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341 BC the THIRD PHILIPPIC Demosthenes Translated By
1 341 BC THE THIRD PHILIPPIC Demosthenes translated by Thomas Leland, D.D. Notes and Introduction by Thomas Leland, D.D. 2 Demosthenes (383-322 BC) - Athenian statesman and the most famous of Greek orators. He was leader of a patriotic party opposing Philip of Macedon. The Third Philippic (341 BC) - The third in a series of speeches in which Demosthenes attacks Philip of Macedon. Demosthenes urged the Athenians to oppose Philip’s conquests of independent Greek states. Cicero later used the name “Philippic” to label his bitter speeches against Mark Antony; the word has since come to stand for any harsh invective. 3 THE THIRD PHILIPPIC INTRODUCTION To the Third Philippic THE former oration (The Oration on the State of the Chersonesus) has its effect: for, instead of punishing Diopithes, the Athenians supplied him with money, in order to put him in a condition of continuing his expeditions. In the mean time Philip pursued his Thracian conquests, and made himself master of several places, which, though of little importance in themselves, yet opened him a way to the cities of the Propontis, and, above all, to Byzantium, which he had always intended to annex to his dominions. He at first tried the way of negotiation, in order to gain the Byzantines into the number of his allies; but this proving ineffectual, he resolved to proceed in another manner. He had a party in the city at whose head was the orator Python, that engaged to deliver him up one of the gates: but while he was on his march towards the city the conspiracy was discovered, which immediately determined him to take another route. -
Who Freed Athens? J
Ancient Greek Democracy: Readings and Sources Edited by Eric W. Robinson Copyright © 2004 by Blackwell Publishing Ltd The Beginnings of the Athenian Democracv: Who Freed Athens? J Introduction Though the very earliest democracies lildy took shape elsewhere in Greece, Athens embraced it relatively early and would ultimately become the most famous and powerful democracy the ancient world ever hew. Democracy is usually thought to have taken hold among the Athenians with the constitutional reforms of Cleisthenes, ca. 508/7 BC. The tyrant Peisistratus and later his sons had ruled Athens for decades before they were overthrown; Cleisthenes, rallying the people to his cause, made sweeping changes. These included the creation of a representative council (bode)chosen from among the citizens, new public organizations that more closely tied citizens throughout Attica to the Athenian state, and the populist ostracism law that enabled citizens to exile danger- ous or undesirable politicians by vote. Beginning with these measures, and for the next two centuries or so with only the briefest of interruptions, democracy held sway at Athens. Such is the most common interpretation. But there is, in fact, much room for disagree- ment about when and how democracy came to Athens. Ancient authors sometimes refer to Solon, a lawgiver and mediator of the early sixth century, as the founder of the Athenian constitution. It was also a popular belief among the Athenians that two famous “tyrant-slayers,” Harmodius and Aristogeiton, inaugurated Athenian freedom by assas- sinating one of the sons of Peisistratus a few years before Cleisthenes’ reforms - though ancient writers take pains to point out that only the military intervention of Sparta truly ended the tyranny. -
Creating the Past: Roman Villa Sculptures
��������������������������������� Creating the Past: Roman Villa Sculptures Hadrian’s pool reflects his wide travels, from Egypt to Greece and Rome. Roman architects recreated old scenes, but they blended various elements and styles to create new worlds with complex links to ideal worlds. Romans didn’t want to live in the past, but they wanted to live with it. Why “creating” rather than “recreating” the past? Most Roman sculpture was based on Greek originals 100 years or more in the past, but these Roman copies, in their use & setting, created a view of the past as the Romans saw it. In towns, such as Pompeii, houses were small, with little room for large gardens (the normal place for statues), so sculpture was under