Pocket Program

Total Page:16

File Type:pdf, Size:1020Kb

Pocket Program A O O ° < ) STREETCAR P 5 AMBASSADOR Q MAX BUS STOP P P . % POINTS OF » W R INTEREST HOTEL WEST BOTTOMS n AMERICAN ROYAL ( [”] SHOPPING Rooftop Pirk ST. P fl* PERFORMING ' O! ARTS , P P P PARKING O MCGEE fXi VISITOR 13TH WJ INFORMATION % COLLEGE BASKETBALL Q BIKE SHARE KC R£ EXPERIENCE P P KC LIVCt FOUNTAIN .*11 14TH TRUMAN RD. MidAmeriCon II THE 74th WORLD SCIENCE FICTION CONVENTION STARTED Welcome GET I Greetings and Welcome to MidAmeriCon II! All Additionally, we are using Grenadine event " the staff and I are delighted that you have made planning software, which is available as a free app | ti to Kansas City. We have been working hard to from iTunes and Google Play. You can customize make this a memorable Worldcon, with so much Grenadine to create your own schedule, and it | to see and participate in. will be regularly updated with any changes to the program so you can check on the fly. The event । Although this publication is called the Pocket code for the app is MAC2. Program, you will notice it is actually a bit large I for most member's pockets. That is, of course, Please take a few minutes to look through this because it contains most of what you need to Program Book, and to download Grenadine if you | know about the daily activities for all five days of wish. Then head out and have a great time here at MidAmeriCon II—the large and varied Program MidAmeriCon II! F Schedule, plus maps and information about areas Ruth Lichtwardt such as Registration, Child Care, Access, plus * our Code of Conduct and much more. This is Chair, MidAmeriCon II | your handy main reference guide to All Things f MidAmeriCon II while you are here. » policy. A prop weapon that is realistic in appearance must be Code of Conduct inspected and tagged by the Convention Center's inspection MidAmenCon II exists for the enjoyment and enrichment of check station in the main lobby. Any prop weapon that is carried the fanmsh community Although we believe our members and in the Convention Center must be submitted for inspection, any attendees as a whole are rational and responsible adults, our person carrying a prop weapon that has not been inspected will Code of Conduct seeks to ensure that the behavior of any person be directed to the lobby or asked to remove the prop weapon or group does not disturb the membership as a whole or detract from the center. from the relaxed and comfortable atmosphere of our events. For details, see the full Code of Conduct page. To report a problem All realistic weapons must be brought to Convention at the convention, contact Con HQ.at (number pending). If the Headquarters (ConHQ) located in the exhibit hall (there will problem is with another member of the convention, or relates be signs) to be peace-bonded. If you are unsure whether your to a code of conduct violation, you can contact the Incident weapon might be considered realistic, you must present it to Response Team directly. More detailed information about our ConHQ. which is the final arbiter of which weapons require Incident Response Team is available. peace-bonding. No functional projectile weapons, props, or toys are permitted Weapons Policy anywhere in the Convention Center or other MidAmenCon II No real or dangerous weapon, or any item that can be convention space, regardless of whether they are peace bonded. mistaken for one, may be carried at any time in the Kansas City Any prop or realistic weapon purchased in the Dealers' Room, Convention Center or within other hotel areas under the control or any item purchased that could be mistaken for one, must be of MidAmenCon II. A "dangerous weapon" is defined as "any wrapped and immediately transported out of the Convention weapon that is readily capable of lethal use." Center, and may not be carried in the center unless it is first The Convention Center will have a security station in the mam inspected as specified in items 2 and 3. lobby to inspect prop weapons for compliance with the center's "World Science Fiction Society," "WSFS,” "World Science Fiction Convention," “Worldcon," "NASFiC,” "Hugo Award," the Hugo award Logo, and the distinctive design of the Hugo Award Trophy Rocket are service marks of the World Science Fiction Society, an unincorporated literary society. If you are competing in the Masquerade and you have concerns Photographs & Recording about whether a prop or realistic weapon that you intend to ) use as part of your presentation will be permitted into the Electronic Information . Convention Center, you must contact the Masquerade director as Photography and video and/or audio recordings are frequently I early as possible. made by MidAmeriCon