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• c I N E M A G • PRODUCTION GUIDE by Linda Gorman and John Timmins dys Hadaya. Pierre Magny. Ernesto Echevarria. Barlow story ed./sc. counsul. David Cole d. Les Seigel p. ed. Stephen Lawrence. George Sonia Benezra. Bassir Dany Rajjab. David George McCowan 1st a.d. Phil Mead unit man. Appleby. Gillian Jones . Evan Land is story ed. Weinstein pub. Johanne Samuel (514) 284- Lars Dahl des. Milt Parcher d.o.p. Nick Evde­ Jana Veverka sd. ed. Fred Brennon st. typist he following is a list of films in production (actually before cameras) 3464. mon ed. Vincent Kent casting Doug Barnes Shannon G. Casey res. Madeleine Hardin d. and in negotiation in Canada. Needless to say, the films which are casting asst. Judy Pike I.p. Louis Del Grande. Alan Simmonds. Ken Jubenvill . Stan Olsen, Tstill in the project stage are subject to changes. A third category,ln Janet-Laine Green. Martha Gibson pub. David Brad Turner 1st a.d. J.P. Finn . Gordon Mark Pre-Production, will be used to indicate films which are in active pre-pro­ BCTV McCaughna (416) 975-7168 2nd a.d. T.W. Peacocke 3rd. a.d. Mickey duction, having set a date for the beginning of principal photography and Mackay casting Trish Robinson. Stuart Aikens (604) 420-2288 cont. Candice Field lac. man . Rob McLaren being engaged in casting and crewing. Films are listed by the name of the ZIG ZAG STREET LEGAL lac. asst. Nanci Larman p. acct. Lisa Richard­ company which initiated the project, or with which the project is popularly TV series. One-half hours of comedy magazine Series of 6 x I -hour episodes shooting May to son ass\. acct. Wendy O'Neill art d. Jill Scott associated. This is not necessarily the name of the production company. style for pre-teens. Shooting sporadically from October t986. To be telecast in the 1986-87 art dep\. trainee Eric Norlin props master Dan Where the two companies are different, the name of the production com­ May to September. p./d. Ross Sullivan sc. Ross season. Pilot was titled Shellgame. Exec. p. Sissons asst. props Robert Stelmach set dec. pany, if known, is also given. In instances where a producer has asked us Sullivan, Bill Reiter. Erick Dacommun . Maryke McEwen p. Bonita Siegel. Duncan Lesley Beale canst. coord. Stuart Ennis d.o.p. not to list a project, or to withhold certain credits due to ongoing negotiations, Lamb. d. Alan Erlich. Mort Ransen . Randy Brad­ Bob Ennis cam. op. Curt Petersen 1st asst. cam. Joel Ranson 2nd ass\. cam. Gary Kenne­ we have respected his request. The guide only lists productions or series shaw sc. William Deverell, Marc Strange. Ian CBCITORONTO Adams. Larry Gaynor, Ian Sutherland. Judith dy sd. mix. Martin Fossum boom John Harling whose duration will be one hour or over. Thompson. Don Truckey d.o.p. Brian R.R. gaffer Barry Reid best boy Fred J. Boyd gen­ Please telephone additions and up-dates information to : (416) 975-3311 Hebb I.p. Sonja Smits. Eric Peterson , C. David nle op. John Helme key grip Davie Humphreys Cinema Canada (416) 596-6829 or (514) 272-5354 CHASING RAINBOWS Johnson , Mark Saunders. Maria Ricossa, Tanja best boy Ben Rusi head ward. Jane Grose A 13 x I-hour drama series set in Montreal in the Jacobs pub. Jan Oddie (416) 975-7169. ward. asst. Lynn Kelly make-up Todd A. Meln- , tash hair Janet Sala I.p. Donnelly Rhodes . Su­ FILM CREDIT ABBREVIATIONS ea~y 1920s. Shooting began in Toronto April IS for 18 months. For broadcast in January. 