DOCSLIB.ORG

Open Source Technology for Massively-Multiplayer Games

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Open Source Technology for Massively-Multiplayer Games Open Source Technology for Massively-Multiplayer Games Case Study: OGRE as an Massively-Multiplayer Graphics Engine Student: Davíð H. Brandt ([email protected]) Instructor: Hannes Högni Vilhjálmsson Reykjavík University, T-615-SVER Independent Studies, Fall 2009 Executive Summary Free-and-open-source-software (FOSS) promises an attractive alternative to the ever-increasing costs of commercial middleware, which threatens the profitability of modern game development. As MMO development is typically an order of magnitude more expensive than classical game development, this promise seems even more attractive within this sub segment of the industry. There is however little evidence of widespread FOSS usage within the gaming industry. This paper attempts to shed light on some of the underlying reasons through performing an in-depth evaluation of the OGRE open-source rendering engine from the perspective of an MMO developer. The author shows that there are great savings to be had when using the engine as a foundation when compared to building a proprietary rendering engine from scratch, but it does not actually offer significant cost advantages over commercial alternatives in the context of MMO development. The engine also comes with the added risk that it is virtually unproven in the field of high-end gaming, although a number of low-end and mid-range games based on the engine have shown great promise. Furthermore, while OGRE is highly praised by industry professionals it is however uncompetitive in high- performance gaming due to its lack of parallelism. The author concludes that while using OGRE as a rendering engine in a high-end MMO is almost certainly doable, unquestioning commitment to the engine would be folly. Reykjavík University, T-615-SVER Independent Studies, Fall 2009 Page 2 Contents Executive Summary ....................................................................................................................................... 2 1. Introduction ............................................................................................................................................... 6 2. About the author ....................................................................................................................................... 7 3. OGRE games reviewed .............................................................................................................................. 8 3.1. Alliance: The Silent War ..................................................................................................................... 9 3.2. Torchlight .......................................................................................................................................... 10 3.3. Motorm4x ......................................................................................................................................... 11 3.4. Zombie Driver ................................................................................................................................... 12 3.5. Pacific Storm ..................................................................................................................................... 13 3.6. Jack Keane ........................................................................................................................................ 14 3.7. Venetica ............................................................................................................................................ 15 3.8. Earth Eternal ..................................................................................................................................... 16 3.9. Project Wish ..................................................................................................................................... 17 3.10. Origins of Humanity ........................................................................................................................ 18 3.11. The Legend of Crystal Valley .......................................................................................................... 19 3.12. Amateur gaming ............................................................................................................................. 20 3.13. Off-the-shelf game-engines using OGRE ........................................................................................ 21 3.13.1. StemCell Engine based games ................................................................................................. 22 3.13.2. NeoAxis Engine based games .................................................................................................. 23 3.14. Summary of OGRE game reviews ................................................................................................... 27 4. Developer interviews............................................................................................................................... 28 4.1. Choosing OGRE ................................................................................................................................. 28 4.2. Comparing OGRE to commercial alternatives .................................................................................. 29 4.3. Mastering OGRE ............................................................................................................................... 29 4.4. Establishing a content pipeline ........................................................................................................ 30 4.5. OGRE’s Performance ........................................................................................................................ 30 4.6. OGRE and 3rd party middleware ....................................................................................................... 31 4.7. The downside of OGRE ..................................................................................................................... 31 4.8. The upside of OGRE .......................................................................................................................... 31 4.9. Team-specific questions ................................................................................................................... 32 4.10. Summary of developer interviews ................................................................................................. 33 Reykjavík University, T-615-SVER Independent Studies, Fall 2009 Page 3 5. Cost-benefit analysis ............................................................................................................................... 34 5. 1. Immediate costs .............................................................................................................................. 34 5. 1. 1. Qualification costs ................................................................................................................... 34 5. 1. 2. Licensing costs ......................................................................................................................... 35 5. 1. 3. Training costs ........................................................................................................................... 35 5. 1. 4. Production costs ...................................................................................................................... 36 5. 1. 5. Opportunity costs .................................................................................................................... 36 5. 2. Benefits ............................................................................................................................................ 38 5. 2. 1. Time benefits ........................................................................................................................... 38 5. 2. 2. Cost benefits ............................................................................................................................ 39 5. 2. 3. Focus benefits .......................................................................................................................... 39 5. 2. 4. Support benefits ...................................................................................................................... 40 5. 2. 5. Knowledge benefits ................................................................................................................. 40 5. 3. Real-world costs .............................................................................................................................. 40 5. 3. 1. External-process integration ................................................................................................... 40 5. 3. 2. Bugs or features? ..................................................................................................................... 41 5. 3. 3. Source-code access .................................................................................................................. 41 5. 3. 4. Verification, testing and the burden of development ............................................................. 42 5. 3.5. Business dynamics .................................................................................................................... 42 5.4. Quantified cost-benefit analysis ....................................................................................................... 43 5.5. ROI-adjusted quantified cost-benefit analysis ................................................................................