II during events. The likenesses of event attendees and members may appear in those recordings. Any person who displays or brandishes a prop, real, or realistic Attendees and members agree to assign without compensation )weapon, or any item that can be mistaken for one, in a threatening the use of their likeness in promotional material. k or harmful manner may have their MidAmeriCon II membership I revoked without refund, be expelled from the Convention Personal Photography/Recordings Center, and could be subject to arrest. I MidAmeriCon II believes that if you follow the above rules, you Please be polite and ask before taking photographs or recordings of attendees and members whenever possible. should not have a problem with the Convention Center policy. Remember that just because someone is in costume does not | However, if you are told that your weapon is not allowed, by the mean that they are automatically granting permission to be Convention Center or MidAmeriCon II staff, you will need to photographed. Video and audio recording and photography i immediately return it to your hotel room or car. Any item which is for personal archival use only is generally acceptable prohibited by governing law is prohibited under this policy. unless individuals make it clear that they do not want to be Privacy Policy photographed or recorded. In that case, any photographing or recording them is expressly forbidden. ) MidAmeriCon II will never sell any information that we gather to anyone for any reason. Parties । We never keep any credit card information. We use Mijireh Parties will run every night in the Exhibit Hall. If you're planning " to securely process your credit card information and that to run an open party, be sure to check the website and follow information resides on their secure PCI compliant server. the instructions. " We will retain your name, home address, and email address to k process your membership request and enable you to participate Pets I as a member of MidAmeriCon II. This includes passing the Only service animals are allowed in hotel and convention information to the 2017 Worldcon to enable you to exercise your function spaces. | Hugo Award nominating rights. If You Have a Problem All MidAmeriCon II Staff As a staff member of MidAmeriCon II you are an important part AH MidAmeriCon II Members of assuring our attendees are safe and happy. Our problem So you have a problem at the convention, what should you do? resolution process is designed to help accomplish this. If you're having an issue, come to Con HQ_(located against the If someone approaches you with a problem that is either west wall in the exhibit hall), flag down one of our rovers, or call too complicated for you to solve or appears to be a Code HQ_at 816-400-8441 and we will be happy to help! of Conduct violation, stay with the person and help find a member of Con HQor the Incident Response Team as If your issue is with another member of the convention, you will appropriate. If there is an immediately dangerous situation, do be handed off to our incident response team, to discuss your not hesitate to call 911 first. Please notify Con HQafter calling experience and decide if you would like to make a report. You 911 so that convention leadership can stay in the loop. may also contact the incident response team directly by calling or texting 816-800-2550. We will make a written report, and ask you for the details Badges needed to understand and resolve the problem or prevent MidAmeriCon II is a membership event and membership further harm. If you give us your name and contact information, badges must be worn at all time by all members and staff. A we will follow up with you as needed, but we also will accept badge is only valid for the individual to whom it was issued. anonymous reports. Badges may not be shared. MidAmeriCon II requires that all individuals 12 and over have membership badges for the We will tell you what our next steps will be and further action(s) convention, and that they be clearly visible by being worn to be taken, if any. If you request, we will follow up with you and above the waist when at MidAmeriCon II. let you know the outcome of our actions. If other people are named in the complaint, they will be told that there is a complaint against them, but if the reporter wishes Children to remain anonymous, the identity of the person making the It is the responsibility of a parent (or guardian) to maintain report will not be named. common sense supervision of their child’s activities. Any violation of this policy may be considered a violation of the code of conduct. Kids-ln-Tow must be with a parent (or guardian) at all times unless they are in Childcare.