life-size and highlighted. The wall frescoes at Pompeii or Boscoreale (as in the reconstructed room at the Met) show us what the buildings and the associated sculptures looked like. Villas, on the other hand, were more expansive, generally sited by the water and had statues, life-size or larger, scattered around the gardens. Pliny’s villas, as he describes them in his letters, show multiple buildings, seemingly haphazardly distributed, connected by porticoes. Three specific villas give an idea of the types the Villa of the Papyri near Herculaneum (1st c. AD), Tiberius’ villa at Sperlonga from early 1st century (described also in CHSSJ April 1988 lecture by Henry Bender), and Hadrian’s villa at Tivoli (2nd cent AD). The Villa of Papyri, small and self-contained, is still underground, its main finds having been reached by tunneling; the not very scientific excavation left much dispute about find-spots and the villa had seen upheaval from the earthquake of 69 as well as the Vesuvius eruption of 79. -
The Olynthiacs and the Phillippics of Demosthenes
The Olynthiacs and the Phillippics of Demosthenes Charles Rann Kennedy The Olynthiacs and the Phillippics of Demosthenes Table of Contents The Olynthiacs and the Phillippics of Demosthenes..............................................................................................1 Charles Rann Kennedy...................................................................................................................................1 THE FIRST OLYNTHIAC............................................................................................................................1 THE SECOND OLYNTHIAC.......................................................................................................................6 THE THIRD OLYNTHIAC........................................................................................................................10 THE FIRST PHILIPPIC..............................................................................................................................14 THE SECOND PHILIPPIC.........................................................................................................................21 THE THIRD PHILIPPIC.............................................................................................................................25 THE FOURTH PHILIPPIC.........................................................................................................................34 i The Olynthiacs and the Phillippics of Demosthenes Charles Rann Kennedy This page copyright © 2002 Blackmask Online. -
Democritus C
Democritus c. 460 BC-c. 370 BC (Also known as Democritus of Abdera) Greek philosopher. home to the philosopher Protagoras. There are several indications, both external and internal to his writings, The following entry provides criticism of Democritus’s that Democritus may have held office in Abdera and life and works. For additional information about Democ- that he was a wealthy and respected citizen. It is also ritus, see CMLC, Volume 47. known that he traveled widely in the ancient world, visit- ing not only Athens but Egypt, Persia, the Red Sea, pos- sibly Ethiopia, and even India. Scholars also agree that he INTRODUCTION lived a very long life of between 90 and 109 years. Democritus of Abdera, a contemporary of Socrates, stands Democritus is said to have been a pupil of Leucippus, an out among early Greek philosophers because he offered important figure in the early history of philosophy about both a comprehensive physical account of the universe and whom little is known. Aristotle and others credit Leucippus anaturalisticaccountofhumanhistoryandculture. with devising the theory of atomism, and it is commonly Although none of his works has survived in its entirety, believed that Democritus expanded the theory under his descriptions of his views and many direct quotations from tutelage. However, some scholars have suggested that his writings were preserved by later sources, beginning Leucippus was not an actual person but merely a character with the works of Aristotle and extending to the fifth- in a dialogue written by Democritus that was subsequently century AD Florigelium (Anthology) of Joannes Stobaeus. lost. A similar strategy was employed by the philosopher While Plato ignored Democritus’s work, largely because he Parmenides, who used the character of a goddess to elu- disagreed with his teachings, Aristotle acknowledged De- cidate his views in his didactic poem, On Nature. -