Load more

Recommended publications
  • Persistent Realtim E Building Interior Generation
    Persistent Realtime Building Interior G eneration By Evan Hahn A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Master of Computer Science Ottawa-Carleton Institute for Computer Science School of Computer Science Carleton University Ottawa, Ontario September 2006 © Copyright 2006, Evan Hahn Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-18353-3 Our file Notre reference ISBN: 978-0-494-18353-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]
  • Audio Middleware the Essential Link from Studio to Game Design
    AUDIONEXT B Y A LEX A N D E R B R A NDON Audio Middleware The Essential Link From Studio to Game Design hen I first played games such as Pac Man and GameCODA. The same is true of Renderware native audio Asteroids in the early ’80s, I was fascinated. tools. One caveat: Criterion is now owned by Electronic W While others saw a cute, beeping box, I saw Arts. The Renderware site was last updated in 2005, and something to be torn open and explored. How could many developers are scrambling to Unreal 3 due to un- these games create sounds I’d never heard before? Back certainty of Renderware’s future. Pity, it’s a pretty good then, it was transistors, followed by simple, solid-state engine. sound generators programmed with individual memory Streaming is supported, though it is not revealed how registers, machine code and dumb terminals. Now, things it is supported on next-gen consoles. What is nice is you are more complex. We’re no longer at the mercy of 8-bit, can specify whether you want a sound streamed or not or handing a sound to a programmer, and saying, “Put within CAGE Producer. GameCODA also provides the it in.” Today, game audio engineers have just as much ability to create ducking/mixing groups within CAGE. In power to create an exciting soundscape as anyone at code, this can also be taken advantage of using virtual Skywalker Ranch. (Well, okay, maybe not Randy Thom, voice channels. but close, right?) Other than SoundMAX (an older audio engine by But just as a single-channel strip on a Neve or SSL once Analog Devices and Staccato), GameCODA was the first baffled me, sound-bank manipulation can baffle your audio engine I’ve seen that uses matrix technology to average recording engineer.
    [Show full text]
  • DXF Reference
    AutoCAD 2012 DXF Reference February 2011 © 2011 Autodesk, Inc. All Rights Reserved. Except as otherwise permitted by Autodesk, Inc., this publication, or parts thereof, may not be reproduced in any form, by any method, for any purpose. Certain materials included in this publication are reprinted with the permission of the copyright holder. Trademarks The following are registered trademarks or trademarks of Autodesk, Inc., and/or its subsidiaries and/or affiliates in the USA and other countries: 3DEC (design/logo), 3December, 3December.com, 3ds Max, Algor, Alias, Alias (swirl design/logo), AliasStudio, Alias|Wavefront (design/logo), ATC, AUGI, AutoCAD, AutoCAD Learning Assistance, AutoCAD LT, AutoCAD Simulator, AutoCAD SQL Extension, AutoCAD SQL Interface, Autodesk, Autodesk Intent, Autodesk Inventor, Autodesk MapGuide, Autodesk Streamline, AutoLISP, AutoSnap, AutoSketch, AutoTrack, Backburner, Backdraft, Beast, Built with ObjectARX (logo), Burn, Buzzsaw, CAiCE, Civil 3D, Cleaner, Cleaner Central, ClearScale, Colour Warper, Combustion, Communication Specification, Constructware, Content Explorer, Dancing Baby (image), DesignCenter, Design Doctor, Designer's Toolkit, DesignKids, DesignProf, DesignServer, DesignStudio, Design Web Format, Discreet, DWF, DWG, DWG (logo), DWG Extreme, DWG TrueConvert, DWG TrueView, DXF, Ecotect, Exposure, Extending the Design Team, Face Robot, FBX, Fempro, Fire, Flame, Flare, Flint, FMDesktop, Freewheel, GDX Driver, Green Building Studio, Heads-up Design, Heidi, HumanIK, IDEA Server, i-drop, Illuminate Labs
    [Show full text]