Recommended publications
  • The Apocalyptic Book List
    The Apocalyptic Book List Presented by: The Post Apocalyptic Forge Compiled by: Paul Williams ([email protected]) As with other lists compiled by me, this list contains material that is not strictly apocalyptic or post apocalyptic, but that may contain elements that have that fresh roasted apocalyptic feel. Because I have not read every single title here and have relied on other peoples input, you may on occasion find a title that is not appropriate for the intended genre....please do let me know and I will remove it, just as if you find a title that needs to be added...that is appreciated as well. At the end of the main book list you will find lists for select series of books. Title Author 8.4 Peter Hernon 905 Tom Pane 2011, The Evacuation of Planet Earth G. Cope Schellhorn 2084: The Year of the Liberal David L. Hale 3000 Ad : A New Beginning Jon Fleetwood '48 James Herbert Abyss, The Jere Cunningham Acts of God James BeauSeigneur Adulthood Rites Octavia Butler Adulthood Rites, Vol. 2 Octavia E. Butler Aestival Tide Elizabeth Hand Afrikorps Bill Dolan After Doomsday Poul Anderson After the Blue Russel C. Like After the Bomb Gloria D. Miklowitz After the Dark Max Allan Collins After the Flames Elizabeth Mitchell After the Flood P. C. Jersild After the Plague Jean Ure After the Rain John Bowen After the Zap Michael Armstrong After Things Fell Apart Ron Goulart After Worlds Collide Edwin Balmer, Philip Wylie Aftermath Charles Sheffield Aftermath K. A. Applegate Aftermath John Russell Fearn Aftermath LeVar Burton Aftermath, The Samuel Florman Aftershock Charles Scarborough Afterwar Janet Morris Against a Dark Background Iain M.
    [Show full text]
  • Writing Western Women
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2006 Place of invention| Writing western women Rachel Toor The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Toor, Rachel, "Place of invention| Writing western women" (2006). Graduate Student Theses, Dissertations, & Professional Papers. 3229. https://scholarworks.umt.edu/etd/3229 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of Montana Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. **Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission ______ Author's Signature: f J \ ^ Date Any copying for commercial purposes or financial gain may he undertaken only with the author's explicit consent. A PLACE OF INVENTION: WRITING WESTERN WOMEN by Rachel Toor B.A. Yale University, 1984 presented in partial fulfillment of the requirements for the degree of M asters of Fine Arts The University of Montana M ay 2006 Dean, Graduate School 5-2Cp-oc. Date UMI Number: EP35740 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted.
    [Show full text]
  • Generic Affinities, Posthumanisms and Science-Fictional Imaginings
    GENERIC AFFINITIES, POSTHUMANISMS, SCIENCE-FICTIONAL IMAGININGS SPECULATIVE MATTER: GENERIC AFFINITIES, POSTHUMANISMS AND SCIENCE-FICTIONAL IMAGININGS By LAURA M. WIEBE, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy McMaster University © Copyright by Laura Wiebe, October 2012 McMaster University DOCTOR OF PHILOSOPHY (2012) Hamilton, Ontario (English and Cultural Studies) TITLE: Speculative Matter: Generic Affinities, Posthumanisms and Science-Fictional Imaginings AUTHOR: Laura Wiebe, B.A. (University of Waterloo), M.A. (Brock University) SUPERVISOR: Professor Anne Savage NUMBER OF PAGES: vi, 277 ii ABSTRACT Amidst the technoscientific ubiquity of the contemporary West (or global North), science fiction has come to seem the most current of genres, the narrative form best equipped to comment on and work through the social, political and ethical quandaries of rapid technoscientific development and the ways in which this development challenges conventional understandings of human identity and rationality. By this framing, the continuing popularity of stories about paranormal phenomena and supernatural entities – on mainstream television, or in print genres such as urban fantasy and paranormal romance – may seem to be a regressive reaction against the authority of and experience of living in technoscientific modernity. Nevertheless, the boundaries of science fiction, as with any genre, are relational rather than fixed, and critical engagements with Western/Northern technoscientific knowledge and practice and modern human identity and being may be found not just in science fiction “proper,” or in the scholarly field of science and technology studies, but also in the related genres of fantasy and paranormal romance.