Kythera Summer Edition 2018
KYTHERA Summer Edition 2018 FOUNDERρΙΔΡΥΤΗΣό ©METAXIA POULOS • PUBLISHERό DIMITRIS KYRIAKOPOULOS • EDITORό DEBORAH PARSONS • WRITERSό ELIAS ANAGNOSTOU, ANNA COMINOS, SALLY COMINOS-DAKIN, FIONA CUNNINGHAM, EVGENIA GIANNINI, DOMNA KONTARATOU, MARIA KOUKOULI, THEODOROS KOUKOULIS, DIMITRIS KOUTRAFOURIS, ALEXIA NIKIFORAKI, PIA PANARETOS, AGLAIA PAPAOICONOMOU, ASPASIA PATTY, DAPHNE PETROCHILOS, IPPOLYTOS PREKAS, YIANNIS PROTOPSALTIS, JOY TATARAKI, ELIAS TZIRITIS, NIKOS TSIOPE- LAS • ARTWORKό DAPHNE PETROHILOS• PHOTOGRAPHYό DIMITRIS BALTZIS, CHRISSA FATSEAS, VENIA KAROLIDOU, STEPHEN TRIFYLLIS, EVANGELOS TSIGARIDAS • PROOF READINGό PAULA CASSIMATIS, JOY TATARAKI • LAYOUT ζ DESIGNό MYRTO BOLOTA • EDITORIALρADVERTISINGξΣΥΝΤΑΞΗρΔΙΑΦΗΜΙΣΕΙΣό 69φφ-55σ7τς, e-mailό kse.σ99υ@yahoo.gr FREE COMMUNITY PAPER • ΕΛΛΗΝΟξΑΓΓΛΙΚΗ ΕΚΔΟΣΗ • ΑΝΕΞ ΑΡΤΗΤΗ ΠΟΛΙΤΙΣΤΙΚΗ ΕΦΗΜΕΡΙΔΑ • ΔΙΑΝΕΜΕΤΑΙ ΔΩΡΕΑΝ George & Viola Haros and family wish everyone a Happy Summer in Kythera Distributing quality food, beverage, cleaning and packaging products to the Foodservice Industry wwwοstgeorgefoodserviceοcomοau All the right ingredients Ανοιχτά από τις 9.00 π.μ. έως αργά το βράδυ για καφέ, μεζέ και φαγητό MYLOPOTAMOS Καλλιόπη Καρύδη τηλ.: 27360-33397 και όλα μέλι-γάλα pure Kytherian thyme honey τχςξγοατία ςξσ ΙΠΠΟΛΥΤΟΥ ΠΡΕΚΑ θυμαρίσιο μέλι αωορίαε! welcome! Κυθήρων Έλίπλίίωί“”ίμί’ίίίμίίΚξ ΜΗΤΑΤΑ Κύθηρα Ρίίίμίμωίμπωξ τηλ.: 27360-33010, 6978-350952, 6977-692745 Ωί:ίίΑίίΑμ ΤαίίJeanνAntoineίWatteauίίίΑπξ Έίίίπλίίίίίξ Σίίμίίίίίξί ηΗΛξΑΝξίσρς8θ What is it that has brought you to Aphrodite’s -
INSCRIPTIONS from ATTICA 27 Inscriptions
INSCRIPTIONSFROM ATTICA (PLATE 15: b, c, d) JTN THE course of the years 1947, 1948, and 1949 the undersignedhave made a series of excursions in Attica, as time and their other duties permitted, for the purpose of making squeezes of inscriptions in the outlying areaS-for the collection at the Institute for Advanced Study. Among the many inscriptions already known, a few new pieces turned up which we publish below. We add also a few comments on some previously published texts. 1. Dedication to Pythian Apollo (Plate 15, b) Church of the Panagia, Merenda, southeast of Markopoulo, site of the ancient deme of Myrrhinous. Found in June 1948 lying in front of the church where it had probably been at least since 1929 to judge by the graffito on the face. Probably dis- covered somewhere in the immediate neighborhood. Brought to the Epigraphical Museum, Athens, March 1949; now E.M. 13,120. The stone is a rectangular pillar of Hymettian marble which tapers slightly towards the top. It is broken below and it has been re-worked above at the back to a rough curving surface as if someone had started to make it into a capital for the window column of a church. The sides are dressed with a toothed chisel at the edges and are smooth picked at the center. The back is rough picked. The letters run vertically from top to bottom. The inscription is complete at the right (lower) end, and only a little is missing at the left (top) as the meter shows. The inscribed face is marred by a modern graffito consisting of the name Stelios Katroulis, the date 1929, a cross and a steamboat. -
Ancient Greek Coins
Ancient Greek Coins Notes for teachers • Dolphin shaped coins. Late 6th to 5th century BC. These coins were minted in Olbia on the Black Sea coast of Ukraine. From the 8th century BC Greek cities began establishing colonies around the coast of the Black Sea. The mixture of Greek and native currencies resulted in a curious variety of monetary forms including these bronze dolphin shaped items of currency. • Silver stater. Aegina c 485 – 480 BC This coin shows a turtle symbolising the naval strength of Aegina and a punch mark In Athens a stater was valued at a tetradrachm (4 drachms) • Silver staterAspendus c 380 BC This shows wrestlers on one side and part of a horse and star on the other. The inscription gives the name of a city in Pamphylian. • Small silver half