1988 san Walden. Christopher Crabb, Ocean Heil­ d. director assl d. assistant director s.c. script adapt. adaptation dial. dialogue ph.ldop. man. Hagan Beggs. Michele B. Chan. Kate photography sp. ph. efx. special photographic effects ed. ednor sup. ed. supervising editor Co-production between CBC and Northemlighl CBC VANCOUVER and Picture. Exec. p. Mark Blandford p. Louise Lynch pub. Ingrid McDougall, Wendi Laski sd. sound sd. ed. sound editor sd. rec. sound recording p. des. production designer art. d. (604) 662-6241 (604) 685-8311. art director set dec. set decorator m. music cost costumes I.p. leading players exec. p. Turcotte Gerlach. John Galt (NL & P) p. des David Moe (NL & P) assoc. p. Charles Pantus( executive producer p. producer assoc. p. associate producer line p. line producer p. sup. THE BEACHCOMBERS (NL & P) CBC engineer Keith Field assoc. p.lp. production supervisor p. man. production manager p.c. production company dist. distributor 20 episodes of TV series begins production prod. Karen Lapoint p. man. Dwight Gallinger An asterisk (*) following the film's title indicates financial participation by Telefjlm Canada's April 3 continuing to mid-September. Exec. p. unit man. Alan MacPherson p. acct. Bev Don S. Williams d. John Juliani. Brian McEwan. DEMOCRACY Broadcast Program Development Fund. Smithyman art d. -Roy Kellar artist Valerie Charles Wilkinson, Neil Fernley. White sc. Douglas Bowie d. William Fruet 1st FILMS LTD. a.d. Stacey Curtis 2nd a.d. David Webb 3rd (416) 925-2620 a.d. Ross Clyde 4th a.d. Rico Gerussi cant. COMMUNICATIONS ON LOCATION Brooks McGrath Field p. sec. Donna Devion, THE STRUGGLE Bernice Quiggan sp. asst. Lynn McGrath d.o.p. CLAUDE HEROUX John Galt cam. asst. Wolfe Ruck, Andre Favron FOR DEMOCRACY gaffer Paul Morrison lighting Len Watier. Dave INC. Television series of ten one-hour programs VENGEANCE Rowan, Dave 0001 sci. Tom Bilenkey boom (514) 842-6633 created and hosted by Patrick Watson in associ­ ACPAVlONF Mini-series for HBO and CTV based on George Larry Kent des. coord. Bill Parry staging Steve ation with Central Television (Brttain). CBC. (514) 849-1381 Jonas novel of same tttle. Shooting for 10 weeks Lemberg staging crew Ken Gray. Derek LANCE ET COMPTE Telefilm Canada and Petro Canada. A personal TELECLIP beginning March 30 in Israel: Rome. London. Loomes set dec. Armando Sgrignuoli, Michael Television series of thirteen one-hour episodes essay. To begin shooting in early July until June Paris, New York, Montreal and Quebec Cijy. Happy props Ron Ror, Michael Tawton cost. shooting in Montreal and Quebec Cijy until July 1987 in 34 countries. Exee. p. Michael A. Levine Series of 13 x one·half hours. Co-production p. (Canada) Pat Watson, Ted Remerowski, wijh the ONF. Shooting May, June, July, Au· Montreal shoot scheduled for April 30 to end of des. Suzanne Mess cost. Muriel Sampson, 16. 1986. With the participation of Societe ge­ Michael Harris, Ti Nicholls, Bruce Cordier Nancy Button assoc. p. Caroline Furey Bam­ gust. p. Marcel G. Sabourin line p. ONF Roger May. p. Robert Lantos p. man. Joyce Kozy King nerale du cinema and Telefilm Canada. p. Clau­ d. Michael Anderson st. Chris Bryant d.o.p. make-up Daisy Bijac hair Anita Miles sp. elx. de Heroux d. Jean-Claude Lord p. man. Bill ford dJsc. Michael Gerrard, George James d. Otif sc. Daniel Beauvais d. Michel Beriaun asst. Claude Agostini 1st a.d. Pierre Magny ed. Ron Douglas Wardle graphics Jeff Cheesbrough Wiggins a.d. Kim Berlin, Francine Langlois (Britain) David Gerrard ac. Patrick Watson. Ted d. Monique Turcotte orlg. mus. Norman Roger asst. art d. Gordon White. Dennis Davenport Remerowski d.o.p. Nick Evdeman. Key loca­ p. coord. Francis Beay. Wiseman p. des. Trevor Williams sci. Claude d.o.p. Bernard Chentier sci. Henri Blondeau art Hazanavicius cont. Monique Champagne ma­ casting Dorothy Gardner. Claire Hewitt casting d. Dominique Richard (remaining eps.) t.p. Ca­ tions include Greece. USA, UK, Argentina and keup Marie-Angel Protat hair Gaetan Noiseux asst. Brenda McConnell. Jeanette Nelson orlg. rol Marotte sc. Louis Caron. Rejean Tremblay Soviet Bloc countries. ALLIANCE cam. op. AI Smtth p. coord. Debbie Zwicker, music Neil Chotem p. coord: Marlene lawr­ Interpreter Catherine Varga see. to p. Francine Jean Gerin set dee. Steve Shewchuck unit & ence I.p. Paul Gross. Michael Riley, Julie Labreque unlt. man. Pierre Laberge offset unit ENTERTAINMENT toc. man. Franyois Leclerc props. Ronald Fau­ Stewart, Booth Savage. Lewis Gordon. Louise man Paul Bujold p. sec. Uz Aliesiev p. aeet. CORPORATION teux, Marc Figuet cost. des. Laurie Drew asst. Lapare, Alison MacLeod. Sophie Leger. Kim Yvette Duguet p. asst. Gilbert Lucu 1st a.d. DESTINE FILMS cost. des. Louise Gagne sci. ed. Jim Hopkins Cayer. Malika Mendez. Peter Boretski. Hal Frank Ruszcynski cast. Hel/me Robitaille cont. (204) 888-6277 Head Office (416) 967-1174 sp. efx. coord. Jacques Godbout p. acct. Ma­ Eisen, Gillie Fenwick. Patricia Hamilton. Gene Marie Daoust ass\. cam. Jean-Mark Casavant non Bougie-Boyer assl acct Ully Partheniou p. Dinovi. Barry Stevens, Usa Bunting, Christ­ boom Pierre Blain sets Jean Bourret. Michele NIGHT HEAT coordJMontreal Micheline Cadieux asst. to p. opher Earle, Jack Jessop, Claude Bede, Lee J. Moulin props. Claude Charbonneau asst. SAVANNAH ELECTRIC Weekly television series for CBS and CTV net· Rola layed toc. scout Ken Korrall2nd a.d. Ma­ Campbell. pub. Jo-Ann Zoon (41S) 975-7167. props. Real Baril make-up Louise Mignault Low-budget feature film; a science fiction ad­ works. Shooting 22 x ,·hour episodes in To­ deleine Henrie 3rd a.d. Vicky Frodsham asst. hair Richard Hansen cost. des. Denise Le­ venture . Shooting in Winnipeg for completion in ronto from July '86 to April '87. exec. p. Sonny cam_ Robert Guertin, Jacques F. Bernier stills THE LAST SEASON mieux asst. cost Sylvie Clement dresser Ma­ ,A,ugus\. pJdJscJd.o.p. Perry Mark Stratychuk. Grosso, Larry Jacobson exec. story ed. Phillip Alex Dukay boom Thierry Morlaas dresser Three-hour TV movie about a fictional NHL rianne Carter gaffer Yves Charbonneau best Rosenberg IUp.
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  • University of California Riverside

    University of California Riverside

    UNIVERSITY OF CALIFORNIA RIVERSIDE Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ezekiel Crago June 2019 Dissertation Committee: Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson Dr. Carole-Anne Tyler Copyright by Ezekiel Crago 2019 The Dissertation of Ezekiel Crago is approved: __________________________________________ __________________________________________ Committee Co-Chairperson __________________________________________ Committee Co-Chairperson University of California, Riverside Acknowledgments I wish to thank my committee chairs, Sherryl Vint and Derek Burrill, for their constant help and encouragement. Carole-Anne Tyler helped me greatly by discussing gender and queer theory with me. Josh Pearson read drafts of chapters and gave me invaluable advice. I was able to work out chapters by presenting them at the annual conference of the Science Fiction Research Association, and I am grateful to the members of the organization for being so welcoming. I owe Erika Anderson undying gratitude for meticulously aiding me in research and proofreading the entire project. iv ABSTRACT OF THE DISSERTATION Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema by Ezekiel Crago Doctor of Philosophy, Graduate Program in English University of California, Riverside, June 2019 Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson This study investigates anxieties over the role of white masculinity in American society after World War Two articulated in speculative films of the post-apocalypse. It treats the nascent genre of films as attempts to recenter white masculinity in the national imagination while navigating the increased visibility of this subject position, one that maintains dominance in society through its invisibility as superordinate standard of manhood.