    [Show full text]
  • The Steel Remains Ebook
    THE STEEL REMAINS PDF, EPUB, EBOOK Richard Morgan | 400 pages | 09 Jul 2009 | Orion Publishing Co | 9780575084810 | English | London, United Kingdom The Steel Remains PDF Book Books - the warm, leather-skinned weight of them in your hands, the way they smelled when you lifted them close to your face. Truthfully, when I first discovered The Steel Remains ages ago, I didn't realize it was the same author. First I had a buddy read set up with Moss, for which I ordered the paperback from the other side of the world. Was this review helpful to you? You can smell his breath, take his pulse and check his pupils to see if he's ingested anything nasty, or you can believe him. Morgan completists, fantasy haters. Clearly Morgan wants us to like his main characters - though he tries to make them hard to like by investing them with traits and peccadillos that I imagine he thinks will challenge some genre readers - but having them talk like hired goons from a Guy Ritchie movie utterly ruined it for me. Some speak in whispers of the return of the Aldrain, a race of widely feared, cruel yet beautiful demons. The "elves" also left behind a magical sword, wielded by war hero Gil. Writer: Josh Mendoza. I thought this was a brilliant fantasy "noir" novel that was never boring. For one, he is a hero of a past war, in which humanity had to defend itself against an invasion of a non-human lizard-like race. The Steel Remains Quotes Showing of Most of the markers were simple slabs hewn from the self- same stone as the mountain, reflecting the locals' phlegmatic attitude to the business of dying.
    [Show full text]
  • Librarything
    Books tagged nanotechnology | LibraryThing http://www.librarything.com/tag/nanotechnology Language: English [ others ] Home Book Suggestions Zeitgeist Groups Talk Search About Over twenty million books on members' bookshelves. Blog Tag info: nanotechnology LT tag cloud | LT author cloud Includes: nanotechnology, nano technology, nano-tech, nano-technology, Curious about Search Nanotech?tags nanotech (what?) Learn about Tag and its aliases used 651 times by 346 users. Nanotechnology in an Related tags (show numbers) easy and convenient way! Most often tagged nanotechnology www.nanularity.com ai aliens artificial 1. The diamond age, or, Young lady's illustrated primer by Neal Stephenson (112) intelligence chemistry china Nanotechnology Now Nanotech's Future Is Now. 2. Engines of creation by Eric Drexler (38) completed computers Learn How To Profit in this 3. Prey : novel by Michael Crichton (61) cyberpunk dystopia Free Research Rpt 4. Nanosystems : molecular machinery, manufacturing, and www.WealthDaily.com/NanotechRp comput… by Eric Drexler (15) education evolution far future 5. Unbounding the future : the nanotechnology revolution by Eric Drexler (11) fiction first contact Nanotechnology Labs 6. Nanotech (7) future Futurism genetic engineering University, Industry & 7. Blood music by Greg Bear (21) Government Research 8. Fairyland by Paul J. McAuley (10) hard sf immortality military Facilities Design www.rfd.com 9. Queen city jazz by Kathleen Ann Goonan (10) nano near future 10. Nano : the emerging science of nanotechnology : remaking the… by Ed Regis (6) neo-victorian non-fiction Nanotech Applications 11. Light Music by Kathleen Ann Goonan (6) novel physics read Revelation Automated Image Analysis 12. Mississippi blues by Kathleen Ann Goonan (5) Software Simagis® 13.