  • Interactive Data Visualization
    SPEEDTREE® CINEMA 8 END USER LICENSE AGREEMENT NOTE: Per Section 1, Paragraph A, SpeedTree Cinema is not for use in “an interactive or a real-time production such as a video game, training application or interactive simulation.” This END USER LICENSE AGREEMENT (the “EULA”) is a legal agreement between you (either an individual or a single entity) (collectively “You”) and Interactive Data Visualization, Inc., a South Carolina corporation with offices at 5446 Sunset Boulevard, Suite 201, Lexington, South Carolina 29072 (“IDV”), for the SpeedTree® Cinema software product, which includes computer software (collectively the “Software”) designed to be downloaded to and/or installed on personal computers, workstations or other machines which feature as their operating system either Linux, Mac or any of the following Windows operating systems: Windows 95/98/ME, Windows NT/2000/XP, Windows Vista or Windows 7, 8, 10 etc. (each a “PC”), and may include associated media, printed materials, and/or “online” or electronic documentation (the “Documentation”) (the Software and the Documentation are sometimes referred to together herein as the “Software Product”). An amendment or addendum to this EULA may accompany the Software Product. BY DOWNLOADING, INSTALLING, RUNNING, EXECUTING, OR OTHERWISE USING ANY PORTION OF THE SOFTWARE PRODUCT OR THE SPEEDTREE MODEL LIBRARY (AS DEFINED BELOW), YOU AGREE TO BE BOUND BY THE TERMS OF THIS EULA. IF YOU DO NOT AGREE TO BE BOUND TO THE TERMS OF THIS EULA, PLEASE DO NOT DOWNLOAD, INSTALL, RUN, EXECUTE, ACCEPT, USE OR PERMIT OTHERS TO DOWNLOAD, INSTALL, RUN, EXECUTE, ACCEPT, OR OTHERWISE USE THE SOFTWARE PRODUCT OR THE SPEEDTREE MODEL LIBRARY.
    [Show full text]
  • How to Buy DVD PC Games : 6 Ribu/DVD Nama
    www.GamePCmurah.tk How To Buy DVD PC Games : 6 ribu/DVD Nama. DVD Genre Type Daftar Game Baru di urutkan berdasarkan tanggal masuk daftar ke list ini Assassins Creed : Brotherhood 2 Action Setup Battle Los Angeles 1 FPS Setup Call of Cthulhu: Dark Corners of the Earth 1 Adventure Setup Call Of Duty American Rush 2 1 FPS Setup Call Of Duty Special Edition 1 FPS Setup Car and Bike Racing Compilation 1 Racing Simulation Setup Cars Mater-National Championship 1 Racing Simulation Setup Cars Toon: Mater's Tall Tales 1 Racing Simulation Setup Cars: Radiator Springs Adventure 1 Racing Simulation Setup Casebook Episode 1: Kidnapped 1 Adventure Setup Casebook Episode 3: Snake in the Grass 1 Adventure Setup Crysis: Maximum Edition 5 FPS Setup Dragon Age II: Signature Edition 2 RPG Setup Edna & Harvey: The Breakout 1 Adventure Setup Football Manager 2011 versi 11.3.0 1 Soccer Strategy Setup Heroes of Might and Magic IV with Complete Expansion 1 RPG Setup Hotel Giant 1 Simulation Setup Metal Slug Anthology 1 Adventure Setup Microsoft Flight Simulator 2004: A Century of Flight 1 Flight Simulation Setup Night at the Museum: Battle of the Smithsonian 1 Action Setup Naruto Ultimate Battles Collection 1 Compilation Setup Pac-Man World 3 1 Adventure Setup Patrician IV Rise of a Dynasty (Ekspansion) 1 Real Time Strategy Setup Ragnarok Offline: Canopus 1 RPG Setup Serious Sam HD The Second Encounter Fusion (Ekspansion) 1 FPS Setup Sexy Beach 3 1 Eroge Setup Sid Meier's Railroads! 1 Simulation Setup SiN Episode 1: Emergence 1 FPS Setup Slingo Quest 1 Puzzle
    [Show full text]
  • UPC Platform Publisher Title Price Available 730865001347