drachm. Heracles wearing a lionskin is shown on the obverse and Zeus seated, holding eagle and sceptre on the reverse. • Silver tetradrachm. Athens 450 – 400 BC. This coin design was very poular and shows the goddess Athena in a helmet and has her sacred bird the Owl and an olive sprig on the reverse. Coin values The Greeks didn’t write a value on their coins. Value was determined by the material the coins were made of and by weight. A gold coin was worth more than a silver coin which was worth more than a bronze one. A heavy coin would buy more than a light one. 12 chalkoi = 1 Obol 6 obols = 1 drachm 100 drachma = 1 mina 60 minas = 1 talent An unskilled worker, like someone who unloaded boats or dug ditches in Athens, would be paid about two obols a day. -
Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
Gerald Deslandes March 2018
The Religious Art of Sicily: 600 BC – 1200 AD A study day comprising three lectures by Gerald Deslandes 7 March 2018: 10.30 - 15.30 Perseus Slaying Medusa c 550 B.C. from Temple C at Selinunte Winchester Art History Group www.wahg.org.uk 1 Phoenician Libation Bowl, 8�� Century BC The traditional way of describing the early religious art of Sicily is to present it as a product of distinct political and religious cultures and as part of a wider narrative of conflict between east and west. It is true that there is evidence of a struggle between Greek and Phoenician influences from about 750 BC, which is mirrored in the rivalry of the Carthaginians and the Romans from 264 BC. After the fall of Rome in 476 the island came under the sway of the Byzantines in 728 AD and of the Arabs in 840 AD. The conversion of Byzantine churches to Islamic mosques that took place was then reversed during the Norman era from 1038 to 1194 AD. The difference was that instead of reverting to Byzantine authority, they came under the aegis of the Lateran tradition of the pope in Rome. For these reasons it is tempting to compare Count Roger’s seizure of Palermo in 1071 to the reconquest of Cordoba in 1080 or the launching of the first Crusade in 1095. Yet the political and religious identity of Europe that these struggles helped to define was still largely undetermined at the 2 end of the Norman era. In the ancient world the links between all four corners of the Mediterranean are evoked by Plato’s description of the great cultures of antiquity as grouped around it ‘like frogs around a pond’. -
Agricultural Practices in Ancient Macedonia from the Neolithic to the Roman Period
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by International Hellenic University: IHU Open Access Repository Agricultural practices in ancient Macedonia from the Neolithic to the Roman period Evangelos Kamanatzis SCHOOL OF HUMANITIES A thesis submitted for the degree of Master of Arts (MA) in Black Sea and Eastern Mediterranean Studies January 2018 Thessaloniki – Greece Student Name: Evangelos Kamanatzis SID: 2201150001 Supervisor: Prof. Manolis Manoledakis I hereby declare that the work submitted is mine and that where I have made use of another’s work, I have attributed the source(s) according to the Regulations set in the Student’s Handbook. January 2018 Thessaloniki - Greece Abstract This dissertation was written as part of the MA in Black Sea and Eastern Mediterranean Studies at the International Hellenic University. The aim of this dissertation is to collect as much information as possible on agricultural practices in Macedonia from prehistory to Roman times and examine them within their social and cultural context. Chapter 1 will offer a general introduction to the aims and methodology of this thesis. This chapter will also provide information on the geography, climate and natural resources of ancient Macedonia from prehistoric times. We will them continue with a concise social and cultural history of Macedonia from prehistory to the Roman conquest. This is important in order to achieve a good understanding of all these social and cultural processes that are directly or indirectly related with the exploitation of land and agriculture in Macedonia through time. In chapter 2, we are going to look briefly into the origins of agriculture in Macedonia and then explore the most important types of agricultural products (i.e.