    [Show full text]
  • Hobgoblins of Fantasy: American Fantasy Fiction in Theory”
    H-Announce CFP: Third Issue of The New Americanist/ Special Feature Section: “Hobgoblins of Fantasy: American Fantasy Fiction in Theory” Announcement published by Matthew Chambers on Monday, April 23, 2018 Type: Call for Papers Date: July 31, 2018 Location: Poland Subject Fields: American History / Studies, World History / Studies, Popular Culture Studies, Literature, Cultural History / Studies The New Americanist would like to announce a general call for papers for its third issue (Fall 2019). The New Americanist is an interdisciplinary journal publishing scholarly work on the United States and the Americas broadly considered. We are especially interested in work which includes a global perspective, introduces new critical approaches, and proposes theoretical frameworks to the study of the US. We welcome contributions from scholars from around the world and across the humanities and social sciences. The New Americanist is pleased to announce a call for our first special feature section: “Hobgoblins of Fantasy: American Fantasy Fiction in Theory.” “Hobgoblins of Fantasy: American Fantasy Fiction in Theory” Special feature in The New Americanist In association with the American Studies Center, University of Warsaw “A frightful hobgoblin stalks through Europe. We are haunted by a ghost, the ghost of Communism.” The Communist Manifesto (1850) Citation: Matthew Chambers. CFP: Third Issue of The New Americanist/ Special Feature Section: “Hobgoblins of Fantasy: American Fantasy Fiction in Theory”. H-Announce. 04-23-2018. https://networks.h-net.org/node/73374/announcements/1741929/cfp-third-issue-new-americanist-special-feature-section- Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1 H-Announce A frightful hobgoblin stalks through genre fiction, too.
    [Show full text]
  • Tory a Dog's Purpose Novel
    STARSCAPE MAY 2016 Bailey's Story A Dog's Purpose Novel W. Bruce Cameron Meet Bailey--a very special dog with a very important purpose. A heartwarming middle-grade novel adapted from the bestselling A Dog's Purpose--soon to be a major motion picture Every dog has work to do. Every dog has a purpose. When Bailey meets eight-year-old Ethan, he quickly figures out his purpose: to play with the boy, to explore the Farm during summers with the boy, and to tidy the boy's dishes by licking them clean (only when Mom isn't watching). But Bailey soon learns that life isn't always so simple--that JUVENILE FICTION / ANIMALS / DOGS sometimes bad things happen--and that there can be no greater purpose than Starscape | 5/3/2016 to protect the boy he loves. 9780765388407 | $16.99 / $19.50 Can. Hardcover | 208 pages | Carton Qty: 28 5.5 in W | 8.3 in H Bailey's Story is a moving tale about a dog and his boy for young animal 11 Black and White illustrations lovers by W. Bruce Cameron, bestselling author of the acclaimed novel A Dog's Purpose. Adorable black-and-white illustrations by Richard Cowdrey Other Available Formats: Ebook ISBN: 9780765388421 bring Bailey and his world to life. A discussion and activity guide at the end of the book will help promote family and classroom discussions about Bailey's Story and the insights it provides about humankind's best friends. MARKETING Plans: PRAISE - A Dog’s Purpose by W. Bruce Cameron soon to be a major motion picture! "Ellie's view of the world is spot-on, feeling just like the thoughts dogs must - National advertising via major media have...
