages Publisher: Schocken Books Inc.; Reprint edition (November 14, 1995) Language: English ISBN-10: 0805210555 ISBN-13: 978-0805210552 Product Dimensions:5.2 x 1 x 8 inches ISBN10 0805210555 ISBN13 978-0805210 Download here >> Description: The Complete Stories brings together all of Kafka’s stories, from the classic tales such as “The Metamorphosis,” “In the Penal Colony,” and “A Hunger Artist” to shorter pieces and fragments that Max Brod, Kafka’s literary executor, released after Kafka’s death. With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume. Hello All,I recently purchased this book in faith, though I was also frustrated by the lack of information in the book description. So, I will provide here for you the table of contents so that whoever purchases this book from now on can know exactly what they are getting:(By the way, the book is beautifully new & well designed, with the edges of the pages torn, not cut.)When it says the complete stories, it means it. The foreword assures that the book contains all of the fiction that Kafka committed to publication during his lifetime. That meas his novels, which he did NOT intend to be published but left note in his will to be destroyed, are NOT included: The Trial, America, The Castle. -
Franz Kafka's
Kafka and the Universal Interdisciplinary German Cultural Studies Edited by Irene Kacandes Volume 21 Kafka and the Universal Edited by Arthur Cools and Vivian Liska An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-045532-8 e-ISBN (PDF) 978-3-11-045811-4 e-ISBN (EPUB) 978-3-11-045743-8 ISSN 1861-8030 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2016 Walter de Gruyter GmbH, Berlin/Boston Cover image: Franz Kafka, 1917. © akg-images / Archiv K. Wagenbach Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Arthur Cools and Vivian Liska Kafka and the Universal: Introduction 1 Section 1: The Ambiguity of the Singular Stanley Corngold The Singular Accident in a Universe of Risk: An Approach to Kafka and the Paradox of the Universal 13 Brendan Moran Philosophy and Ambiguity in Benjamin’s Kafka 43 Søren Rosendal The Logic of the “Swamp World”: Hegel with Kafka on the Contradiction of Freedom 66 Arnaud Villani The Necessary Revision of the Concept of the Universal: Kafka’s “Singularity” 90 Section 2: Before the Law Eli Schonfeld Am-ha’aretz: The Law of the Singular. -
Franz Kafka M
Univerza v Ljubljani Naravoslovnotehniška fakulteta Odelek za tekstilstvo Snežniška 5 Franz Kafka M. V. NTF-OT, NTO Ljubljana, 2011 Kazalo Kazalo.........................................................................................................................................2 Kazalo slik...............................................................................................................................3 Kazalo shem............................................................................................................................3 Kazalo tabel ............................................................................................................................3 Kazalo grafikonov...................................................................................................................3 1. Introduction.............................................................................................................................3 2. Family.....................................................................................................................................4 3. Kafka at the age of five...........................................................................................................5 4. Education................................................................................................................................5 5. Work........................................................................................................................................6 6. Later years...............................................................................................................................7 -
Stach Kafka I-Viii,1-584R3 8/30/05 10:25 AM Page 1 © Copyright, Princeton University Press
Stach_Kafka i-viii,1-584R3 8/30/05 10:25 AM Page 1 © Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. INTRODUCTION HE LIFE of Dr. Franz Kafka, a Jewish insurance official and writer T in Prague, lasted forty years and eleven months. He spent sixteen years and six and a half months in school and at university, and nearly fif- teen years in professional life. Kafka retired at the age of thirty-nine. He died of laryngeal tuberculosis in a sanatorium outside Vienna two years later. Apart from stays in the German Empire—primarily weekend excur- sions—Kafka spent about forty-five days abroad. He visited Berlin, Mu- nich, Zurich, Paris, Milan, Venice, Verona, Vienna, and Budapest. He saw three seas, each once: the North Sea, the Baltic Sea, and the Italian Adri- atic. And he witnessed a World War. He never married. He was engaged three times: twice to Felice Bauer, a career woman in Berlin, and once to Julie Wohryzek, a secre- tary in Prague. He appears to have had romantic relationships with four other women as well as sexual encounters with prostitutes. He shared an apartment with a woman for about six months of his life. He left no descendants. As a writer Franz Kafka left about forty complete prose texts to pos- terity. Nine of these can be called stories, if we interpret the genre liber- ally: “The Judgment,” “The Stoker,” “The Metamorphosis,” “In the Penal Colony,” “A Report to an Academy,” “First Sorrow,” “A Little Woman,” “A Hunger Artist,” and “Josephine the Singer, or the Mouse Folk.” The For general queries, contact [email protected] Stach_Kafka i-viii,1-584R3 8/30/05 10:25 AM Page 2 © Copyright, Princeton University Press. -