    UPC Platform Publisher Title Price Available 730865001347 PlayStation 3 Atlus 3D Dot Game Heroes PS3 $16.00 52 722674110402 PlayStation 3 Namco Bandai Ace Combat: Assault Horizon PS3 $21.00 2 Other 853490002678 PlayStation 3 Air Conflicts: Secret Wars PS3 $14.00 37 Publishers 014633098587 PlayStation 3 Electronic Arts Alice: Madness Returns PS3 $16.50 60 Aliens Colonial Marines 010086690682 PlayStation 3 Sega $47.50 100+ (Portuguese) PS3 Aliens Colonial Marines (Spanish) 010086690675 PlayStation 3 Sega $47.50 100+ PS3 Aliens Colonial Marines Collector's 010086690637 PlayStation 3 Sega $76.00 9 Edition PS3 010086690170 PlayStation 3 Sega Aliens Colonial Marines PS3 $50.00 92 010086690194 PlayStation 3 Sega Alpha Protocol PS3 $14.00 14 047875843479 PlayStation 3 Activision Amazing Spider-Man PS3 $39.00 100+ 010086690545 PlayStation 3 Sega Anarchy Reigns PS3 $24.00 100+ 722674110525 PlayStation 3 Namco Bandai Armored Core V PS3 $23.00 100+ 014633157147 PlayStation 3 Electronic Arts Army of Two: The 40th Day PS3 $16.00 61 008888345343 PlayStation 3 Ubisoft Assassin's Creed II PS3 $15.00 100+ Assassin's Creed III Limited Edition 008888397717 PlayStation 3 Ubisoft $116.00 4 PS3 008888347231 PlayStation 3 Ubisoft Assassin's Creed III PS3 $47.50 100+ 008888343394 PlayStation 3 Ubisoft Assassin's Creed PS3 $14.00 100+ 008888346258 PlayStation 3 Ubisoft Assassin's Creed: Brotherhood PS3 $16.00 100+ 008888356844 PlayStation 3 Ubisoft Assassin's Creed: Revelations PS3 $22.50 100+ 013388340446 PlayStation 3 Capcom Asura's Wrath PS3 $16.00 55 008888345435
    [Show full text]
  • Diablo 1 Windows 10 Download Diablo
    diablo 1 windows 10 download Diablo. Diablo is one of the pioneer and classic game of the action role-playing genre. Play this classic game once again, download Diablo on your computer. 1 2 3 4 5 6 7 8 9 10. Role-playing games (RPG) for computers have always had a very important place within the video game market. In the first PC era, these games were, in their vast majority, games that showed everything from a first-person perspective. But all this changed with the arrival of a new batch of RPG games, led by Diablo , action role-playing games . Play one of the most important classic role-playing games once again. The original Diablo game, which was launched in 1997, set a milestone in the video gaming world and specially role-playing games, and was the start of a very important game saga. One of the changes that could be noticed with greater ease in Diablo was the graphics, due to the fact that it used an isometric view , as well as this, the game was also characterized by the fact that it didn't set so much importance on the story, but focused more on the destruction of every single enemy the player encountered. The player was offered three different characters to choose from, each with its own features and equipment: the warrior (powerful in hand-to-hand combat), the rogue (that was especially gifted in the use of bows and crossbows) and the magician (imbued with arcane power to cast spells). Once the player had chosen his/her character and named it, he/she had to decide which features he/she would improve on each level and set out in search of adventure.
    [Show full text]
  • Inside the Video Game Industry
    Inside the Video Game Industry GameDevelopersTalkAbout theBusinessofPlay Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman Downloaded by [Pennsylvania State University] at 11:09 14 September 2017 First published by Routledge Th ird Avenue, New York, NY and by Routledge Park Square, Milton Park, Abingdon, Oxon OX RN Routledge is an imprint of the Taylor & Francis Group, an Informa business © Taylor & Francis Th e right of Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman to be identifi ed as authors of this work has been asserted by them in accordance with sections and of the Copyright, Designs and Patents Act . All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Names: Ruggill, Judd Ethan, editor. | McAllister, Ken S., – editor. | Nichols, Randall K., editor. | Kaufman, Ryan, editor. Title: Inside the video game industry : game developers talk about the business of play / edited by Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman. Description: New York : Routledge is an imprint of the Taylor & Francis Group, an Informa Business, [] | Includes index. Identifi ers: LCCN | ISBN (hardback) | ISBN (pbk.) | ISBN (ebk) Subjects: LCSH: Video games industry.