    [Show full text]
  • Fore- Verbatim Inside
    VOLUME 53, ISSUE 8 MONDAY, NOVEMBER 18, 2019 WWW.UCSDGUARDIAN.ORG DACA PHOTOCONCERT REVIEW:TEASE !"#$%#&'()*&+% STEVE LACY GOES HERE $),-*+&./&)%/+% #'0.),)%"-'.&% 1((.)++)+%$1"1 UC President Napolitano spoke at the Supreme Court while students rallied !0#P%G+@#-=>Q'R(%*&D#S)S)%*#"%*ED# %*&##>R+"##>+T='R+ 2"+3'4&$-"&3 Students demonstrated in front of Geisel Library for the Deferred Action for Childhood Arrivals program while oral arguments for PHOTO BY NAME HERE /GUARDIAN the program were being heard at the Supreme Court on Tuesday, CAPTION PREVIEWING Nov. 12. The lawsuit being heard "Everybody in that Labor union worker and student members march together to end UC outsourcing. // Photo by Nithish Narasimman THEroom ARTICLE was completelyPAIRED WITH was brought forth two years ago THE PHOTO TEASE. FOR by the UC Office of the President hypnotized without in an attempt to stop the Trump EXAMPLE IF THE PHOTO LABOR administration from rescinding the WEREany OF outside A BABY YOU program. WOULDdistractions. SAY “BABIES Us. SUCK! 1>#"8?%@-9/5%ABCC%#&.6D)+%&-%2.-&)+&%!"%E'&+-'.96*4 The students, chanting phrases THEY ARE WEAK AND like “cut their checks, fund our Him." !"##$%&'()*'##('+*###!"#$%&'!()**'+,$-"& lives,” and “up up up with liberation, down down down with -6;5314D##2.H6##FA&E, page 9 he American Federation of State, County don’t have any voice, no insurance, no benefits, and Municipal Employees Local 3299 but they work side-by-side with us, and that’s why deportation,” showcased banners 1234314I##J,.8568##;.2 calling for the defunding of the held a strike on Wednesday, Nov. 13 we feel it should be equal pay.
    [Show full text]
  • SFRA Newsletter
    University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 6-1-2000 SFRA ewN sletter 246 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 246 " (2000). Digital Collection - Science Fiction & Fantasy Publications. Paper 65. http://scholarcommons.usf.edu/scifistud_pub/65 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #~4# lIaT/lune 1~~~ (oeo'tiors: Karen Hellekson Crajs Jacobsen Honndion leyielYs Eo'tior: lIej. Barron lidion leyielYs Eo'tior: Crajs Jacobsen The SFRAReview (lSSN 1068-395X) is published six times a year by the Science Fiction ResearchAssociation (SFRA) and distributed to SFRA mem­ bers.lndividual issues are not for sale. For information about the SFRA and its benefits, see the description at the back of this issue. For a membership application, contact SFRA Treasurer Michael M. Levy or get one from the SFRA website: <wwvv.sfra.org>. SUBMISSIONS The SFRAReview editors encourage submissions, including essays, review essays that cover several related texts, and interviews. Please send submis­ sions or queries to both coeditors. If you would like to review nonfiction or fiction, please contact the respec­ tive editor. The general editorial ad­ dress for the SFRAReview is: <[email protected]>.
    [Show full text]
  • Program Book Copyright 1996 by the Contributors
    Bucconeer The 56th Annual World Science Fiction Convention Guests of Honor GJ. C’herryh Milton A. Rothman Stanley Schmidt Michael Whelan Charles Sheffield/ Toast Master Baltimore Convention Center Baltimore/ MD USA August 1998 SUN MON run WED THU FR1 SAT 1 2 3 4 5 ’ 8 1 i 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Hannah M. G. Shapero © 1995 Membership Rates (Until September 30, 1996) Bucconeer Supporting: $30.00 Attending: $98.00 Post Office Box 314 Children's: $50.00 Annapolis Junction/ MD 20701 (4 to 12 years old on [email protected] August S/ 1998) http://www.access.digex.net/~balt98 Disclave 1996 May 24 - 27, 1996 Writer Guest of Honor: Michael Swanwick Artist Guest of Honor: Hannah M.G. Shapero Hyatt Regency Washington on Capitol Hill Hannah M.G. Shapero, Elric on the Road, unpublished illustration. 1 Other Disclave 1996 Guests: Brick Barrientos David Honigsburg Peggy Rae Pavlat Covert Beach Jane Jewell Evan Phillips N. Taylor Blanchard Janet Kagan John Pomeranz Michael Capobianco Angela Kessler Ray Ridenour Jack L. Chalker Tess Kissinger J.F. Rivkin (“Ellen Foxxe’’) Robert Chase Janet Kofoed Charles Ryan Hal Clement Karl Kofoed Tom Schaad Brenda W. Clough Yoji Kondo (“Eric Kotani”) Darrell Schweitzer Ann C. Crispin Warren Lapine Charles Sheffield Keith R. A. DeCandido Shariann Lewitt Josepha Sherman Michael Dirda Lelia Loban Susan Shwartz Chuck Divine Nikki Lynch Dick Smith Andy Duncan Richard Lynch Leah Zeldes Smith Scott Edelman Robert Macintosh Paul Sorton John R.