The Body, Corporeality, Modernity, Kafka
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarBank@NUS Between Life and Death: Reading the Body in Kafka’s Shorter Fiction WONG HONGYI A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ENGLISH LANGUAGE & LITERATURE NATIONAL UNIVERSITY OF SINGAPORE 2010 For K ACKNOWLEDGEMENTS Research into Kafka is like entering an intricate, convoluted burrow of his handiwork, the way dark and dreary, but illuminating at times. And the days pass so quickly while you are trying to find your way out that by the time you emerge from the darkness, you realise that you have stayed for much longer than you originally planned to. But perhaps that is another strategy that Kafka employs to keep his burrow free from strangers who want nothing more than a glimpse of that wonderful monstrous maze. As for the persistent ones who eventually emerge, hungry and tender, from the other side, a feast is spread out to welcome them, at the burrower’s expense. I am enjoying this feast right now. I am grateful to my supervisor, Dr John Phillips, for the guidance and friendship he has provided me with throughout the duration of my project. I want to thank Wei Wei for introducing me to Kafka in her module. Without that introduction and the complementary critical readings that came with it, I would never have written this. I would also like to thank the following people whose support and encouragement have helped me to complete my writing: Yh, Ben, Yeo Huan, and Bo. -
CHAPTER- VI Kafka's Narrative Pattern: an Existential Perspective
211 CHAPTER- VI Kafka's Narrative Pattern: An Existential Perspective To have the feeling of being bound and at the same time the other, that if one were unbound, it would be even worse. Franz Kafka, Diaries, December 21, 1910. Narrative is one of the essential constituents to the understanding of reality. To raise the question on the nature of narrative is to raise question on the very nature of culture and humanity. As Roland Barthes puts it in his landmark essay on narrative: "All classes, all human groups, have their narratives, enjoyment of which is often shared by men with different, even opposing, cultural backgrounds. Caring nothing for the division between good and bad literature, narrative is international, transhistorical, transcultural: it is simply there, like life itself' (Barthes, 1982, 252). Since narrative involves translating knowing into telling, the understanding of a writer's text, no matter how different or exotic, his burden of culture can easily he transmitted with the help of a suitable narrative. This suggests as W.J.T Mitchell writes, "Narrative is a metacode, a human universal on the basis of which transcultural messages about the nature of a shared reality can be transmitted" (Mitchell, 1981,2); and such a stance would presume that the absence of narrative would indicate an absence of meaning itself In this respect, Franz Kafka's narrative pattern would make an interesting study because in the works of Franz Kafka we see a total absence of the legitimate act of knowing into telling. At the same time all human beings are readers who seek to reconcile what they read with what they see. -
Study Guide | Infinithéâtre February 2019
Infinithéâtre in collaboration with le CAM en tournée presents : 2......................................................................................................Table of Contents 3..............................................................................................Infinithéâtre’s Mandate 4………………………….….………… Introduction by Artistic Director Guy Sprung 5............................................................................................. Franz Kafka biography 7…………………………………………………………………….Kafka’s Ape synopsis 8……………..................................................................... Kafka’s Ape creative team 8………………...……………………………………..How to understand Kafka’s work 9…………………………………………………………..Kafka’s Ape three (3) excerpts 11………………………………………………………………..Questions and Exercises 11……....................................................................Report for an Academy (full text) 18....................................................................................Franz Kafka complete work 20……….............................................................................................Thank you note 21…….........................................................................References and What’s Next? Kafka’s Ape Study Guide | Infinithéâtre February 2019. 2 REFLECTING AND EXPLORING LIFE IN 21st - CENTURY MONTRÉAL Infinithéâtre’s mission is to develop, produce and broker new Québec theatre to ever-widening audiences. We are dedicated to staging theatre that is as entertaining as it is relevant. We believe that live theatre