    [Show full text]
  • Defend the City
    COMPUTER GAMES LABORATORY DOCUMENTATION Defend the City By ToBeUmbenannt Prepared By: Last Updated: Josef Stumpfegger 11/01/2020 Sergey Mitchenko Winfried Baumann Defend the City Documentation TABLE OF CONTENTS GAME IDEA PROPOSAL 4 GAME DESCRIPTION 4 TECHNICAL ACHIEVEMENT 8 "BIG IDEA" BULLSEYE 8 SCHEDULE & TASKS 8 LAYERED TASK BREAKDOWN 8 TIMELINE 9 ASSESSMENT 10 PROTOTYPE REPORT 11 PROTOTYPING GOALS 11 MODELED GAME 11 GENERAL RULES 11 ACTORS 11 ENEMY BEHAVIOR 12 BUILDINGS AND THEIR PURPOSE 14 TRAPS 15 LEVEL DESIGN 15 WHAT WE’VE LEARNED 17 INFLUENCES ON THE GAME 18 INTERIM REPORT 18 PROGRESS REPORT 19 CHARACTER 19 TRAPS 20 AI 20 DESTRUCTIBLE ENVIRONMENT 21 LEVEL DESIGN 21 GENERAL GAMEPLAY 22 CHALLENGES AND PROBLEMS 22 TODOS FOR NEXT MILESTONE 23 ALPHA RELEASE REPORT 23 PROGRESS REPORT 23 TRAPS 23 22222 2 Page 2 of 42 Defend the City Documentation UI 25 AI 26 DESTRUCTIBLE ENVIRONMENT 27 CHALLENGES AND PROBLEMS 27 TODOS FOR NEXT MILESTONE 27 PLAYTESTING 28 CHANGES BEFORE PLAYTESTING 28 PLAYTESTING REPORT 30 SETTING 30 QUESTIONS 30 OBSERVATIONS 31 RESULTS AND CHANGES 33 ADDITIONAL FEEDBACK 35 CONCLUSION 36 THE FINAL PRODUCT 36 EXPERIENCE 38 COURSE PERSONAL IMPRESSION 38 33333 3 Page 3 of 42 Defend the City Documentation Game Idea Proposal Game Description Our game takes place in medieval times setting combined with some fantasy aspects. You control in a standard 3rd person fashion a hero, whose task is to protect the kingdom from a series of attacks on different cities of bloodthirsty creatures. The attack is continuous but sometimes offers some time where the soldiers of the city can defend on their own while you prepare some additional defenses to assist you when the attacks intensify again.
    [Show full text]
  • Deck 13 Announces Publishing Collaboration with Indie Developer Burning Arrow for the Other 99
    Deck13 Interactive GmbH | Deck13 Games | Gutleutstr. 82 | D-60329 Frankfurt | Germany Press Release DECK 13 ANNOUNCES PUBLISHING COLLABORATION WITH INDIE DEVELOPER BURNING ARROW FOR THE OTHER 99 First Gameplay Footage For First Person Survival Adventure Game Released Today Frankfurt, April 21, 2016 – UK startup studio Burning Arrow Ltd. has teamed up with Deck13 (Lords of the Fallen, The Surge) to release their ambitious debut title, The Other 99. The first person survival adventure will be released on PlayStation4, Xbox One and PC, starting with an Early Access release this July. First footage of the game is now availa- ble on Steam. Jan Klose (Managing Director, Deck13): “We’re very happy that our publishing branch, Deck13 Games, is taking off, and that we’ve earned the trust of the talented people at Burning Arrow. We’ll help them to reach a big audience with their unique and creative game.” Thomas Brown (Co-owner, Burning Arrow): “We are very excited about our debut title, The Other 99, and are thankful to Deck13 for spotting its potential. We look forward to their continued support and can’t wait to bring out more information in the coming months.” In The Other 99, players find themselves on an island with nothing but a note which reads, “the only way off the island is through the other 99.” Each enemy NPC is just as desperate to survive as you, and will stop at nothing to achieve their goal.... The game features brutal visceral combat, story driven exploration and stealth elements. Users are invited to join the communities on Facebook, Twitter and visit the Steam page.