    [Show full text]
  • La Fantasy Française
    LA FANTASY FRANÇAISE © Anato Finnstark Bibliographie sélective Janvier 2020 La Fantasy française et francophone Même si elle plonge ses racines dans la mythologie et les textes antiques, le conte, le roman médiéval et le roman d’aventure, on considère que la fantasy est née comme genre en Grande-Bretagne à l’époque victorienne. En étroite relation au départ avec l’enfance, la fantasy s’est constituée comme genre autonome avec le succès public de l’édition américaine du Seigneur des anneaux. La fantasy littéraire s’est alors rapidement diversifiée et ramifiée en diverses branches, certaines proches d’autres littératures de l’imaginaire comme la science-fiction ou le fantastique, d’autres du roman d’aventures ou du roman historique. À tous ces genres, elle ajoute un ingrédient majeur, la magie, résurgence moderne du merveilleux qui repose sur la suspension de l’incrédulité. En France, le genre s’est implanté plus tardivement que dans les pays anglo-saxons, à partir des années 1980. Après les premières traductions de l’anglais dans les années 1970, l’engouement de la jeunesse, dans les années 1980, pour les jeux de rôle, puis les jeux vidéo, qui exploitent le caractère visuel et ludique du genre, créent les conditions de son succès. À partir des années 1990, le nombre de romans explose, avec l’apparition d’éditeurs et de collections spécialisés (Mnémos, Bragelone, Critic, Nestiveqnen, etc.). Les romans de fantasy français et francophones les plus intéressants sont souvent des textes qui n’appartiennent pas au noyau central du genre, la highfantasy, mais à ses marges. Ils opèrent une subversion de ses codes, pratiquent le métissage avec la science-fiction (science-fantasy), le roman urbain (urban fantasy), le roman historique (steampunk) voire le roman sentimental (romantic fantasy).
    [Show full text]
  • Norton Conducted by Paul Walker Andre Norton: Yes, I Will Agree to the Interview, but I Must in All Fairness Warn You That I Do Not Live a Very Exciting Life
    No. 40 September 1972 An Interview With Andre Norton Conducted by Paul Walker Andre Norton: Yes, I will agree to the interview, but I must in all fairness warn you that I do not live a very exciting life. In fact, I live a rather dull one—so if you are expecting fireworks, you will be disappointed. Also, I am not of the ‘new wave’ writers, but rather a very staid teller of old fashioned stories with firm plots and morals. So be warned and consider . "A very staid teller of old fashioned stories with firm plots and morals.” Why do you prefer this kind of story? Is it the kind of story you prefer to read? And if so, who are your favorite writers? Yes, I prefer reading the type of story I write—that is, a tightly plotted action story. The ‘new wave’ fiction, with sprawling action and the anti-hero, is certainly NOT to my taste. And I see no reason for piling in sex scenes—much more can be accomplished by putting the reader’s imagination to work—under-stating rather than over-stating. That, to me, is the better course in writing. In sf, my favorite writers are Poul Anderson, Eric Frank Russell, James Schmitz, Ursula Le Guin, and Hal Clement. Their books I re-read—along with H. Beam Piper, from whom, alas, we shall have no more good tales. To me these people, their stories, appeal—they absorb my imagination. I can identify with their main characters. In fantasy, my favorites are Tolkien, de Camp, David Mason, Fritz Leiber—again, master story tellers.
    [Show full text]