    [Show full text]
  • Copyrighted Material
    INDEX successful, 41–55 A support options, 251 AAck mnemonic, 141 trend, downloaded v. available, 5 a/b testing, 220–221 unsuccessful, 55–59 achievements, 218–219 app analytics, 262 action games subcategory, 74–75 app development. See development actionables, feedback and, 247–250 App Gamer, 270 “Actraiser,” 66 App of the Week, 6, 30, 125–126, 271 Add This, 273 app rankings, 57, 261 AdMarvel, 165 app revenue models, 127–132 AdMeld, 165 business-motivated reasons, 150–155, AdMob, 36, 128, 166, 211, 270, 271 178–183 Adobe Flash Professional CS5, 222, 254, 268 risk/rewards, 124–127, 155–157, 183–184 ads, 165–168 terminology, 146–150 advertising costs, 30–31 app revenue rollercoaster, 126–127 network resources, 270–271 App Store “NinJump HD,” 189–191 crowded zoo, 31–32 placement, 160 demographics, 64–68 unpredictable, 155 evolution, 1–11 Madventure games subcategory, 75–76 keywords, 44–45 Adwhirl, 166, 167, 271 metrics resources, 261–262 affiliates resources, 270–271 search bar, 44 Agile Manifesto, 101–102 App Storm, 270 agile software development, 101–104 app usage, 165–168, 262 Agile Software Development with Scrum App2Market, 272 (Keith), 101, 257 AppAdvice, 270 aisles metaphor, 137 AppAnnie, 46, 47, 57, 58, 74, 76, 261 All Things D, 270 AppData, 221 alpha test stage, 118 Appency, 272 analyzing apps, 41–59 AppFigures, 261 Anderson, Chris, 150 Apple, 195–209 “Angry Birds” apps adapted to iPad, 204–206 ad placement, 165 care, 196–204 “Archetype” v., 107 customer service, 203–204 comparing, 41–43 Design Awards, 271 copycats, 51, 52 Hall of Fame, 4, 50, 51, 107 Hero Inventor Syndrome, 14 little things matter, 200–201 physical forces, 143 review process, 119 physical metaphors, 136 Tapbots case study, 206–209 physics engine, 19, 43, 60, 74, 81, 83, 143 user experience (UX) and, 197–199 popular features,COPYRIGHTED 48–49 value-added MATERIAL benefits, 202–203 reward system, 162 APPLE acronym, 203–204 top game, 36 Applyzer, 46, 47, 261 user engagement, 158 Appolicious, 270 Apalon, 272 Appscout, 270 apps.
    [Show full text]
  • GAMING GLOBAL a Report for British Council Nick Webber and Paul Long with Assistance from Oliver Williams and Jerome Turner
    GAMING GLOBAL A report for British Council Nick Webber and Paul Long with assistance from Oliver Williams and Jerome Turner I Executive Summary The Gaming Global report explores the games environment in: five EU countries, • Finland • France • Germany • Poland • UK three non-EU countries, • Brazil • Russia • Republic of Korea and one non-European region. • East Asia It takes a culturally-focused approach, offers examples of innovative work, and makes the case for British Council’s engagement with the games sector, both as an entertainment and leisure sector, and as a culturally-productive contributor to the arts. What does the international landscape for gaming look like? In economic terms, the international video games market was worth approximately $75.5 billion in 2013, and will grow to almost $103 billion by 2017. In the UK video games are the most valuable purchased entertainment market, outstripping cinema, recorded music and DVDs. UK developers make a significant contribution in many formats and spaces, as do developers across the EU. Beyond the EU, there are established industries in a number of countries (notably Japan, Korea, Australia, New Zealand) who access international markets, with new entrants such as China and Brazil moving in that direction. Video games are almost always categorised as part of the creative economy, situating them within the scope of investment and promotion by a number of governments. Many countries draw on UK models of policy, although different countries take games either more or less seriously in terms of their cultural significance. The games industry tends to receive innovation funding, with money available through focused programmes.
    [Show full text]